Performing Place, Practising Memories

Rosita Henry is an Associate Professor of Anthropology and a Fellow of the Cairns Institute, James Cook University, Australia. She is coeditor of The Challenge of Indigenous Peoples: Spectacle or Politics? (2011) and author of numerous articles on the political anthropology of place and performance.

" - a rich ethnography that tracks the social, cultural and spatial becoming of a place. Clearly inspired by the powerful emergence of place studies and consciousness around the constructed nature of place and place meaning - Henry does her discipline's primary method of ethnography proud and offers a riveting account of life in place through the lens of multiple stakeholders, place contestants and vested interests - A stratigraphic peeling away of these layers, from their origins in Indigenous ancestral making to the contemporary construction of meaning and value in architectural efforts and forced social arrangements, reveals much about Australia's past and present and the politics of reconciliation and intercultural dialogue." * European Journal of Communication "This is a detailed, closely argued ethnography, which points at a potential way forward. The notion that identities are co-constituted and should not be treated as pre-existing or monolithic is, in itself, not new. But Henry's event-centred analysis of their reproduction in a single Australian town is interesting, as is her work on the various kinds of white people that belong in Kuranda, and whose identities are formed as much in relation to each other, as they are against racialised difference." * Oceania "This book makes an original contribution to contemporary ethnography in a number of ways. It is a detailed documentation of the historical emergence and transformation of the alternative lifestyle movement and so it will be of interest not only to anthropologists working on western society but also to other social scientists interested in contemporary popular culture." * Andrew Lattas, University of Bergen

• Table of Contents List of Figures and Maps Preface Acknowledgements Chapter 1. Introducing Place: Fieldwork and Framework Chapter 2. Colonising Place: The Mutilation of Memory Chapter 3. Countering Place: Hippies, Hairies and 'Enacted Utopia' Chapter 4. Performing Place: Amphitheater Dramas Chapter 5. Commodifying Place: The Metamorphosis of the Markets Chapter 6. Planning Place: Main Street Blues Chapter 7. Dancing Place: Cultural Renaissance and Tjapukai Theatre Chapter 8. Protesting Place: Environmentalists, Aborigines and the Skyrail Chapter 9. Creating Place: The Production of a Space for Difference References Index