Space and Place – serie

The contributors in this volume, which is inspired and dedicated to Charles Tilly, deal with the manner in which particular Mediterranean spaces (at regional, state, and neighbourhood levels) are being reconfigured in the light of struggles over rights, resources and identities.

Ernst L. Freud (1892–1970) was a son of Sigmund Freud and the father of painter Lucian Freud and the late Sir Clement Freud, politician and broadcaster. After his studies in Munich and Vienna, where he and his friend Richard Neutra attended Adolf Loos’s private Bauschule, Freud practiced in Berlin and, after 1933, in London. Even though his work focused on domestic architecture and interiors, Freud was possibly the first architect to design psychoanalytical consulting rooms—including the customary couches—a subject dealt with here for the first time. By interweaving an account of Freud’s professional and personal life in Vienna, Berlin, and London with a critical discussion of selected examples of his domestic architecture, interior designs, and psychoanalytic consulting rooms, the author offers a rich tapestry of Ernst L. Freud’s world. His clients constituted a “Who’s Who” of the Jewish and non-Jewish bourgeoisie in 1920s Berlin and later in London, among them the S. Fischer publisher family, Melanie Klein, Ernest Jones, the Spenders, and Julian Huxley. While moving within a social class known for its cultural and avant-garde activities, Freud refrained from spatial, formal, or technological experiments. Instead, he focused on creating modern homes for his bourgeois clients.

Conflicting and competing claims over the actual and imagined use of land and seascapes are exacerbated on islands with high population density. The management of culture and heritage is particularly tested in island environments where space is finite and the population struggles to preserve cultural and natural assets in the face of the demands of the construction industry, immigration, high tourism and capital investment. Drawn from extreme island scenarios, the ten case studies in this volume review practices and policies for effective heritage management and offer rich descriptive and analytic material about land-use conflict. In addition, they point to interesting, new directions in which research, public policy and heritage management intersect.

During the 1970s a wave of ‘counter-culture’ people moved into rural communities in many parts of Australia. This study focuses in particular on the town of Kuranda in North Queensland and the relationship between the settlers and the local Aboriginal population, concentrating on a number of linked social dramas that portrayed the use of both public and private space. Through their public performances and in their everyday spatial encounters, these people resisted the bureaucratic state but, in the process, they also contributed to the cultivation and propagation of state effects.

Examining the way people imagine and interact in their cities, this book explores the post-cosmopolitan city. The contributors consider the effects of migration, national, and religious revivals (with their new aesthetic sensibilities), the dispositions of marginalized economic actors, and globalized tourism on urban sociality. The case studies here share the situation of having been incorporated in previous political regimes (imperial, colonial, socialist) that one way or another created their own kind of cosmopolitanism, and now these cities are experiencing the aftermath of these regimes while being exposed to new national politics and migratory flows of people.

Real places and events are constructed and used to symbolize abstract formulations of power and authority in politics, corporate practice, the arts, religion, and community. By analyzing the aesthetics of public space in contexts both mundane and remarkable, the contributors examine the social relationship between public and private activities that impart meaning to groups of people beyond their individual or local circumstances. From a range of perspectives—anthropological, sociological, and socio-cultural—the contributors discuss road-making in Peru, mass housing in Britain, an unsettling traveling exhibition, and an art fair in London; we explore the meaning of walls in Jerusalem, a Zen garden in Japan, and religious themes in Europe and India. Literally and figuratively, these situations influence the ways in which ordinary people interpret their everyday worlds. By deconstructing the taken for- granted definitions of social value (democracy, equality, individualism, fortune), the authors reveal the ideological role of imagery and imagination in a globalized political context.

For displaced persons, memory and identity is performed, (re)constructed, and (re)negotiated daily. Forced displacement radically reshapes identity, from successful hybridization to feelings of permanent misplacement. This compelling and intimate description about places of pain and (be)longing that were lost during the 1992 - 95 war in Bosnia and Herzegovina, as well as the survivors' new places of resettlement in Australia, Europe and North America, serves as a powerful reminder that the constant interplay between place, memory and identity is always complicated - but even more so when place has been vandalized, divided up, butchered, scarred. These places of humiliation and suffering are also places of desire, with survivors determined to keep alive their lost local places in the far corners of the globe.

Cultural diversity — the multitude of different lifestyles that are not necessarily based on ethnic culture — is a catchphrase increasingly used in place of multiculturalism and in conjunction with globalization. Even though it is often used as a slogan it does capture a widespread phenomenon that cities must contend with in dealing with their increasingly diverse populations. The contributors examine how Russian cities are responding and through case studies from Moscow, St. Petersburg, Novosibirsk, and Sochi explore the ways in which different cultures are inscribed into urban spaces, when and where they are present in public space, and where and how they carve out their private spaces. Through its unique exploration of the Russian example, this volume addresses the implications of the fragmented urban landscape on cultural practices and discourses, ethnicity, lifestyles and subcultures, and economic practices, and in doing so provides important insights applicable to a global context.

Capital cities have been the seat of political power and central stage for their state’s political conflicts and rituals throughout the ages. In the modern era, they provide symbols for and confer meaning to the state, thereby contributing to the “invention” of the nation. Capitals capture the imagination of natives, visitors and outsiders alike, yet also express the outcomes of power struggles within the political systems in which they operate. This volume addresses the reciprocal relationships between identity, regime formation, urban planning, and public architecture in the Western world. It examines the role of urban design and architecture in expressing (or hiding) ideological beliefs and political agenda.  Case studies include “old” capitals such as Rome, Vienna, Berlin and Warsaw; “new” ones such as Washington DC, Ottawa, Canberra, Ankara, Bonn, and Brasília; and the “European” capital Brussels. Each case reflects the authors’ different disciplinary backgrounds in architecture, history, political science, and urban studies, demonstrating the value of an interdisciplinary approach to studying cities.

Mythologies and narratives of victimization pervade contemporary Croatia, set against the backdrop of militarized notions of masculinity and the political mobilization of religion and nationhood. Based on extensive ethnographic fieldwork in rural Dalmatia in the Croatian-Bosnian border region, this book provides a unique account of the politics of ambiguous Europeanness from the perspective of those living at Europe’s margins. Examining phenomena such as Marian apparitions, a historic knights tournament, the symbolic re-signification of a massacre site, and the desolate social situation of Croatian war veterans, Narrating Victimhood traces the complex mechanisms of political radicalization in a post-war scenario. This book provides a new perspective for understanding the ongoing processes of transformation in Southeastern Europe and the Balkans.

A benchmark study in the changing field of urban anthropology, Berlin, Alexanderplatz is an ethnographic examination of the rapid transformation of the unified Berlin. Through a captivating account of the controversy around this symbolic public square in East Berlin, the book raises acute questions about expertise, citizenship, government and belonging. Based on ethnographic fieldwork in the city administration bureaus, developers' offices, citizen groups and in Alexanderplatz itself, the author advances a richly innovative analysis of the multiplicity of place. She reveals how Alexanderplatz is assembled through the encounters between planners, citizen activists, social workers, artists and ordinary Berliners, in processes of popular participation and personal narratives, in plans, timetables, documents and files, and in the distribution of pipes, tram tracks and street lights. Alexanderplatz emerges as a socialist spatial exemplar, a 'future' under construction, an object of grievance, and a vision of robust public space.This book is both a critical contribution to the anthropology of contemporary modernity and a radical intervention in current cross-disciplinary debates on the city.

More than two decades of deconstruction, renovation, and reconstruction have left the urban environments in the former German Democratic Republic completely transformed. This volume considers the changing urban landscapes in the former East — and how the filling of previous absences and the absence of previous presence — creates the cultural landscape of modern unified Germany. This broadens our understanding of this transformation by examining often-neglected cities, spaces, or structures, and historical narration and preservation.

Covering a period from the late eighteenth century to today, this volume explores the phenomenon of urban violence in order to unveil general developments and historical specificities in a variety of Middle Eastern contexts. By situating incidents in particular processes and conflicts, the case studies seek to counter notions of a violent Middle East in order to foster a new understanding of violence beyond that of a meaningless and destructive social and political act. Contributions explore processes sparked by the transition from empires — Ottoman and Qajar, but also European — to the formation of nation states, and the resulting changes in cityscapes throughout the region.

Examining the way people imagine and interact in their cities, this book explores the post-cosmopolitan city. The contributors consider the effects of migration, national, and religious revivals (with their new aesthetic sensibilities), the dispositions of marginalized economic actors, and globalized tourism on urban sociality. The case studies here share the situation of having been incorporated in previous political regimes (imperial, colonial, socialist) that one way or another created their own kind of cosmopolitanism, and now these cities are experiencing the aftermath of these regimes while being exposed to new national politics and migratory flows of people.

During the 1970s a wave of 'counter-culture' people moved into rural communities in many parts of Australia. This study focuses in particular on the town of Kuranda in North Queensland and the relationship between the settlers and the local Aboriginal population, concentrating on a number of linked social dramas that portrayed the use of both public and private space. Through their public performances and in their everyday spatial encounters, these people resisted the bureaucratic state but, in the process, they also contributed to the cultivation and propagation of state effects.

For displaced persons, memory and identity is performed, (re)constructed and (re)negotiated daily. Forced displacement radically reshapes identity, with results ranging from successful hybridization to feelings of permanent misplacement. This compelling and intimate description of places of pain and (be)longing that were lost during the 1992–95 war in Bosnia and Herzegovina, as well as of survivors’ places of resettlement in Australia, Europe and North America, serves as a powerful illustration of the complex interplay between place, memory and identity. It is even more the case when those places have been vandalized, divided up, brutalized and scarred. However, as the author shows, these places of humiliation and suffering are also places of desire, with displaced survivors emulating their former homes in the far corners of the globe where they have resettled.

In recent decades, the insight that narration shapes our perception of reality has inspired and influenced the most innovative historical accounts. Focusing on new research, this volume explores the history of non-elite populations in cities from Caracas to Vienna, and Paris to Belgrade. Narration is central to the theme of each contribution, whether as a means of description, a methodological approach, or basic story telling. This book brings together research that both asks classical socio-historical questions and takes narration seriously, engaging with novels, films, local history accounts, petitions to municipal authorities, and interviews with alternative cinema activists.

In Southeast Europe, the Balkans, and Middle East, scholars often refer to the “peaceful coexistence” of various religious and ethnic groups under the Ottoman Empire before ethnonationalist conflicts dissolved that shared space and created legacies of division. Post-Ottoman Coexistence interrogates ways of living together and asks what practices enabled centuries of cooperation and sharing, as well as how and when such sharing was disrupted. Contributors discuss both historical and contemporary practices of coexistence within the context of ethno-national conflict and its aftermath.

Mythologies and narratives of victimization pervade contemporary Croatia, set against the backdrop of militarized notions of masculinity and the political mobilization of religion and nationhood. Based on extensive ethnographic fieldwork in rural Dalmatia in the Croatian-Bosnian border region, this book provides a unique account of the politics of ambiguous Europeanness from the perspective of those living at Europe’s margins. Examining phenomena such as Marian apparitions, a historic knights tournament, the symbolic re-signification of a massacre site, and the desolate social situation of Croatian war veterans, Narrating Victimhood traces the complex mechanisms of political radicalization in a post-war scenario. This book provides a new perspective for understanding the ongoing processes of transformation in Southeastern Europe and the Balkans.

Though long-associated with violence, the Caucasus is a region rich with spirituality. Based on fresh ethnographies and studies of sacred sites in Georgia, Armenia, Azerbaijan and Russia, Sacred Places, Emerging Spaces discusses vanishing and emerging sacred places in the multi-ethnic and multi-religious post-Soviet Caucasus. In exploring the effects of de-secularization, growing institutional control over hybrid sacred sites, and attempts to review social boundaries between the religious and the secular, these essays give way to an emergent Caucasus viewed from the ground up: dynamic, continually remaking itself, within shifting and indefinite frontiers.

Covering a period from the late eighteenth century to today, this volume explores the phenomenon of urban violence in order to unveil general developments and historical specificities in a variety of Middle Eastern contexts. By situating incidents in particular processes and conflicts, the case studies seek to counter notions of a violent Middle East in order to foster a new understanding of violence beyond that of a meaningless and destructive social and political act. Contributions explore processes sparked by the transition from empires — Ottoman and Qajar, but also European — to the formation of nation states, and the resulting changes in cityscapes throughout the region.

Based on extensive ethnographic research, this book investigates the construction of the world’s highest Orthodox cathedral in Bucharest, Romania. Through the notion of re-consecration, the book brings together sociological and anthropological scholarship on eastern Christianity, secularization, post-socialist urban change and nationalism in a vivid account of societal transformation. The book identifies the structures of political and economic power, which allowed its fast construction, and why the state wanted such a religious revival of the urban space.

Founded in the late 1960s on Chile's Pacific coast, the Open City (la Ciudad Abierta) has become an internationally recognized site of cutting-edge architectural experimentation. Yet with a global reputation as an apolitical collective, little has been discussed about the Open City's relationship with Chilean history and politics. Politics of the Dunes explores the ways in which the Open City's architectural and urban practice is devoted to keeping open the utopian possibility for multiplicity, pluralism, and democratization in the face of authoritarianism, a powerful mode of postcolonial environmental urbanism that can inform architectural practices today.

The age-old trivialization of girls and devaluation of youth cultures has led to a disregard of dolls as legitimate sources of documentary evidence, even among scholars. It was not until the late nineteenth century that changing notions of childhood first gave rise to research on children, and a new appreciation of the social importance of play. Deconstructing Dolls explores the role of dolls in girlhood and young womanhood, seeking to understand the historical and contemporary significance of dolls particularly as they relate social meanings in the lives of girls.

The resettlement of the Negev Bedouin (Israel) has been wrought with controversy since its inception in the 1960s. Presenting evidence from a two-decade period, the author addresses how the changes that took place over the past sixty to seventy years have served the needs and interests of the State rather than those of Bedouin community at large. While town living fostered improvements in social and economic development, numerous unintended consequences jeopardized the success of this planning initiative. As a result, the Bedouin community endured excessive hardship and rapid change, abandoning its nomadic lifestyle and traditions in response to the economic, political, and social pressure from the State—and received very little in return.

In Southeast Europe, the Balkans, and Middle East, scholars often refer to the “peaceful coexistence” of various religious and ethnic groups under the Ottoman Empire before ethnonationalist conflicts dissolved that shared space and created legacies of division. Post-Ottoman Coexistence interrogates ways of living together and asks what practices enabled centuries of cooperation and sharing, as well as how and when such sharing was disrupted. Contributors discuss both historical and contemporary practices of coexistence within the context of ethno-national conflict and its aftermath.

Formerly the gateway to the French empire, the city of Marseille exemplifies a postcolonial Europe reshaped by immigrants, refugees, and repatriates. The Marseille Mosaic addresses the city’s past and present, exploring the relationship between Marseille and the rest of France, Europe, and the Mediterranean. Proposing new models for the study of place by integrating approaches from the humanities and social sciences, this volume offers an idiosyncratic “mosaic,” which vividly details the challenges facing other French and European cities and the ways residents are developing alternative perspectives and charting new urban futures.

The Yenidze Cigarette Factory of 1909 was constructed as an industrial, architectural object that advertised Dresden as a center for the tobacco trade. Born from a unique client-architect relationship between Hugo Zietz and Martin Hammitzsch, the factory’s importance to modernism has been understated. Smoke and Mirrors uncovers the history of the factory’s planning, design, and construction, and for the first time, apart from the building’s historical narrative, positions this addition to Dresden’s skyline within the formative histories of the modern movement.

Drawing on the concept of biopower and projecting it into the realm of the city, this book explores a multidisciplinary comparative analysis of two countries – Estonia and Ukraine – from the viewpoint of urban biopolitics, a concept that allows us to see how various groups of urban populations come into life and why their lifestyles matter for political calculations. It dissects the interconnections between the geopolitical conditions of military conflict with Russia in Ukraine and European institutional membership in Estonia, and forms of urban biopolitical governance. In doing so, the book highlights how cities become sites where global pressures and local political management converge.