Andrew David Jackson is currently Associate Professor of Korean Studies at Monash University, Melbourne. Before this, he taught Korean Studies at the University of Copenhagen, Denmark. He obtained his Ph.D. in Korean history from the School of Oriental and African Studies, the University of London, in 2011, and he wrote a dissertation on the Musin rebellion of 1728. As well as premodern history, Andrew is interested in modern Korean history and society, North and South Korean film, and theories of rebellion and revolution.

• Chapter 1: The Two Koreas and their Global Engagements.- Part 1: Film.- Chapter 2: The Dictator’s Daughter and The Rising Sun: Scars of Colonialism in South Korean Cinema during the Park Geun-hye Era.- Chapter 3: Fighting “The Man”: the Production of Historical Knowledge in Cho Kǔn-hyŏn’s 26 Year.- Chapter 4: Squaring the Circle: The Schoolgirl’s Diary and North Korean Film in the Era of   Marketization.- Part 2: Music.- Chapter 5: Singing Through Impossible Modernization: Sopyonje and National Cinema in the Era of Globalization.- Chapter 6: Valorizing the Old: Honoring Aging Practitioners of Korean Traditions.- Chapter 7: The Transmedial Aesthetics of K-Pop Music Videos: References to Western Film Cultures.- Part 3: Transformed Language.- Chapter 8: Korean Language, Power, and National Identity.- Chapter 9: Swearing Granny Restaurants: An International Perspective on Rudeness in Korean.- Part 4: Society and Space.- Chapter 10: Korean “MulticulturalLiterature” and Discourses about Koreanness.- Chapter 11: Realizing “Filiality Rights”: The Role of Filial Piety in Localizing Human Rights in the Contemporary Korean Context.- Chapter 12: Natural Consequences for Koreans in Japan: the Fluid Nature of the Identity Formation of Chongryon Koreans.- Chapter 13: North Korea All at Sea: Aspiration, Subterfuge, and Engagement in a Global Commons, 2020, Dark Fleets and Empty Streets.- Index.

Andrew David Jackson is currently Associate Professor of Korean Studies at Monash University, Melbourne. Before this, he taught Korean Studies at the University of Copenhagen, Denmark. He obtained his Ph.D. in Korean history from the School of Oriental and African Studies, the University of London, in 2011, and he wrote a dissertation on the Musin rebellion of 1728. As well as premodern history, Andrew is interested in modern Korean history and society, North and South Korean film, and theories of rebellion and revolution.

• Chapter 1: The Two Koreas and their Global Engagements.- Part 1: Film.- Chapter 2: The Dictator’s Daughter and The Rising Sun: Scars of Colonialism in South Korean Cinema during the Park Geun-hye Era.- Chapter 3: Fighting “The Man”: the Production of Historical Knowledge in Cho Kǔn-hyŏn’s 26 Year.- Chapter 4: Squaring the Circle: The Schoolgirl’s Diary and North Korean Film in the Era of   Marketization.- Part 2: Music.- Chapter 5: Singing Through Impossible Modernization: Sopyonje and National Cinema in the Era of Globalization.- Chapter 6: Valorizing the Old: Honoring Aging Practitioners of Korean Traditions.- Chapter 7: The Transmedial Aesthetics of K-Pop Music Videos: References to Western Film Cultures.- Part 3: Transformed Language.- Chapter 8: Korean Language, Power, and National Identity.- Chapter 9: Swearing Granny Restaurants: An International Perspective on Rudeness in Korean.- Part 4: Society and Space.- Chapter 10: Korean “MulticulturalLiterature” and Discourses about Koreanness.- Chapter 11: Realizing “Filiality Rights”: The Role of Filial Piety in Localizing Human Rights in the Contemporary Korean Context.- Chapter 12: Natural Consequences for Koreans in Japan: the Fluid Nature of the Identity Formation of Chongryon Koreans.- Chapter 13: North Korea All at Sea: Aspiration, Subterfuge, and Engagement in a Global Commons, 2020, Dark Fleets and Empty Streets.- Index.

Andrew David Jackson is currently Associate Professor of Korean Studies at Monash University, Melbourne. Before this, he taught Korean Studies at the University of Copenhagen, Denmark. He obtained his Ph.D. in Korean history from the School of Oriental and African Studies, the University of London, in 2011, and he wrote a dissertation on the Musin rebellion of 1728. As well as premodern history, Andrew is interested in modern Korean history and society, North and South Korean film, and theories of rebellion and revolution.

• Chapter 1: The Two Koreas and their Global Engagements.- Part 1: Film.- Chapter 2: The Dictator’s Daughter and The Rising Sun: Scars of Colonialism in South Korean Cinema during the Park Geun-hye Era.- Chapter 3: Fighting “The Man”: the Production of Historical Knowledge in Cho Kǔn-hyŏn’s 26 Year.- Chapter 4: Squaring the Circle: The Schoolgirl’s Diary and North Korean Film in the Era of   Marketization.- Part 2: Music.- Chapter 5: Singing Through Impossible Modernization: Sopyonje and National Cinema in the Era of Globalization.- Chapter 6: Valorizing the Old: Honoring Aging Practitioners of Korean Traditions.- Chapter 7: The Transmedial Aesthetics of K-Pop Music Videos: References to Western Film Cultures.- Part 3: Transformed Language.- Chapter 8: Korean Language, Power, and National Identity.- Chapter 9: Swearing Granny Restaurants: An International Perspective on Rudeness in Korean.- Part 4: Society and Space.- Chapter 10: Korean “MulticulturalLiterature” and Discourses about Koreanness.- Chapter 11: Realizing “Filiality Rights”: The Role of Filial Piety in Localizing Human Rights in the Contemporary Korean Context.- Chapter 12: Natural Consequences for Koreans in Japan: the Fluid Nature of the Identity Formation of Chongryon Koreans.- Chapter 13: North Korea All at Sea: Aspiration, Subterfuge, and Engagement in a Global Commons, 2020, Dark Fleets and Empty Streets.- Index.