Dr. Fernando Ramos Arenas is Associate Professor of European Cinema History at theDepartment of Art History at Complutense University in Madrid, Spain, where he is also Key Staff Member of the Jean Monnet Chair Modern Times: European Audiovisual Heritage in an era ofTransformation: Access and Dissemination. Dr. Antonios Vlassis is Senior Researcher in the Center for International Relations Studies(CEFIR), University of Liège, Belgium, and Assistant Professor at the Department of Political Science,University of Liège. Dr. Mafalda Dâmaso is Researcher at Erasmus University Rotterdam, Visiting Fellow at the European University Institute, and Visiting Research Fellow at King’s College London, UK. Dr. Tuuli Lähdesmäki (PhD in Art History, DSocSc in Sociology) is an associate professor of Art History (tenure track) at the University of Jyväskylä (JYU), Finland. Dr. Katharine Sarikakis is full professor of Media Governance, Media Industries and Media Organisation at the Department of Communication the University of Vienna, Austria, and the Director ofthe Media Governance Research Lab since 2011.

• CHAPTER 1 The Governance of Competitiveness in the European Film Industry by Katharine Sarikakis, Antonios Vlassis and Tuuli Lähdesmäki.- Part A: Policies.- CHAPTER 2 EU Law and the Competitiveness of the Audiovisual Sector and the European Film Industry: The Trajectory of an Evolving Concept By Evangelia Psychogiopoulou, Apostolos Samaras and Laia Comerma.- CHAPTER 3 Young People and the European Film Industry: The Governance of “Near Misses” by Katharine Sarikakis, Angeliki Chatziefraimidou, Janina Jüngst and Gentiana Ramadani.- CHAPTER 4 Governing the European Film Industry by Prizes: The European Film Awards and the LUX European Audience Film Award by Tuuli Lähdesmäki and Kaisa Hiltunen.- CHAPTER 5 A Panoptic View of the Common European Data Space for Cultural Heritage Through the Lens of the European Film Industry by Pelin Turan and Caterina Sganga.- Part B: Practices.- CHAPTER 6 Shifting Imaginaries of European Cinema by Fernando Ramos Arenas.- CHAPTER 7 The Young Audience Award: Cultivating Future Audiences for European Cinema by Kaisa Hiltunen and Tuuli Lähdesmäki.- CHAPTER 8 European Film, Cinephilia and Digital Development: Filming as a Driver of Another Kind of Film Competitiveness by Laura Caballero Ruiz de Martín-Esteban.- CHAPTER 9 Creatitivity and Competitiveness in Film Music Composition by Jean-François Trubert, Julie Mansion-Vaquié.- Part C: Global Perspectives.- CHAPTER 10 Audiovisual Regulation of VOD Platforms in the EU and Latin America: Between Level-playing Field, Competitiveness and Rationality of Audiences by Marina Rossato Fernandes, Antonios Vlassis and Lucile Coenen.- CHAPTER 11 Mapping the European Film Industry in the Argentinian, Brazilian, Mexican, South African, South Korean and Turkish Markets: Roles, Trends and Gaps by Mafalda Dâmaso, Luis Albornoz, Mª Trinidad García Leiva, Isabela Vargas Miranda, Antonios Vlassis, Marina Rossato Fernandes, Lucile Coenen, Elif Akçalı, Melis Behlil and Ruken Doğu Erdede.- CHAPTER 12 Governance for Competitiveness and Equity in the Canadian Film Industry: Recent Comparisons with the European Union by Alison C. M. Beale.- Part D: Conclusions.- CHAPTER 13 Landscape in the Mist; Where Next for the European Film Industry and Its Competitiveness? By Mafalda Dâmaso, Fernando Ramos Arenas and Antonios Vlassis.

Dr. Fernando Ramos Arenas is Associate Professor of European Cinema History at theDepartment of Art History at Complutense University in Madrid, Spain, where he is also Key Staff Member of the Jean Monnet Chair Modern Times: European Audiovisual Heritage in an era ofTransformation: Access and Dissemination. Dr. Antonios Vlassis is Senior Researcher in the Center for International Relations Studies(CEFIR), University of Liège, Belgium, and Assistant Professor at the Department of Political Science,University of Liège. Dr. Mafalda Dâmaso is Researcher at Erasmus University Rotterdam, Visiting Fellow at the European University Institute, and Visiting Research Fellow at King’s College London, UK. Dr. Tuuli Lähdesmäki (PhD in Art History, DSocSc in Sociology) is an associate professor of Art History (tenure track) at the University of Jyväskylä (JYU), Finland. Dr. Katharine Sarikakis is full professor of Media Governance, Media Industries and Media Organisation at the Department of Communication the University of Vienna, Austria, and the Director ofthe Media Governance Research Lab since 2011.

• CHAPTER 1 The Governance of Competitiveness in the European Film Industry by Katharine Sarikakis, Antonios Vlassis and Tuuli Lähdesmäki.- Part A: Policies.- CHAPTER 2 EU Law and the Competitiveness of the Audiovisual Sector and the European Film Industry: The Trajectory of an Evolving Concept By Evangelia Psychogiopoulou, Apostolos Samaras and Laia Comerma.- CHAPTER 3 Young People and the European Film Industry: The Governance of “Near Misses” by Katharine Sarikakis, Angeliki Chatziefraimidou, Janina Jüngst and Gentiana Ramadani.- CHAPTER 4 Governing the European Film Industry by Prizes: The European Film Awards and the LUX European Audience Film Award by Tuuli Lähdesmäki and Kaisa Hiltunen.- CHAPTER 5 A Panoptic View of the Common European Data Space for Cultural Heritage Through the Lens of the European Film Industry by Pelin Turan and Caterina Sganga.- Part B: Practices.- CHAPTER 6 Shifting Imaginaries of European Cinema by Fernando Ramos Arenas.- CHAPTER 7 The Young Audience Award: Cultivating Future Audiences for European Cinema by Kaisa Hiltunen and Tuuli Lähdesmäki.- CHAPTER 8 European Film, Cinephilia and Digital Development: Filming as a Driver of Another Kind of Film Competitiveness by Laura Caballero Ruiz de Martín-Esteban.- CHAPTER 9 Creatitivity and Competitiveness in Film Music Composition by Jean-François Trubert, Julie Mansion-Vaquié.- Part C: Global Perspectives.- CHAPTER 10 Audiovisual Regulation of VOD Platforms in the EU and Latin America: Between Level-playing Field, Competitiveness and Rationality of Audiences by Marina Rossato Fernandes, Antonios Vlassis and Lucile Coenen.- CHAPTER 11 Mapping the European Film Industry in the Argentinian, Brazilian, Mexican, South African, South Korean and Turkish Markets: Roles, Trends and Gaps by Mafalda Dâmaso, Luis Albornoz, Mª Trinidad García Leiva, Isabela Vargas Miranda, Antonios Vlassis, Marina Rossato Fernandes, Lucile Coenen, Elif Akçalı, Melis Behlil and Ruken Doğu Erdede.- CHAPTER 12 Governance for Competitiveness and Equity in the Canadian Film Industry: Recent Comparisons with the European Union by Alison C. M. Beale.- Part D: Conclusions.- CHAPTER 13 Landscape in the Mist; Where Next for the European Film Industry and Its Competitiveness? By Mafalda Dâmaso, Fernando Ramos Arenas and Antonios Vlassis.

Dr. Fernando Ramos Arenas is Associate Professor of European Cinema History at theDepartment of Art History at Complutense University in Madrid, Spain, where he is also Key Staff Member of the Jean Monnet Chair Modern Times: European Audiovisual Heritage in an era ofTransformation: Access and Dissemination. Dr. Antonios Vlassis is Senior Researcher in the Center for International Relations Studies(CEFIR), University of Liège, Belgium, and Assistant Professor at the Department of Political Science,University of Liège. Dr. Mafalda Dâmaso is Researcher at Erasmus University Rotterdam, Visiting Fellow at the European University Institute, and Visiting Research Fellow at King’s College London, UK. Dr. Tuuli Lähdesmäki (PhD in Art History, DSocSc in Sociology) is an associate professor of Art History (tenure track) at the University of Jyväskylä (JYU), Finland. Dr. Katharine Sarikakis is full professor of Media Governance, Media Industries and Media Organisation at the Department of Communication the University of Vienna, Austria, and the Director ofthe Media Governance Research Lab since 2011.

• CHAPTER 1 The Governance of Competitiveness in the European Film Industry by Katharine Sarikakis, Antonios Vlassis and Tuuli Lähdesmäki.- Part A: Policies.- CHAPTER 2 EU Law and the Competitiveness of the Audiovisual Sector and the European Film Industry: The Trajectory of an Evolving Concept By Evangelia Psychogiopoulou, Apostolos Samaras and Laia Comerma.- CHAPTER 3 Young People and the European Film Industry: The Governance of “Near Misses” by Katharine Sarikakis, Angeliki Chatziefraimidou, Janina Jüngst and Gentiana Ramadani.- CHAPTER 4 Governing the European Film Industry by Prizes: The European Film Awards and the LUX European Audience Film Award by Tuuli Lähdesmäki and Kaisa Hiltunen.- CHAPTER 5 A Panoptic View of the Common European Data Space for Cultural Heritage Through the Lens of the European Film Industry by Pelin Turan and Caterina Sganga.- Part B: Practices.- CHAPTER 6 Shifting Imaginaries of European Cinema by Fernando Ramos Arenas.- CHAPTER 7 The Young Audience Award: Cultivating Future Audiences for European Cinema by Kaisa Hiltunen and Tuuli Lähdesmäki.- CHAPTER 8 European Film, Cinephilia and Digital Development: Filming as a Driver of Another Kind of Film Competitiveness by Laura Caballero Ruiz de Martín-Esteban.- CHAPTER 9 Creatitivity and Competitiveness in Film Music Composition by Jean-François Trubert, Julie Mansion-Vaquié.- Part C: Global Perspectives.- CHAPTER 10 Audiovisual Regulation of VOD Platforms in the EU and Latin America: Between Level-playing Field, Competitiveness and Rationality of Audiences by Marina Rossato Fernandes, Antonios Vlassis and Lucile Coenen.- CHAPTER 11 Mapping the European Film Industry in the Argentinian, Brazilian, Mexican, South African, South Korean and Turkish Markets: Roles, Trends and Gaps by Mafalda Dâmaso, Luis Albornoz, Mª Trinidad García Leiva, Isabela Vargas Miranda, Antonios Vlassis, Marina Rossato Fernandes, Lucile Coenen, Elif Akçalı, Melis Behlil and Ruken Doğu Erdede.- CHAPTER 12 Governance for Competitiveness and Equity in the Canadian Film Industry: Recent Comparisons with the European Union by Alison C. M. Beale.- Part D: Conclusions.- CHAPTER 13 Landscape in the Mist; Where Next for the European Film Industry and Its Competitiveness? By Mafalda Dâmaso, Fernando Ramos Arenas and Antonios Vlassis.