Passe-partout presents an insightful overview of the practice of Belgian conceptual artist D.D. Trans, known for his subtle transformations of everyday objects into poetic visual statements. Through minimal interventions and precise compositions, D.D. Trans challenges notions of function, context, and meaning, revealing the extraordinary within the ordinary. The book accompanies the exhibition of the same name at Mulier Mulier Gallery in Brussels, offering a detailed look at his most recent body of work, where mirrors, frames, cutlery, and domestic items become quietly subversive sculptural gestures. A prodigy of minimal surrealism in a Belgian way.This publication captures the refined humour and formal precision that define D.D. Trans’s artistic language. Combining photographic documentation of installations with essays that situate his work within broader dialogues of conceptual art, surrealism, and Belgian visual culture, Passe-partout invites readers to reconsider the boundaries between art and life. Both contemplative and playful, this book serves as a vital reference for collectors, curators, and anyone intrigued by the aesthetics of transformation.