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For many students, the experience of learning about and using qualitative methods can be bewildering. This book is an accessible step-by-step guide to conducting interview-based qualitative research projects. The authors discuss the 'hows' and 'whys' of qualitative research, showing readers the practices as well as the principles behind them. The book first describes how to formulate research questions suited to qualitative inquiry. It then discusses in detail how to select and invite research participants into a study and how to design and carry out good interviews. It next presents several ways to analyze interviews and provides readers with many worked examples of analyses. It also discusses how to synthesize findings and how to present them. Doing Interview-based Qualitative Research equips readers in disciplines such as psychology, sociology, education, counseling, nursing, and public health with the knowledge and skills necessary to embark on their own projects.

Does it seem you've formulated a rock-solid strategy, yet your firm still can't get ahead? If so, construct a solid foundation for business execution--an IT infrastructure and digitized business processes to automate your company's core capabilities. In Enterprise Architecture as Strategy: Creating a Foundation for Business Execution, authors Jeanne W. Ross, Peter Weill, and David C. Robertson show you how. The key? Make tough decisions about which processes you must execute well, then implement the IT systems needed to digitize those processes. Citing numerous companies worldwide, the authors show how constructing the right enterprise architecture enhances profitability and time to market, improves strategy execution, and even lowers IT costs. Though clear, engaging explanation, they demonstrate how to define your operating model--your vision of how your firm will survive and grow--and implement it through your enterprise architecture. Their counterintuitive but vital message: when it comes to executing your strategy, your enterprise architecture may matter far more than your strategy itself.

Are you full of creative ideas but scared to put pen to paper? Do you find yourself wanting to make art but intimidated by a blank page?In this guided sketchbook, regain your creativity with the help of artist Tawnie Jeanne Terry (@tawniejeannestudios). With 10 playful exercises to get you warmed up, 20 projects, plus ideas and inspiration to take your art practice further, The Ugly Sketchbook is your toolkit to finding freedom through art. The sketchbook contains step-by-step instructions and blank pages throughout for you to draw into, as well as scope to use whatever art materials you have to hand. Shake off the fear and get creating!

Jeanne Liedtka and Tim Ogilvie educate readers in one of the hottest trends in business: "design thinking," or the ability to turn abstract ideas into practical applications for maximal business growth. Liedtka and Ogilvie cover the mind-set, techniques, and vocabulary of design thinking, unpack the mysterious connection between design and growth, and teach managers in a straightforward way how to exploit design's exciting potential. Exemplified by Apple and the success of its elegant products and cultivated by high-profile design firms such as IDEO, design thinking unlocks creative right-brain capabilities to solve a range of problems. This approach has become a necessary component of successful business practice, helping managers turn abstract concepts into everyday tools that grow business while minimizing risk.

The perfect book for anyone who has ever dreamed of living in ParisProfiles of twenty real-life women of Paris - artists, activists, booksellers, and filmmakers, aged fourteen to seventy, living in tiny attic studios, grand apartments, or houseboats - are accompanied by more than 100 full-colour photographs by French it-girl and fashion designer Jeanne Damas, as well as tips on secret Parisian hideaways and the French art de vivre: from the five types of red wine to order depending on the occasion, and the coolest bars to drink them in, to the best red lipsticks, and places to be kissed. In Paris dispels the myth that there is only one type of Parisian woman, and offers a rare glimpse of the city that real Parisiennes live in - taking us into their homes, their careers, their style - and what being Parisian means to them. Witty, elegant, and modern, In Paris reveals the secret to living like a Parisian, wherever and whoever you are. 'A love letter to Paris... sprinkled with quirky, authoritative guidelines on Paris living' Wall Street Journal'I loved it - so French and cool' Alexandra Fullerton, author of How to Dress and Fashion Director-at-large at Glamour'Shining a spotlight on the lives and style of twenty true Parisians, this elegant coffee-table book - encompassing 100 rich and encompassing 100 rich and vibrant photographs - is an inclusive look at style, spanning a diverse pool of women' Because Magazine

This indispensable guide shows students what successful academic writing involves and gives them the tools they will need to write successfully themselves. It separates fact from fiction and takes students through the five essential elements of academic writing: writing critically; using sources; developing your own voice; having a clear structure and style; and editing and polishing drafts. Chapters include annotated extracts of real students' academic writing from a range of subject areas. This third edition has been revised throughout, and contains three new sections on originality, argument and synthesising sources.Writing for University is an essential resource for students making the transition to university-level study and a valuable reference point for all students doing academic study in English. It is suitable for students of all disciplines, from education and business through to social work and psychology.

University students are typically exposed to a much wider variety of academic sources at university – including monographs, textbooks, journals, reports – and, crucially, a much larger proportion of their time is spent on independent academic reading, relative to their time in school.There are lots of study skills texts which deal with academic writing in some form or other, but there are far fewer resources which provide helpful guidance about how to manage the early stages of an assignment. The quality of a student’s written work reflects the quality of their reading and note-making skills. If students don’t understand what their assignment is asking; if students don’t take control of their reading list and consult the most appropriate sources; and if students don’t end the process of reading with meaningful notes it’s very unlikely that they will score high marks for their assignment.This book helps readers to take charge of their reading at university and provides succinct and practical guidance at key stages of the assignment. It helps students to understand what their assignment title means and how to identify useful, reliable academic sources. It helps students to apply different reading strategies, depending on the task at hand, and to approach texts actively so that they are questioning and evaluating materials as they go. In addition to reading strategies, the Pocket introduces readers to useful strategies and tips for note-making. The final part helps readers to make the most of their notes by engaging with and reviewing the material they’ve created.New for this edition:- A science-based example for STEM students- New section which helps readers think about what type of information and evidence they need to find- New tips on managing large volumes of reading- Updated material on note-making software and online tools to reflect latest technology

Much contemporary psychology is characterized by a natural science epistemology that overlooks the richness of human experience. This book offers a timely and necessary critique and emphasizes a conception of human beings as persons embedded in relationships, cultural groups, and historical contexts. Eva Magnusson and Jeanne Marecek provide strategies for critical reflective scrutiny of contemporary psychological theories and practices. Using 'styles of thinking' as one of their conceptual tools, they investigate whether, and how, theories, research methods, and debates across subfields such as cognition, language, and psychopathology take people's situatedness into account. The book gives readers practical guidance for conceptual analysis, and a set of questions for scrutinizing other subfields and practices. It also describes research methods and projects based on a view of humans as situated persons. The book offers both a philosophical foundation and a hands-on guide to a psychology with persons at its center.

Written for students taking either the University of Cambridge Advanced Level examinations or the International Baccalaureate examinations, this guidebook covers essential topics and concepts under both stipulated chemistry syllabi. The book is written in such a way as to guide the reader through the understanding and applications of essential chemical concepts using the problem-solving approach. The authors have also retained the popular discourse feature from their previous two books — Understanding Advanced Physical Inorganic Chemistry and Understanding Advanced Organic and Analytical Chemistry — to help the learners better understand and see for themselves, how the concepts should be applied during solving problems. Based on the Socratic Method, questions are implanted throughout the book to help facilitate the reader's development in forming logical conclusions of the concepts and the way they are being applied to explain the problems. In addition, the authors have also included important summaries and concept maps to help the learners to recall, remember, reinforce, and apply the fundamental chemical concepts in a simple way.

The end of the Cold War ushered in a moment of nearly pure American dominance on the world stage, yet that era now seems ages ago. Since 9/11 many informed commentators have focused on the relative decline of American power in the global system. While some have welcomed this as a salutary development, outspoken proponents of American power--particularly neoconservatives--have lamented this turn of events. As Jeanne Morefield argues in Empires Without Imperialism, the defenders of a liberal international order steered by the US have both invoked nostalgia for a golden liberal past and succumbed to amnesia, forgetting the decidedly illiberal trajectory of US continental and global expansion. Yet as she shows, the US is not the first liberal hegemon to experience a wave of misguided nostalgia for a bygone liberal order; England had a remarkably similar experience in the early part of the twentieth century. The empires of the US and the United Kingdom were different in character--the UK's was territorially based while the US relied more on pure economic power--yet both nations mouthed the rhetoric of free markets and political liberty. And elites in both painted pictures of the past in which first England and then the US advanced the cause of economic and political liberty throughout the world.Morefield contends that at the times of their decline, elites in both nations utilized the attributes of an imagined past to essentialize the nature of the liberal state. Working from that framework, they bemoaned the possibility of liberalism's decline and suggested a return to a true liberal order as a solution to current woes. By treating liberalism as fixed through time, however, they actively forgot their illiberal pasts as colonizers and economic imperialists. According to Morefield, these nostalgic narratives generate a cynical 'politics in the passive' where the liberal state gets to have it both ways: it is both compelled to act imperially to save the world from illiberalism and yet is never responsible for the outcome of its own illiberal actions in the world or at home. By comparing the practice and memory of liberalism in early nineteenth century England and the contemporary United States, Empires Without Imperialism addresses a major gap in the literature. While there are many examinations of current neoliberal imperialism by critical theorists as well as analyses of liberal imperialism by scholars of the history of political thought, no one has of yet combined the two approaches. It thus provides a much fuller picture of the rhetorical strategies behind liberal imperialist uses of history. At the same time, the book challenges presentist assumptions about the novelty of our current political moment.

Covenants without Swords examines an enduring tension within liberal theory: that between many liberals' professed commitment to universal equality on the one hand, and their historic support for the politics of hierarchy and empire on the other. It does so by examining the work of two extremely influential British liberals and internationalists, Gilbert Murray and Alfred Zimmern. Jeanne Morefield mounts a forceful challenge to disciplinary boundaries by arguing that this tension, on both the domestic and international levels, is best understood as frequently arising from the same, liberal reformist political aim--namely, the aim of fashioning a socially conscious liberalism that ultimately reifies putatively natural, preliberal notions of paternalistic order. Morefield also questions conventional analyses of interwar thought by resurrecting the work of Murray and Zimmern, and by linking their approaches to liberal internationalism with the ossified notion of sovereignty that continues to trouble international politics to this day.Ultimately, Morefield argues, these two thinkers' drift toward conservative and imperialist understandings of international order was the result of a more general difficulty still faced by liberals today: how to adequately define community in liberal terms without sacrificing these terms themselves. Moreover, Covenants without Swords suggests that Murray and Zimmern's work offers a cautionary historical example for the cadre of post-September 11th "new imperialists" who believe it possible to combine a liberal commitment to equality with an American Empire.

How do we understand religious spaces? What is their role or function within specific religious traditions or with respect to religious experience? This handbook brings together thirty-three essays addressing these questions using a range of methods and approaches to examine specific spaces or types of spaces around the world and across time. The authors here represent and draw upon many disciplines: religious studies and religion, anthropology, archaeology, architectural history and architecture, cultural and religious history, sociology, geography, gender and women's studies and others. Their essays are snapshots, each offering a specific way to think about the religious space(s) under consideration: Roman shrines, Jewish synagogues, Christian churches, Muslim and Catholic shrines, indigenous spaces in Central America and East Africa, cemeteries, memorials, and more.Some overarching principles emerge from these snapshots. The authors demonstrate that religious spaces are simultaneously individual and collective, personal and social; that they are influenced by culture, tradition, and immediate circumstances; and that they participate in various relationships of power. These essays demonstrate that religious spaces do not simply provide a convenient background for religious action but are also constituent of religious meaning and religious experience; they play an active role in creating, expressing, broadcasting, maintaining, and transforming religious meanings and religious experiences. By learning how religious spaces function, readers of this collection will gain a deeper understanding of religious life and religions themselves.

Jeanne Halgren Kildes survey of church architecture is unlike any other. Her main concern is not the buildings themselves, but rather the dynamic character of Christianity and how church buildings shape and influence the religion. Kilde argues that a primary function of church buildings is to represent and reify three different types of power: divine power, or ideas about God; personal empowerment as manifested in the individuals perceived relationship to the divine; and social power, meaning the relationships between groups such as clergy and laity. Each type intersects with notions of Christian creed, cult, and code, and is represented spatially and materially in church buildings. Kilde explores these categories chronologically, from the early church to the twentieth century. She considers the form, organization, and use of worship rooms; the location of churches; and the interaction between churches and the wider culture. Church buildings have been integral to Christianity, and Kildes important study sheds new light on the way they impact all aspects of the religion. Neither mere witnesses to transformations of religious thought or nor simple backgrounds for religious practice, Kilde identifies church buildings as dynamic participants in religious change and goldmines of information on Christianity itself.

Jeanne Halgren Kildes survey of church architecture is unlike any other. Her main concern is not the buildings themselves, but rather the dynamic character of Christianity and how church buildings shape and influence the religion. Kilde argues that a primary function of church buildings is to represent and reify three different types of power: divine power, or ideas about God; personal empowerment as manifested in the individuals perceived relationship to the divine; and social power, meaning the relationships between groups such as clergy and laity. Each type intersects with notions of Christian creed, cult, and code, and is represented spatially and materially in church buildings. Kilde explores these categories chronologically, from the early church to the twentieth century. She considers the form, organization, and use of worship rooms; the location of churches; and the interaction between churches and the wider culture. Church buildings have been integral to Christianity, and Kildes important study sheds new light on the way they impact all aspects of the religion. Neither mere witnesses to transformations of religious thought or nor simple backgrounds for religious practice, Kilde identifies church buildings as dynamic participants in religious change and goldmines of information on Christianity itself.

Postpartum depression has become a more recognized mental illness over the past decade as a result of education and increased awareness. Traumatic childbirth, however, is still often overlooked, resulting in a scarcity of information for health professionals. This is in spite of up to 34% of new mothers reporting experiencing a traumatic childbirth and prevalence rates rising for high risk mothers, such as those who experience stillbirth or who had very low birth weight infants. This ground-breaking book brings together an academic, a clinician and a birth trauma activist. Each chapter discusses current research, women’s stories, the common themes in the stories and the implications of these for practice, clinical case studies and a clinician’s insights and recommendations for care. Topics covered include: mothers’ perspectives, fathers’ perspectives, the impact on breastfeeding, the impact on subsequent births, PTSD after childbirth and EMDR treatment for PTSD.This book is a valuable resource for health professionals who come into contact with new mothers, providing the most current and accurate information on traumatic childbirth. It also presents mothers’ experiences in a manner that is accessible to women, their partners, and families.

Ecotoxicology, New Challenges and New Approaches provides the latest in new challenges for research in ecotoxicology. In six comprehensive chapters, the book deals with the long term effect of stressors on biological communities, the effect of pollutants on the chemical communication among organisms, the impact of multiple stressors and of emerging pollutants (microplastics), and at the use of new technologies (omics) in ecotoxicology.

Addresses "emerging issues" that pose new challenges for ecotoxicology research Resolves several topics, such as the long-term effect of stressors on biological communities and the effect of pollutants on chemical communication between organisms Analyzes the impact of multiple stressors and emerging pollutants (microplastics) Explains new technologies (omics) in ecotoxicology

Jean d'Arc var en bondflicka utan utbildning och kunde varken läsa eller skriva. Vid tolv års ålder sägs hon ha börjat höra himmelska röster, bland annat från helgon, som uppmanade henne till sexuell avhållsamhet och slutligen till att rädda fosterlandet. Hundraårskriget var på väg mot sitt slut och England kontrollerade nästan hela Frankrike. Hon lyckades övertyga den franska kungen att utse henne till överbefälhavare och lyckades driva engelsmännen på flykt innan hon greps. Romanen är uppdelad i tre delar: ungdomen i Domrémy, tiden som överbefälhavare, och slutligen tillfångatagen och dömd till döden för häxkonst i Rouen. Mark Twain (1835-1910) är en pseudonym för Samuel Langhorn Clemens. Han föddes i Missouri och var författare, reporter och tidningsman. Hans genombrott som författare kom år 1876 med Tom Sawyers äventyr. -

One of Forbes's Top Ten Technology Books of the YearHow to redesign ‘big, old’ companies for digital transformation and success—with examples from 300+ business leaders and 30+ organizations, including Amazon Uber, LEGO, and Toyota. Most established companies have deployed such digital technologies as the cloud, mobile apps, the internet of things, and artificial intelligence. But few established companies are designed for digital. Full of practical advice and real-life examples of digital transformation, this book is an essential guide for retooling organizations for digital success through 5 key building blocks:  • Shared Customer Insights• Operational Backbone• Digital Platform• Accountability Framework• External Developer Platform  In the digital economy, rapid pace of change in technology capabilities and customer desires means that business strategy must be fluid. As a result, business design has become a critical management responsibility. Effective business design enables a company to quickly pivot in response to new competitive threats and opportunities. Most leaders today, however, rely on organizational structure to implement strategy, unaware that structure inhibits, rather than enables, agility. In companies that are designed for digital, people, processes, data, and technology are synchronized to identify and deliver innovative customer solutions—and redefine strategy. Digital design, not strategy, is what separates winners from losers in the digital economy.Designed for Digital includes case studies from Amazon, BNY Mellon, DBS Bank, LEGO, Philips, Schneider Electric, USAA, and many other global organizations. Drawing on 5 years of research, the book is an essential guide for companies that want to disrupt rather than be disrupted in the new digital landscape.

Take a mixed-media journey to the very heart of your creativity!The Painted Art Journal opens doors to your most personal and authentic art yet. Tell your story as only you can, through a series of guided projects that culminate in a beautiful, autobiographical art journal worthy of passing along to future generations. Along the way, you will hone your own unique style of artful storytelling, filled with the images, colors and symbols that resonate most powerfully with you.Twenty-four inventive, step-by-step prompts help you to:Set the scene for making art--from establishing rituals that unlock creativity to curating a personal storyboard.Draw inspiration from photos, typography, sketches, childhood memories, quotes and more.Shape your story with timelines, gathered-word poetry and simple approaches to portraits.Express yourself through an exciting range of mixed-media techniques, using everything from pen and ink, markers and watercolor to image transfers, printmaking with linocuts, acrylic and collage.A book unlike any other, The Painted Art Journal is all about digging deeper, honoring your life, and coming away with a truer understanding of yourself and your art. "Each of our stories is so different, lovely and broken in its own way." --Jeanne Oliver