Gabriele Griffin – författare

I den här grundligt reviderade utgåvan av Psykiatri skriver närmare 60 författare − de flesta läkare eller psykologer − om sina specialområden, och boken fyller högt ställda krav på vetenskaplig sakkunskap. I och med omarbetningen har ett tiotal nya författare tillkommit och ett antal nya teman har också inkluderats i boken. Vi utgår från en biopsykosocial syn på ohälsoprocessen, vilket innebär att samspelet mellan individen och den omgivande miljön lyfts fram och attsåväl biologiska som psykologiska behandlingsmetoder presenteras utförligt.I de kliniska avsnitten utgår författarna från DSM-systemets kriteriestödda diagnostik, vilket underlättar kopplingen till både den kliniska vardagen och den vetenskapliga litteraturen. Fallbeskrivningar levandegör texten, och utförliga avsnitt som beskriver hur man tar en bra anamnes och hur man etablerar en god samarbetsallians bidrar ytterligare till den praktiska nyttan med boken.Syftet med boken är att spegla det aktuella kunskapsläget inom hela det psykiatriska verksamhetsfältet. Genom att den främsta expertisen inom vart och ett av de olika kunskapsområdena får komma till tals, fyller texten högt ställda krav på både vetenskaplig sakkunskap och klinisk användbarhet.Boken är avsedd att användas i läkarutbildningen, såväl under grundkursen i psykiatri som vid AT/BT- och ST-tjänstgöringen. Den är även av intresse för specialist­läkare i psykiatri. Läsbarheten och inriktningen på den kliniska vardagen gör den också lämpad som kurslitteratur vid psykologutbildningen, för sjuk­sköterskor under specialistutbildning samt vid andra vårdutbildningar där psykiatriska kunskaper och perspektiv är av vikt.

Bringing together an international range of case studies and interviews with individuals who have had genital re/construction, Body, Migration, Re/constructive Surgeries explores the socio-cultural meanings of clitoral re/construction following female genital cutting (FGC), hymen reconstruction, trans and intersex bodily interventions; and cosmetic surgery. Drawing critical attention to how decisions around such surgeries are affected by social, economic and regulatory contexts that change over time and across spaces, it raises questions such as: How are bodies genderized through surgical interventions? How do such interventions express cultural context? How do women who have experienced female genital cutting respond to opportunities for clitoral reconstruction? How do female-to-male (FtM) trans people decide on how and where to undertake body modifications? What roles do cultural expectations and official regulations play in how people decide to have their bodies modified?Suggesting that conventional gender binaries are no longer adequate to understanding the quest for bodily interventions, this insightful volume seeks to give a greater voice to those engaged in gender body modification. It will appeal to students and postdoctoral researchers interested in fields such as Gender Studies, Social Studies, Sexuality Studies and Cultural Studies.

Research collaboration in the form of networks, projects and centers has become one of the dominant modes of engaging in research, especially funded research, across all academic domains. However, there has been little research on the processes of such collaborations, particularly their affective dimensions. These, as this volume demonstrates and as researchers know well, are highly important, yet mostly not directly engaged with when scientists work together, even though they are experienced by everybody involved. This volume is the first to consider questions such as how the naming of projects impacts on their accompanying "affect-scapes," the policing or disciplining of emotions in research collaborations, their accompanying tensions and how these might be managed, and the challenges to trust between scientists that such collaborations present. Drawing on theories of affect and literature on collaboration, as well as on the contributors’ experiences of being involved in large-scale research projects, the volume also importantly deals directly with some of the key emotions that occur during research collaborations such as blame, elation, frustration, alienation and belonging, and suggests some ways in which one might engage productively with the affective dimensions of research collaboration.

This volume centers on theories and methodologies for postgraduate feminist researchers engaged in interdisciplinary research. In the context of globalization, this book gives special attention to cutting-edge approaches at the borders between humanities and social sciences and specific discipline-transgressing fields, such as feminist technoscience studies.

The past two decades have seen an increasing emphasis on large and interdisciplinary research configurations such as research networks, and centers of excellence including those in Social Sciences and Humanities research. Little research has been undertaken, however, to understand how these new large research structures that are being called forth by research funders and research/higher education institutions alike function socially, and what the impact of operating within such structures is on those working within, and those working with, them. Past writers have discussed the "intra-agentic" operations of human researchers and the material laboratory environment in its broadest sense. This volume is concerned with the social politics of research collaboration in relation to six key positions: leaders of large research formations, leaders of sub-projects within large collaborations, participant researchers, junior and early career researchers, advisory board members, and those who look in from the outside such as researchers who are un-funded. It explores the mostly unacknowledged but critical aspect of social structures in research, discussing issues such as struggles over leadership styles, the marginalization of researchers working cross-disciplinarily, power hierarchies and intellectual ownership, and the silencing of dissent in research.

This volume centers on theories and methodologies for postgraduate feminist researchers engaged in interdisciplinary research. In the context of globalization, this book gives special attention to cutting-edge approaches at the borders between humanities and social sciences and specific discipline-transgressing fields, such as feminist technoscience studies.

This text was the first monograph to document and analyse the plays written by Black and Asian women in Britain. The volume explores how Black and Asian women playwrights theatricalize their experiences of migration, displacement, identity, racism and sexism in Britain. Plays by writers such as Tanika Gupta, Winsome Pinnock, Maya Chowdhry and Amrit Wilson, among others - many of whom have had their work produced at key British theatre sites - are discussed in some detail. Other playwrights' work is also briefly explored to suggest the range and scope of contemporary plays. The volume analyses concerns such as geographies of un/belonging, reverse migration (in the form of tourism), sexploitation, arranged marriages, the racialization of sexuality, and asylum seeking as they emerge in the plays, and argues that Black and Asian women playwrights have become constitutive subjects of British theatre.

This text was the first monograph to document and analyse the plays written by Black and Asian women in Britain. The volume explores how Black and Asian women playwrights theatricalize their experiences of migration, displacement, identity, racism and sexism in Britain. Plays by writers such as Tanika Gupta, Winsome Pinnock, Maya Chowdhry and Amrit Wilson, among others - many of whom have had their work produced at key British theatre sites - are discussed in some detail. Other playwrights' work is also briefly explored to suggest the range and scope of contemporary plays. The volume analyses concerns such as geographies of un/belonging, reverse migration (in the form of tourism), sexploitation, arranged marriages, the racialization of sexuality, and asylum seeking as they emerge in the plays, and argues that Black and Asian women playwrights have become constitutive subjects of British theatre.

This collection of essays challenges conceptions of "high" modernism, its preoccupation with style at the expense of issues such as race, class and gender, and its exclusive focus both on predominately male writers, poetry and prose fiction by highlighting the diversity of cultural production in the modernist period. This book focusses specifically on women's cultural production, covering a wide range of arts and genres including chapters on painting, theatre, and magazines. The book investigates how women usually constructed as "others", themselves construct others in their work in a period prominently concerned with the construction of self as an issue. This diversity offers a new format of reading modernism in a cross-disciplinary context.

This collection of essays challenges conceptions of "high" modernism, its preoccupation with style at the expense of issues such as race, class and gender, and its exclusive focus both on predominately male writers, poetry and prose fiction by highlighting the diversity of cultural production in the modernist period. This book focusses specifically on women's cultural production, covering a wide range of arts and genres including chapters on painting, theatre, and magazines. The book investigates how women usually constructed as "others", themselves construct others in their work in a period prominently concerned with the construction of self as an issue. This diversity offers a new format of reading modernism in a cross-disciplinary context.

Feminist activism is often taught as an historical phenomenon, and many students entering courses on women's studies are not familiar with current feminist work in the field. This book documents a wide variety of different forms of feminist activism in the 1990s, from organisations such as "Rights for Women" and "Southall Black Sisters" to "Asian Women's Work in Refuges". It raises questions about the meaning of feminist activism and its interpretation within women's studies and other academic disciplines. The chapters suggest, against much current representation within women's studies and elsewhere, that feminism is still alive.; With a comprehensive introduction providing an historical overview of the development of feminist activism from second wave feminism onwards, this text is intended to be of use as a resource for all students of women's studies and related courses.

Feminist activism is often taught as an historical phenomenon, and many students entering courses on women's studies are not familiar with current feminist work in the field. This book documents a wide variety of different forms of feminist activism in the 1990s, from organisations such as "Rights for Women" and "Southall Black Sisters" to "Asian Women's Work in Refuges". It raises questions about the meaning of feminist activism and its interpretation within women's studies and other academic disciplines. The chapters suggest, against much current representation within women's studies and elsewhere, that feminism is still alive.; With a comprehensive introduction providing an historical overview of the development of feminist activism from second wave feminism onwards, this text is intended to be of use as a resource for all students of women's studies and related courses.

Introduces readers to a wide range of research methods for use in English StudiesWith a revised Introduction and with all chapters revised to bring them completely up-to date, this new edition remains the leading guide to research methods for final-year undergraduates, postgraduates taking Masters degrees and PhDs students of 19th- and 20th-century Literary Studies.Written by a range of distinguished contributors, each chapter centres on one particular method, offering both concrete practical advice on how to utilise it and exploring some of the methodological issues that are involved in the use of the particular method. The chapters cover research methods familiar to English scholars such as textual analysis, as well as those less commonly explored such as visual and quantitative methods, which also contribute significantly to research in English Studies. Other approaches discussed include auto/biographical methods, discourse analysis, interviewing, archival methods, ethnographic methods, oral history, creative writing as a research method, and research using information and communication technologies (ICTS).Key Features:Focus on reaearch methodsChapters on innovative areas such as creative writing, ICT, ethnographic methodsIncludes practical advice as well as methodological discussionsOffers concrete examples of how methods might be used in English research

The ways in which gender is central to the occurrence, detection and prevention of elder abuse are analyzed in this volume. Drawing on their own research, the authors identify the gendered nature of elder abuse in the following areas: most of the very elderly victims are women; in both domestic and institutional settings, women abuse women; a significant number of older women are abused by their sons; a significant number of older men are abused by their female partners and daughters; and abuse by nonrelatives and noncarers of both sexes occurs.

Gender Issues in Elder Abuse considers why much of the research on elder abuse has failed to engage with these facts. The authors call for a reframing of the issue of elder abuse, specifically in professional guidelines for dealing with abuse, which they insist, should include gender awareness. They argue for elder abuse to be considered as a human rights issue rather than a private problem.

Bringing together an international range of case studies and interviews with individuals who have had genital re/construction, Body, Migration, Re/constructive Surgeries explores the socio-cultural meanings of clitoral re/construction following female genital cutting (FGC), hymen reconstruction, trans and intersex bodily interventions; and cosmetic surgery. Drawing critical attention to how decisions around such surgeries are affected by social, economic and regulatory contexts that change over time and across spaces, it raises questions such as: How are bodies genderized through surgical interventions? How do such interventions express cultural context? How do women who have experienced female genital cutting respond to opportunities for clitoral reconstruction? How do female-to-male (FtM) trans people decide on how and where to undertake body modifications? What roles do cultural expectations and official regulations play in how people decide to have their bodies modified?Suggesting that conventional gender binaries are no longer adequate to understanding the quest for bodily interventions, this insightful volume seeks to give a greater voice to those engaged in gender body modification. It will appeal to students and postdoctoral researchers interested in fields such as Gender Studies, Social Studies, Sexuality Studies and Cultural Studies.

First published in 1994 Stirring It debates the challenges which confront feminism and Women's Studies in the 1990s. In the face of current worldwide political and social upheavals, Stirring It poses questions about women, their bodies, their identities, and positions which need to be addressed by contemporary feminists. The chapters therefore challenge the orthodoxies and theories which are exploded by contemporary feminist practice. They raise new issues for feminist debate. The volume is divided into four sections: ‘Feminist Politics in Action’ investigates the inter-relationship between politics and action with reference to issues such as the women's movement in Britain and women's position in and in relation to Ireland; ‘Disrupting Sexual Identities’ provides critiques of heterosexuality, monogamy, and conceptualization of the female body; ‘Imaging and Imagining’ explores the politics of women's cultural production and ‘Women's Studies and Feminist Practice’ analyzes the often fraught connections between theory and practice. This is a must read for scholars and researchers of Women's Studies, Sociology, and Gender Studies.

First published in 1994 Stirring It debates the challenges which confront feminism and Women's Studies in the 1990s. In the face of current worldwide political and social upheavals, Stirring It poses questions about women, their bodies, their identities, and positions which need to be addressed by contemporary feminists. The chapters therefore challenge the orthodoxies and theories which are exploded by contemporary feminist practice. They raise new issues for feminist debate. The volume is divided into four sections: ‘Feminist Politics in Action’ investigates the inter-relationship between politics and action with reference to issues such as the women's movement in Britain and women's position in and in relation to Ireland; ‘Disrupting Sexual Identities’ provides critiques of heterosexuality, monogamy, and conceptualization of the female body; ‘Imaging and Imagining’ explores the politics of women's cultural production and ‘Women's Studies and Feminist Practice’ analyzes the often fraught connections between theory and practice. This is a must read for scholars and researchers of Women's Studies, Sociology, and Gender Studies.

Interviewing is one of the most common techniques used to conduct qualitative research in the social sciences and humanities. As a result of globalization, researchers increasingly conduct interviews cross-, inter- and intra-nationally. This raises important questions about how differences and sameness are understood and negotiated within the interview situation, as well as the power structures at play within qualitative research, and the role that reflexivity plays in mediating these.What does it mean to interview Black women as a Black woman? How is ethnicity negotiated across various qualitative research encounters? How are differences bridged or asserted in feminist interviewing? These are just some of the questions explored in the chapters in this volume. Drawing on their recent research, the contributors detail their experiences of engaging in qualitative interviewing and examine how they negotiated the various dilemmas they encountered. The contributions challenge some of the assumptions made in early feminist work on interviewing, providing nuanced accounts of actual research experiences. This volume explores the practice and implications of conducting cross-, inter- and intra-cultural interviewing, bringing together researchers from a range of disciplines and countries to describe and analyse both its vicissitudes and its advantages.

Interviewing is one of the most common techniques used to conduct qualitative research in the social sciences and humanities. As a result of globalization, researchers increasingly conduct interviews cross-, inter- and intra-nationally. This raises important questions about how differences and sameness are understood and negotiated within the interview situation, as well as the power structures at play within qualitative research, and the role that reflexivity plays in mediating these.What does it mean to interview Black women as a Black woman? How is ethnicity negotiated across various qualitative research encounters? How are differences bridged or asserted in feminist interviewing? These are just some of the questions explored in the chapters in this volume. Drawing on their recent research, the contributors detail their experiences of engaging in qualitative interviewing and examine how they negotiated the various dilemmas they encountered. The contributions challenge some of the assumptions made in early feminist work on interviewing, providing nuanced accounts of actual research experiences. This volume explores the practice and implications of conducting cross-, inter- and intra-cultural interviewing, bringing together researchers from a range of disciplines and countries to describe and analyse both its vicissitudes and its advantages.

Research collaboration in the form of networks, projects and centers has become one of the dominant modes of engaging in research, especially funded research, across all academic domains. However, there has been little research on the processes of such collaborations, particularly their affective dimensions. These, as this volume demonstrates and as researchers know well, are highly important, yet mostly not directly engaged with when scientists work together, even though they are experienced by everybody involved. This volume is the first to consider questions such as how the naming of projects impacts on their accompanying "affect-scapes," the policing or disciplining of emotions in research collaborations, their accompanying tensions and how these might be managed, and the challenges to trust between scientists that such collaborations present. Drawing on theories of affect and literature on collaboration, as well as on the contributors’ experiences of being involved in large-scale research projects, the volume also importantly deals directly with some of the key emotions that occur during research collaborations such as blame, elation, frustration, alienation and belonging, and suggests some ways in which one might engage productively with the affective dimensions of research collaboration.

The past two decades have seen an increasing emphasis on large and interdisciplinary research configurations such as research networks, and centers of excellence including those in Social Sciences and Humanities research. Little research has been undertaken, however, to understand how these new large research structures that are being called forth by research funders and research/higher education institutions alike function socially, and what the impact of operating within such structures is on those working within, and those working with, them. Past writers have discussed the "intra-agentic" operations of human researchers and the material laboratory environment in its broadest sense. This volume is concerned with the social politics of research collaboration in relation to six key positions: leaders of large research formations, leaders of sub-projects within large collaborations, participant researchers, junior and early career researchers, advisory board members, and those who look in from the outside such as researchers who are un-funded. It explores the mostly unacknowledged but critical aspect of social structures in research, discussing issues such as struggles over leadership styles, the marginalization of researchers working cross-disciplinarily, power hierarchies and intellectual ownership, and the silencing of dissent in research.

Sweden is often considered one of the most gender-equal countries in the world and held up as a model to follow, but the reality is more complex. This is the first book to explode the myth of Swedish gender equality, both offering a new perspective for an international audience, and suggesting how equality might be rethought more generally.While the authors argue that the gender-equality mantra in Sweden has led to a society with increased opportunities for some, they also assert that the dominant norm of gender equality has become nationalistic and builds upon heteronormative and racial principles. Examining the changing meanings and parameters of gender equality against the country's social-democratic tradition and in the light of contemporary neoliberal ideologies, the book constitutes an urgent contribution to the debates about gender-equality policies and politics.

Sweden is often considered one of the most gender-equal countries in the world and held up as a model to follow, but the reality is more complex. This is the first book to explode the myth of Swedish gender equality, both offering a new perspective for an international audience, and suggesting how equality might be rethought more generally.While the authors argue that the gender-equality mantra in Sweden has led to a society with increased opportunities for some, they also assert that the dominant norm of gender equality has become nationalistic and builds upon heteronormative and racial principles. Examining the changing meanings and parameters of gender equality against the country's social-democratic tradition and in the light of contemporary neoliberal ideologies, the book constitutes an urgent contribution to the debates about gender-equality policies and politics.

The first volume to introduce the techniques and methods of reading digital material for researchDigital Humanities has become one of the new domains of academe at the interface of technological development, epistemological change, and methodological concerns. This volume explores how digital material might be read or utilized in research, whether that material is digitally born as fanfiction, for example, mostly is, or transposed from other sources. The volume asks questions such as what happens when text is transformed from printed into digital matter, and how that impacts on the methods we bring to bear on exploring that technologized matter, for example in the case of digital editions. Issues such as how to analyse visual material in digital archives or Twitter feeds, how to engage in data mining, what it means to undertake crowd-sourcing, big data, and what digital network analyses can tell us about online interactions are dealt with. This will give Humanities researchers ideas for doing digitally based research and also suggest ways of engaging with new digital research methods.Key featuresFirst volume centred on the navigation and interpretation of digital material as research methods in the HumanitiesUp-to-date analyses of issues and methods including big data, crowdsourcing, digital network analysis, working with digital additionsBased on actual research projects such as para-textual work with fanfiction, reading twitter, different kinds of distant and close readings

The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that’s the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisation Discusses actual digitisation projects on a ‘how-to’ basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online

How have rapid changes in biotechnologisation, for example around assisted reproductive technologies or (re)constructive surgery, effected those seeking help with fertility treatment or clitoral reconstruction? What is involved for queer people in making a family of their own, or for trans people to access the relevant surgery? This volume argues that contemporary cultures foster bioprecarity by categorizing groups of people in certain ways and/or by denying them access to the treatment they seek or need. Drawing on original empirical data with trans and queer people, but also other minoritised and racialized groups, this volume explores how bodily interventions, their regulation, and the intimate labour the interventions involve, create vulnerabilities.

ePDF and ePUB available Open Access under CC-BY-NC-ND licence.The Nordic countries are regarded as frontrunners in promoting equality, yet women’s experiences on the ground are in many ways at odds with this rhetoric.Putting the spotlight on the lived experiences of women working in tech-driven research and innovation areas in the Nordic countries, this volume explores why, despite numerous programmes, women continue to constitute a minority in these sectors.Contributors flesh out the differences and similarities across different Nordic countries and explore how the shifts in labour market conditions have impacted on women in research and innovation. This is an invaluable contribution to global debates around the mechanisms that maintain gendered structures in research and innovation, from academia to biotechnology and IT.

Pulp and other Plays by Tasha Fairbanks is an anthology of plays which were written for the British group Siren Theatre Company, a lesbian theatre collective founded in 1979 by women from the punk music scene and worked with their unorthodox performance skills to challenge mainstream traditions of 'straight' acting. This anthology of three of the company’s plays brings together long overdue recognition to the company which was Britain's foremost lesbian collective in the 1980s. This collection indicated the diversity of te Siren's theater work: their radical feminist critique of heterosexuality and male violence in 'Curfew', their celebration of lesbian glamour and desire in 'Pulp' and a scathing attack on Thatcherite Britain in ' Now Wash Your Hands, Please'.