Glennis Byron – författare

The popular appeal of Bram Stoker's Count Dracula, now over a hundred years old, shows little sign of waning. No other monster has endured, and proliferated, in quite the same way - even if we now seem to prefer interviewing, rather than staking, our vampires. It is only over the last twenty years, however, that Dracula has begun to receive much serious critical attention. This volume collects the most significant contemporary work on the novel from a wide variety of theoretical perspectives, including Marxist, Psychoanalytical, Historicist and Feminist giving a unique collection which engages with questions about the psychological and social significance of this highly transgressive and enduringly popular text.The popular appeal of Bram Stoker's Count Dracula, now over a hundred years old, shows little sign of waning. No other monster has endured, and proliferated, in quite the same way - even if we now seem to prefer interviewing, rather than staking, our vampires. It is only over the last twenty years, however, that Dracula has begun to receive much serious critical attention. This volume collects the most significant contemporary work on the novel from a wide variety of theoretical perspectives, including Marxist, Psychoanalytical, Historicist and Feminist giving a unique collection which engages with questions about the psychological and social significance of this highly transgressive and enduringly popular text.

Taking as example the increasingly politicised nature of contemporary poetry, the author clearly and succinctly presents an account of the monologues growing popularity over the past twenty years.

The dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that, contrary to belief, the monologue remains popular to this day. This far-reaching and neatly structured volume:* explores the origins of the monologue and presents a history of definitions of the term* considers the monologue as a form of social critique* explores issues at play in our understanding of the genre, such as subjectivity, gender and politics* traces the development of the genre through to the present day.Taking as example the increasingly politicized nature of contemporary poetry, the author clearly and succinctly presents an account of the monologue's growing popularity over the past twenty years.

The dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that, contrary to belief, the monologue remains popular to this day. This far-reaching and neatly structured volume:* explores the origins of the monologue and presents a history of definitions of the term* considers the monologue as a form of social critique* explores issues at play in our understanding of the genre, such as subjectivity, gender and politics* traces the development of the genre through to the present day.Taking as example the increasingly politicized nature of contemporary poetry, the author clearly and succinctly presents an account of the monologue's growing popularity over the past twenty years.

The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at:Gothic HistoriesGothic SpacesGothic Readers and WritersGothic SpectacleContemporary Impulses.The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own ‘World’.

Key Features: Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms

Key Features: Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms

York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.

This guide provides an overview of the most significant issues and debates in Gothic studies. Provides an overview of the most significant issues and debates in Gothic studies. Explains the origins and development of the term Gothic. Explores the evolution of the Gothic in both literary and non-literary forms, including art, architecture and film. Features authoritative readings of key works, ranging from Horace Walpole’s The Castle of Otranto to Bret Easton Ellis’s American Psycho. Considers recurrent concerns of the Gothic such as persecution and paranoia, key motifs such as the haunted castle, and figures such as the vampire and the monster. Includes a chronology of key Gothic texts, including fiction and film from the 1760s to the present day, and a comprehensive bibliography.

This guide provides an overview of the most significant issues and debates in Gothic studies. Provides an overview of the most significant issues and debates in Gothic studies. Explains the origins and development of the term Gothic. Explores the evolution of the Gothic in both literary and non-literary forms, including art, architecture and film. Features authoritative readings of key works, ranging from Horace Walpole’s The Castle of Otranto to Bret Easton Ellis’s American Psycho. Considers recurrent concerns of the Gothic such as persecution and paranoia, key motifs such as the haunted castle, and figures such as the vampire and the monster. Includes a chronology of key Gothic texts, including fiction and film from the 1760s to the present day, and a comprehensive bibliography.

‘The dead travel fast and, in our contemporary globalised world, so too does the gothic.’ Examining how gothic has been globalised and globalisation made gothic, this collection of essays explores an emerging globalgothic that is simultaneously a continuation of the western tradition and a wholesale transformation of that tradition which expands the horizons of the gothic in diverse new and exciting ways.Globalgothic contains essays from some of the leading scholars in gothic studies as well as offering insights from new scholars in the field. The contributors consider a wide range of different media, including literary texts, film, dance, music, cyberculture, computer games, and graphic novels. This book will be essential reading for all students and academics interested in the gothic, in international literature, cinema, and cyberspace.

The Gothic World offers an extensive overview of the popular field of the Gothic, from the eighteenth century through to the present day. Encompassing the literary, it also extends critical debate in exciting new directions, including film, politics, fashion, architecture, fine art, music, technology and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections of the volume consider:Gothic historiesGothic spacesGothic readers and writersGothic spectacleContemporary impulses.The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries: a "Gothic World," indeed.

THE ULTIMATE GUIDES TO EXAM SUCCESS from York Notes - the UK's favourite English Literature Study Guides.

 

York Notes for AS & A2 are brand new and have been specifically designed for AS and A2 students to help you get the very best grade you can.

 

They are comprehensive, easy to use, packed with valuable features and written by experienced examiners and teachers to give you an expert understanding of the text, critical approaches and the all-important exam.

 

This edition covers Frankenstein and includes:

An enhanced exam skills section which includes essay plans, expert guidance on understanding questions and sample answers. You’ll know exactly what you need to do and say to get the best grades.

 

A wealth of useful content like key quotations, revision tasks and vital study tips that’ll help you revise, remember and recall all the most important information.

 

The widest coverage and the best, most in-depth analysis of characters, themes, language, form, context and style to help you demonstrate an exhaustive understanding of all aspects of the text.

 

 

York Notes for AS & A2 are also available for these popular titles:

 

The Bloody Chamber(9781447913153)

Doctor Faustus(9781447913177)

The Great Gatsby(9781447913207)

The Kite Runner(9781447913160)

Macbeth(9781447913146)

Othello(9781447913191)

WutheringHeights(9781447913184)

THE ULTIMATE GUIDES TO EXAM SUCCESS from York Notes - the UK's favourite English Literature Study Guides.

 

York Notes for AS & A2 are specifically designed for AS & A2 students to help you get the very best grade you can.

 

They are comprehensive, easy to use, packed with valuable features and written by experienced experts to give you an in-depth understanding of the text, critical approaches and the all-important exam.

 

-An enhanced exam skills section which includes essay plans, expert guidance on understanding questions and sample answers. You’ll know exactly what you need to do and say to get the best grades.

-A wealth of useful content like key quotations, revision tasks and vital study tips that’ll help you revise, remember and recall all the most important information.

 -The widest coverage and the best, most in-depth analysis of characters, themes, language, form, context and style to help you demonstrate an exhaustive understanding of all aspects of the text.

 

York Notes for AS & A2 are available for these popular titles:

 

The Bloody Chamber (9781447913153)

Doctor Faustus (9781447913177)

Frankenstein (9781447913214)

The Great Gatsby (9781447913207)

The Kite Runner (9781447913160)

Macbeth (9781447913146)

Othello (9781447913191)

Wuthering Heights (9781447913184)

Jane Eyre (9781447948834)

Hamlet (9781447948872)

A Midsummer Night’s Dream (9781447948841)

Northanger Abbey (9781447948858

Pride & Prejudice (9781447948865)

Twelfth Night (9781447948889)

‘The dead travel fast and, in our contemporary globalised world, so too does the gothic.’ Examining how gothic has been globalised and globalisation made gothic, this collection of essays explores an emerging globalgothic that is simultaneously a continuation of the western tradition and a wholesale transformation of that tradition which expands the horizons of the gothic in diverse new and exciting ways.Globalgothic contains essays from some of the leading scholars in gothic studies as well as offering insights from new scholars in the field. The contributors consider a wide range of different media, including literary texts, film, dance, music, cyberculture, computer games, and graphic novels. This book will be essential reading for all students and academics interested in the gothic, in international literature, cinema, and cyberspace.