Matthew Restall – författare

Three music-obsessed, suburban London teenagers set out to make their own kind of pop music: Kate Bush became an overnight star, while success came to David Sylvian (and Japan), and to Mark Hollis (and Talk Talk) after years of struggle. But when their unique talents brought them international acclaim, they turned their backs on stardom. 'Just when I think I'm winning,' sang Sylvian on 'Ghosts,' a 1982 Japan hit, 'when my chance came to be king, the ghosts of my life grew wilder than the wind.' Haunted by doubt, spooked by fame, shocked by the industry's classism, sexism, and rapacity, Sylvian, Hollis, and Bush were driven to brave new destinations by multiple factors: creative originality and the inspiration of artists from every genre; the turmoil of personal relationships and inner psychological struggles. Along the way, as sacrifices were made - bands, friendships, marriages, the trappings of stardom - and experiments were pursued with dogged fearlessness, these musicians forged something new, changing how we hear pop music and the role of its creators in modern society.Ghosts uses the Sylvian, Hollis, and Bush journeys to define post-pop for the first time. Weaving together memoir, biography, musicology, cultural criticism, and history, the book shows how the story is both personal - as individual artists struggled with their own ghosts - and contextual, a larger history of pop music, popular culture, and the creative process itself. The post-pop story is about music and fame, ambition and fear, happiness and melancholy. As a journey from noise to silence, the journey to post-pop is ultimately about life itself.

The Spanish invasion of Mexico in 1519, which led to the end of the Aztec Empire, was one of the most influential events in the history of the modern Atlantic world. But equally consequential, as this volume makes clear, were the ways the Conquest was portrayed.In essays spanning five centuries and three continents, The Conquest of Mexico: 500 Years of Reinventions explores how politicians, writers, artists, activists, and others have strategically reimagined the Conquest to influence and manipulate perceptions within a wide variety of controversies and debates, including those touching on indigeneity, nationalism, imperialism, modernity, and multiculturalism. Writing from a range of perspectives and disciplines, the authors demonstrate that the Conquest of Mexico, whose significance has ever been marked by fundamental ambiguity, has consistently influenced how people across the modern Atlantic world conceptualize themselves and their societies.After considering the looming, ubiquitous role of the Conquest in Mexican thought and discourse since the sixteenth century, the contributors go farther afield to examine the symbolic relevance of the Conquest in contexts as diverse as Tudor England, Bourbon France, postimperial Spain, modern Latin America, and even contemporary Hollywood. Highlighting the extent to which the Spanish-Aztec conflict inspired historical reimaginings, these essays reveal how the Conquest became such an iconic event—and a perennial medium by which both Europe and the Americas have, for centuries, endeavored to understand themselves as well as their relationship to others.A valuable contribution to ongoing efforts to demythologize and properly memorialize the Spanish-Aztec War of 1519–21, this volume also aptly illustrates how we make history of the past and how that history-making shapes our present—and possibly our future.

Christopher Columbus, the Genoese navigator once considered a hero, is now blamed for bringing plunder and genocide to the Americas. In The Nine Lives of Christopher Columbus, Matthew Restall takes us beyond polemic, sifting through the evidence across nations, languages and five centuries to explore the central questions of Columbiana. He demonstrates that we know a great deal about Columbus’s life and that Columbus was not as remarkable as many have assumed—or as he himself believed. But his afterlives are another story: Restall narrates the international contest over Columbus’s bones and the dozens of claims on his birthplace, examines how he became a hero and more. The result is a kaleidoscopic account of a single man that becomes a new history of the modern world.

A dramatic rethinking of the encounter between Montezuma and Hernando Cortés that completely overturns what we know about the Spanish conquest of the AmericasOn November 8, 1519, the Spanish conquistador Hernando Cortés first met Montezuma, the Aztec emperor, at the entrance to the capital city of Tenochtitlan. This introduction—the prelude to the Spanish seizure of Mexico City and to European colonization of the mainland of the Americas—has long been the symbol of Cortés’s bold and brilliant military genius. Montezuma, on the other hand, is remembered as a coward who gave away a vast empire and touched off a wave of colonial invasions across the hemisphere.But is this really what happened? In a departure from traditional tellings, When Montezuma Met Cortés uses “the Meeting”—as Restall dubs their first encounter—as the entry point into a comprehensive reevaluation of both Cortés and Montezuma. Drawing on rare primary sources and overlooked accounts by conquistadors and Aztecs alike, Restall explores Cortés’s and Montezuma’s posthumous reputations, their achievements and failures, and the worlds in which they lived—leading, step by step, to a dramatic inversion of the old story. As Restall takes us through this sweeping, revisionist account of a pivotal moment in modern civilization, he calls into question our view of the history of the Americas, and, indeed, of history itself.

The Maya forged one of the greatest societies in the history of the ancient Americas — and in all of human history. Long before contact with Europeans, Maya communities built spectacular cities with large, well-fed large populations. They mastered the visual arts, and developed a sophisticated writing system that recorded extraordinary knowledge in calendrics, mathematics, and astronomy. The Maya achieved all this without area-wide centralized control. There was never a single, unified Maya state or empire, but always numerous, evolving ethnic groups speaking dozens of distinct Mayan languages. The people we call "Maya" never thought of themselves as such; yet something definable, unique, and endlessly fascinating - what we call Maya culture - has clearly existed for millennia. So what was their self-identity and how did Maya civilization come to be "invented?"With the Maya historically subdivided and misunderstood in so many ways, the pursuit of what made them "the Maya" is all the more important. In this Very Short Introduction, Restall and Solari explore the themes of Maya identity, city-state political culture, art and architecture, the Maya concept of the cosmos, and the Maya experience of contact with — including invasion by — outsiders. Despite its brevity, this book is unique for its treatment of all periods of Maya civilization, from its origins to the present.

The Maya forged one of the greatest societies in the history of the ancient Americas — and in all of human history. Long before contact with Europeans, Maya communities built spectacular cities with large, well-fed large populations. They mastered the visual arts, and developed a sophisticated writing system that recorded extraordinary knowledge in calendrics, mathematics, and astronomy. The Maya achieved all this without area-wide centralized control. There was never a single, unified Maya state or empire, but always numerous, evolving ethnic groups speaking dozens of distinct Mayan languages. The people we call "Maya" never thought of themselves as such; yet something definable, unique, and endlessly fascinating - what we call Maya culture - has clearly existed for millennia. So what was their self-identity and how did Maya civilization come to be "invented?" With the Maya historically subdivided and misunderstood in so many ways, the pursuit of what made them "the Maya" is all the more important. In this Very Short Introduction, Restall and Solari explore the themes of Maya identity, city-state political culture, art and architecture, the Maya concept of the cosmos, and the Maya experience of contact with — including invasion by — outsiders. Despite its brevity, this book is unique for its treatment of all periods of Maya civilization, from its origins to the present.

The Maya forged one of the greatest societies in the history of the ancient Americas — and in all of human history. Long before contact with Europeans, Maya communities built spectacular cities with large, well-fed large populations. They mastered the visual arts, and developed a sophisticated writing system that recorded extraordinary knowledge in calendrics, mathematics, and astronomy. The Maya achieved all this without area-wide centralized control. There was never a single, unified Maya state or empire, but always numerous, evolving ethnic groups speaking dozens of distinct Mayan languages. The people we call "Maya" never thought of themselves as such; yet something definable, unique, and endlessly fascinating - what we call Maya culture - has clearly existed for millennia. So what was their self-identity and how did Maya civilization come to be "invented?" With the Maya historically subdivided and misunderstood in so many ways, the pursuit of what made them "the Maya" is all the more important. In this Very Short Introduction, Restall and Solari explore the themes of Maya identity, city-state political culture, art and architecture, the Maya concept of the cosmos, and the Maya experience of contact with — including invasion by — outsiders. Despite its brevity, this book is unique for its treatment of all periods of Maya civilization, from its origins to the present.

With startling speed, Spanish conquistadors invaded hundreds of Native American kingdoms, took over the mighty empires of the Aztecs and Incas, and initiated an unprecedented redistribution of the world's resources and balance of power. They changed the course of history, but the myth they established was even stranger than their real achievements. This Very Short Introduction deploys the latest scholarship to shatter and replace the traditional narrative. Chapters explore New World civilizations prior to the invasions, the genesis of conquistador culture on both sides of the Atlantic, the roles black Africans and Native Americans played and the consequences of the invasions. The book reveals who the conquistadors were and what made their adventures possible. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

An update of a popular work that takes on the myths of the Spanish Conquest of the Americas, featuring a new afterword.Seven Myths of the Spanish Conquest reveals how the Spanish invasions in the Americas have been conceived and presented, misrepresented and misunderstood, in the five centuries since Columbus first crossed the Atlantic. This book is a unique and provocative synthesis of ideas and themes that were for generations debated or perpetuated without question in academic and popular circles. The 2003 edition became the foundation stone of a scholarly turn since called The New Conquest History. Each of the book's seven chapters describes one "myth," or one aspect of the Conquest that has been distorted or misrepresented, examines its roots, and explodes its fallacies and misconceptions. Using a wide array of primary and secondary sources, written in a scholarly but readable style, Seven Myths of the Spanish Conquest explains why Columbus did not set out to prove the world was round, the conquistadors were not soldiers, the native Americans did not take them for gods, Cortés did not have a unique vision of conquest procedure, and handfuls of vastly outnumbered Spaniards did not bring down great empires with stunning rapidity. Conquest realities were more complex--and far more fascinating--than conventional histories have related, and they featured a more diverse cast of protagonists-Spanish, Native American, and African. This updated edition of a key event in the history of the Americas critically examines the book's arguments, how they have held up, and why they prompted the rise of a New Conquest History.

An update of a popular work that takes on the myths of the Spanish Conquest of the Americas, featuring a new afterword.Seven Myths of the Spanish Conquest reveals how the Spanish invasions in the Americas have been conceived and presented, misrepresented and misunderstood, in the five centuries since Columbus first crossed the Atlantic. This book is a unique and provocative synthesis of ideas and themes that were for generations debated or perpetuated without question in academic and popular circles. The 2003 edition became the foundation stone of a scholarly turn since called The New Conquest History. Each of the book''s seven chapters describes one "myth," or one aspect of the Conquest that has been distorted or misrepresented, examines its roots, and explodes its fallacies and misconceptions. Using a wide array of primary and secondary sources, written in a scholarly but readable style, Seven Myths of the Spanish Conquest explains why Columbus did not set out to prove the world was round, the conquistadors were not soldiers, the native Americans did not take them for gods, Cort?s did not have a unique vision of conquest procedure, and handfuls of vastly outnumbered Spaniards did not bring down great empires with stunning rapidity. Conquest realities were more complex--and far more fascinating--than conventional histories have related, and they featured a more diverse cast of protagonists-Spanish, Native American, and African. This updated edition of a key event in the history of the Americas critically examines the book''s arguments, how they have held up, and why they prompted the rise of a New Conquest History.

An update of a popular work that takes on the myths of the Spanish Conquest of the Americas, featuring a new afterword.Seven Myths of the Spanish Conquest reveals how the Spanish invasions in the Americas have been conceived and presented, misrepresented and misunderstood, in the five centuries since Columbus first crossed the Atlantic. This book is a unique and provocative synthesis of ideas and themes that were for generations debated or perpetuated without question in academic and popular circles. The 2003 edition became the foundation stone of a scholarly turn since called The New Conquest History. Each of the book''s seven chapters describes one "myth," or one aspect of the Conquest that has been distorted or misrepresented, examines its roots, and explodes its fallacies and misconceptions. Using a wide array of primary and secondary sources, written in a scholarly but readable style, Seven Myths of the Spanish Conquest explains why Columbus did not set out to prove the world was round, the conquistadors were not soldiers, the native Americans did not take them for gods, Cort?s did not have a unique vision of conquest procedure, and handfuls of vastly outnumbered Spaniards did not bring down great empires with stunning rapidity. Conquest realities were more complex--and far more fascinating--than conventional histories have related, and they featured a more diverse cast of protagonists-Spanish, Native American, and African. This updated edition of a key event in the history of the Americas critically examines the book''s arguments, how they have held up, and why they prompted the rise of a New Conquest History.

A lively and imaginative exploration of the career and music of the Rocket ManElton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated.A must-have for fans, On Elton John will appeal to a wide range of readers interested in music history, popular culture, and the social issues of our era.

A lively and imaginative exploration of the career and music of the Rocket ManElton John is not only "e;still standing,"e; he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study. In contrast, On Elton John approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "e;frenemy"e; David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. A must-have for fans, On Elton John will appeal to a wide range of readers interested in music history, popular culture, and the social issues of our era.

A lively and imaginative exploration of the career and music of the Rocket ManElton John is not only "e;still standing,"e; he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study. In contrast, On Elton John approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "e;frenemy"e; David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. A must-have for fans, On Elton John will appeal to a wide range of readers interested in music history, popular culture, and the social issues of our era.

With startling speed, Spanish conquistadors invaded hundreds of Native American kingdoms, took over the mighty empires of the Aztecs and Incas, and initiated an unprecedented redistribution of the world''s resources and balance of power. They changed the course of history, but the myth they established was even stranger than their real achievements. This Very Short Introduction deploys the latest scholarship to shatter and replace the traditional narrative

With startling speed, Spanish conquistadors invaded hundreds of Native American kingdoms, took over the mighty empires of the Aztecs and Incas, and initiated an unprecedented redistribution of the world''s resources and balance of power. They changed the course of history, but the myth they established was even stranger than their real achievements. This Very Short Introduction deploys the latest scholarship to shatter and replace the traditional narrative

After invading highland Guatemala in 1524, Spaniards claimed to have smashed the Kaqchikel and K’iche’ Maya kingdoms and to have forged a new colony—with their leader, Pedro de Alvarado, as Guatemala’s conquistador. This volume shows that the real story of the Spanish invasion was very different. Designed to be an accessible introduction to the topic as well as a significant contribution to conquest scholarship, the volume presents for the first time English translations of firsthand accounts by Spaniards, Nahuas, and Mayas.Alvarado’s letters to Cortés, published here in English for the first time in almost a century, are supplemented with accounts by one of his cousins, by his brother Jorge, and by Bernal Díaz and Bartolomé de Las Casas. Nahua perspectives are presented in the form of pictorial evidence, along with written testimony by Tlaxcalan and Aztec veterans who fought as invading allies of the Spaniards; their claim to have done most of the fighting emerges as a powerful argument. The views of the invaded are represented by Kaqchikel and Tz’utujil accounts. Together, these sources reveal a fascinating multiplicity of perspectives and show how the conquest wars of the 1520s were a profoundly brutal moment in the history of the Americas.

Mesoamerican Voices, first published in 2006, presents a collection of indigenous-language writings from the colonial period, translated into English. The texts were written from the sixteenth through the eighteenth centuries by Nahuas from central Mexico, Mixtecs from Oaxaca, Maya from Yucatan, and other groups from Mexico and Guatemala. The volume gives college teachers and students access to important new sources for the history of Latin America and Native Americans. It is the first collection to present the translated writings of so many native groups and to address such a variety of topics, including conquest, government, land, household, society, gender, religion, writing, law, crime, and morality.

Mesoamerican Voices, first published in 2006, presents a collection of indigenous-language writings from the colonial period, translated into English. The texts were written from the sixteenth through the eighteenth centuries by Nahuas from central Mexico, Mixtecs from Oaxaca, Maya from Yucatan, and other groups from Mexico and Guatemala. The volume gives college teachers and students access to important new sources for the history of Latin America and Native Americans. It is the first collection to present the translated writings of so many native groups and to address such a variety of topics, including conquest, government, land, household, society, gender, religion, writing, law, crime, and morality.

This pathbreaking work is a social and cultural history of the Maya peoples of the province of Yucatan in colonial Mexico, spanning the period from shortly after the Spanish conquest of the region to its incorporation as part of an independent Mexico.Instead of depending on the Spanish sources and perspectives that have formed the basis of previous scholarship on colonial Yucatan, the author aims to give a voice to the Maya themselves, basing his analysis entirely on his translations of hundreds of Yucatec Maya notarial documents—from libraries and archives in Mexico, Spain, and the United States—most of which have never before received scholarly attention.These documents allow the author to reconstruct the social and cultural world of the Maya municipality, or cah, the self-governing community where most Mayas lived and which was the focus of Maya social and political identity. The first two parts of the book examine the ways in which Mayas were organized and differentiated from each other within the community, and the discussion covers such topics as individual and group identities, sociopolitical organization, political factionalism, career patterns, class structures, household and family patterns, inheritance, gender roles, sexuality, and religion.The third part explores the material environment of the cah, emphasizing the role played by the use and exchange of land, while the fourth part describes in detail the nature and significance of the source documentation, its genres and its language. Throughout the book, the author pays attention to the comparative contexts of changes over time and the similarities or differences between Maya patterns and those of other colonial-era Mesoamericans, notably the Nahuas of central Mexico.

Winner of the Conference on Latin American History's 2010 Mexican History Book Prize.The Black Middle is the first full-length study of black African slaves and other people of African descent in the Spanish colonial province of Yucatan. Matthew Restall makes expert use of Spanish and Maya language documents from the sixteenth through the nineteenth centuries, found in a dozen different archives. His goal is to discover what life was like for a people hitherto ignored by historians. He explores such topics as slavery and freedom, militia service and family life, bigamy and witchcraft, and the ways in which Afro-Yucatecans (as he dubs them) interacted with Mayas and Spaniards. Restall concludes that, in numerous ways, Afro-Yucatecans lived and worked in a middle space between—but closely connected to—Mayas and Spaniards. The book's "black middle" thesis has profound implications for the study of Africans throughout the Americas.

This pathbreaking work is a social and cultural history of the Maya peoples of the province of Yucatan in colonial Mexico, spanning the period from shortly after the Spanish conquest of the region to its incorporation as part of an independent Mexico.Instead of depending on the Spanish sources and perspectives that have formed the basis of previous scholarship on colonial Yucatan, the author aims to give a voice to the Maya themselves, basing his analysis entirely on his translations of hundreds of Yucatec Maya notarial documents—from libraries and archives in Mexico, Spain, and the United States—most of which have never before received scholarly attention.These documents allow the author to reconstruct the social and cultural world of the Maya municipality, or cah, the self-governing community where most Mayas lived and which was the focus of Maya social and political identity. The first two parts of the book examine the ways in which Mayas were organized and differentiated from each other within the community, and the discussion covers such topics as individual and group identities, sociopolitical organization, political factionalism, career patterns, class structures, household and family patterns, inheritance, gender roles, sexuality, and religion.The third part explores the material environment of the cah, emphasizing the role played by the use and exchange of land, while the fourth part describes in detail the nature and significance of the source documentation, its genres and its language. Throughout the book, the author pays attention to the comparative contexts of changes over time and the similarities or differences between Maya patterns and those of other colonial-era Mesoamericans, notably the Nahuas of central Mexico.

Winner of the Conference on Latin American History's 2010 Mexican History Book Prize.The Black Middle is the first full-length study of black African slaves and other people of African descent in the Spanish colonial province of Yucatan. Matthew Restall makes expert use of Spanish and Maya language documents from the sixteenth through the nineteenth centuries, found in a dozen different archives. His goal is to discover what life was like for a people hitherto ignored by historians. He explores such topics as slavery and freedom, militia service and family life, bigamy and witchcraft, and the ways in which Afro-Yucatecans (as he dubs them) interacted with Mayas and Spaniards. Restall concludes that, in numerous ways, Afro-Yucatecans lived and worked in a middle space between—but closely connected to—Mayas and Spaniards. The book's "black middle" thesis has profound implications for the study of Africans throughout the Americas.

The essays in this collection build upon a series of conversations and papers that resulted from 'New Directions in North American Scholarship on Afro-Mexico', a symposium conducted at Pennsylvania State University in 2004. The issues addressed include contested historiography, social and economic contributions of Afro-Mexicans, social construction of race and ethnic identity, forms of agency and resistance, and contemporary inquiry into ethnographic work on Afro-Mexican communities. Comprised of a core set of chapters that examine the colonial period and a shorter epilogue addressing the modern era, this volume allows the reader to explore ideas of racial representation from the sixteenth century into the twenty-first.

The third edition of Latin America in Colonial Times is a thoroughly revised, argument driven textbook that details the meeting of three great civilizations on American soil in the sixteenth century. Matthew Restall and Kris Lane invite readers to engage with colonial Latin America as historians do - through interpretation, debate, and evidence, showing how colonial societies were constructed through encounter, conflict, and collaboration. The new edition has been revised and refined page by page, engaging closely with the latest and most dynamic scholarship. It models how to analyze sources, weigh competing explanations, and connect local case studies to broader historical questions. Spanning from the rise of empires in the fifteenth century to their collapse in the nineteenth, the chapters draw on the latest scholarship on Spain, Portugal, Atlantic Africa, and Latin America, with particular attention to Indigenous, African, and women's experiences.

The third edition of Latin America in Colonial Times is a thoroughly revised, argument driven textbook that details the meeting of three great civilizations on American soil in the sixteenth century. Matthew Restall and Kris Lane invite readers to engage with colonial Latin America as historians do - through interpretation, debate, and evidence, showing how colonial societies were constructed through encounter, conflict, and collaboration. The new edition has been revised and refined page by page, engaging closely with the latest and most dynamic scholarship. It models how to analyze sources, weigh competing explanations, and connect local case studies to broader historical questions. Spanning from the rise of empires in the fifteenth century to their collapse in the nineteenth, the chapters draw on the latest scholarship on Spain, Portugal, Atlantic Africa, and Latin America, with particular attention to Indigenous, African, and women's experiences.