Michael Mejia – författare

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

A novel in three parts, linked by a single narrative of disaster, loss, and longing.TOKYO is an incisive, shape-shifting tour de force, a genre-bending mix of lyric prose, science fiction, horror, and visual collage exploring the erotic undercurrents of American perceptions of Japanese culture and identity.By turns noir, surreal, and clinical in its language and style, TOKYO employs metaphors of consumption, disease, theater, gender fluidity, monstrousness, and ecological disaster in intertwined accounts touching on matters of cultural appropriation, fiction's powerful capacity to produce immersive realities, and the culturally corrupting late capitalist excesses that entangle both the United States and Japan.The novel opens with a fantastic, slyly comic report written by a Japanese executive, describing the anomalous bluefin tuna his company purchased at Tokyo’s iconic fish market, as well as the dissolution of the executive’s marriage to his Japanese-American, or Sansei, wife. But when an American writer—whose own Sansei wife was previously married to a Japanese executive—begins investigating the report’s author and his claims, assisted by a mysterious Japanese correspondent the American suspects may once have been his wife’s lover, identities begin to scramble until it’s uncertain who is imagining who, and who is and isn’t Japanese. Meanwhile, a secret plot to establish pure Japaneseness through the global distribution of genetically engineered bluefin tuna seems to be rushing toward its conclusion like a great wave.

The first part of Forgetfulness is a fictional monograph on the life of the Austrian modernist composer Anton von Webern (1883-1945). The collage-work monograph unfolds in a Webernian sequence of events and silences combining quotes from Webern, his friends and associates, and various historical and literary figures with short scenes, monologues, dialogues, newspaper articles, and theater and film scripts. The result is a lyrical panorama of early twentieth century Vienna. The second part of the book takes place in Vienna on May 1st, 1986, shortly before the election of Kurt Waldheim as President of the Austrian Republic and shortly after the Chernobyl disaster. The three simultaneous, intertwining monologues of an archivist, a retired opera singer, and the author of the monograph, revisit the themes and events of the first part, commenting on postwar conceptions, analyses, and revisions of the period during which Webern lived, while continuously haunted by the specters of Waldheim and Chernobyl, the persistence of crimes that are immanent, unpaid for, or only dimly, disingenuously recalled.

A novel in three parts, linked by a single narrative of disaster, loss, and longing. TOKYO is an incisive, shape-shifting tour de force, a genre-bending mix of lyric prose, science fiction, horror, and visual collage exploring the erotic undercurrents of American perceptions of Japanese culture and identity. By turns noir, surreal, and clinical in its language and style, TOKYO employs metaphors of consumption, disease, theater, gender fluidity, monstrousness, and ecological disaster in intertwined accounts touching on matters of cultural appropriation, fiction''s powerful capacity to produce immersive realities, and the culturally corrupting late capitalist excesses that entangle both the United States and Japan. The novel opens with a fantastic, slyly comic report written by a Japanese executive, describing the anomalous bluefin tuna his company purchased at Tokyo’s iconic fish market, as well as the dissolution of the executive’s marriage to his Japanese-American, or Sansei, wife. But when an American writer—whose own Sansei wife was previously married to a Japanese executive—begins investigating the report’s author and his claims, assisted by a mysterious Japanese correspondent the American suspects may once have been his wife’s lover, identities begin to scramble until it’s uncertain who is imagining who, and who is and isn’t Japanese. Meanwhile, a secret plot to establish pure Japaneseness through the global distribution of genetically engineered bluefin tuna seems to be rushing toward its conclusion like a great wave.

A state-of-the-art weight-lifting and nutritional blueprint for "skinny" guys who want to pack on muscleLet''s face it, naturally skinny guys are at a distinct genetic disadvantage when it comes to building muscle mass. But with the proper advice, these "hardgainers" definitely can realize their fitness goals. In Scrawny to Brawny, the authors draw on their years of practical experience as private strength and nutrition coaches to provide hardgainers with:   • A progressive, state-of-the-art program that optimizes results with shorter, less frequent workouts that maximize compound exercises   • A unique, action-based perspective on nutrition that shows how to prepare quick muscle-building meals and snacks-and how to take advantage of several critical times in the day when muscle growth can be stimulated by food intake   • Vital information on how to identify and fix any weak links in their physiques that may be precursors to injuryDesigned not only for frustrated adult hardgainers but also--with its strong anti-steroid message--a terrific book for the large teen market, Scrawny to Brawny fills a significant gap in the weight-lifting arsenal.

Get bigger biceps, broad shoulders, a bigger bench press, powerful legs, cut abs . . . without ever leaving your home! The body you want, in the space you have. The strength you want, with the equipment you have. The muscles you want, in the time you have. You don''t need to join a gym to get in shape. In fact, for a lot of guys, the gym is an impediment to getting in shape. The crowds, the inconvenience, the intimidation, the time, the commute-- by the time you add it all up, you could end up investing 2 hours to get 45 minutes of exercise. No matter how little space you have, no matter how little equipment you have, no matter how little time you have, you can get the results you want without stepping inside a gym. The Men''s Health Home Workout Bible by Lou Schuler and Michael Mejia, M.S., C.S.C.S. gives you...* Four full-body muscle plans:The Body Weight PlanThe Dumbbell PlanThe Barbell PlanThe Multistation-Machine Plan* Custom training plans for strength, fat loss, aerobic fitness, and sports performance* Buying advice for weights, benches, machines, cardio equipment, and exercise videos* Complete guidelines for turning your home into a state-of-the-art fitness centerWith beginner, intermediate, and advanced full-body workouts for each type of equipment, The Men''s Health Home Workout Bible gives you more than 400 exercises altogether, photographed and fully described. From pushups to power cleans, from crunches to jump squats, we show you how to get more muscle and strength at home, whether you''re a complete beginner or a competitive athlete.The Men''s Health Home Workout Bible is a personal trainer, on call 24 hours a day, 7 days a week.