P. E. Easterling – författare
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21 produkter
21 produkter
Libertas as a Political Idea at Rome during the Late Republic and Early Principate
Inbunden, Engelska, 1950
1 322 kr
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This study describes the meaning of libertas as a political idea at Rome during the two hundred years or so between the Gracchi and Trajan, a period in which the Republican constitution gradually gave way and was finally superceded by the Principate which, in its own turn, considerably changed during the first century AD. Libertas, while identified with the republican constitution during the Republican period, continued to be a popular slogan and a constitutional principle under the Principate, and C H Wirszubski questions whether the political content of Roman libertas changed as the Roman constitution was transformed. He explores the general characteristics of libertas before engaging with both the background and the major points that were at issue, concluding his analysis with consideration of libertas in the context of the Principate. Originally published in the 1950s, Wirszubski's classic study has been digitally reprinted for a new generation of scholars.
587 kr
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This 1983 book provides a serious modern literary treatment of perhaps the best known of all surviving works of ancient Greek fiction. Dr Hunter demonstrates the sophistication of this pastoral romance, a sophistication which he maintains has often been assumed but never properly discussed. Evidence for the identity of the author and the date of composition are also considered.
483 kr
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Sophocles' Trachiniae is, in the editor's words, 'a subtle and sophisticated play about primitive emotions'. It is also a play which presents problems to a modern audience. Making full use of recent Sphoclean scholarship, Mrs Easterling attempts in her Introduction a detailed literary analysis of Trachiniae, helping the reader to understand better its intricate structure, the treatment of Deianira and Heracles, and the meaning of the final scenes. The notes in the Commentary of grammar, syntax and style include material which will be helpful to comparative beginners in the language, but the commentary as a whole is intended for anyone with a close interest in Greek tragedy. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction is designed to be of use to readers who do not know Greek, as well as to specialists.
541 kr
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Greek religion is a subject of absorbing interest, essential for the understanding of history and culture, but often puzzling and elusive. This collection of essays ranges over many aspects of Greek civil life, looking at the ways in which religion manifested itself in institutions, art and literature, and tracing the attitudes that lay behind the manifold cults and customs. It is not meant as an exhaustive introduction to the subject, but as a series of related approaches which will help students to draw the threads together, on lines suggested by Sir Moses Finley in his introduction to the book.
The Cambridge History of Classical Literature: Volume 1, Greek Literature, Part 1, Early Greek Poetry
Häftad, Engelska, 1989
799 kr
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The period from the eighth to the fifth centuries B.C. was one of extraordinary creativity in the Greek-speaking world. Poetry was a public and popular medium, and its production was closely related to developments in contemporary society. At the time when the city states were acquiring their distinctive institutions epic found the greatest of all its exponents in Homer, and lyric poetry for both solo and choral performance became a genre which attracted poets of the first rank, writers of the quality of Sappho, Alcaeus and Pindar, whose influence on later literature was to be profound. This volume covers the epic tradition, the didactic poems of Hesiod and his imitators, and the wide-ranging work of the iambic, elegiac and lyric poets of what is loosely called the archaic age. The contributors make use of recent papyrus finds (particularly in the case of Archilochus and Stesichorus) to fill out the picture of a cosmopolitan and highly sophisticated literary culture which had not yet found its intellectual centre in Athens.
The Cambridge History of Classical Literature: Volume 1, Greek Literature, Part 2, Greek Drama
Häftad, Engelska, 1989
582 kr
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This series provides individual textbooks on early Greek poetry, on Greek drama, on philosophy, history and oratory, and on the literature of the Hellenistic period and of the Empire. A chapter on books and readers in the Greek world concludes Part IV. Each part has its own appendix of authors and works, a list of works cited, and an index.
The Cambridge History of Classical Literature: Volume 1, Greek Literature, Part 3, Philosophy, History and Oratory
Häftad, Engelska, 1989
768 kr
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This volume ranges in time over a very long period and covers the Greeks' most original contributions to intellectual history. It begins and ends with philosophy, but it also includes major sections on historiography and oratory. Although each of these areas had functions which in the modern world would not be considered 'Literary', the ancients made a less sharp distinction between intellectual and artistic production, and the authors included in this volume are some of Europe's most powerful stylists: Plato, Herodotus, Thucydides and Demosthenes.
The Cambridge History of Classical Literature: Volume 1, Greek Literature, Part 4, The Hellenistic Period and the Empire
Häftad, Engelska, 1989
876 kr
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This series provides individual textbooks on early Greek poetry, on Greek drama, on philosophy, history and oratory, and on the literature of the Hellenistic period and of the Empire. Each part has its own appendix of authors and works, a list of works cited, and an index. This volume studies the revolutionary movement represented by the more creative of the Hellenistic poets and finally the very rich range of authors surviving from the imperial period, with rhetoric and the novel contributing a distinctive flavour to the culture of the time. Appropriately enough, the volume closes with a survey of books and readers in the ancient world, which draws attention to the bookish nature of Greek literature from the Hellenistic period onwards and points forward to its survival into the Middle Ages.
583 kr
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This full-length study of Plato's dialogue Phaedrus, now in paperback, is written in the belief that such concerted scrutiny of a single dialogue is an important part of the project of understanding Plato so far as possible 'from the inside' - of gaining a feel for the man's philosophy. The focus of this account is on how the resources both of persuasive myth and of formal argument, for all that Plato sets them in strong contrast, nevertheless complement and reinforce each other in his philosophy. Not only is the dialogue in its formal structure a dovetail of myth and argument, but the philosophic life that it praises is also shaped by an acknowledgement of the limitations of argument and the importance of mythical understanding. By means of this correlation of form and content Plato invites his readers, through the very act of reading, to take a first step along the path of the philosophical life.
555 kr
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As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. Each chapter can be read independently, but each is linked with the others, and most examples are drawn from the same selection of plays.
1 453 kr
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This study examines the literary complexities of the poetry which Ovid wrote in Tomis, his place of exile on the coast of the Black Sea after he was banished from Rome by the emperor Augustus in AD 8 because of the alleged salaciousness of the Ars Amatoria and a mysterious misdemeanour which is nowhere explained. Exile transforms Ovid into a melancholic poet of despair who claims that his creative faculties are in terminal decline. But research has exposed the ironic disjunction between many of the poet's claims and the latent artistry which belies them. Through a series of close readings which offer an analytical contribution to the scholarly evaluation of the exile poetry, Dr Williams examines the nature and the extent of Ovidian irony in Tomis and demonstrates the complex literary designs which are consistently disguised under a veil of dissimulation.
1 499 kr
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The book offers an interpretation of Euripides' The Trojan Women which issues from the argument that the function of Greek tragedy was to educate. The author demonstrates that the play performs its function by examining Athenian ideology. By making the didactic function of tragedy the basis of interpretation, he is able to offer a coherent view of a number of long-standing problems in Euripidean criticism, for instance, the relation of Euripides to the Sophists.
749 kr
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Demos is a study of a classical city-state. It is the first attempt to provide an integrated account which gives due attention to the countryside as well as the urban areas of a polis. Concentrating on classical Athens, for which the literary and archaeological evidence is richest, Dr Osborne establishes the nature of settlement in the countryside and explores how this relates to the farming of the land, the exploitation of mineral resources, and the nature of political participation in both local and central politics. Further studies reveal the way in which the countryside was structured by religious institutions and cults and by the nature of the family.
1 438 kr
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This study, first published in 1998, explores the subtle, many-faceted interplay of power in Tibullus' first book of elegies. A series of power relationships are created by the text (lover and beloved, poet and patron) and the processes through which power of various sorts can be exercised are brought to the foreground. Such power-play within the text of Tibullus I has ramifications well beyond the erotic sphere. Gender categories, rural life, religion, militia, patronage are among the areas subsumed within and determined by the operation of power dynamics in this consistently underrated Augustan text. As secure meaning becomes elusive, the reader is also drawn into this nexus of power-play. Taking a linear reading of Book One as its basis, this study uncovers the shifting, unstable ground of Tibullan elegy. The result is a picture of the poet and text of Book I far removed from the bland, safe and urbane 'Tibullus' of previous criticism.
1 316 kr
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This book is at once an analytical study of one of the most important mathematical texts of antiquity, the Mathematical Collection of the fourth-century AD mathematician Pappus of Alexandria, and also an examination of the work's wider cultural setting. An important first chapter looks at the mathematicians of the period and how mathematics was perceived by people at large. The central chapters of the book analyse sections of the Collection, identifying features typical of Pappus's mathematical practice. The final chapter draws together the various threads and presents a fuller description of Pappus's mathematical 'agenda'. This is one of few books to deal extensively with the mathematics of Late Antiquity. It sees Pappus's text as part of a wider context and relates it to other contemporary cultural practices and opens avenues to research into the public understanding of mathematics and mathematical disciplines in antiquity.
1 514 kr
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This book examines the role and character of Homer's people, laoi, in Homeric story-telling, arguing that Homeric poetry is crucially concerned with the people as a basis for communal life. Both The Iliad and The Odyssey are read as sustained meditations on the processes involved in protecting and destroying the people. The investigation draws on a wide range of approaches from formulaic analysis to the study of early performance contexts. From a close reading of the Homeric epics, Homer's people emerge as a community without effective social structures. When this is viewed from the perspective of Homeric performances in the polis, a contrast between Homer's laoi and the founding people of ritual emerges. While the former typically perish, the survival of the latter is secured by the establishment of successful institutions.
1 395 kr
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The Epicurean philosophical system has enjoyed much scrutiny, but the question of its philosophical ancestry remains largely neglected. It has often been thought that Epicurus owed only his physical theory of atomism to the fifth-century BC philosopher Democritus, but this 2002 study finds that there is much in his ethical thought which can be traced to Democritus. It also finds important influences on Epicurus in Democritus' fourth-century followers such as Anaxarchus and Pyrrho, and in Epicurus' disagreements with his own Democritean teacher Nausiphanes. The result is not only a fascinating reconstruction of a lost tradition, but also an important contribution to the philosophical interpretation of Epicureanism, bearing especially on its ideal of tranquillity and on the relation of ethics to physics.
1 604 kr
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This study examines how one of the most popular and glamorous figures of Greek mythology was imagined on the tragic stage of fifth-century Athens. Dr Michelakis argues that dramatists persistently appropriated Achilles to address concerns of their time, from heroism and education to individualism and gender. Whether an aristocrat, a dead warrior or a young man, the tragic Achilles serves as a receptacle for competing definitions of heroism, oscillating between presence and absence, the exceptional and the paradigmatic. Tragedy draws on Achilles to display and pit against one another contrasting views of the mythological self and of its rights and obligations, powers and limitations. The book considers the whole corpus of extant Greek tragedy, with particular attention paid to Aeschylus' Myrmidons and Euripides' Hecuba and Iphigenia at Aulis.
The Invention of Art History in Ancient Greece
Religion, Society and Artistic Rationalisation
Inbunden, Engelska, 2006
1 356 kr
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The ancient Greeks developed their own very specific ethos of art appreciation, advocating a rational involvement with art. This book explores why the ancient Greeks started to write art history and how the writing of art history transformed the social functions of art in the Greek world. It looks at the invention of the genre of portraiture and the social uses to which portraits were put in the city state. Later chapters explore how artists sought to enhance their status by writing theoretical treatises and producing works of art intended for purely aesthetic contemplation, which ultimately gave rise to the writing of art history and to the development of art collecting. The study, which is illustrated throughout and draws on contemporary perspectives in the sociology of art, will prompt the student of classical art to rethink fundamental assumptions about Greek art and its cultural and social implications.
- Nyhet
1 760 kr
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Pat Easterling's articles are fundamental to her status as one of the most influential Hellenists of her generation. Characterised by unostentatious astuteness and an arresting capacity for observation, they put forward tersely considered arguments that have the weight of much longer discussions. Exacting attention to language and detail combines with clear-sighted openness to new developments within and beyond the discipline to allow the texts to speak in deeply human terms. This collection gathers significant articles from all stages of Easterling's career, many of them major points of reference. Volume 1 is devoted to Greek tragedy, and represents in particular her great affinity for Sophocles. Volume 2 presents work on other Greek literature, acting, transmission, scholia, reception, history of scholarship. Reflecting Easterling's extensive academic ties, several of the articles were originally published in less well-known volumes and are here made more widely available.
- Nyhet
Studies in Greek Literature: Volume 2, Early Greek Literature, Reception, Ancient and Modern Scholarship
Inbunden, Engelska, 2026
1 693 kr
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Pat Easterling's articles are fundamental to her status as one of the most influential Hellenists of her generation. Characterised by unostentatious astuteness and an arresting capacity for observation, they put forward tersely considered arguments that have the weight of much longer discussions. Exacting attention to language and detail combines with clear-sighted openness to new developments within and beyond the discipline to allow the texts to speak in deeply human terms. This collection gathers significant articles from all stages of Easterling's career, many of them major points of reference. Volume 1 is devoted to Greek tragedy, and represents in particular her great affinity for Sophocles. Volume 2 presents work on other Greek literature, acting, transmission, scholia, reception, history of scholarship. Reflecting Easterling's extensive academic ties, several of the articles were originally published in less well-known volumes and are here made more widely available.