Sarah Stewart – författare

Although Zoroastrians in the contemporary world are numerically few – estimated recently at less than 150,000 across the globe – their ancient Iranian ancestors ruled vast areas of the Near East for over a millennium. From the mid‑sixth century BCE to the mid‑seventh century CE, the historical contribution of the ‘Mazda-worshipping’ religion to the intellectual, cultural, and political development of the region was momentous. The migration of some Zoroastrians to north-western India also had a significant social and economic impact on early modern and modern India. From the mid-seventeenth century until the present, Zoroastrianism has also played an important role in European discourse.Written by a distinguished team of international contributors, including many Zoroastrians, The Zoroastrian World presents a global guide to Zoroastrianism from the earliest period to the modern day, offering original perspectives through substantial thematic contributions on the lived experience of Zoroastrian communities across the world. This volume is organised into five distinct sections:Imagining ZoroastrianismThe Developing Zoroastrian WorldLiving Realities: Zoroastrian Narrative and Symbol in the Modern WorldContemporary Challenges in the Zoroastrian WorldCreative Contributions from the Zoroastrian WorldThe Zoroastrian World provides an authoritative and accessible source of information on topics relating to the Zoroastrian religion, with a particular focus on interdisciplinary connections. The volume is essential reading for students engaged in studies of Religion, Philosophy and Ethics; Ancient and Modern Iran; the Near and Middle East; Central Asia; South Asian Religions; and Cultural History. The Zoroastrian World is intended for all curious readers, who seek to know more about this ancient, enduring religion.The editors are excited to showcase the original artwork 'The Garden of the Universe' by Hormazd Narielwalla as the cover of this book.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license

When she comes to the city to stay with her Uncle Jim, a curmudgeonly baker, Lydia Grace Finch brings along a suitcase full of seeds that she uses to create a wonderful, secret rooftop garden that she hopes will transform Uncle Jim's life. A Caldecott Honor Book. Reissue.

The Parthians are a fascinating but little-known ancient civilization. In the mid-third century BCE a bold and ambitious leader called Arshak challenged Hellenic rule and led his armies to victory. The dynasty which he founded ruled over what became a mighty empire and restored the glory of Iran following the region's conquest by Alexander the Great. This imperial eastern superpower, which lasted for 400 years and stretched from the Hindu Kush to Mesopotamia, withstand the might of Rome for centuries. The Parthians were nomadic horse-warriors who left few written records, concentrating rather on a rich oral and storytelling tradition. What knowledge we have of this remarkable people derives primarily from their coinage, which mixed Hellenism with Persian influences. In this book, distinguished scholars examine - from a variety of perspectives - the origins of the Parthians, their history, religion and culture, as well as perceptions of their empire through the lens of both imperial Rome and China.

Of the great ancient civilizations, that of Persia is the least known and the most enigmatic. This book explores the formation of the first Persian Empire under the Achaemenid Persians. It brings together a multi-disciplinary view of ancient Iran in the first millennium BC and concentrates on the art, archaeology, history and religion of a geographical area far beyond the present borders of modern Iran in the period beginning just before the formation of the Persian empire in the middle of the 6th century up to its collapse following conquest by Alexander the Great in the late 4th century BC. Eminent scholars here give a critical approach to some of the traditional interpretations and discuss topics which help the reader towards a better understanding of the formation of the Persian empire. This is the first volume in the "Idea of Iran" series which will be a four-volume collection encompassing the history of that country.

This latest volume in "The Idea of Iran" series concentrates on the Sasanian period. Seizing power from the previous dynasty - the Parthians - the Sasanians ruled Iran and most of the ancient Near East from 224 until 642 CE. They are particularly fascinating because of their adherence to Zoroastrianism, an ancient dualistic Iranian religion named after the prophet Zarathustra (or, in Greek, Zoroaster). The Sasanians expressed the divine aspect of their rule in a variety of forms, such as on coins, rock reliefs and silver plates, and architecture and the arts flourished under their aegis. Sasanian military success brought them into conflict with Rome, and later Byzantium. Their empire eventually collapsed under the force of the Arab army in AD 642, when Zoroastrianism was replaced with Islam.Engaging with all the major aspects of Sasanian culture, twelve eminent scholars address subjects which include: early Sasanian art and iconography; early Sasanian coinage; religion and identity in the Sasanian empire; later Sasanian orality and literacy; and state and society in late antique Iran.The volume in question arguably comprises the most complete and comprehensive treatment of the Sasanian civilization yet to be published in English.

This final volume in the successful series "The Idea of Iran" addresses the astonishing impact made by Islam during and after the Arab conquest of Iran in the middle of the seventh century. As the Sasanian dynasty crumbled before the invaders' triumphant onslaught, its state religion of Zoroastrianism was unceremoniously dismantled to make way for the new faith of the victorious desert warriors. Yet why, if Iran jettisoned its indigenous religion, did it still manage to retain its Persian language and distinctive Iranian identity once Muslim governance took hold?These, and other intriguing questions, are addressed by the book, which includes distinguished contributions from world-renowned scholars such as Hugh Kennedy, Edmund Bosworth, Robert Hillenbrand and Ehsan Yarshater. Discussing a large variety of subjects which covers the whole spectrum of life in early Islamic Iran, the volume offers one of the most ambitious perspectives on Persian religion, society and culture to be published to date. It will be consulted by all students of Iranian history, and will be regarded as essential reading for scholars of Islam, the Middle East and medieval religion alike.

From their ancestral heartland by the shores of the Aral Sea, the medieval Oghuz Turks marched westwards in search of dominion. Their conquests led to control of a Muslim empire that united the territories of the Eastern Islamic world, melded Turkic and Persian influences and transported Persian culture to Anatolia. In the eleventh and twelfth centuries the new Turkic-Persian symbiosis that had earlier emerged under the Samanids, Ghaznavids and Qarakha-nids came to fruition in a period that, under the enlightened rule of the Seljuq dynasty, combined imperial grandeur with remarkable artistic achievement. This latest volume in The Idea of Iran series focuses on a system of government based on Turkic 'men of the sword' and Persian 'men of the pen' that the Seljuqs (famous foes of the Crusader Frankish knights) consolidated in a form that endured for centuries. The book further explores key topics relating to the innovative Seljuq era, including: conflicted Sunni-Shi'a relations between the Sunni Seljuq Empire and Ismaili Fatimid caliphate; architecture, art and culture; and politics and poetry.Istvan Vasary looks back in Chapter 1 to the early history of the Turks in the wider Iranian world, discussing the debates about the dating and distribution of the early Turkish presence in Central Asia, Iran and Afghanistan.NizaAZm al-Mulk is the subject of Chapter 2, in which Carole Hillenbrand subjects this 'maverick vizier' to critical scrutiny. While paying due credit to his extraordinary achievements, she does not shy away from concluding that his career illustrates the maxim that 'power corrupts and absolute power corrupts absolutely'. A fitting antagonist for NizaAZm al-Mulk is the subject of Chapter 3, in which Farhad Daftary follows the career of the remarkable revolutionary leader Hasan-i SabbaAZh and the history of the Ismaili state-within-a-state that he founded with his capture of the fortress of Alamt in 1090. In Chapter 4 David Durand-Guedy examines the Seljuq Empire from the viewpoint of its (western) capital, Isfahan. He concentrates on the distinction between the parts of Iran to the west of the great deserts (and in close connection to Iraq and Baghdad) and the parts to the east, notably Khorasan, with its ties to Transoxiana and Tokharestan.Vanessa Van Renterghem in Chapter 5 challenges the long-held view that the Seljuq takeover of Baghdad represented a liberation of the Abbasid caliphs from their burden-some subordination to the heretical Buyids.Alexey Khismatulin in Chapter 6 presents a forensic examination of two important works of literature, casting doubt on the authorship of both the Siyar al-muluAZk attributed to NizaAZm al-Mulk and the NasAZhat al-muluAZk ascribed to al-GhazaAZlAZ. In Chapter 7 Asghar Seyed-Gohrab discusses the poetry of the Ghaznavid and Seljuq periods, demonstrating the poets' mastery of metaphor and of extended description and riddling to build suspense. The final chapter by Robert Hillenbrand shifts the focus from texts and literature to architecture and to that pre-eminent Seljuq masterpiece, the Friday Mosque of Isfaha

For many centuries, from the birth of the religion late in the second millennium BC to its influence on the Achaemenids and later adoption in the third century AD as the state religion of the Sasanian Empire, it enjoyed imperial patronage and profoundly shaped the culture of antiquity. The Magi of the New Testament most probably were Zoroastrian priests from the Iranian world, while the enigmatic figure of Zarathushtra (or Zoroaster) himself has exerted continual fascination in the West, influencing creative artists as diverse as Voltaire, Nietzsche, Mozart and Yeats. This authoritative volume brings together internationally recognised scholars to explore Zoroastrianism in all its rich complexity. Examining key themes such as history and modernity, tradition and scripture, art and architecture and minority status and religious identity, it places the modern Zoroastrians of Iran, and the Parsis of India, in their proper contexts. The book extends and complements the coverage of its companion volume, The Everlasting Flame.

For many centuries, from the birth of the religion late in the second millennium BC to its influence on the Achaemenids and later adoption in the third century AD as the state religion of the Sasanian Empire, it enjoyed imperial patronage and profoundly shaped the culture of antiquity. The Magi of the New Testament most probably were Zoroastrian priests from the Iranian world, while the enigmatic figure of Zarathushtra (or Zoroaster) himself has exerted continual fascination in the West, influencing creative artists as diverse as Voltaire, Nietzsche, Mozart and Yeats. This authoritative volume brings together internationally recognised scholars to explore Zoroastrianism in all its rich complexity. Examining key themes such as history and modernity, tradition and scripture, art and architecture and minority status and religious identity, it places the modern Zoroastrians of Iran, and the Parsis of India, in their proper contexts. The book extends and complements the coverage of its companion volume, The Everlasting Flame.

Of the great ancient civilizations, that of Persia is the least known and the most enigmatic. This book explores the formation of the first Persian Empire under the Achaemenid Persians. It brings together a multi-disciplinary view of ancient Iran in the first millennium BC and concentrates on the art, archaeology, history and religion of a geographical area far beyond the present borders of modern Iran in the period beginning just before the formation of the Persian empire in the middle of the 6th century up to its collapse following conquest by Alexander the Great in the late 4th century BC. Eminent scholars here give a critical approach to some of the traditional interpretations and discuss topics which help the reader towards a better understanding of the formation of the Persian empire. This is the first volume in the "Idea of Iran" series which will be a four-volume collection encompassing the history of that country.

The Parthians are a fascinating but little-known ancient civilization. In the mid-third century BCE a bold and ambitious leader called Arshak challenged Hellenic rule and led his armies to victory. The dynasty which he founded ruled over what became a mighty empire and restored the glory of Iran following the region's conquest by Alexander the Great. This imperial eastern superpower, which lasted for 400 years and stretched from the Hindu Kush to Mesopotamia, withstand the might of Rome for centuries. The Parthians were nomadic horse-warriors who left few written records, concentrating rather on a rich oral and storytelling tradition. What knowledge we have of this remarkable people derives primarily from their coinage, which mixed Hellenism with Persian influences. In this book, distinguished scholars examine - from a variety of perspectives - the origins of the Parthians, their history, religion and culture, as well as perceptions of their empire through the lens of both imperial Rome and China.

This latest volume in "The Idea of Iran" series concentrates on the Sasanian period. Seizing power from the previous dynasty - the Parthians - the Sasanians ruled Iran and most of the ancient Near East from 224 until 642 CE. They are particularly fascinating because of their adherence to Zoroastrianism, an ancient dualistic Iranian religion named after the prophet Zarathustra (or, in Greek, Zoroaster). The Sasanians expressed the divine aspect of their rule in a variety of forms, such as on coins, rock reliefs and silver plates, and architecture and the arts flourished under their aegis. Sasanian military success brought them into conflict with Rome, and later Byzantium. Their empire eventually collapsed under the force of the Arab army in AD 642, when Zoroastrianism was replaced with Islam.Engaging with all the major aspects of Sasanian culture, twelve eminent scholars address subjects which include: early Sasanian art and iconography; early Sasanian coinage; religion and identity in the Sasanian empire; later Sasanian orality and literacy; and state and society in late antique Iran.The volume in question arguably comprises the most complete and comprehensive treatment of the Sasanian civilization yet to be published in English.

From their ancestral heartland by the shores of the Aral Sea, the medieval Oghuz Turks marched westwards in search of dominion. Their conquests led to control of a Muslim empire that united the territories of the Eastern Islamic world, melded Turkic and Persian influences and transported Persian culture to Anatolia. In the eleventh and twelfth centuries the new Turkic-Persian symbiosis that had earlier emerged under the Samanids, Ghaznavids and Qarakha-nids came to fruition in a period that, under the enlightened rule of the Seljuq dynasty, combined imperial grandeur with remarkable artistic achievement. This latest volume in The Idea of Iran series focuses on a system of government based on Turkic 'men of the sword' and Persian 'men of the pen' that the Seljuqs (famous foes of the Crusader Frankish knights) consolidated in a form that endured for centuries. The book further explores key topics relating to the innovative Seljuq era, including: conflicted Sunni-Shi'a relations between the Sunni Seljuq Empire and Ismaili Fatimid caliphate; architecture, art and culture; and politics and poetry.Istvan Vasary looks back in Chapter 1 to the early history of the Turks in the wider Iranian world, discussing the debates about the dating and distribution of the early Turkish presence in Central Asia, Iran and Afghanistan.NizaAZm al-Mulk is the subject of Chapter 2, in which Carole Hillenbrand subjects this 'maverick vizier' to critical scrutiny. While paying due credit to his extraordinary achievements, she does not shy away from concluding that his career illustrates the maxim that 'power corrupts and absolute power corrupts absolutely'. A fitting antagonist for NizaAZm al-Mulk is the subject of Chapter 3, in which Farhad Daftary follows the career of the remarkable revolutionary leader Hasan-i SabbaAZh and the history of the Ismaili state-within-a-state that he founded with his capture of the fortress of Alamt in 1090. In Chapter 4 David Durand-Guedy examines the Seljuq Empire from the viewpoint of its (western) capital, Isfahan. He concentrates on the distinction between the parts of Iran to the west of the great deserts (and in close connection to Iraq and Baghdad) and the parts to the east, notably Khorasan, with its ties to Transoxiana and Tokharestan.Vanessa Van Renterghem in Chapter 5 challenges the long-held view that the Seljuq takeover of Baghdad represented a liberation of the Abbasid caliphs from their burden-some subordination to the heretical Buyids.Alexey Khismatulin in Chapter 6 presents a forensic examination of two important works of literature, casting doubt on the authorship of both the Siyar al-muluAZk attributed to NizaAZm al-Mulk and the NasAZhat al-muluAZk ascribed to al-GhazaAZlAZ. In Chapter 7 Asghar Seyed-Gohrab discusses the poetry of the Ghaznavid and Seljuq periods, demonstrating the poets' mastery of metaphor and of extended description and riddling to build suspense. The final chapter by Robert Hillenbrand shifts the focus from texts and literature to architecture and to that pre-eminent Seljuq masterpiece, the Friday Mosque of Isfaha

Of the great ancient civilizations, that of Persia is the least known and the most enigmatic. This book explores the formation of the first Persian Empire under the Achaemenid Persians. It brings together a multi-disciplinary view of ancient Iran in the first millennium BC and concentrates on the art, archaeology, history and religion of a geographical area far beyond the present borders of modern Iran in the period beginning just before the formation of the Persian empire in the middle of the 6th century up to its collapse following conquest by Alexander the Great in the late 4th century BC. Eminent scholars here give a critical approach to some of the traditional interpretations and discuss topics which help the reader towards a better understanding of the formation of the Persian empire. This is the first volume in the "Idea of Iran" series which will be a four-volume collection encompassing the history of that country.

The Parthians are a fascinating but little-known ancient civilization. In the mid-third century BCE a bold and ambitious leader called Arshak challenged Hellenic rule and led his armies to victory. The dynasty which he founded ruled over what became a mighty empire and restored the glory of Iran following the region's conquest by Alexander the Great. This imperial eastern superpower, which lasted for 400 years and stretched from the Hindu Kush to Mesopotamia, withstand the might of Rome for centuries. The Parthians were nomadic horse-warriors who left few written records, concentrating rather on a rich oral and storytelling tradition. What knowledge we have of this remarkable people derives primarily from their coinage, which mixed Hellenism with Persian influences. In this book, distinguished scholars examine - from a variety of perspectives - the origins of the Parthians, their history, religion and culture, as well as perceptions of their empire through the lens of both imperial Rome and China.

"e;...a good choice for story hours and a pleasant introduction to the library for young or library-phobic children."e; - School Library Journal

How did Iran remain distinctively Iranian in the centuries which followed the Arab Conquest? How did it retain its cultural distinctiveness after the displacement of Zoroastrianism - state religion of the Persian empire - by Islam? This latest volume in "The Idea of Iran" series traces that critical moment in Iranian history which followed the transformation of ancient traditions during the country's conversion and initial Islamic period. Distinguished contributors (who include the late Oleg Grabar, Roy Mottahedeh, Alan Williams and Said Amir Arjomand) discuss, from a variety of literary, artistic, religious and cultural perspectives, the years around the end of the first millennium CE, when the political strength of the 'Abbasid Caliphate was on the wane, and when the eastern lands of the Islamic empire began to be take on a fresh 'Persianate' or 'Perso-Islamic' character. One of the paradoxes of this era is that the establishment throughout the eastern Islamic territories of new Turkish dynasties coincided with the genesis and spread, into Central and South Asia, of vibrant new Persian language and literatures.Exploring the nature of this paradox, separate chapters engage with ideas of kingship, authority and identity and their fascinating expression through the written word, architecture and the visual arts.

From their ancestral heartland by the shores of the Aral Sea, the medieval Oghuz Turks marched westwards in search of dominion. Their conquests led to control of a Muslim empire that united the territories of the Eastern Islamic world, melded Turkic and Persian influences and transported Persian culture to Anatolia. In the eleventh and twelfth centuries the new Turkic-Persian symbiosis that had earlier emerged under the Samanids, Ghaznavids and Qarakha-nids came to fruition in a period that, under the enlightened rule of the Seljuq dynasty, combined imperial grandeur with remarkable artistic achievement. This latest volume in The Idea of Iran series focuses on a system of government based on Turkic 'men of the sword' and Persian 'men of the pen' that the Seljuqs (famous foes of the Crusader Frankish knights) consolidated in a form that endured for centuries. The book further explores key topics relating to the innovative Seljuq era, including: conflicted Sunni-Shi'a relations between the Sunni Seljuq Empire and Ismaili Fatimid caliphate; architecture, art and culture; and politics and poetry.Istvan Vasary looks back in Chapter 1 to the early history of the Turks in the wider Iranian world, discussing the debates about the dating and distribution of the early Turkish presence in Central Asia, Iran and Afghanistan.NizaAZm al-Mulk is the subject of Chapter 2, in which Carole Hillenbrand subjects this 'maverick vizier' to critical scrutiny. While paying due credit to his extraordinary achievements, she does not shy away from concluding that his career illustrates the maxim that 'power corrupts and absolute power corrupts absolutely'. A fitting antagonist for NizaAZm al-Mulk is the subject of Chapter 3, in which Farhad Daftary follows the career of the remarkable revolutionary leader Hasan-i SabbaAZh and the history of the Ismaili state-within-a-state that he founded with his capture of the fortress of Alamt in 1090. In Chapter 4 David Durand-Guedy examines the Seljuq Empire from the viewpoint of its (western) capital, Isfahan. He concentrates on the distinction between the parts of Iran to the west of the great deserts (and in close connection to Iraq and Baghdad) and the parts to the east, notably Khorasan, with its ties to Transoxiana and Tokharestan.Vanessa Van Renterghem in Chapter 5 challenges the long-held view that the Seljuq takeover of Baghdad represented a liberation of the Abbasid caliphs from their burden-some subordination to the heretical Buyids.Alexey Khismatulin in Chapter 6 presents a forensic examination of two important works of literature, casting doubt on the authorship of both the Siyar al-muluAZk attributed to NizaAZm al-Mulk and the NasAZhat al-muluAZk ascribed to al-GhazaAZlAZ. In Chapter 7 Asghar Seyed-Gohrab discusses the poetry of the Ghaznavid and Seljuq periods, demonstrating the poets' mastery of metaphor and of extended description and riddling to build suspense. The final chapter by Robert Hillenbrand shifts the focus from texts and literature to architecture and to that pre-eminent Seljuq masterpiece, the Friday Mosque of Isfaha

For many centuries, from the birth of the religion late in the second millennium BC to its influence on the Achaemenids and later adoption in the third century AD as the state religion of the Sasanian Empire, it enjoyed imperial patronage and profoundly shaped the culture of antiquity. The Magi of the New Testament most probably were Zoroastrian priests from the Iranian world, while the enigmatic figure of Zarathushtra (or Zoroaster) himself has exerted continual fascination in the West, influencing creative artists as diverse as Voltaire, Nietzsche, Mozart and Yeats. This authoritative volume brings together internationally recognised scholars to explore Zoroastrianism in all its rich complexity. Examining key themes such as history and modernity, tradition and scripture, art and architecture and minority status and religious identity, it places the modern Zoroastrians of Iran, and the Parsis of India, in their proper contexts. The book extends and complements the coverage of its companion volume, The Everlasting Flame.

The Mongol invasions in the first half of the thirteenth century led to profound and shattering changes to the historical trajectory of Islamic West Asia. As this new volume in The Idea of Iran series suggests, sudden conquest from the east was preceded by events closer to home which laid the groundwork for the later Mongol success. In the mid-twelfth century the Seljuq empire rapidly unravelled, its vast provinces fragmenting into a patchwork of mostly short-lived principalities and kingdoms. In time, new powers emerged, such as the pagan Qara-Khitai in Central Asia; the Khwarazmshahs in Khwarazm, Khorosan and much of central Iran; and the Ghurids to the southeast. Yet all were blown away by the Mongols, who faced no resistance from a sufficiently muscular imperial competitor and whose influx was viewed by contemporaries as cataclysmic. Distinguished scholars including David O Morgan and the late C E Bosworth here discuss the dynasties that preceded the invasion - and aspects of their literature, poetry and science - as well as the conquerors themselves and their rule in Iran from 1219 to 1256.

How did Iran remain distinctively Iranian in the centuries which followed the Arab Conquest? How did it retain its cultural distinctiveness after the displacement of Zoroastrianism - state religion of the Persian empire - by Islam? This latest volume in "The Idea of Iran" series traces that critical moment in Iranian history which followed the transformation of ancient traditions during the country's conversion and initial Islamic period. Distinguished contributors (who include the late Oleg Grabar, Roy Mottahedeh, Alan Williams and Said Amir Arjomand) discuss, from a variety of literary, artistic, religious and cultural perspectives, the years around the end of the first millennium CE, when the political strength of the 'Abbasid Caliphate was on the wane, and when the eastern lands of the Islamic empire began to be take on a fresh 'Persianate' or 'Perso-Islamic' character. One of the paradoxes of this era is that the establishment throughout the eastern Islamic territories of new Turkish dynasties coincided with the genesis and spread, into Central and South Asia, of vibrant new Persian language and literatures.Exploring the nature of this paradox, separate chapters engage with ideas of kingship, authority and identity and their fascinating expression through the written word, architecture and the visual arts.

The Mongol invasions in the first half of the thirteenth century led to profound and shattering changes to the historical trajectory of Islamic West Asia. As this new volume in The Idea of Iran series suggests, sudden conquest from the east was preceded by events closer to home which laid the groundwork for the later Mongol success. In the mid-twelfth century the Seljuq empire rapidly unravelled, its vast provinces fragmenting into a patchwork of mostly short-lived principalities and kingdoms. In time, new powers emerged, such as the pagan Qara-Khitai in Central Asia; the Khwarazmshahs in Khwarazm, Khorosan and much of central Iran; and the Ghurids to the southeast. Yet all were blown away by the Mongols, who faced no resistance from a sufficiently muscular imperial competitor and whose influx was viewed by contemporaries as cataclysmic. Distinguished scholars including David O Morgan and the late C E Bosworth here discuss the dynasties that preceded the invasion - and aspects of their literature, poetry and science - as well as the conquerors themselves and their rule in Iran from 1219 to 1256.

How did Iran remain distinctively Iranian in the centuries which followed the Arab Conquest? How did it retain its cultural distinctiveness after the displacement of Zoroastrianism - state religion of the Persian empire - by Islam? This latest volume in "The Idea of Iran" series traces that critical moment in Iranian history which followed the transformation of ancient traditions during the country's conversion and initial Islamic period. Distinguished contributors (who include the late Oleg Grabar, Roy Mottahedeh, Alan Williams and Said Amir Arjomand) discuss, from a variety of literary, artistic, religious and cultural perspectives, the years around the end of the first millennium CE, when the political strength of the 'Abbasid Caliphate was on the wane, and when the eastern lands of the Islamic empire began to be take on a fresh 'Persianate' or 'Perso-Islamic' character. One of the paradoxes of this era is that the establishment throughout the eastern Islamic territories of new Turkish dynasties coincided with the genesis and spread, into Central and South Asia, of vibrant new Persian language and literatures.Exploring the nature of this paradox, separate chapters engage with ideas of kingship, authority and identity and their fascinating expression through the written word, architecture and the visual arts.

The Mongol invasions in the first half of the thirteenth century led to profound and shattering changes to the historical trajectory of Islamic West Asia. As this new volume in The Idea of Iran series suggests, sudden conquest from the east was preceded by events closer to home which laid the groundwork for the later Mongol success. In the mid-twelfth century the Seljuq empire rapidly unravelled, its vast provinces fragmenting into a patchwork of mostly short-lived principalities and kingdoms. In time, new powers emerged, such as the pagan Qara-Khitai in Central Asia; the Khwarazmshahs in Khwarazm, Khorosan and much of central Iran; and the Ghurids to the southeast. Yet all were blown away by the Mongols, who faced no resistance from a sufficiently muscular imperial competitor and whose influx was viewed by contemporaries as cataclysmic. Distinguished scholars including David O Morgan and the late C E Bosworth here discuss the dynasties that preceded the invasion - and aspects of their literature, poetry and science - as well as the conquerors themselves and their rule in Iran from 1219 to 1256.

Of the great ancient civilizations, that of Persia is the least known and the most enigmatic. This book explores the formation of the first Persian Empire under the Achaemenid Persians. It brings together a multi-disciplinary view of ancient Iran in the first millennium BC and concentrates on the art, archaeology, history and religion of a geographical area far beyond the present borders of modern Iran in the period beginning just before the formation of the Persian empire in the middle of the 6th century up to its collapse following conquest by Alexander the Great in the late 4th century BC. Eminent scholars here give a critical approach to some of the traditional interpretations and discuss topics which help the reader towards a better understanding of the formation of the Persian empire. This is the first volume in the "Idea of Iran" series which will be a four-volume collection encompassing the history of that country.