Stephen M. Norris – författare

This book provides a comprehensive overview of Russia’s Arctic policies since the 2022 war with Ukraine began. Covering geopolitical transformations, domestic evolutions and the role of climate change, it traces how, for around two decades, Russia has renewed its strategic interest in the Arctic region. It reflects on how, with more than half of the circumpolar territories, Russia’s Arctic regions generate between 10 and 15% of Russia's GDP and a quarter of its exports, with the yet-to-be-explored reserves of the Arctic continental shelf also offering immense potential.Russia’s Arctic analyses the growth of hydrocarbon deposits in the far north of Siberia and nearby offshore areas and how this has contributed to the rapid development of the Northern Sea Route. Marlene Laruelle and Jean Radvanyi examine the tremendous long-term importance of the region for Russia, regardless of internal political developments and the state of relations with the West. Long a place for science diplomacy and transborder dialogue, the region has once again become a hotspot for geostrategic tensions and a new interface between an expanded NATO and Russia. While the West is imposing increasingly broad sanctions specifically targeting Arctic hydrocarbon development projects, the Russian government is striving to circumvent or mitigate their effects with countermeasures by relying on their allies, most of whom are Asian.Laruelle and Radvanyi convincingly contend that Russian Arctic development policy must take into account the economic needs of the Russian budget and the geopolitical realities of decoupling from the West and pivoting towards the so-called ‘Global South’. Additionally, it must consider the heavy legacies of the past in terms of population, infrastructure, and pollution, as well as future projections regarding the impact of climate change.

In examining the re-emergence of Russia's White Movement, Memory Politics and the Russian Civil War gets to the heart of the rich 20th-century memory debates going on in Putin’s Russia today.The Kremlin has been giving preference to a Soviet-lite nostalgia that denounces the 1917 Bolshevik revolution but celebrates the birth of a powerful Soviet Union able to bring the country to the forefront of the international scene after the victory in World War II. Yet in parallel, another historical narrative has gradually consolidated on the Russian public scene, one that favours the opposite camp, namely the White movement and the pro-tsarist groups defeated in the early 1920s. This book offers the first comprehensive exploration of this ‘White Revenge’, looking at the different actors who promote a White and pro-Romanov rehabilitation agenda in the political, ideological and cultural arenas and what this historical agenda might mean for Russia, both today and tomorrow.

A fundamental dimension of the Russian historical experience has been the diversity of its people and cultures, religions and languages, landscapes and economies. For six centuries this diversity was contained within the sprawling territories of the Russian Empire and the Soviet Union, and it persists today in the entwined states and societies of the former USSR. Russia's People of Empire explores this enduring multicultural world through life stories of 31 individuals—famous and obscure, high born and low, men and women—that illuminate the cross-cultural exchanges at work from the late 1500s to post-Soviet Russia. Working on the scale of a single life, these microhistories shed new light on the multicultural character of the Russian Empire, which both shaped individuals' lives and in turn was shaped by them.

Seeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government's move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history"—the adaptation of an American cinematic style to Russian historical epics.

Seeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government's move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history"—the adaptation of an American cinematic style to Russian historical epics.

Seeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government's move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history"—the adaptation of an American cinematic style to Russian historical epics.

How did communities come to terms with the collapse of communism? In order to guide the wider narrative, many former communist countries constructed museums dedicated to chronicling their experiences. Museums of Communism explores the complicated intersection of history, commemoration, and victimization made evident in these museums constructed after 1991. While contributors from a diverse range of fields explore various museums and include nearly 90 photographs, a common denominator emerges: rather than focusing on artifacts and historical documents, these museums often privilege memories and stories. In doing so, the museums shift attention from experiences of guilt or collaboration to narratives of shared victimization under communist rule. As editor Stephen M. Norris demonstrates, these museums are often problematic at best and revisionist at worst. From occupation museums in the Baltic States to memorial museums in Ukraine, former secret police prisons in Romania, and nostalgic museums of everyday life in Russia, the sites considered offer new ways of understanding the challenges of separating memory and myth.

How did communities come to terms with the collapse of communism? In order to guide the wider narrative, many former communist countries constructed museums dedicated to chronicling their experiences. Museums of Communism explores the complicated intersection of history, commemoration, and victimization made evident in these museums constructed after 1991. While contributors from a diverse range of fields explore various museums and include nearly 90 photographs, a common denominator emerges: rather than focusing on artifacts and historical documents, these museums often privilege memories and stories. In doing so, the museums shift attention from experiences of guilt or collaboration to narratives of shared victimization under communist rule. As editor Stephen M. Norris demonstrates, these museums are often problematic at best and revisionist at worst. From occupation museums in the Baltic States to memorial museums in Ukraine, former secret police prisons in Romania, and nostalgic museums of everyday life in Russia, the sites considered offer new ways of understanding the challenges of separating memory and myth.

For more than three centuries, St. Petersburg, founded in 1703 by Peter the Great as Russia's westward-oriented capital and as a visually stunning showcase of Russia's imperial ambitions, has been the country's most mythologized city. Like a museum piece, it has functioned as a site for preservation, a literal and imaginative place where Russians can commune with idealized pasts. Preserving Petersburg represents a significant departure from traditional representations. By moving beyond the "Petersburg text" created by canonized writers and artists, the contributors to this engrossing volume trace the ways in which St. Petersburg has become a "museum piece," embodying history, nostalgia, and recourse to memories of the past. The essays in this attractively illustrated volume trace a process of preservation that stretches back nearly three centuries, as manifest in the works of noted historians, poets, novelists, artists, architects, filmmakers, and dramatists.

Identifying who was "inside" and who was "outside" the Soviet/Russian body politic has been a matter of intense and violent urgency, especially in the high Stalinist and post-Soviet periods. It is a theme encountered prominently in film. Employing a range of interpretive methods practiced in Russian/Soviet film studies, Insiders and Outsiders in Russian Cinema highlights the varied ways that Russian and Soviet cinema constructed otherness and foreignness. While the essays explore the "us versus them" binary well known to students of Russian culture and the ways in which Russian films depicted these distinctions, the book demonstrates just how impossible maintaining this binary proved to be.Contributors are Anthony Anemone, Julian Graffy, Peter Kenez, Joan Neuberger, Stephen M. Norris, Oleg Sulkin, Yuri Tsivian, Emma Widdis, and Josephine Woll.

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Both more and less than a band, Pussy Riot is continually misunderstood by the Western media. This book sets the record straight.After their scandalous performance of an anti-Putin protest song in Moscow’s Cathedral of Christ the Savior and the imprisonment of two of its members, the punk feminist art collective known as Pussy Riot became an international phenomenon. But, what, exactly, is Pussy Riot, and what are they trying to achieve? The award-winning author Eliot Borenstein explores the movement’s explosive history and takes you beyond the hype.

Both more and less than a band, Pussy Riot is continually misunderstood by the Western media. This book sets the record straight.After their scandalous performance of an anti-Putin protest song in Moscow’s Cathedral of Christ the Savior and the imprisonment of two of its members, the punk feminist art collective known as Pussy Riot became an international phenomenon. But, what, exactly, is Pussy Riot, and what are they trying to achieve? The award-winning author Eliot Borenstein explores the movement’s explosive history and takes you beyond the hype.

Winner of the 2022 Choice Outstanding Academic TitlesMark D. Steinberg explores the work of individuals he recognizes as utopians during the most dramatic period in Russian and Soviet history. It has long been a cliché to argue that Russian revolutionary movements have been inspired by varieties of ‘utopian dreaming’ – claims which, although not wrong, are too often used uncritically. For the first time, Russian Utopian digs deeper and asks what utopians meant at the level of ideas, emotions, and lived experience. Despite the fact that many would have resisted the ‘utopian’ label at the time because of its dismissive meanings, Steinberg’s comprehensive approach sees him take in political leaders, intellectuals, writers, and artists (visual, material, and musical), as well as workers, peasants, soldiers, students and others. Ideologically, the figures discussed range from reactionaries to anarchists, nationalists (including non-Russians) to feminists, both religious believers and ‘the militant godless’. This innovative text dissects the very notion of the Russian utopian and examines its significance in its various fascinating contexts.

A vivid account of the Gulag, the Soviet Union’s infamous penal system, this book charts how Bolshevik visions of a humane alternative to Tsarist exile and Western penitentiaries became a chaotic and violent system of mass incarceration that bore a tragic human toll.As the first concise history in the English language, The Soviet Gulag: History and Memory provides an illuminating account of the Gulag from 1917, through to the end of the Soviet Union and the contested memory of the Gulag that persists today.Beginning with their conception, during the various penal experiments of the 1920s, their expansion, during the campaigns against perceived enemies of the Soviet regime in the 1930s, and their decline in the years proceeding Stalin’s death, Jeffrey S. Hardy explores how many facets of Gulag life endured right up until the collapse of the Soviet Union in 1991. He addresses both the intentions of administrators and the experience of inmates, as well as covering the main scholarly debates surrounding these issues,Crucially, the book also examines the post-Soviet era. You discover how politicians, nongovernmental organizations, and Gulag survivors have debated how or even if to commemorate the victims of the Gulag. Hardy reveals that despite numerous monuments and museum displays emerging out of these discussions, the Gulag’s legacy remains hotly contested in Russia today

Tracing the evolving nature of popular and official beliefs about the purported nature of the Jews from the 18th century onwards, Russia and the Jewish Question explores how perceptions of Jews in late Imperial Russia and the Soviet Union shaped the regimes’ policies toward them. In so doing Robert Weinberg provides a fruitful lens through which to investigate the social, economic, political, and cultural developments of modern Russia. Here, Weinberg reveals that the ‘Jewish Question’ – and, by extension anti-Semitism – emerged at the end of the 18th century when the partitions of Poland made hundreds of thousands of Jews subjects of the Russian crown. He skillfully argues the phrase itself implies the singular nature of Jews as a group of people whose religion, culture, and occupational make-up prevent them from fitting into predominantly Christian societies. The book then expounds how other characteristics were associated with the group over time: in particular, debates about rights of citizenship, the impact of industrialization, the emergence of the nation-state, and the proliferation of new political ideologies and movements contributed to the changing nature of the ‘Jewish Question’. Its content may have not remained static, but its purpose consistently questions whether or not Jews pose a threat to the stability and well-being of the societies in which they live and this, in a specifically Russian context, is what Weinberg examines so expertly.

Tracing the evolving nature of popular and official beliefs about the purported nature of the Jews from the 18th century onwards, Russia and the Jewish Question explores how perceptions of Jews in late Imperial Russia and the Soviet Union shaped the regimes’ policies toward them. In so doing Robert Weinberg provides a fruitful lens through which to investigate the social, economic, political, and cultural developments of modern Russia. Here, Weinberg reveals that the ‘Jewish Question’ – and, by extension anti-Semitism – emerged at the end of the 18th century when the partitions of Poland made hundreds of thousands of Jews subjects of the Russian crown. He skillfully argues the phrase itself implies the singular nature of Jews as a group of people whose religion, culture, and occupational make-up prevent them from fitting into predominantly Christian societies. The book then expounds how other characteristics were associated with the group over time: in particular, debates about rights of citizenship, the impact of industrialization, the emergence of the nation-state, and the proliferation of new political ideologies and movements contributed to the changing nature of the ‘Jewish Question’. Its content may have not remained static, but its purpose consistently questions whether or not Jews pose a threat to the stability and well-being of the societies in which they live and this, in a specifically Russian context, is what Weinberg examines so expertly.

This book is the first to offer a concise, accessible overview of the evolution of the Soviet Union as a multiethnic empire. It reflects on how the Soviet Union was home to many ethnic minorities, and how their fates, and that of the USSR itself, were bound to the question of how the Soviet state responded variously throughout its existence to the fundamental question of ethnic difference across its vast and diverse territory. The book then examines how the Soviet collapse in 1991 fractured the Union along markedly national lines, leading to a variety of new nation-states – including the Russian Federation – being born.Brigid O’Keeffe explains how and why the Bolsheviks inscribed ethnic difference into the bedrock of the Soviet Union and explores how minority peoples experienced the potential advantages and disadvantages of ethnic politics within the Soviet Union. Ukrainians and Georgians, Jews and Roma, Chechens and Poles, Kazakhs and Uzbeks – these and many other minority groups all distinctively shaped and were shaped by the Soviet and post-Soviet politics of ethnic difference. The Multiethnic Soviet Union and its Demise gives you the historical context necessary to understand contemporary Russia’s relationships and conflicts with its ‘post-Soviet’ neighbors and the wider world beyond.

In examining the re-emergence of Russia's White Movement, Memory Politics and the Russian Civil War gets to the heart of the rich 20th-century memory debates going on in Putin’s Russia today.The Kremlin has been giving preference to a Soviet-lite nostalgia that denounces the 1917 Bolshevik revolution but celebrates the birth of a powerful Soviet Union able to bring the country to the forefront of the international scene after the victory in World War II. Yet in parallel, another historical narrative has gradually consolidated on the Russian public scene, one that favours the opposite camp, namely the White movement and the pro-tsarist groups defeated in the early 1920s. This book offers the first comprehensive exploration of this ‘White Revenge’, looking at the different actors who promote a White and pro-Romanov rehabilitation agenda in the political, ideological and cultural arenas and what this historical agenda might mean for Russia, both today and tomorrow.

Almost three decades after the collapse of the Soviet Union, today more often than ever, global media and intellectuals rely on the concept of homo sovieticus to explain Russia’s authoritarian ills. Homo sovieticus - or the Soviet man - is understood to be a double-thinking, suspicious and fearful conformist with no morality, an innate obedience to authority and no public demands; they have been forged in the fires of the totalitarian conditions in which they find themselves.But where did this concept come from? What analytical and ideological pillars does it stand on? What is at stake in using this term today? The Afterlife of the ‘Soviet Man’ addresses all these questions and even explains why – at least in its contemporary usage – this concept should be abandoned altogether.

The Russian internet is a hotbed for memes and viral videos: the political, satirical and simply absurd compete for attention in Russia while the West turns to it for an endless reserve of humorous content. But how did this powerful cyber community grow out of the repressive media environment of the Soviet Union? What does this viral content reveal about the country, its politics and its culture? And why are the memes and videos of today’s Russia so popular, spreading so rapidly across the globe? Award-winning author Eliot Borenstein explores the explosive online movement and unpicks, for the first time, the role of mimetic content and digital activism in modern Russian history up to the present day.

The Russian internet is a hotbed for memes and viral videos: the political, satirical and simply absurd compete for attention in Russia while the West turns to it for an endless reserve of humorous content. But how did this powerful cyber community grow out of the repressive media environment of the Soviet Union? What does this viral content reveal about the country, its politics and its culture? And why are the memes and videos of today’s Russia so popular, spreading so rapidly across the globe? Award-winning author Eliot Borenstein explores the explosive online movement and unpicks, for the first time, the role of mimetic content and digital activism in modern Russian history up to the present day.

In Russia, food has a hugely important role in political, symbolic, and practical terms. In this illuminating history of Russian food in the modern age, Catriona Kelly – a leading cultural historian and keen amateur cook – reflects on this and an environment where what you eat (and drink) indicates how patriotic you are.Kelly argues that an expectation of ‘feeding’ is embedded in attitudes to the state as provider, and that rationing systems have traditionally replicated and even enforced social hierarchies. The book looks at how Russian food is intimately connected with family and friends, and was an important source of delight even in the Soviet period, when official culinary provision and practices ostensibly sought to promote nutrition above all, and food was often short. Russian Food since 1800 traces these complex and contradictory associations. It also examines various shifts in diet and cuisine over the last three centuries, including the ways in which old traditions such as pickling and jam-making sit alongside wider world influences from the vast imperial hinterland in the Baltic, the Caucasus, and Central Asia, as well as Western Europe and America.

In Russia, food has a hugely important role in political, symbolic, and practical terms. In this illuminating history of Russian food in the modern age, Catriona Kelly – a leading cultural historian and keen amateur cook – reflects on this and an environment where what you eat (and drink) indicates how patriotic you are.Kelly argues that an expectation of ‘feeding’ is embedded in attitudes to the state as provider, and that rationing systems have traditionally replicated and even enforced social hierarchies. The book looks at how Russian food is intimately connected with family and friends, and was an important source of delight even in the Soviet period, when official culinary provision and practices ostensibly sought to promote nutrition above all, and food was often short. Russian Food since 1800 traces these complex and contradictory associations. It also examines various shifts in diet and cuisine over the last three centuries, including the ways in which old traditions such as pickling and jam-making sit alongside wider world influences from the vast imperial hinterland in the Baltic, the Caucasus, and Central Asia, as well as Western Europe and America.

This book skilfully probes the conflicted relationship that the Russian peoples have had with their army, most often seeing service as a burden to the individual and family, yet a necessary one to defend the interests of the nation/empire. Roger R. Reese reflects on the fact that even from before its formal institutionalization by Peter I, military service and the army as an institution have not been held in high regard by the Russian peoples, except briefly in exceptional circumstances. Reese examines, illustrates, and explains the varying relationships and expectations of all involved in military service — in their own words wherever possible.From the top down, A Social History of the Russian Army shows what the state, whether tsarist, Soviet, or post-Soviet, expected of the army as an organisation and of its members. From the middle, it shows the expectations and behaviors of army leaders, from ensigns to generals and how they related to each other, their soldiers, and civilians. While at the bottom, the book examines the expectations, behaviors, and feelings about service of the enlisted men. Outside the army, civilian attitudes toward the military are probed to reveal what they envisaged from the military, their willingness or unwillingness to serve, and their views of the army as an institution — views that ranged from seeing it as an oppressive force in the hands of the state to a symbol of patriotism. Throughout, this volume emphasizes the agency of all members of society and the army and the degree to which they used it in their interests or in the interest of the army or the state.

This book skilfully probes the conflicted relationship that the Russian peoples have had with their army, most often seeing service as a burden to the individual and family, yet a necessary one to defend the interests of the nation/empire. Roger R. Reese reflects on the fact that even from before its formal institutionalization by Peter I, military service and the army as an institution have not been held in high regard by the Russian peoples, except briefly in exceptional circumstances. Reese examines, illustrates, and explains the varying relationships and expectations of all involved in military service — in their own words wherever possible.From the top down, A Social History of the Russian Army shows what the state, whether tsarist, Soviet, or post-Soviet, expected of the army as an organisation and of its members. From the middle, it shows the expectations and behaviors of army leaders, from ensigns to generals and how they related to each other, their soldiers, and civilians. While at the bottom, the book examines the expectations, behaviors, and feelings about service of the enlisted men. Outside the army, civilian attitudes toward the military are probed to reveal what they envisaged from the military, their willingness or unwillingness to serve, and their views of the army as an institution — views that ranged from seeing it as an oppressive force in the hands of the state to a symbol of patriotism. Throughout, this volume emphasizes the agency of all members of society and the army and the degree to which they used it in their interests or in the interest of the army or the state.

For nearly two centuries readers all over the world have turned to the great canon of Russian literature. Love and death, war and peace, yes, even crime and punishment; readers across the globe have found in Russian writing a substantial measure of intellectual provocation, aesthetic pleasure, emotional resonance, and personal solace. Why We (Still) Need Russian Literature explores the familiar names of Pushkin, Tolstoy, Dostoevsky and Chekhov to connect readers with these experiences.With a lively, jargon-free style and insightful analyses of thought-provoking texts, this concise volume helps you to understand more fully the pleasure to be found in reading, and re-reading. By identifying what readers seek and find in Russian books—from aesthetically pleasing descriptions to apt psychological renderings—Angela Brintlinger aims to enhance the gratification of reading, giving armchair travelers an excuse to embark on a series of fascinating journeys.Drawing on Brintlinger’s experiences as a scholar, teacher, and reader of literature, the book is informed by a deep cultural understanding of Russia and Russians. It reveals this through engaging literary meditations that connect Russian literature to the losses, ironies, and ambiguities that define the human condition. Exploring authors’ imagined readers as well as authors themselves, Brintlinger argues that it is these readers, from all over the world, who get to decide what literary works are worth reading. As a bonus, she offers an appendix with more names and titles, familiar and perhaps utterly new—books that show the ways in which Russian literature remains vital today.

For nearly two centuries readers all over the world have turned to the great canon of Russian literature. Love and death, war and peace, yes, even crime and punishment; readers across the globe have found in Russian writing a substantial measure of intellectual provocation, aesthetic pleasure, emotional resonance, and personal solace. Why We (Still) Need Russian Literature explores the familiar names of Pushkin, Tolstoy, Dostoevsky and Chekhov to connect readers with these experiences.With a lively, jargon-free style and insightful analyses of thought-provoking texts, this concise volume helps you to understand more fully the pleasure to be found in reading, and re-reading. By identifying what readers seek and find in Russian books—from aesthetically pleasing descriptions to apt psychological renderings—Angela Brintlinger aims to enhance the gratification of reading, giving armchair travelers an excuse to embark on a series of fascinating journeys.Drawing on Brintlinger’s experiences as a scholar, teacher, and reader of literature, the book is informed by a deep cultural understanding of Russia and Russians. It reveals this through engaging literary meditations that connect Russian literature to the losses, ironies, and ambiguities that define the human condition. Exploring authors’ imagined readers as well as authors themselves, Brintlinger argues that it is these readers, from all over the world, who get to decide what literary works are worth reading. As a bonus, she offers an appendix with more names and titles, familiar and perhaps utterly new—books that show the ways in which Russian literature remains vital today.