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Finalist for the National Book Award for Fiction“[These stories] vibrate with originality, queerness, sensuality and the strange.”—Roxane Gay“In these formally brilliant and emotionally charged tales, Machado gives literal shape to women’s memories and hunger and desire. I couldn’t put it down.”—Karen RussellIn Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women’s lives and the violence visited upon their bodies.A wife refuses her husband’s entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store’s prom dresses. One woman’s surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella “Especially Heinous,” Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naïvely assumed had shown it all, generating a phantasmagoric police procedural full of doppelgängers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.

The playful, metafictional first novel by the acclaimed author of I Gave You Eyes and You Looked Toward DarknessThis is Ada, back in her village after studying abroad in London, once again driving around with Vicenc Jr. and coming home giddy late in the summer night. These are Ada's fingers in the morning, charging across the computer keys, capturing and inventing stories, like the story of Vicenc Sr., the farmer who lost two fingers in a combine and loves to dance, and the story of Josefa Puig who was attacked by a cow, the story of the cow obsessed with seeing the stone that gleams in the darkness inside every creature, the story of Ada's earrings after Vicenc Jr. angrily tossed them into the Sau Reservoir where they were swallowed by an enormous catfish, the story of the old catfish with gold in its belly who was eventually hauled out of the lake by some eager then regretful boys, and the story of the dams that could not hold in the end and the water that rushed through the veins, that mercilessly and ecstatically flooded the heart.Alternating between the story of Ada and Ada's stories, Irene Sola's debut novel is a brilliant and heady ode to life in community, impossible and enduring love, and the wellspring of the imagination that fills everything it touches with magic.

An extraordinary work of poetry, essay, and artwork by Layli Long Soldier, author of the award-winning WHEREASIn We, Layli Long Soldier examines what it means to be in community, to be in relation with family, nation, history, and language. We is the first-person plural, the pronoun of inclusion in English. It is also We, the Lakota word meaning "blood"-what is shared and what is shed.In this ingenious and insightful arrangement of poems, lyric essays, and her own visual artworks presented in full color, Long Soldier creates unique spaces of collaboration, mentorship, and shared knowledge. The 184 X's signed to a broken treaty, the fringes of a winged dress braided in honor of children lost to Indian boarding schools, and intricate Lakota star quilts become shapes and patterns that convey collective kinship, memory, and grievance. "From this day forward," Long Soldier writes, "I declare a war of language."We is a visionary new collection by a writer and artist whose unfolding works are among the most groundbreaking of our time.

WINNER OF THE 2024 NATIONAL BOOK AWARD FOR TRANSLATED LITERATUREA bittersweet story of love between two women, nested in an artful exploration of language, history, and powerMay 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear.Soon a Taiwanese woman—who is younger even than she is, and who shares the characters of her name—is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the “something” is.Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan’s highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.

Finalist for the 2016 Man Booker Prize Winner of the 2016 Paris Review Plimpton Prize for FictionA magnificent and ambitiously conceived portrait of contemporary life, by a genius of realismAll That Man Is traces the arc of life from the spring of youth to the winter of old age by following nine men who range from the working-class ex-grunt to the pompous college student, the middle-aged loser to the Russian oligarch. Ludicrous and inarticulate, shocking and despicable, vital, pitiable, and hilarious, these men paint a picture of modern manhood. David Szalay is a master of a new kind of realism that vibrates with detail, intelligence, relevance, and devastating pathos. In All That Man Is, a Man Booker Prize finalist and the winner of the Gordon Burn Prize and the Plimpton Prize, he brilliantly illuminates the physical and emotional terrain of an increasingly globalized Europe.“Szalay’s prose . . . is frequently brilliant, remarkable for its grace and economy . . . [All That Man Is] has a new urgency now that the post-Cold War dream of a Europe of open borders and broad, shared identity has come under increasing question.” —Garth Greenwell, The New York Times Book Review“Szalay does so much and so well that we come to view his snapshots of lives as brilliant, captivating dramas.” —Star Tribune (Minneapolis)“A 100-megawatt novel: intelligent, intricate, so very well made, the form perfectly fitting the content. When I reached the end, I turned straight back to the start to begin again.” —The Sunday Times (London)

A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other PartiesIn the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

A pointed satire about a Nigerian on vacation in Europe, into the heart of whitenessFour years ago, a young man named Furo Wariboko woke up one morning in Lagos to find that he had transformed into a white man. Except for his ass. Now well established with a good job, going by Frank Whyte and living in a nicely appointed house in the capital city of Abuja, he is ready to set off on a real vacation-his first trip outside Nigeria.As Frank travels to Amsterdam, Oslo, and Milan, he finds himself, for the first time in years . . . blending in. His skin is not in the least remarkable. In Amsterdam he befriends his well-meaning but occasionally misguided Airbnb host. There he also meets a Nigerian expat living in America whom he is both delighted to see but who vexes him for reasons he can't initially identify. In Oslo, he intervenes when a charismatic Kenyan writer is the victim of a racist taxi driver. In Milan he comes upon a woman who might be a distant relative who has survived a treacherous journey of migration. He quickly realizes that he feels most Nigerian when he is outside of Nigeria, and he begins to wonder what it might take to be treated, simply, as human.Hilarious, sharp-witted, and moving, each in turn and often all at once, A. Igoni Barrett's Whyteface confronts the absurdities of Europe and the West's ideas about the global south-both its xenophobic fear as well as its supposedly beneficent charity. It is a heady and absorbing new novel by the writer Teju Cole called "a major talent."

An intrepid voyage out to the frontiers of the latest thinking about love, language, and family Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. It binds an account of Nelson's relationship with her partner and a journey to and through a pregnancy to a rigorous exploration of sexuality, gender, and "family." An insistence on radical individual freedom and the value of caretaking becomes the rallying cry for this thoughtful, unabashed, uncompromising book.

"Jane Kenyon had a virtually faultless ear. She was an exquisite master of the art of poetry." -Wendell BerryPublished twenty-five years after her untimely death, The Best Poems of Jane Kenyon presents the essential work of one of America's most cherished poets-celebrated for her tenacity, spirit, and grace. In their inquisitive explorations and direct language, Jane Kenyon's poems disclose a quiet certainty in the natural world and a lifelong dialogue with her faith and her questioning of it. As a crucial aspect of these beloved poems of companionship, she confronts her struggle with severe depression on its own stark terms. Selected by Kenyon's husband, Donald Hall, just before his death in 2018, The Best Poems of Jane Kenyon collects work from across a life and career that will be, as she writes in one poem, "simply lasting."

"A work that is as disturbing as it is empathetic, as beautiful as it is riveting." —Eimear McBride, New StatesmanIn the aftermath of the Norman Invasion of 1066, William the Conqueror was uncompromising and brutal. English society was broken apart, its systems turned on their head. What is little known is that a fractured network of guerrilla fighters took up arms against the French occupiers. In The Wake, a postapocalyptic novel set a thousand years in the past, Paul Kingsnorth brings this dire scenario back to us through the eyes of the unforgettable Buccmaster, a proud landowner bearing witness to the end of his world. Accompanied by a band of like-minded men, Buccmaster is determined to seek revenge on the invaders. But as the men travel across the scorched English landscape, Buccmaster becomes increasingly unhinged by the immensity of his loss, and their path forward becomes increasingly unclear. Written in what the author describes as "a shadow tongue"—a version of Old English updated so as to be understandable to the modern reader—The Wake renders the inner life of an Anglo-Saxon man with an accuracy and immediacy rare in historical fiction. To enter Buccmaster's world is to feel powerfully the sheer strangeness of the past. A tale of lost gods and haunted visions, The Wake is both a sensational, gripping story and a major literary achievement.

A confession from a liar that exposes the interrelation of language, control, performance, intimacy, and loveI have never told anyone about this before. There is no way to prove that it happened, but why would I lie?The narrator of Attention-Seeking Behavior wants to tell you about Normal Ben, the man she's been seeing: their running jokes, the stories she's told him. She wants to tell you about the incorrect belief that tiny facial expressions betray a person's real feelings. She wants to tell you about the time she went to a therapist to try to cure her lying habit. She wants to tell you about the body she found on a walk through the park. She wants to tell you about lies she's told her demeaning, erratic boss. She wants to tell you about the history of police interrogation techniques, which use deception to extract false confessions. She wants to tell you that all lie-detection methods are phony. She wants to tell you what it's like to read opposing testimonies in a sexual assault case. She wants to tell you about her ex-boyfriend, who is a liar. But is she telling you the truth-or does she only want your attention?

A keen, ardent celebration of unbridled female ambition in the work of Taylor Swift and Sylvia PlathIn The Slicks, Maggie Nelson positions culture-dominating pop superstar Taylor Swift and feminist cult icon Sylvia Plath as twin hosts of the female urge toward wanting hard, working hard, and pouring forth-and as twinned targets of patriarchy's ancient urge to disparage, trivialize, and discipline creative work by women rooted in autobiography and abundance.A buoyant melding of popular culture and literary criticism, The Slicks is a captivating and unexpected assessment of two iconic female artists by one of the most revered and influential critics of her generation.

Winner of the 2022 Center for Fiction First Novel PrizeWinner of the 2023 Arab American Book Award for FictionShortlisted for the 2022 Scotiabank Giller PrizeShortlisted for the 2023 PEN/Jean Stein Book AwardShortlisted for the 2022 VCU Cabell First Novelist AwardWinner of the Graywolf Press African Fiction Prize, a lush experimental novel about love as a weapon of empire.In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a cafe in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants "returning" to a country she's never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire-for one another, for the selves they want to become through the other-takes a violent turn that neither of them expected.A dark romance exposing the gaps in American identity politics, especially when exported overseas, If an Egyptian Cannot Speak English is at once ravishing and wry, scathing and tender. Told in alternating perspectives, Noor Naga's experimental debut examines the ethics of fetishizing the homeland and punishing the beloved . . . and vice versa. In our globalized twenty-first-century world, what are the new faces (and races) of empire? When the revolution fails, how long can someone survive the disappointment? Who suffers and, more crucially, who gets to tell about it?

A witty meditation revealing what our obsession with monsters says about wonder, reality, and narrative itselfWhat does the Loch Ness Monster tell us about belief, tourism, and the stories we need to survive? In this formally innovative essay, award-winning Spanish writer Laura Fernandez travels to the Scottish Highlands to investigate the legend of Nessie and develops a perspective on humanity's perpetual and sometimes destructive need to "discover." From the 1933 sighting that launched a media sensation to the cast of monster hunters, fraudsters, and devotees who have perpetuated the story, Fernandez unravels how we transform mystery into tourist attraction. Boarding a cruise ship on Loch Ness itself, she encounters a world where imagination and commerce collide.But this is more than a travelogue. Fernandez probes deeper: What does reality consist of and who is creating it? How is observing also living? In a world increasingly hostile to the fantastical, what does our relationship with Nessie reveal about how we inhabit reality itself?Written with the punch of Douglas Adams and the ambition of Thomas Pynchon, There's a Monster in the Lake is a brilliant meditation on monsters in the age of manufactured reality. Reminiscent of David Foster Wallace's Consider the Lobster, Fernandez's essay is both playful and philosophical, a celebration of imagination as the source of our humanity.

Longlisted for the National Book Award for Translated LiteratureA dreamlike evocation of a generation that grew up in the shadow of a dictatorship in 1980s ChileSpace Invaders is the story of a group of childhood friends who, in adulthood, are preoccupied by uneasy memories and visions of their classmate Estrella González Jepsen. In their dreams, they catch glimpses of Estrella’s braids, hear echoes of her voice, and read old letters that eventually, mysteriously, stopped arriving. They recall regimented school assemblies, nationalistic class performances, and a trip to the beach. Soon it becomes clear that Estrella’s father was a ranking government officer implicated in the violent crimes of the Pinochet regime, and the question of what became of her after she left school haunts her erstwhile friends. Growing up, these friends—from her pen pal, Maldonado, to her crush, Riquelme—were old enough to sense the danger and tension that surrounded them, but were powerless in the face of it. They could control only the stories they told one another and the “ghostly green bullets” they fired in the video game they played obsessively.One of the leading Latin American writers of her generation, Nona Fernández effortlessly builds a choral and constantly shifting image of young life in the waning years of the dictatorship. In her short but intricately layered novel, she summons the collective memory of a generation, rescuing felt truth from the oblivion of official history.

"Utterly compelling . . . Davis writes with a stunning brilliance, creating fractured worlds that are both extraordinary and routine." —The Boston Globe"A coming-of-age-meets-dystopian-fantasy-meets-alternate-reality novel, or maybe an Ionesco-meets-Beckett-meets-Oulipo novel . . . The world [Duplex] describes has gone cuckoo while its characters' anxieties remain stubbornly, drably, daringly familiar." —Tom Bissell, Harper's Magazine "Enchanting . . . Hums beautifully to its own rhythm. It's a series of dreamlike, often erotic, images and interconnected plot lines that . . . swell to create an intoxicating atmosphere." —Slate "For fans of the fantastical, Davis's writing style is a glass of ice-cold water in today's desert of conventional fiction." —Star Tribune (Minneapolis)"[I fell] in love with Davis's writing . . . I'm grateful for every word . . . When you are lost in the uncanny woods of this astonishing, double-hinged book, just keep reading, and remember to look up. Kathryn Davis knows right where you are." —Lynda Barry, The New York Times Book Review"Reading this book is a blast . . . Duplex is a traditional love story tucked inside an adult fairy tale, wrapped in science fiction . . . Thankfully, the laws of quantum mechanics do not power Duplex's magnetism. Instead, it is Davis's beautiful prose, her psychological awareness." —Rosecrans Baldwin, NPR, All Things Considered

"Spufford cunningly maps out a literary genre of his own . . . Freewheeling and fabulous." —The Times (London)Strange as it may seem, the gray, oppressive USSR was founded on a fairy tale. It was built on the twentieth-century magic called "the planned economy," which was going to gush forth an abundance of good things that the lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. Red Plenty is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan and every Lada would be better engineered than a Porsche. It's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending. Red Plenty is history, it's fiction, it's as ambitious as Sputnik, as uncompromising as an Aeroflot flight attendant, and as different from what you were expecting as a glass of Soviet champagne.

“[Manguso] has written the memoir we didn’t realize we needed.” —The New YorkerIn Ongoingness, Sarah Manguso continues to define the contours of the contemporary essay. In it, she confronts a meticulous diary that she has kept for twenty-five years. “I wanted to end each day with a record of everything that had ever happened,” she explains. But this simple statement belies a terror that she might forget something, that she might miss something important. Maintaining that diary, now eight hundred thousand words, had become, until recently, a kind of spiritual practice.Then Manguso became pregnant and had a child, and these two Copernican events generated an amnesia that put her into a different relationship with the need to document herself amid ongoing time.Ongoingness is a spare, meditative work that stands in stark contrast to the volubility of the diary—it is a haunting account of mortality and impermanence, of how we struggle to find clarity in the chaos of time that rushes around and over and through us.“Bold, elegant, and honest . . . Ongoingness reads variously as an addict’s testimony, a confession, a celebration, an elegy.” —The Paris Review“Manguso captures the central challenge of memory, of attentiveness to life . . . A spectacularly and unsummarizably rewarding read.” —Maria Popova, Brain Pickings

Celebrated poet Fanny Howe's final book, a kaleidoscopic recasting of her twenty-first-century poemsFor decades, Fanny Howe has been our great poet of spirit and conscience, dislocation and bewilderment. In This Poor Book, completed just before her death, she has gathered a selection of poems and excerpts from the last thirty years, including new and revised poems, and has arranged them into an astonishing singular poem. Across this brilliant reconfiguration of her work, we follow the poet as seeker, both faithful and foolish, searching for language and existence beyond the machines of economy, judgment, and war. Howe interrogates the contradiction and violence of the twenty-first century, the misbegotten experiences that have given rise to a culture of authority and adulthood rather than one of innocence and childhood.?These spare lyrical shards move with a jagged but persistent direction-leading us between doubt and belief and toward Howe's enduring vision for a life of humility, justice, and imagination.

A hallucinatory thriller about a failing demon's search for a new host in post-dictatorship Santo DomingoAsmodeus, a millennia-old demon, has inhabited Rudy, a once-legendary Dominican rock star, for decades. But in 1992, the demon's powers begin to fade. What follows is a desperate weeklong odyssey as Asmodeus ricochets through the bodies of the inhabitants of Santo Domingo's underworld: from Guinea, a young metalhead plotting a warehouse heist, to Mireya, the daughter of a former torturer, to other souls caught in his chaotic orbit. Each possession reveals another layer of a city still reeling from the Balaguer dictatorship. And each new host engenders a surprising tenderness in the demon.From acclaimed musical artist and author Rita Indiana, Asmodeus is written in urgent prose punctuated by original decimas, ten-line rhyming poems drawing from Latin American musical and oral tradition. Indiana weaves together Dominican heavy metal, black magic, and political trauma. Asmodeus is a supernatural noir, riotous thriller, and searing portrait of a nation grappling with its complicated past.

An atmospheric and affecting novel set in rural Norway, by the award-winning author of Before I BurnIn the waning days of the German occupation of Norway, Karin and her husband move from Oslo to a tiny village in the south with their young son, the narrator. There they aim to live out their dream of caring for those who can’t look after themselves. They have spent months building a modest house with rooms for patients, and it’s soon filled with three adult men who are psychologically unstable—including Karin’s uncle Josef, who suffered a head injury in a carriage accident—and five siblings whose parents have been declared unfit, and who are the subjects of much conversation in the village. This small and idiosyncratic community persists for nearly three decades.After his parents’ deaths, the son returns to clean out this unusual home. The objects of his childhood retain a talisman-like power over him, and key objects—including an orange crate where he and his sister slept as infants, Josef’s medal of honor, his mother’s beloved piano, and many others—unlock vivid memories. In recounting the ways that the siblings both are and are not a part of his family, he reveals his special relationship with Ingrid, who cannot speak, and his sister''s accidental death, which occurred when they were playing together, and its quiet yet tragic effects on the extended family.With warmth, gentle humor, and deep compassion, Gaute Heivoll portrays an unconventional family as it navigates an uncertain and often unkind world.

FINALIST FOR THE NATIONAL BOOK AWARD FOR POETRYWinner of the Walt Whitman Award of the Academy of American Poets, selected by Juan Felipe HerreraFor years now, I’ve been using the wrong palette.Each year with its itchy blue, as the bruise of solitude reaches its expiration date.Planes and buses, guesthouse to guesthouse.I’ve gotten to where I am by dint of my poor eyesight,my overreactive motion sickness.9 p.m., Hanoi’s Old Quarter: duck porridge and plum wine. Voices outside the door come to a soft boil.—from “Phnom Penh Diptych: Dry Season”Jenny Xie’s award-winning debut, Eye Level, takes us far and near, to Phnom Penh, Corfu, Hanoi, New York, and elsewhere, as we travel closer and closer to the acutely felt solitude that centers this searching, moving collection. Animated by a restless inner questioning, these poems meditate on the forces that moor the self and set it in motion, from immigration to travel to estranging losses and departures. The sensual worlds here—colors, smells, tastes, and changing landscapes—bring to life questions about the self as seer and the self as seen. As Xie writes, “Me? I’m just here in my traveler’s clothes, trying on each passing town for size.” Her taut, elusive poems exult in a life simultaneously crowded and quiet, caught in between things and places, and never quite entirely at home. Xie is a poet of extraordinary perception—both to the tangible world and to “all that is untouchable as far as the eye can reach.”

Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised.In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up.Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.

A new and expanded edition of one of the essential works of twenty-first-century literatureZong! is a haunting lifeline between archive and memory, law and poetry.In November 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert—the only extant public document related to the massacre—Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.This fifteenth-anniversary edition features a new preface by the author and new essays by Saidiya Hartman and Katherine McKittrick. Widely regarded as one of the most influential and revered works of twenty-first-century literature, this new edition of Zong! will ensure this staggering work’s enduring legacy.