Farrar, Straus and Giroux – förlag

INSTANT NEW YORK TIMES BESTSELLER A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation.For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself.Drawing on pathbreaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume.The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action.Includes Black-and-White Illustrations

A thrilling literary puzzle that explores the haunted life and mysterious afterlifes of a writer and her work.Who was Eliza May Drayden? Is she just the quiet, intensely private person she seems to all the world in her little village of Bridge Fowling in the shadow of the West Yorkshire hills-or is there more to her than meets the eye? It is only after her death that Haeger Mass, her one book-a dark and cryptic novel-assumes a life of its own. In each new chapter of this literary treasure hunt that spans almost three hundred years, we see the conundrum through the eyes of a new generation of characters, each providing competing and interlocking versions of the life-and cursed vision-of this Emily Bronte-like figure. Scholars immerse themselves in the mystery of her life and are led to ruin; the curse that hangs over her comes to visit a young couple; a mysterious diary emerges with her strange and indecipherable poetry and sketches. Elements and symbols repeat in relentless and varying combinations from one story to the next as the years pass: as if the truth at the center of her work is fighting to break free.The Song of Stork and Dromedary is a philosophical puzzle that unfolds with the exuberance of a historical romp, ingeniously pivoting from Gothic horror to quantum mechanics to memento mori. In this thrilling, recursive tale, Anjet Daanje gets to the frantically beating heart of why we tell stories, and how we try to create meaning with them in a world filled with brutality and death. Daanje has crafted a conundrum that is as diabolical as it is heartbreaking. When we finally open the box that contains the secret behind the life of Eliza May Drayden, what will we see there-a vision of heaven or a vision of hell?

Yoga was created as a science for liberation, but in modern times it is used by many to improve physical and mental health, helping us become more productive at work, more caring in relationships, more responsible contributors to society, and better inhabitants of this planet. If yoga does accomplish all that—as many practitioners report—how exactly does yoga do it? How does yoga work? Believe it or not, the answers lie in how the human body and mind function. Eddie Stern’s One Simple Thing: A New Look at the Science of Yoga and How It Can Transform Your Life explains from both a yogic and a scientific perspective how the human nervous system is wired. It describes the mechanics taking place beneath the surface of our bodies and shows how we can consciously use yogic practices to direct and change our lives in positive ways. Drawing on modern neuroscience, ancient wisdom, and decades of practice and teaching, Eddie Stern reveals how what we do—from diet to chanting, from postures to meditation, from ethical practices to breathing techniques—affects who we become, and how a steady routine of activities and attitudes can transform our bodies, our brain functions, our emotions, and our experience of life.

First published in 1979, Joan Didion's The White Album records indelibly the upheavals and aftermaths of the 1960s. Examining key events, figures, and trends of the era—including Charles Manson, the Black Panthers, and the shopping mall—through the lens of her own spiritual confusion, Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

Levels of the Game is John McPhee's astonishing account of a tennis match played by Arthur Ashe against Clark Graebner at Forest Hills in 1968.It begins with the ball rising into the air for the initial serve and ends with the final point. McPhee provides a brilliant, stroke-by-stroke description while examining the backgrounds and attitudes which have molded the players' games."This may be the high point of American sports journalism"- Robert Lipsyte, The New York Times

"If you're ready to graduate from the boy-meets-girl league of screenwriting, meet John Truby . . . [his lessons inspire] epiphanies that make you see the contours of your psyche as sharply as your script."—LA Weekly John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach to building an effective, multifaceted narrative.

INTERNATIONAL BESTSELLER. Finalist for the 2026 Barnes & Noble Discover Prize. A New York Times Book Review Editors' Choice. Dua Lipa's Service95 Book Club Pick for August 2026. "Extremely smart, impossibly funny, and just plain fun to read-this book hums with a brilliant, lunatic energy all its own. I finished it in a day." -Caro Claire Burke, #1 New York Times bestselling author of Yesteryear "If the Royal Tenenbaums were middle-class and likable, they'd be this madcap family." -The New York Times Book Review"Madeline Cash is a voice like no other." -Lena Dunham, #1 New York Times bestselling author of Famesick"Funny, fast and intoxicating. Believe the hype." -Dua Lipa"I loved it. I raced through it. It's just fantastic writing." -Sarah Jessica ParkerRippling with humor, warmth, and style, Lost Lambs is a new vision of the charms and pitfalls of family dysfunction. The Flynn family is coming undone. Catherine and Bud's open marriage has reached its breaking point as their daughters spiral in their own chaotic orbits: Abigail, the eldest, is dating a man in his twenties nicknamed War Crimes Wes; Louise, the middle child, maintains a secret correspondence with an online terrorist; the brilliant youngest, Harper, is being sent to wilderness reform camp due to her insistence that someone-or something-is monitoring the town's citizens.Casting a shadow across their lives, and their small coastal town, is Paul Alabaster, a billionaire shipping magnate. Rumors of corruption circulate, but no one dares dig too deep. No one except Harper, whose obsession with a mysterious shipping container exposes a criminal conspiracy that unwittingly endangers her family-a crisis that just may bring them closer together.Irreverent and addictive, pinging between the voices of the Flynns and the characters around them, Madeline Cash's Lost Lambs is a debut novel of quick-witted observation and surprising tenderness. In it, Cash has crafted a family saga for the twenty-first century, all held together with crazy glue.

The definitive book on animation, from the Academy Award-winning animator behind Who Framed Roger Rabbit?Animation is one of the hottest areas of filmmaking today--and the master animator who bridges the old generation and the new is Richard Williams. During his fifty years in the business, Williams has been one of the true innovators, winning three Academy Awards and serving as the link between Disney's golden age of animation by hand and the new computer animation exemplified by Toy Story. Perhaps even more important, though, has been his dedication in passing along his knowledge to a new generation of animators so that they in turn could push the medium in new directions. In this book, based on his sold-out master classes in the United States and across Europe, Williams provides the underlying principles of animation that every animator--from beginner to expert, classic animator to computer animation whiz --needs. Urging his readers to "invent but be believable," he illustrates his points with hundreds of drawings, distilling the secrets of the masters into a working system in order to create a book that will become the standard work on all forms of animation for professionals, students, and fans.

From the celebrated author of the international bestseller The End of History and the Last Man and other books on the most important political questions of our time, comes a strikingly personal intellectual memoir.Francis Fukuyama, a leading public intellectual, is well-known for his landmark, bestselling works of political philosophy and history. Here, for the first time, he charts his political and intellectual evolution across five transformative decades. We follow him from the circle of students around the conservative intellectual Allan Bloom at Cornell, into the halls of power in Washington and at the RAND Corporation, and into private conversations with world leaders from Muammar Qaddhafi to China's powerful elite. Fukuyama touches on his family's story, including his relatives' internment during World War II along with other Japanese Americans. And, in surprisingly personal terms, he reflects on the experiences that led him to reevaluate his own thinking, most notably his dramatic public break with the neoconservative movement over the invasion of Iraq.More than a conventional memoir, In the Realm of the Last Man is personal history as political history-the story of a life that illuminates the troubled fate of democracy and liberalism over the last fifty years. Returning to and developing the concepts that have been central to his work-recognition, thymos, trust, identity, human nature, institutions, and the Last Man-Fukuyama brings the depth and richness of personal experience and pathbreaking scholarship to illuminate the crises of the twenty-first century. Urgent, brilliant, and essential, Fukuyama's In the Realm of the Last Man reveals a major thinker grappling in real time with the convulsions of history, and looking ahead to our possible future.

Celebrated, iconic, and indispensable, Joan Didion’s first work of nonfiction, Slouching Towards Bethlehem, is considered a watershed moment in American writing. First published in 1968, the collection was critically praised as one of the “best prose written in this country.”More than perhaps any other book, this collection by one of the most distinctive prose stylists of our era captures the unique time and place of Joan Didion’s focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California and the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco’s Haight-Ashbury, the heart of the counterculture. As Joyce Carol Oates remarked: “[Didion] has been an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control.”

"A proper resurrection, fertile and vivacious." -Alexandra Jacobs, The New York Times"As official narratives everywhere strain and crack, Peter and Paul-and Durbin-offer a desperately needed alternative way of seeing and being." -Benjamin Moser, author of Susan Sontag: Her Life and Work, winner of the Pulitzer Prize"A jam-packed poem in prose. It's like a trip with these guys, without pulling tight at the ending, just death." -Eileen Myles, author of a "Working Life"The cinematic, never-before-told story of two intimately entangled artists who redefined queer art.When Paul Thek met Peter Hujar in the winter of 1956 in Coral Gables, Florida, a slow-simmering connection began to burn. Thek, twenty-three and living in Miami, was handsome and itching to make it as a painter; in the twenty-two-year-old Hujar, a shy, sensual photographer, he'd found a kindred spirit. By 1960, they were dating and living in New York, beginning decades of sex, love, competition, and reconciliation-an entanglement that changed American art forever.Surrounded by a robust creative scene populated by Susan Sontag, Andy Warhol, Fran Lebowitz, John Waters, and David Wojnarowicz, Thek and Hujar's profoundly influential careers, from the early 1960s through the late 1980s, differed as much as the men themselves. The unpredictable and often overlooked Thek crafted visceral installations and sculptures, while Hujar, celebrated and sociable, took penetrating portraits of his world, queer and otherwise. Yet even at their most estranged, and even after their deaths from AIDS, both men were united by a pursuit of liberation-from artistic and sexual limits, from anything short of changing the world.Andrew Durbin's The Wonderful World That Almost Was unravels, for the first time, the intertwined stories and work of two boundary-burning, paradigm-tilting, never-more-relevant American artists. Weaving together deft art criticism with moving portraits of both men's inner lives, and assembled with exhaustive research, Durbin's book is an ode to a lost but still-living world-and two men who defined it.

A ruthless dissection of American life in the late 1960s, Joan Didion's Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the reader. Set in a place beyond good and evil---literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul---it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.

From the author of Borne and Annihilation comes the one-volume hardcover reissue of his cult classic Ambergris Trilogy.

Winner of the Orwell PrizeNamed a Best Book of the Year (So Far) by The New York TimesFrom "the most talented writer of his generation" (Giles Harvey, The New York Times Magazine), a lightning flash of a novel that is at once a gripping emotional drama and a brilliant examination of the devices, digital and literary, we use to store-or to erase-our memories. The narrator of Ben Lerner's new novel has traveled to Providence, Rhode Island, where he is to conduct what will be the final published interview with Thomas, his ninety-year-old mentor and the father of his college friend Max. Thomas is a giant in the arts who seems to hail from the future and the past simultaneously and who reenchants the air when he speaks. But the narrator drops his smartphone in the hotel sink. He arrives at Thomas's house with no recording device, a fact he is mysteriously unable to confess.What unfolds from this dreamlike circumstance is the unforgettable story of the triangle formed by Thomas, Max, and the narrator, and an exploration of fathers and sons, male friendship and rivalry, and the challenges of parenting in a burning world. One of the first great novels about the early days of Covid, it is also a brilliant meditation on those technologies that enrich or impoverish our connection to one another, that store or obliterate memory. Full of startling insight, but summoning the intensity of a seance, Lerner's writing shows us how the air is full of messages, full of ghosts. Ultimately, Transcription demonstrates what only a work of fiction can record.

"A surreal excursion into heartache and horror narrated by a man undone by grief . . . Along with allusions to Rod Serling and The Exorcist, there are shades of H. P. Lovecraft, Stephen King, zombie literature and, at least once, A Hitchhiker’s Guide to the Galaxy . . . You don't want to read this book right before bed." —Sarah Lyall, The New York Times Book Review“This intense cosmic horror with a touch of Mexican American folklore is incredibly creepy and moving.” —Margaret Kingsbury, BuzzFeedIt was Vera’s idea to buy the Itza. The “world’s most advanced smart speaker!” didn’t interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room.It was funny and strange right up until Vera was killed, and Thiago’s world became unbearable. Pundits and politicians all looking to turn his wife’s death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room . . .The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world.A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

Shortlisted for the Air Mail Tom Wolfe Literary Prize for FictionAfter her mother is sentenced to life in a hilltop prison, Suzanna vows to return to the hill forever. An unexpectedly funny and deeply moving novel about the many ways we punish and return to each other.Suzanna Klein was a baby when her mother got up early one morning to rob a bank with a group of fellow radicals. Now, every Saturday, Suzanna lines up at the prison gates along with the other visiting children, each one dressed as if for celebration. Inside the gates are a nursery and a cemetery, watchful guards and distractable nuns, women counting down to release and women like Suzanna's mother, who will never be released.Suzanna is raised by her grandmother, who is entirely unforgiving of her daughter's crime and refuses to visit the prison. Her grandmother's friends know one another from their years in the Communist Party and still spend extended cocktail hours debating the Hitler-Stalin Pact. Though these women once insisted on changing the world, they are torn between teaching Suzanna how the world works and shielding her from it.Suzanna vows to return to the prison forever, but her mother wants her to be free. Harriet Clark's The Hill is an incandescent novel of a child growing up between worlds, the last of three generations whose fates have been tied to punishment. It is the story of a family broken apart by the desire for change, told with irreverent wisdom and visionary force. The Hill brings new music to American fiction.

A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of LoveAll narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid inteligence that has made Gornick one of our most admired writers of ninfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.

"Smart, funny, clear, unflinching: Ben Goldacre is my hero." —Mary Roach, author of Stiff, Spook, and BonkWe like to imagine that medicine is based on evidence and the results of fair testing and clinical trials. In reality, those tests and trials are often profoundly flawed. We like to imagine that doctors who write prescriptions for everything from antidepressants to cancer drugs to heart medication are familiar with the research literature about these drugs, when in reality much of the research is hidden from them by drug companies. We like to imagine that doctors are impartially educated, when in reality much of their education is funded by the pharmaceutical industry. We like to imagine that regulators have some code of ethics and let only effective drugs onto the market, when in reality they approve useless drugs, with data on side effects casually withheld from doctors and patients. All these problems have been shielded from public scrutiny because they are too complex to capture in a sound bite. Ben Goldacre shows that the true scale of this murderous disaster fully reveals itself only when the details are untangled. He believes we should all be able to understand precisely how data manipulation works and how research misconduct in the medical industry affects us on a global scale. With Goldacre's characteristic flair and a forensic attention to detail, Bad Pharma reveals a shockingly broken system in need of regulation. This is the pharmaceutical industry as it has never been seen before.

From the groundbreaking trans scholar Susan Stryker, a provocative, genre-bending call to reconsider the story we tell about gender itself.With the far right weaponizing the rhetoric of anti-gender ideology and increasingly targeting the lives of transgender people, one question becomes ever more urgent and contested: What are we even talking about when we talk about gender? Where did the concept itself come from, and where might it go?In Changing Gender, the leading trans scholar Susan Stryker invites readers to join her lifelong quest to uncover what gender means and does. She traces the concept's roots in grammar and shows how it has been transformed into a battleground in the culture wars. From the origins of "Yankee Doodle" to acid trips in Joshua Tree National Park, from nineteenth-century phrenology to present-day anti-trans conspiracy theorists, Stryker finds surprising places to tap into the origins, idiosyncrasies, and generative possibilities of the gender concept. Along the way, she weaves in stories drawn from her lifetime as a pathbreaking historian, filmmaker, activist, and founding figure of transgender studies.Poignant and deeply researched, lyrical and authoritative, Changing Gender exposes the limiting assumptions about gender that span the political spectrum and imagines what life might look like if some of those limitations were lifted. Ultimately, Stryker argues, to change gender is to change what it means to be human-and to change reality itself.

New York Times bestsellerOne of the top ten books of the year at The New York Times Book Review, The Wall Street Journal, Vulture/New York magazineA best book of the year at Los Angeles Times, Time, NPR, The Washington Post, Bookforum, The New Yorker, Vogue, KirkusThe acclaimed, award-winning New Yorker writer Rachel Aviv offers a groundbreaking exploration of mental illness and the mind, and illuminates the startling connections between diagnosis and identity.Strangers to Ourselves poses fundamental questions about how we understand ourselves in periods of crisis and distress. Drawing on deep, original reporting as well as unpublished journals and memoirs, Rachel Aviv writes about people who have come up against the limits of psychiatric explanations for who they are. She follows an Indian woman celebrated as a saint who lives in healing temples in Kerala; an incarcerated mother vying for her children’s forgiveness after recovering from psychosis; a man who devotes his life to seeking revenge upon his psychoanalysts; and an affluent young woman who, after a decade of defining herself through her diagnosis, decides to go off her meds because she doesn’t know who she is without them. Animated by a profound sense of empathy, Aviv’s gripping exploration is refracted through her own account of living in a hospital ward at the age of six and meeting a fellow patient with whom her life runs parallel—until it no longer does.Aviv asks how the stories we tell about mental disorders shape their course in our lives—and our identities, too. Challenging the way we understand and talk about illness, her account is a testament to the porousness and resilience of the mind.

From Jim Holt, the New York Times bestselling author of Why Does the World Exist?, comes an entertaining and accessible guide to the most profound scientific and mathematical ideas of recent centuries in When Einstein Walked with Gödel: Excursions to the Edge of Thought.Does time exist? What is infinity? Why do mirrors reverse left and right but not up and down? In this scintillating collection, Holt explores the human mind, the cosmos, and the thinkers who’ve tried to encompass the latter with the former. With his trademark clarity and humor, Holt probes the mysteries of quantum mechanics, the quest for the foundations of mathematics, and the nature of logic and truth. Along the way, he offers intimate biographical sketches of celebrated and neglected thinkers, from the physicist Emmy Noether to the computing pioneer Alan Turing and the discoverer of fractals, Benoit Mandelbrot. Holt offers a painless and playful introduction to many of our most beautiful but least understood ideas, from Einsteinian relativity to string theory, and also invites us to consider why the greatest logician of the twentieth century believed the U.S. Constitution contained a terrible contradiction—and whether the universe truly has a future.

An expansive lexicon of words, terms, concepts, and ideas that takes the multiplicity of Black life as its point of departure.Thinking from Black: A Lexicon is an unusual reference book. Its contributors-the Practicing Refusal Collective-are visual artists, poets, dancers, historians, writers, architects, painters, theorists, activists, anthropologists, filmmakers, educators, and musicians. Each has engaged with the idea of a lexicon of Black living and taken up the invitation to think from Black in relation to their own medium.Some terms are enunciated in a poetic register-such as Redaction, Seeing, and Song. Some are aspirational-such as Solidarity, Garden, and Care. Some entries, such as BlackSound, Fantasy, Mathematics, and Dispossession, work in a more theoretical idiom. Words such as Gesture and Syncopation are composed of both text and drawings, and summon the body in motion. The word Time, which is defined twice, carries with it musicality, duration, and refusal. Together, these definitions offer a sense of some of the many ways that Black people tend to each other and the world.Read in relation to each other, the terms create a rich, startling lexicon that is eclectic, elliptical, cross-genre, historical, speculative, and literary-a set of words, phrases, concepts, and ideas that are part of the many languages constituting and animating Black life. Thinking from Black is a book to be read with others, as it was created. It is a book to live and think and act with, in the world.

In this engrossing journey into the lives of psychopaths and their infamously crafty behaviors, the renowned psychologist Kevin Dutton reveals that there is a scale of "madness" along which we all sit. Incorporating the latest advances in brain scanning and neuroscience, Dutton demonstrates that the brilliant neurosurgeon who lacks empathy has more in common with a Ted Bundy who kills for pleasure than we may wish to admit, and that a mugger in a dimly lit parking lot may well, in fact, have the same nerveless poise as a titan of industry.Dutton argues that there are indeed "functional psychopaths" among us—different from their murderous counterparts—who use their detached, unflinching, and charismatic personalities to succeed in mainstream society, and that shockingly, in some fields, the more "psychopathic" people are, the more likely they are to succeed. Dutton deconstructs this often misunderstood diagnosis through bold on-the-ground reporting and original scientific research as he mingles with the criminally insane in a high-security ward, shares a drink with one of the world's most successful con artists, and undergoes transcranial magnetic stimulation to discover firsthand exactly how it feels to see through the eyes of a psychopath.As Dutton develops his theory that we all possess psychopathic tendencies, he puts forward the argument that society as a whole is more psychopathic than ever: after all, psychopaths tend to be fearless, confident, charming, ruthless, and focused—qualities that are tailor-made for success in the twenty-first century. Provocative at every turn, The Wisdom of Psychopaths is a riveting adventure that reveals that it's our much-maligned dark side that often conceals the trump cards of success.