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Tim Ayers - The Medieval Stained Glass of Merton College, Oxford, Övrigt

Övrigt, Engelska, 2013

The Medieval Stained Glass of Merton College, Oxford

Av Tim Ayers

Del 6 i serien Corpus Vitrearum Medii Aevi, Great Britain

3751 kr

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Beskrivning
This is the first full study of the important medieval stained glass of Merton College, Oxford. The scheme in the chapel is exceptionally well preserved; with the nave of York Minster, it represents the largest surviving set of early fourteenth-century windows in Britain. Research for this volume in the rich college archives has provided a new date for them, and identified the glazier, whose business is considered locally. Outstanding early fifteenth-century panels from the transepts are attributed to the workshop of Thomas Glazier, who had worked for William of Wykeham, Chancellor of England. Seven windows in the Old Library contain the earliest glazing to survive from any English library. The glass will therefore be of interest to many students of English medieval art and architecture. A general introduction also explores the potential of the monument for study within a university context. Merton was a model for the self-governing graduate college of the later middle ages in England. The glass invites consideration of the relationship between art and ideas, in a lost astrological window, for example; and the self-presentation of the scholar and college communities, both to themselves and to the society that supported them. As a result of the central place of the universities in national life, the Merton glass was an inspiration during the Gothic revival to artists and glazing businesses such as the Pre-Raphaelite John Everett Millais, and Morris, Marshall, Faulkner & Co. The medieval glass is catalogued, fully illustrated and supported with restoration diagrams. There are forty colour plates. The post-medieval glass is also catalogued.
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Tim Ayers FSA is a Senior Lecturer in the History of Art Department and a member of the Centre for Medieval Studies at the University of York. He is the author of The Medieval Stained Glass of Wells Cathedral, 2 vols, (British Academy, 2004), and recently edited the medieval volume in the three-volume History of British Art, 600-1600 (Tate, 2008). He is Vice-President of the International Board of the Corpus Vitrearum.

Recensioner i media

It is the first volume in the British CMVAs series to present the glazing of such an institution: it is hoped there will be more. Church Times This book is an essential resource for medieval art and architectural historians which suggests the importance of university colleges as institutional patrons. ... The book is a magnum opus of its kind, which sets an extremely high standard for future CVMA publications and will remain the authoritative work on the subject for many years to come. Jasmine Allen, The Art Newspaper Ayers has provided an astonishingly comprehensive context for the Merton stained glass. He is equally at home with the religious, intellectual and political setting of Merton within the English polity, with its architectural expression, and with the technical and physical properties of glass, its painting and its fixing ... This is a book which will have an impact well beyond the study of medieval stained glass. It has shown that the Merton glass has a significant place in national history. Jeremy Catto, English Historical Review He has filled in many gaps Dr Penny Hebgin Barnes, The Journal of Stained Glass

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