Visar resultat för..."Ingeborg Bachmann"

I lägenheten på Ungargasse i Wien lever en berömd och efterfrågad kvinnlig författare tillsammans med den mystiske Malina. Snett över gatan bor hennes svårtillgänglige älskare Ivan. Ingeborg Bachmann skildrar med sin återhållna, precisa berättarstil besatthet, förtryck och den ångestridnes oförmögna tillstånd. "Malina" behandlar teman som makt, självdestruktivitet, minne och skuld.

En plats för tillfälligheter, det tacktal Ingeborg Bachmann skrev och läste när hon 1964 tilldelades det prestigefyllda Georg-Büchner-priset, liknar inget annat. I centrum för denna vilda prosalyriska text står ett delat, skadat Berlin, en stad som vill glömma och se framåt men där kriget fortsätter att verka. Bachmann skriver fram ett slags förryckta scener från något som både är och inte är Berlin, sammanvävda med bilder av internerade, psykiskt lidande patienter.

Paul Celan (192070) is one of the best-known German poets of the Holocaust; many of his poems, admired for their spare, precise diction, deal directly with its stark themes. Austrian writer Ingeborg Bachmann (192673) is recognized as one of postWorld War II German literature's most important novelists, poets and playwrights. It seems only appropriate that these two contemporaries and masters of language were at one time lovers, and they shared a lengthy, artful and passionate correspondence.Collected here for the first time in English are their letters written between 1948 and 1961. Their correspondence forms a moving testimony of the discourse of love in the age after Auschwitz, with all the symptomatic disturbances and crises caused by their conflicting backgrounds and their hard-to-reconcile designs for living-as a woman, as a man, as writers. In addition to the almost 200 letters, the volume includes an important exchange between Bachmann and Gisele Celan-Lestrange, who married Celan in 1951, as well as the letters between Paul Celan and Swiss writer Max Frisch, who was Bachmann's lover for four years. 'Wieland Hoban has worked with accuracy and determination to capture the nuances of style and register, which include oblique awkwardness (Celan) and self-assuredness (Bachmann), alongside infinite courage and astounding strength (Celan-Lestrange). The translation reads well, with just a slight edge of the original diction remaining to remind readers that we are witnessing a different time and place, and way of perceiving the world. . . . This is an important addition tot he work in translation of two major post-war writers.'- Times Literary Supplement'This book is highly recommended. You cannot possibly be disappointed by it, especially if you are familiar with these writers' literary output, each of which left the world a completely original, masterful, and highly influential body of work. The letters move from youthful heartbreak and poetical exuberance to the destructive later exchanges between two people who cannot trust one another although they are, until the end, drawn to each other. It's not a book you read and shelve. It's a book to read and reread, a book to treasure.'- Shigekuni. Read the lengthy, detailed and enligtening review of the book here.'Correspondence, rendered perfectly in English by Wieland Hoban, traces [Celan and Bachmann's] letters, telegrams, and book inscriptions to one another, color-coded and augmented by hundreds of footnotes. Like other volumes from Seagull Books, it's physically gorgeous, with a pleasingly compact trim size. Reading Correspondence feels like an indulgence. It also feels disorienting. The world of the letters and the world of their authors' real lives are askew in a sometimes jarring way, so that the emotional content of the letters reads almost as fiction.'- Aaron Belz, Books & Culture

Ingeborg Bachmann’s short fiction – each piece a razor-sharp feminist masterpiece, as urgent as a confession – arrives here in full force. This major collection draws together all the stories Bachmann wrote over her lifetime, many appearing in English for the first time.These are intensely charged tales of power and submission, obsession and shame, which play out in cliff-side hotels, red-lit bars and court trials in Vienna, Rome and Paris. Bachmann follows lonely lovers through their stifled quarrels and private cruelties, where intimacy becomes a prison, language a weapon, and guilt the very air women breathe. As they struggle to make room for their lives within the narrowing confines of 1950s and 60s society, Bachmann exposes the legacy of fascism, lurking so close to the surface.An undisputed giant of German-language literature, Bachmann’s ‘vision is so original that the effect is like having a new letter of the alphabet’ (Guardian).

'An intense, courageous novel, equal to the best of Virginia Woolf and Samuel Beckett' The New York TimesPart detective novel, part love story, part psychoanalytic case study, Malina is a staggering portrait of a writer trying to tell her own story in a world dominated by men.'I was subordinate to him from the beginning, and I must have known early on that he was destined to be my doom'A woman in postwar Vienna walks a tightrope between the two men in her life. There is her lover Ivan, beautiful and unavailable, who obsesses her. And there is Malina, the civil servant with whom she shares an apartment: reserved, fastidious, exacting, chillingly calm. As the balance of power between them starts to shift, she feels her fragile identity unravelling, gradually revealing the dark, bruised heart of her past.

Darkness Spoken is the most complete volume of Ingeborg Bachmann’s poetry in English and German. Considered one of the premiere poets of her generation, Bachmann’s various awards include the Georg Büchner Prize, the Berlin Critics Prize, the Bremen Award, and the Austrian State Prize for literature. Darkness Spoken collects her two celebrated books of poetry, as well as the early and late poems not collected in book form. First published by Zephyr Press in 2006, the volume also contains 129 poems released from Bachmann’s archives that had never been translated before. Twenty-five of them also appeared in German for the first time. Continued research by Peter Fikins on Bachmann’s writing since 2006 as well as his current work on Bachmann’s biography (forthcoming in 2026 from Yale University Press), has drawn him even closer to Bachmann’s poems and deepened his understanding of their context and meaning. For this second revised edition, roughly a quarter of the poems have benefitted from revisions in word choice for the purposes of greater clarity, better syntax or rhythm, or in a few instances, corrections in punctuation and of interpretive errors. Eight poems from Bachmann's youth have also been added that did not appear in the first edition. A few lacunae in the German have also been corrected, allowing this volume to remain the most complete edition of Bachmann’s poetry.

Written when Ingeborg Bachmann was only eighteen, The Honditsch Cross, her second-longest completed work of prose, is a historical novella set during the final days of the Napoleonic occupation of Austria in 1813.A young theology student, returning from Vienna to his family home in Carinthia, finds the invading troops stationed there, led by a despotic officer, who has been exploiting and terrorizing his family and friends. He is immediately thrown into the center of the conflict, torn between defending his homeland, the pull of physical desire, and the pursuit of his theological studies...In this gripping work, Bachmann begins to explore themes that will pre-occupy her for the rest of her writing career: complex notions of nationality and patriotism, the roles and rights of women in patriarchal societies, the meaningless destruction of war and its aftermath, and the bitter moments of disillusionment that lead to intellectual maturity

Complete Stories spans three decades of work from one of the most important German-language writers of the last century. Each of these short stories, beautifully translated by Philip Boehm and Tess Lewis, depict people at a crossroads, facing decisions about life, truth, love, and death. In addition to the collections "Three Paths to the Lake" and "The Thirtieth Year," this volume includes many stories that have never appeared in English before.In this collection, we find Ingeborg Bachmann exploring the limits of language and experience, grappling with the maladies of modern civilization, with love and sex, with patriarchy and its brutalities: “Where does fascism begin? It doesn’t begin with the first bombs that were dropped. It begins in relationships between people. Fascism lies at the root of the relationship between a man and a woman….”

Varma och kalla bad utspelas i ett land som besväras av det förflutna. Av det Habsburgska riket, kejsardömet mitt i Europa, återstår det betydligt mindre Österrike. Namnen på de författare som kommer till tals vittnar dels om ett slaviskt, dels om ett tyskt eller tyskjudiskt ursprung, även om alla skriver på tyska. I Varma och kalla bad medverkar flera generationer författare som berättar om sina personliga upplevelser av kriget och nazismen, men här skildras också samtiden. Alltifrån valutareformer till hembygds-berättelser, kvinnlig frigörelse och lyriska kärleksförklaringar gör antologin till ett både roande och tankeväckande nedslag i dagens österrikiska samhälle och litteratur.

Ingeborg Bachmann (1926-1973) is recognized as one of post-war German literature’s most important novelists, poets, and playwrights. Influenced by Hans Weigel and the legendary literary circle Gruppe 47, Bachmann gained international renown for her poems, short stories, and novels, and won numerous awards for her work. Sadly, her life ended abruptly in October of 1973 when a lit cigarette burned down her apartment causing Bachmann to suffer severe burns that would eventually prove fatal. The author was only forty-seven, and her tragic death left what could have been a long and lustrous writing career regretfully stunted.Nearly twenty years after her death, during an estate sale in Vienna, fifteen episodes of the popular Viennese radio drama The Radio Family were discovered. Remarkably, they happened to be written by Ingeborg Bachmann herself, who had been a writer on the show just after she graduated university.  The Radio Family was a popular radio soap opera broadcast in the American sector of occupied Vienna in the 1950s. The program focused on a middle-class Viennese family and their everyday life. Topics ranged from birthday parties and holiday plans to profiteering and currency fraud in the commercial sector, and Austrians’ involvement in the Nazi past. All fifteen scripts have now been compiled and masterfully translated, revealing an early and significant piece of Bachmann’s body of work, while simultaneously offering a rare glimpse into Vienna’s quotidian history.

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'It was a very momentous day, the day on which I was to be slaughtered' Bringing together tales of melancholy and madness, nightmare and fantasy, this is a new collection of the most haunting German stories from the past 200 years. Ranging from the Romantics of the early nineteenth century to works of contemporary fiction, it includes Hoffmann's hallucinatory portrait of terror and insanity 'The Sandman'; Chamisso's influential black masterpiece 'Peter Schlemiel', where a man barters his own shadow; Kafka's chilling, disturbing satire 'In the Penal Colony'; the Dadaist surrealism of Kurt Schwitters' 'The Onion'; and Bachmann's modern fairy tale 'The Secrets of the Princess of Kagran'. Macabre, dreamlike and expressing deep unconscious fears, these stories are also spiked with unsettling humour, showing stylistic daring as well as giving insight into the darkest recesses of the human condition.Peter Wortsman's powerful translations are accompanied by brief overviews of the lives of each author, and an introduction discussing the notion of 'angst' and the stories' place in the context of German history.Translated, selected and edited with an introduction by Peter Wortsman

'It was a very momentous day, the day on which I was to be slaughtered' Bringing together tales of melancholy and madness, nightmare and fantasy, this is a new collection of the most haunting German stories from the past 200 years. Ranging from the Romantics of the early nineteenth century to works of contemporary fiction, it includes Hoffmann's hallucinatory portrait of terror and insanity 'The Sandman'; Chamisso's influential black masterpiece 'Peter Schlemiel', where a man barters his own shadow; Kafka's chilling, disturbing satire 'In the Penal Colony'; the Dadaist surrealism of Kurt Schwitters' 'The Onion'; and Bachmann's modern fairy tale 'The Secrets of the Princess of Kagran'. Macabre, dreamlike and expressing deep unconscious fears, these stories are also spiked with unsettling humour, showing stylistic daring as well as giving insight into the darkest recesses of the human condition.Peter Wortsman's powerful translations are accompanied by brief overviews of the lives of each author, and an introduction discussing the notion of 'angst' and the stories' place in the context of German history.Translated, selected and edited with an introduction by Peter Wortsman

'An intense, courageous novel, equal to the best of Virginia Woolf and Samuel Beckett' The New York TimesPart detective novel, part love story, part psychoanalytic case study, Malina is a staggering portrait of a writer trying to tell her own story in a world dominated by men.'I was subordinate to him from the beginning, and I must have known early on that he was destined to be my doom'A woman in postwar Vienna walks a tightrope between the two men in her life. There is her lover Ivan, beautiful and unavailable, who obsesses her. And there is Malina, the civil servant with whom she shares an apartment: reserved, fastidious, exacting, chillingly calm. As the balance of power between them starts to shift, she feels her fragile identity unravelling, gradually revealing the dark, bruised heart of her past.