Asian Voices – serie

In the early 1950s fisherfolk and other villagers around Minamata Bay on the western coast of Kyushu, Japan, began to suffer from mysterious and often fatal symptoms of what came to be known as Minamata disease. It was not until 1968 that the government acknowledged its cause—organic mercury poisoning from effluent released by Chisso Corporation, a chemical manufacturer and the largest employer in the Japanese city for which the disease was named. For decades the company denied responsibility and was joined by the Japanese government in its attempt to cover up the problem despite lawsuits and political protests. In this compelling oral history, Ogata Masato, fisherman and Minamata disease sufferer, tells of the devastation of methyl mercury poisoning. Spanning fifty years, his story describes the impact of industrial pollution on his own life, on his extended family, and on the fishing culture of the Shiranui Sea. A one-time leader of Minamata disease patients seeking certification and compensation, Masato breaks away to follow his personal path to redemption. Masato's story begins with the vibrant village of his childhood and culminates with the possibility of return, if not to one's birthplace, then to a spiritual community, to a consciousness that we owe our existence to the web of interrelationships that constitute life. When we turn full circle, explains Masato, we find ourselves again at the water's edge, a place where all life gathers. This is the launching point for 'Tokoyo,' boat of the Eternal World-a world defined at once by the past, present and future; a state of mind in which we are responsible not only for our own actions but for those of our society and our species. Masato's story, larger than any one man or one incident, raises questions we must all consider as beneficiaries of modern industry and technology.

This is the remarkable and wrenching memoir of a South Korean dissident who was unjustly accused of spying for the North Koreans and jailed for nineteen years as a political prisoner. The updated English-language edition traces Suh Sung's experiences as a Korean citizen of Japan before his incarceration, his time in prison, and his subsequent release. Readers will be moved and awed by Suh's courage under torture and solitary confinement. This memoir is an invaluable document for all concerned about human rights and a moving testimony to one man's incredible determination.

There is much in Vasant Moon's extraordinary story of his vasti, his childhood neighbourhood in India, that would probably be true of any urban ghetto anywhere in the world. But there is much that is peculiarly and vividly Indian. In this first autobiography of a so-called Untouchable, we learn about the inescapable hierarchy imposed by caste, based on ancient principles of heriditary pollution. We see the unmatched importance of the heroic Dr. B. R. Ambedkar for India's awakened and newly ambitious Dalits. We feel, viscerally, Nagpur's heat and the joy brought by the monsoon. Vasant Moon's Vasti, the first Dalit autobiography to be published in English, is a moving and eloquent testament to a uniquely Indian life as well as to the universal human spirit.

Exploring sensitive issues often hidden to outsiders, this engaging study traces the transformation and economic development of a south China village during the first tumultuous decade of reform. Drawing on a wealth of intimate detail, Ku explores the new sense of risk and mood of insecurity experienced in the post-reform era in Ku Village, a typical hamlet beyond the margins of richer suburban areas or fertile farmland. Villagers' dissatisfaction revolves around three key issues: the rising cost of living, mounting agricultural expenses, and the forcible implementation of birth-control quotas. Faced with these daunting problems, villagers have developed an array of strategies. Their weapons include resisting policies they consider unreasonable by disregarding fees, evading taxes, and ignoring strict family planning regulations; challenging the rationale of official policies and the legitimacy of the local government and its officials; and reestablishing clan associations to supercede local Party authority. Using lively everyday narratives and compelling personal stories, Ku argues that rural people are not in fact powerless and passive; instead they have their own moral system that informs their everyday family lives, work, and political activities. Their code embodies concepts of fairness and justice, a concrete definition of the relationship between the state and its citizens, an understanding of the boundaries and responsibilities of each party, and a clear notion of what constitutes good and bad government and officials. On the basis of these principles, they may challenge existing policies and deny the authority of officials and the government, thereby legitimizing their acts of self-defense. Through his richly realized ethnography, Ku shows the reader a world of memorable, fully realized individuals striving to control their fate in an often arbitrary world.

Opening a new window into Chinese intellectual discourse, this unique book is a critical engagement with the issues, problems, and meanings of contemporary Chinese intellectual thought. As key participants in these debates who have exercised a significant influence on the development of contemporary Chinese thought, the volume's contributors explore concerns over the role of the intellectual and the outcomes of knowledge production in the humanities. Masterfully translated, these essays provide a wide range of conflicting perspectives on contemporary Chinese intellectuality, yet they share in common the belief held by many Chinese intellectuals in the power of intellectual labor to shape and change social life. By showing how Western social and cultural theory as well as the May Fourth and pre-modern Confucian traditions are being adapted for contemporary Chinese intellectual use, the book highlights how Chinese academics have affirmed an independent critical role for themselves in post-Mao China and the scope of the knowledge industry that they have created and developed since 1979.

This unique book compiles some 120 remarkable letters from Japanese citizens to General Douglas MacArthur during the postwar occupation of Japan (1945-1952). Painstakingly culled from a vast collection, these letters evoke the unfiltered voices of people of all classes and occupations during the tremendous upheaval of the early postwar period, when the Japanese were coming to terms with the devastating losses of the war, adjusting to a new political system, and creating the framework for economic and social recovery. Written by people of all ages and walks of life, the letters raise issues ranging from Japanese war crimes to the future of the emperor system, from the behavior of American occupation troops to pleas for the United States to annex Japan. Some writers offered to serve as spies for the occupation forces; others appealed for help in solving individual problems, protested allegedly unfair treatment by the occupation, or made detailed recommendations for the reform of Japanese society.Sodei's running commentary places the letters in their historical context, and the substantive foreword by John W. Dower, who drew upon Sodei's research for his Pulitzer Prize-winning Embracing Defeat, further assesses the significance of the letters in understanding Japan's occupation experience.

The first English-language anthology of its kind, Red Is Not the Only Color offers a window into the uncharted terrain of intimate relations between Chinese women. As urban China has undergone rapid transformation, same-sex relations have emerged as a significant, if previously neglected, touchstone for the exploration of the meaning of social change. The short fiction in this volume highlights tensions between tradition and modernization, family and state, art and commerce, love and sex. These stories introduce an emerging generation of acclaimed, and at times controversial, women writers, including Chen Ran, Bikwan Wong, and Chen Xue. By presenting fiction from the PRC, Hong Kong, and Taiwan, the collection deliberately maps the literary contours of same-sex intimacy in broadly cultural rather than purely political terms. The perceptive and informative introduction surveys the social evolution of female same-sex intimacy in twentieth-century China, examines how each author engages with her Chinese context, and discusses how the stories compare with earlier representations of Chinese same-sex intimacy in the United States. Compelling for its literary quality, the anthology will also spur reflection among scholars of modern Chinese literature as well as readers interested in questions of gender, sexuality, and cross-cultural representation.

Sweet and Sour explores the experiences of women entrepreneurs amidst the contradictions of a freewheeling commercial culture set within the patriarchal constraints of contemporary Taiwan. To what extent are Taiwanese women empowered by entrepreneurship? What challenges do they face as women in their families and in the marketplace? How do they construct physical and social space for themselves in a traditionally male-dominated society? Most important, how do they perceive their businesses, their families, and their personal identities both as women and as business owners?Focusing on the voices and perspectives of the women themselves, Scott Simon draws from life-narratives of women from various ages, ethnic groups, social classes, and occupations to provide a diverse set of rarely heard native voices speaking out on gender and entrepreneurship in Taiwan.

The keystone of U.S. security in East Asia, Okinawa is a troubled symbol of resistance and identity. Ambivalence about the nature of Okinawan identity lies behind relations between Japan, the United States, and Okinawa today. Fully one-fifth of Okinawa's land is occupied by a foreign military power (the United States), and Okinawans carry a disproportionate responsibility for Japanese and U.S. security in the region. It thus figures prominently in the re-examination of key questions such as the nature of Japan, including the debate over Japanese "purity" and the nature of Japanese colonialism. Yet underneath the rhetoric of the "Okinawa problem" lies a core question: who are Okinawans? In contrast to approaches that homogenize Okinawan cultural discourse, this perceptive historical ethnography draws attention to the range of cultural and social practices that exist within contemporary Okinawa. Matthew Allen's narrative problematizes both the location of identity and the processes involved in negotiating identities within Okinawa. Using the community on Kumejima as a focus, the author describes how people create and modify multitextured and overlapping identities over the course of their lives. Allen explores memory, locality and history; mental health and shamanism; and regionalism and tourism in his richly nuanced study. His chapter on the Battle of Okinawa, which opens the book, is a riveting, fresh analysis of the battle in history and memory. His analysis of yuta (shamans) opens new terrain in rethinking the relationship between the traditional and the modern. Based on fieldwork, interviews, and historical research, Allen argues that identity in Okinawa is multivocal, ambivalent, and still very much "under construction." With its interdisciplinary focus, anthropologists, sociologists, and historians alike will find this book an important source for understanding broad questions of identity formation in the contexts of national, ethnic, cultural, historical and economic experience.

The Balinese devotion to their temples is both legendary and conspicuous, but the ways in which they enshrine their innermost desires have long been hidden. This ethnography draws back the veil by focusing on the romantic experiences of women in a rural village (Punyanwangi) in North Bali from adolescence to maturity. Delving into the intensity of passion that exists just below the harmonious veneer of traditional patterns of courtship and marriage, motherhood, and connubial fidelity, this book overturns Margaret Mead's assertions of passivity in Balinese social life. Punyanwangi's proximity to a thriving tourist center allows Megan Jennaway to explore as well the striking gender disparities in the ways sexuality and desire are culturally mediated. Aside from service work, women are excluded from entering the tourist domain, yet male sexual adventurism is expected and even encouraged. The bodies of foreign women are thus invested with potent fantasies of exotic desire, while those of local women are muted-denied legitimate avenues of expression. The author invokes Post-Freudian and feminist concepts of sexuality to explain culturally specific psychiatric disorders to which Balinese women are prone, interpreting them as expressions of frustrated desire. She thus convincingly reveals Balinese society as anything but unemotional or stagnant. Rather, it is swept along by currents of emotionally charged desire.By allowing key informants to tell their stories in their own voices and by skillfully interweaving fictionalized interludes, the author gives us not only a rigorously researched ethnography, but an intimate and fully realized portrait of Balinese women's innermost desires.

Behind the Silence is the first in-depth work in any language to explore the diverse perspectives of mainland Chinese regarding induced abortion and fetal life in the context of the world's most ambitious and intrusive family planning program. Bringing to light the range of Chinese views and experiences, Nie Jing-Bao draws on extensive primary sources and intensive fieldwork, including surveys by and interviews with hundreds of rural, urban, and overseas Chinese. Nie's exploration of the multi-layered meanings of public silence, official pronouncements, forgotten controversies from the Imperial era, public and private consensus and disagreement, women's personal stories, and doctors' narratives provides compelling evidence on the remarkably varied, sometimes critical, and often tormented voices of the Chinese people. Revealing a surprising range of beliefs and feelings concerning the morality of abortion and fetal life, the book nevertheless finds widespread acceptance of national population policies. It also examines the personal anguish and complex socio-cultural and ethical issues entwined with coerced abortion essential to enforce birth-control policies. In addition, the author argues, the abortion issue illustrates the importance of taking seriously China's internal plurality if Westerners and Chinese are to develop a fruitful cross-cultural dialogue.

Scholarship on Japan has recently broadened to include minority perspectives on communities from marginal workers to those whose sexuality has long been overlooked. This volume, with its combination of fieldwork in the gay and lesbian communities and the use of historical sources such as journals and documents, breaks important new ground in this field. It examines gay life in the Japanese Pacific War, addresses transgender and lesbian as well as gay issues, examines the interface of queer society with the U.S. occupation and the international community, contests major interpretations of contemporary queer society, and introduces readers to the development of lesbian, transgender, and gay communities in postwar Japan. Including a wealth of images from the 'perverse press,' this book will appeal to students and general readers interested in modern and contemporary Japan and in gender studies and sexuality. Visit our website for sample chapters!

A Thousand Miles of Dreams is an evocative and intimate biography of two Chinese sisters who took very different paths in their quests to be independent women. Ling Shuhao arrived in Cleveland in 1925 to study medicine in the middle of a U.S. crackdown on Chinese immigrant communities, and her effort to assimilate began. She became an American named Amy, while her sister Ling Shuhua burst onto the Beijing literary scene as a writer of short fiction. Shuhua's tumultuous affair with Virginia Woolf's nephew during his years in China eventually drew her into the orbit of the Bloomsbury group. The sisters were Chinese "modern girls" who sought to forge their own way in an era of social revolution that unsettled relations between men and women and among nations. Daughters of an imperial scholar-official and a concubine, they followed trajectories unimaginable to their parents' generation.Biographer Sasha Su-Ling Welland stumbled across their remarkable stories while recording her grandmother's oral history. She discovered the secret Amy had jealously hidden from family in the United States—her sister's fame as a Chinese woman writer—as well as intriguing discrepancies between the sisters' versions of the past. Shaped by the social history of their day, the journeys of these extraordinary women spanned the twentieth century and three continents in a saga of East-West cultural exchange and personal struggle.Visit the author's website for more information and upcoming events. http://www.sashawelland.com/index.html

A Thousand Miles of Dreams is an evocative and intimate biography of two Chinese sisters who took very different paths in their quests to be independent women. Ling Shuhao arrived in Cleveland in 1925 to study medicine in the middle of a U.S. crackdown on Chinese immigrant communities, and her effort to assimilate began. She became an American named Amy, while her sister Ling Shuhua burst onto the Beijing literary scene as a writer of short fiction. Shuhua's tumultuous affair with Virginia Woolf's nephew during his years in China eventually drew her into the orbit of the Bloomsbury group. The sisters were Chinese "modern girls" who sought to forge their own way in an era of social revolution that unsettled relations between men and women and among nations. Daughters of an imperial scholar-official and a concubine, they followed trajectories unimaginable to their parents' generation.Biographer Sasha Su-Ling Welland stumbled across their remarkable stories while recording her grandmother's oral history. She discovered the secret Amy had jealously hidden from family in the United States—her sister's fame as a Chinese woman writer—as well as intriguing discrepancies between the sisters' versions of the past. Shaped by the social history of their day, the journeys of these extraordinary women spanned the twentieth century and three continents in a saga of East-West cultural exchange and personal struggle.Visit the author's website for more information and upcoming events. http://www.sashawelland.com/index.html

Ranging from Geneva to Pyongyang, this remarkable book takes readers on an odyssey through one of the most extraordinary forgotten tragedies of the Cold War: the "return" of over 90,000 people, most of them ethnic Koreans, from Japan to North Korea from 1959 onward. Presented to the world as a humanitarian venture and conducted under the supervision of the International Red Cross, the scheme was actually the result of political intrigues involving the governments of Japan, North Korea, the Soviet Union, and the United States. The great majority of the Koreans who journeyed to North Korea in fact originated from the southern part of the Korean peninsula, and many had lived all their lives in Japan. Though most left willingly, persuaded by propaganda that a bright new life awaited them in North Korea, the author draws on recently declassified documents to reveal the covert pressures used to hasten the departure of this unwelcome ethnic minority. For most, their new home proved a place of poverty and hardship; for thousands, it was a place of persecution and death. In rediscovering their extraordinary personal stories, this book also casts new light on the politics of the Cold War and on present-day tensions between North Korea and the rest of the world.

Ranging from Geneva to Pyongyang, this remarkable book takes readers on an odyssey through one of the most extraordinary forgotten tragedies of the Cold War: the "return" of over 90,000 people, most of them ethnic Koreans, from Japan to North Korea from 1959 onward. Presented to the world as a humanitarian venture and conducted under the supervision of the International Red Cross, the scheme was actually the result of political intrigues involving the governments of Japan, North Korea, the Soviet Union, and the United States. The great majority of the Koreans who journeyed to North Korea in fact originated from the southern part of the Korean peninsula, and many had lived all their lives in Japan. Though most left willingly, persuaded by propaganda that a bright new life awaited them in North Korea, the author draws on recently declassified documents to reveal the covert pressures used to hasten the departure of this unwelcome ethnic minority. For most, their new home proved a place of poverty and hardship; for thousands, it was a place of persecution and death. In rediscovering their extraordinary personal stories, this book also casts new light on the politics of the Cold War and on present-day tensions between North Korea and the rest of the world.

This approachable and absorbing book offers a unique window into Japanese culture and language. Highlighting the overlooked world of the "silent majority," the housewives and mothers who are the mainstay of Japanese society, this work tells the stories of ordinary women in their own voices. An annotated translation of a Japanese bestseller, the volume explores the daily communication of Japanese women and what their words tell us about their relationships and lives in a globalized, post-industrial, yet still often male-dominated Japan.Readers will find that many issues explored here are universal to women everywhere, while others are specific to Japan. With added cultural context and commentary, the book offers a fresh understanding of Japanese society, even for those who have had little exposure to Japan. Students in diverse fields, ranging from anthropology to women's studies and from communications to Asian studies, will find this an insightful and provocative work.

This approachable and absorbing book offers a unique window into Japanese culture and language. Highlighting the overlooked world of the "silent majority," the housewives and mothers who are the mainstay of Japanese society, this work tells the stories of ordinary women in their own voices. An annotated translation of a Japanese bestseller, the volume explores the daily communication of Japanese women and what their words tell us about their relationships and lives in a globalized, post-industrial, yet still often male-dominated Japan.Readers will find that many issues explored here are universal to women everywhere, while others are specific to Japan. With added cultural context and commentary, the book offers a fresh understanding of Japanese society, even for those who have had little exposure to Japan. Students in diverse fields, ranging from anthropology to women's studies and from communications to Asian studies, will find this an insightful and provocative work.

Women in urban China have lived through decades of political turbulence, extensive socio-economic change, and the transformation of gender practices, expectations, and relationships. Among these is the mother-daughter relationship, one that has profound influence on women's gendered subjectivity but one that has been overlooked in research on gender and family in China. In The Subject of Gender, Harriet Evans reflects on how women in urban China make sense of the shifts in practices and representations of gender that frame their lives and how their self-identification as mothers and daughters contributes to the redefinition of those practices. Based on the memories and experiences of educated and professional women of different ages, this book discusses the mother-daughter relationship through various themes: separation, communication, domestic/public boundaries, male privilege, the sexed body, reproduction, and filial responsibilities. This fascinating work draws on feminist and critical theory and on anthropological and historical research to analyze the changing articulations of gender subjectivity that emerge from the links between discursive shifts, generational difference, and individual experiences of the mother-daughter relationship.

Women in urban China have lived through decades of political turbulence, extensive socio-economic change, and the transformation of gender practices, expectations, and relationships. Among these is the mother-daughter relationship, one that has profound influence on women's gendered subjectivity but one that has been overlooked in research on gender and family in China. In The Subject of Gender, Harriet Evans reflects on how women in urban China make sense of the shifts in practices and representations of gender that frame their lives and how their self-identification as mothers and daughters contributes to the redefinition of those practices. Based on the memories and experiences of educated and professional women of different ages, this book discusses the mother-daughter relationship through various themes: separation, communication, domestic/public boundaries, male privilege, the sexed body, reproduction, and filial responsibilities. This fascinating work draws on feminist and critical theory and on anthropological and historical research to analyze the changing articulations of gender subjectivity that emerge from the links between discursive shifts, generational difference, and individual experiences of the mother-daughter relationship.

Takeyama Michio, the author of Harp of Burma, was thirty-seven in 1941, the year of the Japanese attack on Pearl Harbor. Husband, father of children born during the war, and teacher at Japan’s elite school of higher education in Tokyo, he experienced the war on its home front. His essays provide us with a personal record of the bombing of Tokyo, the shortage of food, the inability to get accurate information about the war, the frictions between civilians and military and between his elite students and other civilians, the mobilization of students into factory jobs and the military, and the relocation of civilians out of the Tokyo area. This intimate account of the “scars of war,” including personal anecdotes from Takeyama’s students and family, is one of very few histories from this unique vantage point. Takeyama’s writings educate readers about how the war affected ordinary Japanese and convey his thoughts about Japan's ally Germany, the Tokyo War Crimes Trial, and the immediate postwar years. Beautifully translated by Richard H. Minear, these honest and moving essays are a fresh look at the history of Japan during the Asia-Pacific War.

Takeyama Michio, the author of Harp of Burma, was thirty-seven in 1941, the year of the Japanese attack on Pearl Harbor. Husband, father of children born during the war, and teacher at Japan’s elite school of higher education in Tokyo, he experienced the war on its home front. His essays provide us with a personal record of the bombing of Tokyo, the shortage of food, the inability to get accurate information about the war, the frictions between civilians and military and between his elite students and other civilians, the mobilization of students into factory jobs and the military, and the relocation of civilians out of the Tokyo area. This intimate account of the “scars of war,” including personal anecdotes from Takeyama’s students and family, is one of very few histories from this unique vantage point. Takeyama’s writings educate readers about how the war affected ordinary Japanese and convey his thoughts about Japan's ally Germany, the Tokyo War Crimes Trial, and the immediate postwar years. Beautifully translated by Richard H. Minear, these honest and moving essays are a fresh look at the history of Japan during the Asia-Pacific War.

This fascinating book recounts the remarkable tale of a career UN official from Indonesia caught in the turmoil of international and domestic politics swirling around Cambodia during the tumultuous period after the fall of the Khmer Rouge. Writing from his experience first as a member of the UN transitional authority and then as a personal envoy to the UN secretary-general, Benny Widyono re-creates the fierce battles for power centering on King Norodom Sihanouk, the Khmer Rouge, and Prime Minister Hun Sen. A simultaneous insider and outsider, he also untangles the competing and conflicting agendas of the key international players, especially the United States, China, and Vietnam. He argues that great-power geopolitics throughout the Cold War and post–Cold War eras triggered and sustained a tragedy of enormous proportions in Cambodia for decades, ultimately leading to a flawed peace process.Widyono tells the inside story of the massive UN operation in Cambodia, the largest and most challenging in the organization's history to that time and long considered a model for UN operations elsewhere. He draws not only on his vantage point as part of the UN bureaucracy, but also as a local UN official in the rural Cambodian province of Siem Reap, the site of Angkor Wat. As a fellow Southeast Asian with no geopolitical axe to grind, Widyono was able to win the respect of Cambodians, including the once and future king, Norodom Sihanouk, whose decline after fifty years as his country's leading figure is vividly portrayed. Putting a human face on international operations, this book will be invaluable reading for anyone interested in Southeast Asia, the role of international peacekeeping, and the international response to genocide.

Voices Carry is the moving autobiography of the late Ying Ruocheng, beloved Chinese stage and screen actor, theatre director, translator, and high-ranking politician as vice minister of culture from 1986–1990. One of twentieth-century China's most prominent citizens, Ying was imprisoned during the Cultural Revolution and devised unique strategies for survival, including playing pranks on guards and keeping a clandestine notebook. Ying's memoir opens with his prison years, and then flashes back to his boyhood growing up in a prince's palace as a member of a progressive Manchu Catholic intellectual family. He also details his experiences as a university student during the heady days when the People's Republic was being founded, followed by his subsequent experiences on stage, in film, and in politics. A founding member of the Beijing People's Art Theatre, Ying Ruocheng helped open its doors to Sino-American exchange when he brought Arthur Miller to China to stage Death of a Salesman in 1983, playing the role of Willy Loman in his own translation of the play. Simultaneously a "spy" for his own government and a cultural ambassador for countless foreigners and fellow countrymen, Ying lived out his life as a bridge between China and the West, gaining a singular perspective on matters related to culture and politics.While suffering from cirrhosis of the liver during the final decade of his life, Ying Ruocheng reflected on his experiences, collaborating with coauthor Claire Conceison to tell his story. Together, they take the reader on an exhilarating journey from Manchu wrestling matches to missionary schools, from behind prison bars to behind the scenes at ground-breaking stage performances, and from public moments of international recognition to private moments of intimacy and despair.

This lively book explores individual and societal changes in contemporary China through the compelling personal accounts of young Chinese journalists. China's media are central to public life in the most populous nation on earth, and have also become increasingly relevant to communication and understanding on a global scale. Through a series of engaging oral histories, Judy Polumbaum puts a human face on vital political and philosophical issues of freedom of expression and information that will shape China's future.The author's extended and frank conversations with journalists from a range of news outlets reveal diversity, passion, humor, and optimism that belie the stereotype of journalists as cogs in a rigidly controlled machine. Neither dissidents nor paragons but rather people working day in and day out within China's existing and evolving media, these talented and ambitious reporters open new windows to understanding Chinese journalism and intellectual life. Some of their tales could happen only in China; others will resonate with readers everywhere. As the first book to explore experiences and ideas of everyday journalists who are helping to shape their rapidly changing country, this unique and timely work will appeal to all those interested in China's dynamic society.

One of Japan's most important intellectuals, Nambara Shigeru defended Tokyo Imperial University against its rightist critics and opposed Japan's war. His poetic diary (1936–1945), published only after the war, documents his profound disaffection. In 1945 Nambara became president of Tokyo University and was an eloquent and ardent spokesman for academic freedom. Among his most impressive speeches are two memorials to fallen student-soldiers, which directly confront Nambara's wartime dilemma: what and how to advise students called up to fight a war he did not believe in. In this first English-language collection of his key work, historian and translator Richard H. Minear introduces Nambara's career and thinking before presenting translations of the most important of Nambara's essays, poems, and speeches. A courageous but lonely voice of conscience, Nambara is one of the few mid-century Japanese to whom we can turn for inspiration during that dark period in world history.

After a long spell of chaos, the Qin and Han dynasties (221 BCE–220 CE) saw the unification of the Chinese Empire under a single ruler, government, and code of law. During this era, changing social and political institutions affected the ways people conceived of womanhood. New ideals were promulgated, and women's lives gradually altered to conform to them. And under the new political system, the rulers' consorts and their families obtained powerful roles that allowed women unprecedented influence in the highest level of government.Recognized as the leading work in the field, this introductory survey offers the first sustained history of women in the early imperial era. Now in a revised edition that incorporates the latest scholarship and theoretical approaches, the book draws on extensive primary and secondary sources in Chinese and Japanese to paint a remarkably detailed picture of the distant past. Bret Hinsch's introductory chapters orient the nonspecialist to early imperial Chinese society; subsequent chapters discuss women's roles from the multiple perspectives of kinship, wealth and work, law, government, learning, ritual, and cosmology. An enhanced array of line drawings, a Chinese-character glossary, and extensive notes and bibliography enhance the author's discussion. Historians and students of gender and early China alike will find this book an invaluable overview.

This compelling autobiography tells the life story of famed manga artist Nakazawa Keiji. Born in Hiroshima in 1939, Nakazawa was six years old when on August 6, 1945, the United States dropped the atomic bomb. His gritty and stunning account of the horrific aftermath is powerfully told through the eyes of a child who lost most of his family and neighbors. In eminently readable and beautifully translated prose, the narrative continues through the brutally difficult years immediately after the war, his art apprenticeship in Tokyo, his pioneering "atomic-bomb" manga, and the creation of Barefoot Gen, the classic graphic novel based on Nakazawa's experiences before, during, and after the bomb. This first English-language translation of Nakazawa's autobiography includes twenty pages of excerpts from Barefoot Gen to give readers who don't know the manga a taste of its power and scope. A recent interview with the author brings his life up to the present. His trenchant hostility to Japanese imperialism, the emperor and the emperor system, and U.S. policy adds important nuance to the debate over Hiroshima. Despite the grimness of his early life, Nakazawa never succumbs to pessimism or defeatism. His trademark optimism and activism shine through in this inspirational work.

Spanning decades of research, this compelling social history tells the stories of ordinary people in modern Japan. Tatsuichi Horikiri spent a lifetime searching out old items of clothing—ranging from everyday kimono, work clothes, uniforms, and futons to actor’s costumes, diapers, hats, aprons, and bags. Simultaneously he collected oral history accounts to shed light on those who used these items. Horikiri reveals not only the difficult and sometimes desperate lives of these people, most from the lower strata in early twentieth-century Japan, he illuminates their hopes, aspirations, and human values. He also explores such topics as textile techniques, the history of fashion, and the ethnography of clothing and related cultural phenomena.Having been wrongly accused and tortured by the Japanese military police in China during World War II, Horikiri takes a deeply empathetic view of all those who struggle—from peasants and coal miners to traveling salesmen and itinerant performers. This personal connection sets his account apart, giving his writing great power and immediacy. Students and scholars of Japanese history, as well those interested in material culture, labor history, and feminist history, will find this book deeply illuminating.