Brill's Series in Jewish Studies - Böcker

How did Jews in the Netherlands view themselves and how were they viewed by others? This is the single theme around which the twenty-five essays in this volume, written by scholars from the Netherlands, Israel and other countries, revolve. The studies encompass a variety of topics and periods, from the beginning of the Jewish settlement in the Dutch Republic through the Shoah and its aftermath. They include examinations of the Sephardi Jews in the seventeenth and eighteenth centuries, the Jews in the periods of Emancipation and Enlightenment, social and cultural encounters between Jews and non-Jews throughout the ages, the image of the Jew in Dutch literature in the nineteenth and twentieth centuries, and the churches' attitudes toward Jews. Also highlighted are the second World War and its consequences, Dutch Jews in Israel and Israelis in the contemporary Netherlands.

This volume contains the proceedings of the Italia Judaica Jubilee Conference, held at Tel Aviv University 3-5 January, 2010, on the occasion of the jubilee celebration of outstanding scholarship on the history of Italian Jewry. Established in 1960 by Professor Shlomo Simonsohn and scholars from Israel and other countries, the Italia Judaica Project has sponsored documentation and research and organized international conferences, including some as part of the Israeli-Italian cultural agreement. The conference records the success of the project, exploring a broad range of topics related to the culture and history of the Jews in Italy in the Middle Ages and early modern times, such as: Jewish community, economy, literature, medicine and science, and the Arts. This volume contains nineteen of the twenty-seven lectures presented at the conference, including such topics as “International Trade and Italian Jews at the Turn of the Middle Ages,” “The Angevins of Naples and the Jews,” and “Dante and the Literary Identity of Jews in Italy.” The conference was organized by the Goldstein-Goren Diaspora Research Centre at Tel Aviv University, in cooperation with the Fred W. Lessing Institute for European History and Civilization, the Cymbalista Jewish Heritage Centre, the Faculty of Jewish Studies and the Golda and Israel Koschitzky Department of Jewish History at Bar-Ilan University, and the Istituto Italiano di Cultura.

In Jewish-Muslim Relations and Migration from Yemen to Palestine in the Late Nineteenth and Twentieth Centuries Ari Ariel analyzes the impact of local, regional and international events on ethnic and religious relations in Yemen and Yemeni Jewish migration patterns. Previous research has dealt with single episodes of Yemenite migration during limited spans of time. Ariel, instead, provides a broad sweep of the migratory flows over the 70 year time span during which most of Yemen’s Jews moved to Palestine and then Israel. He successfully avoids the polemic nature of much of the literature on Middle Eastern Jewry by focusing on the social, economic and political transformations that provoked and then sustained this migration.

In The Comfort of Kin Monika Schreiber presents a study of the social and religious life of the Samaritans, a minority in modern Israel and the Palestinian Territories. Utilizing approaches ranging from anthropological theory and method to comparative history and religion, she approaches this community from diverse empirical and epistemic angles. Her account of the Samaritans, usually studied for their Bible and their role in ancient history, is enriched by a thorough treatment of the Samaritan family, a powerful institution rooted in notions of patrilineal descent and perpetuated in part by consanguineous marriage (which differs from incest in degree rather than in kind). Schreiber also discusses how the tiny community is affected by its demographic predicament, intermarriage, and identity issues.

Hasidic Art and the Kabbalah presents eight case studies of manuscripts, ritual objects, and folk art developed by Hasidic masters in the mid-eighteenth to late nineteenth centuries, whose form and decoration relate to sources in the Zohar, German Pietism, and Safed Kabbalah. Examined at the delicate and difficult to define interface between seemingly simple, folk art and complex ideological and conceptual outlooks which contain deep, abstract symbols, the study touches on aspects of object history, intellectual history, the decorative arts, and the history of religion. Based on original texts, the focus of this volume is on the subjective experience of the user at the moment of ritual, applying tenets of process philosophy and literary theory – Wolfgang Iser, Gaston Bachelard, and Walter Benjamin – to the analysis of objects.

The Festschrift Darkhei Noam: The Jews of Arab Lands presented to Norman (Noam) Stillman offers a coherent and thought-provoking discussion by eminent scholars in the field of both the history and culture of the Jews in the Islamic World from pre-modern to modern times. Based on primary sources the book speaks to the resilience, flexibility, and creativity of Jewish culture in Arab lands. The volume clearly addresses the areas of research Norman Stillman himself has considerably contributed to. Research foci of the book are on the flexibility of Jewish law in real life, Jewish cultural life particularly on material and musical culture, the role of women in these different societies, antisemitism and Jewish responses to hatred against the Jews, and antisemitism from ancient martyrdom to modern political Zionism.

In The Religious Cultures of Dutch Jewry an international group of scholars examines aspects of religious belief and practice of pre-emancipation Sephardim and Ashkenazim in Amsterdam, Curaçao and Surinam, ceremonial dimensions, artistic representations of religious life, and religious life after the Shoa. The origins of Dutch Jewry trace back to diverse locations and ancestries: Marranos from Spain and Portugal and Ashkenazi refugees from Germany, Poland and Lithuania. In the new setting and with the passing of time and developments in Dutch society at large, the religious life of Dutch Jews took on new forms. Dutch Jewish society was thus a microcosm of essential changes in Jewish history.

From Catalonia to the Caribbean: The Sephardic Orbit from Medieval to Modern Times is a polyphonic collection of essays in honor of Jane S. Gerber’s contributions as a leading scholar and teacher. Each chapter presents new or underappreciated source materials or questions familiar historical models to expand our understanding of Sephardic cultural, intellectual, and social history. The subjects of this volume are men and women, rich and poor, connected to various Sephardic Diasporas—Spanish, Portuguese, North African, or Middle Eastern—from medieval to modern times. They each, in their own way, challenged the expectations of their societies and helped to define the religious, ethnic, and intellectual experience of Sephardim as well as surrounding cultures throughout the world.

This study deepens our historical understanding of the North-African Jewish and Middle Eastern Jewish experience during WWII, which is often under- or mis-represented by the media in Israel, the Arab world, France, and Italy. Public, historical and sociocultural discourse is examined to clarify whether these communities are accepted by the world as "Holocaust survivors". Further, it determines the extent to which their wartime history is revealed to Israeli society in its cultural performances. Importantly, this work addresses the reasons why the Holocaust of North African Jewry is absent from Israeli and world consciousness. Finally, the study contemplates the consequences of these phenomena for Israeli society as well as in the colonial countries of France and Italy."In addition to using academic resources, Golan captures this history from the margins by utilizing audio-visual and artistic media in addition to evidence recorded on community heritage websites, Facebook, and other online social networks. Golan’s book demonstrates that there is a moral imperative to preserve and transmit these memories of persecution and discrimination..."-David B Levy, Touro College, NYC, Association of Jewish Libraries News and Reviews 1.2 (2019)

As historical analyses of Diaspora Jewish visual culture blossom in quantity and sophistication, this book analyzes 19th-20th-century developments in Jewish Palestine and later the State of Israel. In the course of these approximately one hundred years, Zionist Israelis developed a visual corpus and artistic lexicon of Jewish-Israeli icons as an anchor for the emerging “civil religion.” Bridging internal tensions and even paradoxes, artists dynamically adopted, responded to, and adapted significant Diaspora influences for Jewish-Israeli purposes, as well as Jewish religious themes for secular goals, all in the name of creating a new state with its own paradoxes, simultaneously styled on the Enlightenment nation-state and Jewish peoplehood.

Baghdadi Jewish Networks in the Age of Nationalism traces the participation of Baghdadi Jews in Jewish transnational networks from the mid-nineteenth century until the mass exodus of Jews from Iraq between 1948 and 1951. Each chapter explores different components of how Jews in Iraq participated in global Jewish civil society through the modernization of communal leadership, Baghdadi satellite communities, transnational Jewish philanthropy and secular Jewish education. The final chapter presents three case studies that demonstrate the interconnectivity between different iterations of transnational Jewish networks. This work significantly expands our understanding of modern Iraqi Jewish society by going beyond its engagement with Arab/Iraqi nationalism or Zionism/anti-Zionism to explore Baghdadi participation within Jewish transnational networks.

This innovative study shows how the imaginary constructions of self and Other are shaping identification with Jewishness in the twenty-first century. The texts and artworks discussed in this book test a diverse range of ways of identifying as Jews and with the Jewish people, while engaging with postmodern and postcolonial discourses of hybridity and multiculturalism. This book selects six key areas in which the boundaries of Jewish identities have been interrogated and renegotiated: nation, ethnicity, gender, sexuality, religion, and the Holocaust. In each of these areas Sicher explores how major and emerging contemporary writers and artists re-envision the meaning of their identities. Such re-envisioning may be literally visual or metaphorical in the search for expression of artistic self between the conventional paradigms of the past and new ways of thinking.

Although recently more studies have been devoted to the representations of Biblical heroines in modern European art, less is known about the contribution to the portrayals of Biblical women by modern Jewish artists. This monograph explores why and how heroines of the Scripture: Judith, Esther and the Shulamite received a particular meaning for acculturated Jewish artists originating from the Polish lands in the last decades of the nineteenth century and the first two decades of the twentieth century. It convincingly proves that artworks by Maurycy Gottlieb, Wilhem Wachtel, Ephraim Moses Lilien, Maurycy Minkowski, Samuel Hirszenberg and Boris Schatz significantly differed from renderings of contemporary non-Jewish artists, adopting a “Jewish perspective”, creating complex and psychological portrayals of the heroines inspired by Jewish literature and as well as by historical and cultural phenomena of Jewish revival and the cultural Zionism movement.

The political and economic rise of this small but influential community of New Christian bankers and merchants is analysed against the backdrop of its institutional dynamics, in an overall perspective never before conceived. The political, religious, economic, legal, charitable and disciplinary history of the community is thus explored through the analysis of the richly detailed protocol books, written between 1652 and 1682. This is the intimate and fascinating journey of their everyday lives, hopes and challenges, as brought to us by their leaders.

Further Essays addresses aspects of early Hebrew book publication, among them book arts, little known authors, places of publication, and miscellaneous subjects. Book arts addresses pressmarks representing publishers motifs, several unusual, and the varied usage of biblical verses to entitle books. The second section focusses on the works of rabbis and scholars, once prominent but not well remembered today, noting their achievements and their varied books, encompassing such topics as biblical commentaries, Talmudic novellae, philosophy, and poetry. Several locations once important, also not well remembered today are addressed; Further Essays concludes with articles on other unrelated book topics.