Cambridge Studies in American Literature and Culture – serie
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334 produkter
334 produkter
Del 128 - Cambridge Studies in American Literature and Culture
Race, Citizenship, and Law in American Literature
Häftad, Engelska, 2002
635 kr
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In this broad ranging and powerful study, Gregg Crane examines the interaction between civic identity, race and justice in American law and literature. Crane recounts the efforts of literary and legal figures to bring the nation's law into line with the moral consensus that slavery and racial oppression were evil. By documenting an actual historical interaction central both to American literature and American constitutional law, Crane reveals the influence of literature on the constitutional discourse of citizenship. Covering such writers as Harriet Beecher Stowe, Ralph Waldo Emerson and Frederick Douglass, and a whole range of novelists, poets, philosophers, politicians, lawyers and judges, this is a remarkable book, that will revise the relationship between race and nationalism in American literature.
Del 147 - Cambridge Studies in American Literature and Culture
Family, Kinship, and Sympathy in Nineteenth-Century American Literature
Häftad, Engelska, 2006
610 kr
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In Family, Kinship, and Sympathy in Nineteenth-Century American Literature Cindy Weinstein radically revises our understanding of nineteenth-century sentimental literature in the United States. She argues that these novels are far more complex than critics have suggested. Rather than confirming the power of the bourgeois family, Weinstein argues, sentimental fiction used the destruction of the biological family as an opportunity to reconfigure the family in terms of love rather than consanguinity. Their texts intervened in debates about slavery, domestic reform and other social issues of the time. Weinstein shows how canonical texts, such as Melville's Pierre and works by Stowe and Twain, can take on new meaning when read in the context of nineteenth-century sentimental fiction. Through intensive close readings of a wide range of novels, this groundbreaking study demonstrates the aesthetic and political complexities in this important and influential genre.
Del 134 - Cambridge Studies in American Literature and Culture
Consumerism and American Girls' Literature, 1860-1940
Häftad, Engelska, 2007
516 kr
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Why did the figure of the girl come to dominate the American imagination from the middle of the nineteenth century into the twentieth? In Consumerism and American Girls' Literature Peter Stoneley looks at how women fictionalized for the girl reader the ways of achieving a powerful social and cultural presence. He explores why and how a scenario of 'buying into womanhood' became, between 1860 and 1940, one of the nation's central allegories, one of its favourite means of negotiating social change. From Jo March to Nancy Drew, girls' fiction operated in dynamic relation to consumerism, performing a series of otherwise awkward manoeuvres: between country and metropolis, uncouth and unspoilt, modern and anti-modern. Covering a wide range of works and authors, this book will be of interest to cultural and literary scholars alike.
Del 135 - Cambridge Studies in American Literature and Culture
The Aesthetics and Politics of the Crowd in American Literature
Häftad, Engelska, 2007
731 kr
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Mary Esteve provides a study of crowd representations in American literature from the antebellum era to the early twentieth century. As a central icon of political and cultural democracy, the crowd occupies a prominent place in the American literary and cultural landscape. Esteve examines a range of writing by Poe, Hawthorne, Lydia Maria Child, Du Bois, James, and Stephen Crane among others. These writers, she argues, distinguish between the aesthetics of immersion in a crowd and the mode of collectivity demanded of political-liberal subjects. In their representations of everyday crowds, ranging from streams of urban pedestrians to swarms of train travellers, from upper-class parties to lower-class revivalist meetings, such authors seize on the political problems facing a mass liberal democracy - problems such as the stipulations of citizenship, nation formation, mass immigration and the emergence of mass media. Esteve examines both the aesthetic and political meanings of such urban crowd scenes.
Del 133 - Cambridge Studies in American Literature and Culture
Henry James and Queer Modernity
Häftad, Engelska, 2007
520 kr
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In Henry James and Queer Modernity, first published in 2003, Eric Haralson examines far-reaching changes in gender politics and the emergence of modern male homosexuality as depicted in the writings of Henry James and three authors who were greatly influenced by him: Willa Cather, Gertrude Stein and Ernest Hemingway. Haralson places emphasis on American masculinity as portrayed in fiction between 1875 and 1935, but the book also treats events in England, such as the Oscar Wilde trials, that had a major effect on American literature. He traces James's engagement with sexual politics from his first novels of the 1870s to his 'major phase' at the turn of the century. The second section of this study measures James's extraordinary impact on Cather's representation of 'queer' characters, Stein's theories of writing and authorship as a mode of resistance to modern sexual regulation, and Hemingway's very self-constitution as a manly American author.
Del 90 - Cambridge Studies in American Literature and Culture
The Ethnography of Manners
Hawthorne, James and Wharton
Häftad, Engelska, 2007
724 kr
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This book examines fiction and ethnography as related forms for analysing and exhibiting social life. Focusing on the novels of Nathaniel Hawthorne, Henry James, and Edith Wharton, the study argues that novels and ethnographies collaborated to produce an unstable but powerful master discourse of 'culture', a discourse that allowed writers to turn new social energies and fears into particular kinds of authorial expertise. Crossing a range of institutions (anthropology, literature, museums, law) and texts (novels, ethnographies, travel books, social theory), this study allows fiction to take its place in a web of social practices that categorize, display and regulate what Wharton calls 'the customs of the country'.
Del 108 - Cambridge Studies in American Literature and Culture
Fictions of Labor
William Faulkner and the South's Long Revolution
Häftad, Engelska, 2007
516 kr
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Fictions of Labor considers William Faulkner's representation of the structural paradoxes of labour dependency in the Southern economy from the antebellum period through to the New Deal. This book seeks to link stylistic aspects of Faulkner's writing to a generative social trauma which constitutes its formal core. That trauma, Godden argues, is a labour trauma, centred on the debilitating discovery by the Southern owning class of its own production by those it subordinates. Using close textual analysis and careful historical contextualization, Richard Godden produces a persuasive account of the ways in which Faulkner's work rests on deeply submerged anxieties about the legacy of violently coercive labour relations in the American South.
Del 48 - Cambridge Studies in American Literature and Culture
Penelope's Web
Gender, Modernity, H. D.'s Fiction
Häftad, Engelska, 2008
731 kr
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Penelope's Web should appeal to a wide spectrum of readers interested in twentieth-century modernism, women's writing, feminist criticism, post-structuralist theory, psychoanalysis, autobiography, and women's studies. Published in 1991, it was the first book to examine fully the brilliantly innovative prose writings of H. D., the pen-name for Hilda Doolittle (1886-1961), who has been known primarily as a poet. Her prose, more personal, experimental, and postmodern than her poetry, raises central questions about the relation of women writers to language, desire and history. She suppressed in her lifetime many of these texts because of their daring exploration of her bisexuality and their radical critique of the social order. H. D.'s prose writings contribute importantly to the many histories and theories of modernism that are redrawing boundaries to include the achievement of women writers.
Del 143 - Cambridge Studies in American Literature and Culture
Edith Wharton and the Politics of Race
Häftad, Engelska, 2008
520 kr
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Edith Wharton feared that the 'ill-bred', foreign and poor would overwhelm what was known as the American native elite. Drawing on a range of turn-of-the-century social documents, unpublished archival material and Wharton's major novels, Jennie Kassanoff argues that a fuller appreciation of American culture and democracy becomes available through a sustained engagement with these controversial views. She pursues her theme through Wharton's spirited participation in a variety of turn-of-the-century discourses - from euthanasia and tourism to pragmatism and Native Americans - to produce a truly interdisciplinary study of this major American writer. Kassanoff locates Wharton squarely in the middle of the debates on race, class and democratic pluralism at the turn of the twentieth century. Drawing on diverse cultural materials, she offers close interdisciplinary readings that will be of interest to scholars of American literature and culture.
Del 89 - Cambridge Studies in American Literature and Culture
The Literature of Labor and the Labors of Literature
Allegory in Nineteenth-Century American Fiction
Häftad, Engelska, 2008
520 kr
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The Literature of Labor and the Labors of Literature juxtaposes representations of labour in fictional texts and non-fictional texts in order to trace the intersections between aesthetic and economic discourse in nineteenth-century America. Both allegory and the new forms of labour produced a version of personhood that seemed frighteningly flat, a flatness that attacked the substance of the work ethic and, indeed, the very foundations of American individualism. Using this contextualized model of allegory, Weinstein argues that texts by Hawthorne, Melville, Twain and Adams are best understood both as allegories of labour (that is, the allegorical representations of the nature and cost of being a labouring being) and labours of allegory (that is, the visibility of the author's work of representation). Weinstein revolutionizes the notion of allegorical narrative, which is exposed as a literary medium of greater depth and consequence than has previously been implied - a working authorial vehicle for engaged and at times socially turbulent thought.
Del 58 - Cambridge Studies in American Literature and Culture
American Catholic Arts and Fictions
Culture, Ideology, Aesthetics
Häftad, Engelska, 2008
635 kr
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Paul Giles describes how secular transformations of religious ideas have helped to shape the style and substance of works by American writers, filmmakers and artists from Catholic backgrounds such as Orestes Brownson, Theodore Dreiser, Mary McCarthy, Robert Mapplethorpe, Alfred Hitchcock and Robert Altman. The book also explores how Catholicism was represented and mythologized by other American writers. By highlighting the recurring themes and preoccupations of American Catholic fictions, Giles challenges many of the accepted ideas about the centrality of Romanticism to the American literary canon. He reconstructs the different social, historical and philosophical contexts from which aesthetics in the 'Catholic' tradition have emerged, and shows how these stand in an oblique relationship to the assumptions of the American Enlightenment.
Del 27 - Cambridge Studies in American Literature and Culture
The American Abraham
James Fenimore Cooper and the Frontier Patriarch
Häftad, Engelska, 2008
565 kr
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In this book Warren Motley offers an original interpretation of James Fenimore Cooper's career. Whereas most studies of Cooper have centered on the figure of the Leatherstocking - that solitary model of the self-sufficient American hero untrammeled by civilization - this book examines Cooper's interest in the pioneer patriarchs who built new societies in the wilderness. Throughout his career Cooper explored an essential American problem: how to achieve the right balance between freedom and authority. He did this by retelling the story of the frontier settlement and thereby assessing its successes and failures. Like other writers in the decades before the Civil War, Cooper struggled with the legacy of the Revolutionary fathers - a legacy made more personal in Cooper's case by his father's role as a frontier land developer, judge, and Federalist politician. This book breaks new ground by relating Cooper's artistic development, and his ideas about authority in society, to his efforts to become independent of his father.
Del 68 - Cambridge Studies in American Literature and Culture
The Culture and Commerce of the American Short Story
Häftad, Engelska, 2008
565 kr
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The Culture and Commerce of the Short Story is a cultural and historical account of the birth and development of the American short story from the time of Poe. It describes how America - through political movements, changes in education, magazine editorial policy and the work of certain individuals - built the short story as an image of itself and continues to use the genre as a locale within the realm of art where American political ideals can be rehearsed, debated and turned into literary forms. While the focus of this book is cultural, individual authors such as Edgar Allan Poe and Edith Wharton are examined as representative of the phenomenon. As part of its project, this book also contains a history of creative writing and the workshop dating back a century. Andrew Levy makes a strong case for the centrality of the short story as a form of art in American life and provides an explanation for the genre's resurgence and ongoing success.
Del 75 - Cambridge Studies in American Literature and Culture
William Carlos Williams and Alterity
The Early Poetry
Häftad, Engelska, 2008
560 kr
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Many critics have noticed the paradoxes and contradictions in the work of William Carlos Williams, but few have analysed them in detail. Professor Ahearn argues that Williams criticism has not gone far enough in recognizing the uses Williams saw for contradiction. He contends that Williams began to acquire his own voice as a poet when he recognized that he could be a vehicle for contending voices. His reading departs from previous examinations of the early poetry in the emphasis it places on the poems as expressions of Williams's personal struggles with himself, his parents, his domestic role and his social position. We find a Williams whose contribution to modernism came not through a radical break with tradition or a rejection of inherited poetic norms alone, but rather in a cultivation of tension, conflict, and a kind of poetic 'crisis' that could be held forth as the metier of the modernist writer. The reconciliation of things as old as civilization itself with the newest form of poetry, Ahearn argues is the principal theme of Williams early poetic practice.
Del 62 - Cambridge Studies in American Literature and Culture
Elizabeth Bishop's Poetics of Intimacy
Häftad, Engelska, 2008
605 kr
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By offering a fresh look at Bishop criticism that has moved from purely formal concerns and post-modern interpretations to more recent feminist analysis, Victoria Harrison traces Elizabeth Bishop's career, dividing her work into three chronological periods of activity: her early work, her writing in Brazil, and her late retrospective verse. By examining letters and notebooks, Harrison unfolds the biographical events that influenced Bishop's poetic style, addressing her treatment of such topics as family relations, history, politics, war, love, sexuality and ethnic differences. Elizabeth Bishop's Poetics of Intimacy delves extensively into the Bishop archives. Making wider use of Bishop's unpublished work, Harrison explores Bishop's childhood memoirs, journals, letters, Brazilian travel prose, unfinished poems and draft material. The reproduction of these archival materials - with revisions, cancelled lines, notes - shows a mind at work and a career in evolution.
Del 56 - Cambridge Studies in American Literature and Culture
Faulkner's Subject
A Cosmos No One Owns
Häftad, Engelska, 2008
605 kr
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Faulker's Subject: A Cosmos No One Owns offers a reading of William Faulkner by viewing his masterpieces through the lens of current critical theory. The book addresses both the power of his work and the current theoretical issues that call that power into question. Drawing on poststructuralist, ideological and gender theory, Weinstein examines the harrowing process of 'becoming oneself' at the heart of Faulkner's work, and suggests that the cosmos Faulkner called his own - the textual world he produced - emerges as a cosmos no one owns, a verbal territory generated and biased by the larger culture's discourses of gender and race.
Del 40 - Cambridge Studies in American Literature and Culture
Fictions of Capital
The American Novel from James to Mailer
Häftad, Engelska, 2008
520 kr
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Fictions of Capital situates manners and writing about manners in the context of American capitalism between 1880 and 1960, a period that runs from the onset of the sales culture to its war-prompted crisis point in the 1960s. The work of various economic theorists and historians is used to establish two of capitalism's deeper narratives: the plot to accumulate and expand resources (1880 to the First World War), and the plot to ensure reproduction of the expanded resources (preoccupying late capitalism, but already an issue for market leaders in the 1920s). James and Fitzgerald are read as the key novelists of bourgeois affluence, their juxtaposition covers the scope of Incorporation, from the initial accumulation to the problems of how accumulations are to be reproduced. The relation between Fitzgerald and Mailer is explored as a way into new tensions in the growth imperative, resolved though the linking of Destruction, or the permanent arms economy, to Desire, or the ubiquitous shop-window, as a capitalist incentive.
Del 60 - Cambridge Studies in American Literature and Culture
Representative Words
Politics, Literature, and the American Language, 1776-1865
Häftad, Engelska, 2008
710 kr
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Ralph Waldo Emerson's dictum - 'The corruption of man is followed by the corruption of language' - belongs to a long tradition of writing connecting political disorders and the corruption of language that stretches back in Western culture. Representative Words, which gives an account of the tradition from its classical and Christian origins through the Enlightenment, is primarily a study of how and why Americans renewed and developed it between the ages of the Revolutionary and the Civil Wars. It is the first comprehensive treatment of the background to and the appearance of the wealth of theories about language in the early era of American political and cultural discourse. Professor Gustafson's argument demonstrates the interconnectedness of the state of language and the state of society and turns on the question of representation and misrepresentation - whether and how words represent or misrepresent nature, social reality, truth, and value in the new American experiment in representative republican government.
Del 30 - Cambridge Studies in American Literature and Culture
The Color of the Sky
A Study of Stephen Crane
Häftad, Engelska, 2008
710 kr
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David Halliburton's book is a richly textured study of the complete writings of Stephen Crane, including Maggie: A Girl of the Streets, The Red Badge of Courage, and the less well-known fiction, newswriting, and poetry. Offering close readings of the works within a broad framework, Halliburton sets out to explore the imaginative world Crane created in his total œuvre of fiction, poetry and reportage. Comparative and interdisciplinary methods, combined with insights from historians such as Toynbee and Hofsteader, enable Halliburton to shed light on a number of issues. These include Crane's interest in musicality, the importance of his poetry and journalism to his other writings, the phenomenology of his social structures, his mastery of prosody, and the relation of his writings to the ideas of thinkers such as William James, Santayana, Weber and Sartre. This ambitious and comprehensive book sets a standard by which to measure all future interpretations of Crane.
Del 50 - Cambridge Studies in American Literature and Culture
American Philosophy and the Romantic Tradition
Häftad, Engelska, 2008
641 kr
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Professional philosophers have tended either to shrug off American philosophy as negligible or derivative or to date American philosophy from the work of twentieth-century analytical positivists such as Quine. Russell Goodman expands on the revisionist position developed by Stanley Cavell, that the most interesting strain of American thought proceeds not from Puritan theology or from empirical science but from a peculiarly American kind of Romanticism. This insight leads Goodman, through Cavell, back to Emerson and Thoreau and thence to William James and John Dewey, as they assimilated to American circumstances and intellectual habits the currents of European thought from Kant to Wittgenstein.
Del 22 - Cambridge Studies in American Literature and Culture
American Realism and American Drama, 1880-1940
Häftad, Engelska, 2008
545 kr
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The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.
Del 85 - Cambridge Studies in American Literature and Culture
Reimagining Thoreau
Häftad, Engelska, 2008
560 kr
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Reimagining Thoreau synthesises the interests of the intellectual and psychological biographer and the literary critic in a reconsideration of Thoreau's career from his graduation from Harvard in 1837 to his death in 1862. The purposes of the book are threefold: to situate Thoreau's aims and achievements as a writer within the context of his troubled relationship to a microcosm of ante-bellum Concord; to reinterpret Walden as a temporally layered text in light of the successive drafts of the book and the evidence of Thoreau's journals and contemporaneous writings; and, to overturn traditional views of Thoreau's 'decline' by offering a new estimate of the post-Walden writing and its place within Thoreau's development.
Del 28 - Cambridge Studies in American Literature and Culture
Landscape and Written Expression in Revolutionary America
The World Turned Upside Down
Häftad, Engelska, 2008
680 kr
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This book attempts an interpretation of Revolutionary American culture. It argues that the cultural identity of the United States, like its political identity, emerged from a quarrel with the Old World. Europeans believed that the Revolution had 'turned the world upside down'. American intellectuals tried to construct a republic which refuted European criticism. They failed, but in failing they created an attitude to the terrain which became a central theme in American culture. The book employs the methods of perceptual geography and close textual analysis to examine images of the terrain and to propose close links between imaginative literature and a wide range of non-literary writing.
Del 151 - Cambridge Studies in American Literature and Culture
The Making of Racial Sentiment
Slavery and the Birth of The Frontier Romance
Häftad, Engelska, 2008
580 kr
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The frontier romance, an enormously popular genre of American fiction born in the 1820s, helped redefine 'race' for an emerging national culture. The novels of James Fenimore Cooper, Lydia Maria Child, Catharine Maria Sedgwick and others described the 'races' in terms of emotional rather than physical characteristics. By doing so they produced the idea of 'racial sentiment': the notion that different races feel different things, and feel things differently. Ezra Tawil argues that the novel of white-Indian conflict provided authors and readers with an apt analogy for the problem of slavery. By uncovering the sentimental aspects of the frontier romance, Tawil redraws the lines of influence between the 'Indian novel' of the 1820s and the sentimental novel of slavery, demonstrating how Harriet Beecher Stowe's Uncle Tom's Cabin ought to be reconsidered in this light. This study reveals how American literature of the 1820s helped form modern ideas about racial differences.
Del 137 - Cambridge Studies in American Literature and Culture
Culture, Technology, and the Creation of America's National Parks
Häftad, Engelska, 2008
560 kr
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Richard Grusin's study investigates how the establishment of national parks participated in the production of American national identity after the Civil War. The creation of America's national parks is usually seen as an uncomplicated act of environmental preservation. Grusin argues, instead, that parks must be understood as complex cultural technologies for the reproduction of nature as landscape art. He explores the origins of America's three major parks - Yosemite, Yellowstone and Grand Canyon - in relation to other forms of landscape representation in the late nineteenth century. He examines such forms as photography, painting, and mapping, plus a wide range of travel narratives, scientific and nature writing, and fiction. Grusin shows that while establishing a national park does involve preserving an area of land as a 'natural' rather than economic asset, a ranch or mine for instance, it also transforms the landscape into a culturally constructed object called 'nature'.
Del 12 - Cambridge Studies in American Literature and Culture
The Sacred Game
Provincialism and Frontier Consciousness in American Literature, 1630-1860
Häftad, Engelska, 2008
516 kr
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This book is a meditation on the theme of provincialism in American literature. With careful attention to the historical context, it identifies in the expressions of writers before the Civil War certain qualities of self-doubt and defensiveness, certain perceptions of displacement and decline, so profoundly characteristic as to amount to a defining trait of American literature. As a frontier nation, America lacked an organic culture of its own and embarked on the impossibly difficult task of creating a cultural life from imported forms and ideas. Albert von Frank shows the history of this effort to be one of a desperate conservatism struggling against the withering effects of time and distance on cherished standards of the past.
Del 33 - Cambridge Studies in American Literature and Culture
Conspiracy and Romance
Studies in Brockden Brown, Cooper, Hawthorne, and Melville
Häftad, Engelska, 2009
565 kr
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Robert Levine has examined the American romance in a historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the republic and the Civil war. With convincing historical and literary detail, Levine shows that anxieties about various subversive elements - French revolutionaries, secret societies, Catholic immigrants, African slaves - are central to the fictional worlds of Brockden Brown, Cooper, Hawthorne and Melville. Ormond, The Bravo, The Blithedale Romance, and Benito Cereno are persuasively explicated by Levine to demonstrate that the romance addressed many of the same conflicts and ideals that gave rise to the American republic. Americans conceived of America as a romance, and their romances dramatised the historical conditions of the culture, The fear that conspiracies would subvert the order and integrity of the new nation were recurrent and widespread; Levine makes us see that these fears informed the works of our major romance writers from the turn of the century until the Civil War.
Del 132 - Cambridge Studies in American Literature and Culture
Marriage, Violence and the Nation in the American Literary West
Häftad, Engelska, 2009
550 kr
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In Marriage, Violence and the Nation in the American Literary West, William R. Handley examines literary interpretations of the Western American past. Handley argues that although scholarship provides a narrative of western history that counters optimistic story of frontier individualism by focusing on the victims of conquest, twentieth-century American fiction tells a different story of intra-ethnic violence surrounding marriages and families. He examines works of historiography,as well as writing by Zane Grey, Willa Cather, Wallace Stegner and Joan Didion among others, to argue that these works highlight white Americans' anxiety about what happens to American 'character' when domestic enemies such as Indians and Mormon polygamists, against whom the nation had defined itself in the nineteenth century, no longer threaten its homes. Handley explains that once its enemies are gone, imperialism brings violence home in retrospective narratives that allegorise national pasts and futures through intimate relationships.
Del 141 - Cambridge Studies in American Literature and Culture
Anti-Catholicism and Nineteenth-Century Fiction
Häftad, Engelska, 2009
560 kr
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Susan Griffin uncovers and analyses the important but neglected body of anti-Catholic fiction written between the 1830s and the turn of the century in both Britain and America. Griffin examines Anglo-American anti-Catholicism and reveals how this sentiment provided Victorians with a set of political, cultural and literary tropes through which they defined themselves as Protestant and therefore normative. She draws on a broad range of writing including works by Harriet Beecher Stowe, Charles Kingsley, Henry James, Charlotte Bronte and a range of lesser-known writers. Griffin traces how nineteenth-century writers constructed a Church of Rome against which 'America', 'Britain' and 'Protestant' might be identified and critiqued. This book will be essential reading for scholars working on British Victorian literature as well as nineteenth-century American literature; it will be of interest to scholars of literary, cultural and religious studies.
Del 130 - Cambridge Studies in American Literature and Culture
Democracy, Revolution, and Monarchism in Early American Literature
Häftad, Engelska, 2009
516 kr
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Paul Downes combines literary criticism and political history in order to explore responses to the rejection of monarchism in the American revolutionary era. Downes' analysis considers the Declaration of Independence, Franklin's autobiography, Crèvecoeur's Letters from an American Farmer and the works of America's first significant literary figures including Charles Brockden Brown, Washington Irving and James Fenimore Cooper. He claims that the post-revolutionary American state and the new democratic citizen inherited some of the complex features of absolute monarchy, even as they were strenuously trying to assert their difference from it. In chapters that consider the revolution's mock execution of George III, the Elizabethan notion of the 'king's two bodies' and the political significance of the secret ballot, Downes points to the traces of monarchical political structures within the practices and discourses of early American democracy. This is an ambitious study of an important theme in early American culture and society.