Elements in Magic – serie
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22 produkter
22 produkter
232 kr
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If the head is religion, the gut is magic. Taking up this provocation, this Element delves into the digestive system within transnational Afro-Diasporic religions such as Haitian Vodou, Brazilian Candomblé, and Cuban Lucumí (also called Santería). It draws from the ethnographic and archival record to probe the abdomen as a vital zone of sensory perception, amplified in countless divination verses, myths, rituals, and recipes for ethnomedical remedies. Provincializing the brain as only one locus of reason, it seeks to expand the notion of 'mind' and expose the anti-Blackness that still prevents Black Atlantic knowledges from being accepted as such. The Element examines gut feelings, knowledge, and beings in the belly; African precedents for the Afro-Diasporic gut-brain axis; post-sacrificial offerings in racist fantasy and everyday reality; and the strong stomachs and intestinal fortitude of religious ancestors. It concludes with a reflection on kinship and the spilling of guts in kitchenspaces.
232 kr
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Witchcraft and paganism exert an insistent pressure from the margins of midcentury British detective fiction. This Element investigates the appearance of witchcraft and paganism in the novels of four of the most popular female detective authors of the era: Agatha Christie, Margery Allingham, Ngaio Marsh and Gladys Mitchell. The author approaches the theme of witchcraft and paganism not simply as a matter of content but as an influence which shapes the narrative and its possibilities. The 'witchy' detective novel, as the author calls it, brings together the conventions of Golden Age fiction with the images and enchantments of witchcraft and paganism to produce a hitherto unstudied mode of detective fiction in the midcentury.
267 kr
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The 13th-century Arabic grimoire, al-Sakkākī's Kitāb al-Shāmil (Book of the Complete), provides numerous methods of contacting jinn. The first such jinn described, Abū Isrā'īl Būzayn ibn Sulaymān, arrives with a donkey. In the course of offering an explanation for his ritual, this Element reveals the double-sided nature of asinine symbology, and explains why this animal has served as the companion of both demons and prophets. Focusing on two nodes of donkey symbology-the phallus and the bray-it reveals a coincidentia oppositorum in a deceptively humble and comic animal form. Thus, the donkey, bearer of a demonic voice, and of a phallus symbolic of base materiality, also represents transcendence of the material and protection from the demonic. In addition to Arabic literature and occult rituals, the Element refers to evidence from the ancient Near East, Egypt, and Greece, as well as to medieval Jewish and Christian texts.
232 kr
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How can researchers study magic without destroying its mystery? Drawing on a collaborative project between the playwright Poppy Corbett, the poet Anna Kisby Compton, and the historian William G. Pooley, this Element presents thirteen tools for creative-academic research into magic, illustrated through case studies from France (1790-1940) and examples from creative outputs: write to discover; borrow forms; use the whole page; play with footnotes; erase the sources; write short; accumulate fragments; re-enact; improvise; use dialogue; change perspective; make methods of metaphors; use props. These tools are ways to 'untell' the dominant narratives that shape stereotypes of the 'witch' which frame belief in witchcraft as ignorant and outdated. Writing differently suggests ways to think and feel differently, to stay with the magic, rather than explaining it away. The Element includes practical creative exercises to try as well as research materials from French newspaper and trial sources from the period.
232 kr
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Cat Island, South Carolina, was once the location of slave trade activities, including capture of Native Americans for export and the rise of plantations in the Lowcountry for indigo and rice production, from the sixteenth to mid-nineteenth centuries. This Element examines the Hume Plantation Slave Street Project led by the author, and archaeological evidence for hoodoo magic and ritual practices involving "white magic" spells used for protection and treatments for illness and injury, and, alternately, for 'black magic,' in spells used to exact harm or to kill. This Element is intended as a contribution to the collective knowledge about hoodoo magic practices in the Lowcountry, centered on the Hume Plantation grounds during this period of American history. It is an attempt to examine how attitudes and practices may have changed over time and concludes with a look at select contemporary hoodoo activities conducted in local cemeteries.
861 kr
Skickas inom 7-10 vardagar
The 13th-century Arabic grimoire, al-Sakkākī's Kitāb al-Shāmil (Book of the Complete), provides numerous methods of contacting jinn. The first such jinn described, Abū Isrā'īl Būzayn ibn Sulaymān, arrives with a donkey. In the course of offering an explanation for his ritual, this Element reveals the double-sided nature of asinine symbology, and explains why this animal has served as the companion of both demons and prophets. Focusing on two nodes of donkey symbology-the phallus and the bray-it reveals a coincidentia oppositorum in a deceptively humble and comic animal form. Thus, the donkey, bearer of a demonic voice, and of a phallus symbolic of base materiality, also represents transcendence of the material and protection from the demonic. In addition to Arabic literature and occult rituals, the Element refers to evidence from the ancient Near East, Egypt, and Greece, as well as to medieval Jewish and Christian texts.
Staging Witchcraft Before the Law
Skepticism, Performance as Proof, and Law as Magic in Early Modern Witch Trials
Inbunden, Engelska, 2025
748 kr
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While the judicial machinery of early modern witch-hunting could work with terrifying swiftness, skepticism and evidentiary barriers often made conviction difficult. Seeking proof strong enough to overcome skepticism, judges and accusers turned to performance, staging 'acts of Sorcery and Witch-craft manifest to sense.' Looking at an array of demonological treatises, pamphlets, documents, and images, this Element shows that such staging answered to specific doctrines of proof: catching the criminal 'in the acte'; establishing 'notoriety of the fact'; producing 'violent presumptions' of guilt. But performance sometimes overflowed the demands of doctrine, behaving in unpredictable ways. A detailed examination of two cases - the 1591 case of the French witch-demoniac Françoise Fontaine and the 1593 case of John Samuel of Warboys -suggests the manifold, multilayered ways that evidentiary staging could signify - as it can still in that conjuring practice we call law. This title is also available as Open Access on Cambridge Core.
Staging Witchcraft Before the Law
Skepticism, Performance as Proof, and Law as Magic in Early Modern Witch Trials
Häftad, Engelska, 2025
232 kr
Skickas inom 7-10 vardagar
While the judicial machinery of early modern witch-hunting could work with terrifying swiftness, skepticism and evidentiary barriers often made conviction difficult. Seeking proof strong enough to overcome skepticism, judges and accusers turned to performance, staging 'acts of Sorcery and Witch-craft manifest to sense.' Looking at an array of demonological treatises, pamphlets, documents, and images, this Element shows that such staging answered to specific doctrines of proof: catching the criminal 'in the acte'; establishing 'notoriety of the fact'; producing 'violent presumptions' of guilt. But performance sometimes overflowed the demands of doctrine, behaving in unpredictable ways. A detailed examination of two cases - the 1591 case of the French witch-demoniac Françoise Fontaine and the 1593 case of John Samuel of Warboys -suggests the manifold, multilayered ways that evidentiary staging could signify - as it can still in that conjuring practice we call law. This title is also available as Open Access on Cambridge Core.
748 kr
Skickas inom 7-10 vardagar
This Element takes as its remit the production and use of amulets. The focus will be on amulets with no, or minimal, textual content like those comprising found stone, semi-precious gem and/or animal body parts. That is a material form that is unaccompanied by directive textual inscription. The analysis considers this materiality to understand its context of use including ritual and metaphysical operations. Through discussion of selected case studies from British, Celtic, and Scandinavian cultures, it demonstrates the associative range of meaning that enabled the attribution of power/agency to the amuletic object Uniquely, it will consider this material culture from an interdisciplinary perspective, drawing together insights from the disciplines of cultural studies, religious studies, 'folk' studies, archaeology and Scandinavian studies. It develops the concept of 'trans-aniconism' to encapsulates an amulet's temporal relations and develops the proposition of 'landscape amulets.'
Lowcountry Conjure Magic
Historical Archaeology on a Plantation Slave Quarter
Inbunden, Engelska, 2025
748 kr
Skickas inom 7-10 vardagar
Cat Island, South Carolina, was once the location of slave trade activities, including capture of Native Americans for export and the rise of plantations in the Lowcountry for indigo and rice production, from the sixteenth to mid-nineteenth centuries. This Element examines the Hume Plantation Slave Street Project led by the author, and archaeological evidence for hoodoo magic and ritual practices involving "white magic" spells used for protection and treatments for illness and injury, and, alternately, for 'black magic,' in spells used to exact harm or to kill. This Element is intended as a contribution to the collective knowledge about hoodoo magic practices in the Lowcountry, centered on the Hume Plantation grounds during this period of American history. It is an attempt to examine how attitudes and practices may have changed over time and concludes with a look at select contemporary hoodoo activities conducted in local cemeteries.
232 kr
Skickas inom 7-10 vardagar
This Element reassesses narratives of intercultural transmission in medieval European magic, highlighting complex processes of compilation and attribution often obscured by broad labels. Following an Introduction that lays out the methodological framework, Section 1 ('The Wise Saracens') explores a medieval Christian magician's depiction of Islam and the figure of the Arab magician, illustrating how authors blended genuine intercultural exchanges with imaginative attributions. Section 2 ('The Seven Names') reconsiders a Latin magical text traditionally labeled 'Arabic magic,' demonstrating that its complex, multicultural components resist any simple claims of a lost Arabic original. Section 3 ('The Almandel Problem') presents another contested text, showing how philological evidence often complicates a linear model of transmission. Finally, this volume offers a complete edition and translation of The Book of Seven Names, discussed in Section 2.
748 kr
Skickas inom 7-10 vardagar
This Element reassesses narratives of intercultural transmission in medieval European magic, highlighting complex processes of compilation and attribution often obscured by broad labels. Following an Introduction that lays out the methodological framework, Section 1 ('The Wise Saracens') explores a medieval Christian magician's depiction of Islam and the figure of the Arab magician, illustrating how authors blended genuine intercultural exchanges with imaginative attributions. Section 2 ('The Seven Names') reconsiders a Latin magical text traditionally labeled 'Arabic magic,' demonstrating that its complex, multicultural components resist any simple claims of a lost Arabic original. Section 3 ('The Almandel Problem') presents another contested text, showing how philological evidence often complicates a linear model of transmission. Finally, this volume offers a complete edition and translation of The Book of Seven Names, discussed in Section 2.
748 kr
Skickas inom 7-10 vardagar
Gerald Gardner (1884-1964) provided the central inspiration for Wicca, as a modern, revived, form of Pagan witchcraft. As such, his cultural and religious significance has grown exponentially over the 60 years since his death. 'A Rough Magic' re-evaluates the sources of Gardner's inspiration, redefines his early life within the context of colonial Malaya and the opium trade, and emphasises his vision and ability in fashioning an entirely new synthesis of magical beliefs drawn from both Eastern and Western traditions. In so doing, he stripped away the demonic elements of witchcraft and emphasised Wicca as a creative, mutable and undogmatic nature religion, serving as both fertility cult and a unique source of personal empowerment, that was capable of transforming the world.
232 kr
Skickas inom 7-10 vardagar
Step outside laboratory, and into the world of nature. The books on cannon law can be left behind as well, for Ibn ʿArabī (d. 1240) believed there is one Sharia for humans and another for minerals. This Element rethinks what it means to be an alchemist and Muslim, by shifting its focus to the religious practices of sentient minerals, as described in Ibn ʿArabī's oeuvre and the Qur'an. Common stones and metals undergo their spiritual feats with the single goal in mind: to gain proximity to the Divine by turning themselves into gold. Alchemists sought to facilitate this process through elixirs and sorcery. Setting allegories and metaphors aside, this Element examines ontological principles governing the struggles of iron to become gold, and the human strivings to better the world of nature.
748 kr
Skickas inom 7-10 vardagar
Step outside laboratory, and into the world of nature. The books on cannon law can be left behind as well, for Ibn ʿArabī (d. 1240) believed there is one Sharia for humans and another for minerals. This Element rethinks what it means to be an alchemist and Muslim, by shifting its focus to the religious practices of sentient minerals, as described in Ibn ʿArabī's oeuvre and the Qur'an. Common stones and metals undergo their spiritual feats with the single goal in mind: to gain proximity to the Divine by turning themselves into gold. Alchemists sought to facilitate this process through elixirs and sorcery. Setting allegories and metaphors aside, this Element examines ontological principles governing the struggles of iron to become gold, and the human strivings to better the world of nature.
The War on Witchcraft
Andrew Dickson White, George Lincoln Burr, and the Origins of Witchcraft Historiography
Häftad, Engelska, 2021
232 kr
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Historians of the early modern witch-hunt often begin histories of their field with the theories propounded by Margaret Murray and Montague Summers in the 1920s. They overlook the lasting impact of nineteenth-century scholarship, in particular the contributions by two American historians, Andrew Dickson White (1832-1918) and George Lincoln Burr (1857-1938). Study of their work and scholarly personae contributes to our understanding of the deeply embedded popular understanding of the witch-hunt as representing an irrational past in opposition to an enlightened present. Yet the men's relationship with each other, and with witchcraft sceptics - the heroes of their studies - also demonstrates how their writings were part of a larger war against 'unreason'. This Element thus lays bare the ways scholarly masculinity helped shape witchcraft historiography, a field of study often seen as dominated by feminist scholarship. Such meditation on past practice may foster reflection on contemporary models of history writing.
232 kr
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Witchcraft is rarely mentioned in official documents of the contemporary Roman Catholic church, but ideas about the dangers of witchcraft and other forms of occultism underpin the recent revival of interest in exorcism in the church. This Element examines hierarchical and clerical understandings of witchcraft within the contemporary Roman Catholic church. The Element considers the difficulties faced by clergy in parts of the developing world, where belief in witchcraft is so dominant it has the potential to undermine the church's doctrine and authority. The Element also considers the revival of interest in witchcraft and cursing among Catholic demonologists and exorcists in the developed world. The Element explores whether it is possible for a global church to adopt any kind of coherent approach to a phenomenon appraised so differently across different cultures that the church's responses to witchcraft in one context are likely to seem irrelevant in another.
232 kr
Skickas inom 7-10 vardagar
This Element takes as its remit the production and use of amulets. The focus will be on amulets with no, or minimal, textual content like those comprising found stone, semi-precious gem and/or animal body parts. That is a material form that is unaccompanied by directive textual inscription. The analysis considers this materiality to understand its context of use including ritual and metaphysical operations. Through discussion of selected case studies from British, Celtic, and Scandinavian cultures, it demonstrates the associative range of meaning that enabled the attribution of power/agency to the amuletic object Uniquely, it will consider this material culture from an interdisciplinary perspective, drawing together insights from the disciplines of cultural studies, religious studies, 'folk' studies, archaeology and Scandinavian studies. It develops the concept of 'trans-aniconism' to encapsulates an amulet's temporal relations and develops the proposition of 'landscape amulets.'
232 kr
Skickas inom 7-10 vardagar
The strix was a persistent feature of the folklore of the Roman world and subsequently that of the Latin West and the Greek East. She was a woman that flew by night, either in an owl-like form or in the form of a projected soul, in order to penetrate homes by surreptitious means and thereby devour, blight or steal the new-born babies within them. The motif-set of the ideal narrative of a strix attack - the 'strix-paradigm' - is reconstructed from Ovid, Petronius, John Damascene and other sources, and the paradigm's impact is traced upon the typically gruesome representation of witches in Latin literature. The concept of the strix is contextualised against the longue-durée notion of the child-killing demon, which is found already in the ancient Near East, and shown to retain a currency still as informing the projection of the vampire in Victorian fiction.
232 kr
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This Element argues that Ireland did not experience a disenchanted modernity, nor a decline in magic. It suggests that beliefs, practices and traditions concerning witchcraft and magic developed and adapted to modernity to retain cultural currency until the end of the twentieth century. This analysis provides the backdrop for the first systematic exploration of how historic Irish trials of witches and cunning-folk were represented by historians, antiquarians, journalists, dramatists, poets, and novelists in Ireland between the late eighteenth and late twentieth century. It is demonstrated that this work created an accepted narrative of Irish witchcraft and magic which glossed over, ignored, or obscured the depth of belief in witchcraft, both in the past and in contemporary society. Collectively, their work gendered Irish witchcraft, created a myth of a disenchanted, modern Ireland, and reinforced competing views of Irishness and Irish identity. These long-held stereotypes were only challenged in the late twentieth-century.
232 kr
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Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day. However, it could be argued that ritual deposition is a more widespread feature now than in the past, with folk assemblages - from roadside memorials and love-lock bridges, to wishing fountains and coin-trees - emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.
232 kr
Skickas inom 7-10 vardagar
Gerald Gardner (1884-1964) provided the central inspiration for Wicca, as a modern, revived, form of Pagan witchcraft. As such, his cultural and religious significance has grown exponentially over the 60 years since his death. 'A Rough Magic' re-evaluates the sources of Gardner's inspiration, redefines his early life within the context of colonial Malaya and the opium trade, and emphasises his vision and ability in fashioning an entirely new synthesis of magical beliefs drawn from both Eastern and Western traditions. In so doing, he stripped away the demonic elements of witchcraft and emphasised Wicca as a creative, mutable and undogmatic nature religion, serving as both fertility cult and a unique source of personal empowerment, that was capable of transforming the world.