FSG Adult - Böcker

Miles is a Vietnam vet who’s worried he’s going to lose his job and his tenuous grasp on a stable life because of a fight he had with a co-worker over some steroids. His PTSD and struggles to control his steroid-fuelled violent tendencies complicate life with his girlfriend, Shelby, a stripper who only occasionally seems to have the proverbial heart of gold. She certainly seems to possess more kindness and generosity than her brother, Wylie, who’s currently on the run after being implicated in the deaths of two local oxycodone dealers and has their relatives on his tail. When Wylie kidnaps his sister and holes up in Miles's country lair, it is, frankly, threatening to become a bit too much for steroid-addled Miles to handle.Frank Bill’s world is as wild and rollicking as ever, punctuated with uproarious event after uproarious event. But in Back to the Dirt, he goes deeper than wall-to-wall brawl—with Miles, he takes us back to the experiences overseas that stripped the innocence and optimism from the heartland dream; with Shelby, he shows us that you didn’t have to travel to Vietnam to see real darkness. But still, even in this benighted state, there’s the dirt to come back to. And maybe, just maybe, Bill shows, that can be enough.

It's the summer of 1989 and Beatrice and Henrietta Volt are coming of age on remote Fowler Island in Lake Erie, their ancestral home and wild playground. Thicker than thieves, they plot their futures while their parents pick their marriage apart piece by piece. The girls have no idea that their parents are separating. Or that the plan is to separate them.Ten years pass and Henrie gets a desperate call from her sister - their father has died suddenly and B.B. needs Henrie to come back to the island for the funeral. When Henrie arrives, the island seems even stranger than she remembers. But the truth is, she doesn't remember much about the island, and nothing at all about the night she left. She just feels a vague and perplexing sense of dread and a sharp fear of the quarry pond behind the house.Told from the perspectives of four flawed, fascinating women, The Insatiable Volt Sisters is a lush, enthralling fable about monsters real and imagined and the sometimes painful bonds of sisterhood. From the unbounded imagination of Rachel Eve Moulton, the critically acclaimed author of Tinfoil Butterfly, comes another eerie, terrifying exploration of family and legacy: Will the Volt sisters inherit the horrors of their past or surpass them?

Parrots own cafés and lemurs run the espresso machines. Badgers tend bar, raccoons write for The Post, and a racehorse is mayor. There are dogs on Wall Street and cats on Broadway. Sea creatures are viewed with fear and disgust. Maybe a big wall should be built to keep them out. It's New York City, now-ish. No big deal. Alfonzo is an alpaca. His hip friend Mitchell is a llama. They both work at City Hall and are trying to navigate the great furry city collapsing around them. Partly to meet girls, and partly out of a sense that the world might be ending, these lowly city employees embark on an unlikely mission to take down the corrupt system selling the city out from beneath its real inhabitants. Their journey soon leads them to the Sea Front, a clandestine group that could as easily be a hive of dangerous radicals as an inspirational liberation movement. This world without humans teems with creatures stuck in frustrating jobs and surrounded by crumbling infrastructure and worsening environmental catastrophes. Joni Murphy's Talking Animals is Animal Farm by way of Annie Hall by way of The Sixth Extinction. At once delicate and urgent, it is a contemporary allegory about community and capitalism, art and protest, the physical and emotional devastation of global warming, and the elemental struggle to change one's life.

Assembling a remarkable roster of writers, Terraform has established itself by publishing short fiction seemingly ripped from tomorrow’s headlines, speculative fiction about the very near future. Over the last six years, as science fiction itself has achieved a new kind of mainstream credibility and the media landscape has transformed entirely, Terraform has blazed an unexpected path that has seen short stories go viral and given fiction an unparalleled urgency and relevance.Drawing from established luminaries like Bruce Sterling and Cory Doctorow, rising stars, and surprising newcomers, Terraform stories are marked by their convincing engagement with the world that we just might live in, putting our most existential issues into startling dramatic context. Edited by Brian Merchant and Claire L. Evans, and divided here into three categories - Watch/Worlds/Burn - these stories take on surveillance (Watch), artificial intelligence (Worlds), and climate collapse (Burn).

Poetry has always been at the heart of Farrar, Straus and Giroux's identity, ever since Robert Giroux first brought T. S. Eliot to the company. FSG's personality and literary profile have been defined by both the poets and the prose writers who have made it an imprint with a unique place in American letters.The FSG Poetry Anthology includes work by every one of the more than one hundred poets FSG has published in its seventy-five-year history. Robert Lowell, Elizabeth Bishop, John Berryman, and Randall Jarrell were central to the first generation of those poets, followed by the international figures and Nobel laureates Nelly Sachs, Seamus Heaney, Joseph Brodsky, and Derek Walcott.Over time the list expanded to include James Schuyler, John Ashbery, C. K. Williams, Charles Wright, Yusef Komunyakaa, Grace Paley, Gjertrud Schnackenberg, Yehuda Amichai, Paul Valéry, Marianne Moore, Mina Loy, Ted Hughes, and Adam Zagajewski.Today Carl Phillips, Maureen N. McLane, Ange Mlinko, Ishion Hutchinson, Rowan Ricardo Phillips, Frederick Seidel, Henri Cole, francine j. harris, and Valzhyna Mort are among the poets who continue FSG's tradition as a premier discoverer and promoter of the most vital and distinguished contemporary poetic voices.Poetry and prose are two indissoluble sides of the same coin. This anthology offers a unique perspective on the best of contemporary literature over the past three generations.FSG president and long-time poetry editor Jonathan Galassi contributes a lively history of the role of poetry in the publishing house.

C. K. Williams (1936–2015), one of the most treasured American poets of the past century, was also one of the most surprising. From poem to poem, his voice would shift in register and style, yet a certain essence would remain: his conviction, his ethic, and his burning gaze. As William Deresiewicz wrote in The New York Times, “Williams’s scorching honesty has always been his calling card. His poetry proceeds not from a verbal impulse, not from a lyrical impulse, not even from a prophetic or visionary impulse, but from a moral impulse. Everything, in his work, is held up to the most exacting ethical scrutiny, beginning with the poet himself.”Invisible Mending: The Best of C. K. Williams is the essential collection of the great poet’s work. Selected by his family and friends and with an introduction by the award-winning poet Alan Shapiro, this book charts Williams’s path from gifted young poet to his status as one of the most consequential poets of his - or any - generation. “If American poetry today is, as I believe it is, more diverse than ever,” Shapiro writes, “more open to any and all forms of life, more vitally engaged with a world external to the self and shared with others, it’s because of what the poems in this volume accomplished.” This collection distills the prolific poet’s body of work into one indispensable volume.

For years, Teresa has meandered from one job to the next, settling into long stretches of time, unable to move ahead in any field or career, the dreaded move from one gig to another starting to feel unbearable. When a recruiter connects her with a contract position at AllOver, it appears to check all her prerequisites for a “good” job. It’s a fintech corporation with progressive hiring policies and a social justice-minded mission statement. Their new service for premium members: a functional fleet of driverless cars. The future of transportation. As her new-hire orientation reveals, the distance between AllOver’s claims and its actions is wide, but the lure of financial stability and a flexible schedule is enough to keep Teresa driving forward.Joanne McNeil, who often reports on how the human experience intersects with tech, brings all of her compassion and criticism about labor and technology to Wrong Way. In this thought-provoking, fresh, and humane novel, she captures the existential perils imposed by a nonstop, full-service gig economy, and exposes the toll of corporate calculations on the human spirit.