Jewish Literature and Culture – serie

Nobel Peace Prize recipient Elie Wiesel, best known for his writings on the Holocaust, is also the accomplished author of novels, essays, tales, and plays as well as portraits of seminal figures in Jewish life and experience. In this volume, leading scholars in the fields of Biblical, Rabbinic, Hasidic, Holocaust, and literary studies offer fascinating and innovative analyses of Wiesel's texts as well as illuminating commentaries on his considerable influence as a teacher and as a moral voice for human rights. By exploring the varied aspects of Wiesel's multifaceted career—his texts on the Bible, the Talmud, and Hasidism as well as his literary works, his teaching, and his testimony—this thought-provoking volume adds depth to our understanding of the impact of this important man of letters and towering international figure.

Fictional representations of horrific events run the risk of undercutting efforts to verify historical knowledge and may heighten our ability to respond intellectually and ethically to human experiences of devastation. In this captivating study of the epistemological, psychological, and ethical issues underlying Holocaust fiction, Emily Miller Budick examines the subjective experiences of fantasy, projection, and repression manifested in Holocaust fiction and in the reader's encounter with it. Considering works by Cynthia Ozick, Art Spiegelman, Aharon Appelfeld, Michael Chabon, and others, Budick investigates how the reading subject makes sense of these fictionalized presentations of memory and trauma, victims and victimizers.

Fictional representations of horrific events run the risk of undercutting efforts to verify historical knowledge and may heighten our ability to respond intellectually and ethically to human experiences of devastation. In this captivating study of the epistemological, psychological, and ethical issues underlying Holocaust fiction, Emily Miller Budick examines the subjective experiences of fantasy, projection, and repression manifested in Holocaust fiction and in the reader's encounter with it. Considering works by Cynthia Ozick, Art Spiegelman, Aharon Appelfeld, Michael Chabon, and others, Budick investigates how the reading subject makes sense of these fictionalized presentations of memory and trauma, victims and victimizers.

Published in Germany in 1920, Sammy Gronemann's satirical novel set in 1903 at the time of the Sixth Zionist Congress follows the life of a baptized Jew, Heinz Lehnsen, as he negotiates legal entanglements, German culture, religious differences, and Zionist aspirations. A chance encounter with a long-lost cousin from a shtetl in Russia further complicates the plot and challenges the characters' notions of Jewish identity and their belief in the claims of the Zionist movement. Gronemann's humor and compassion slyly expose the foibles and contradictions of human behavior. With deep insight into German society, German-Jewish culture, and antisemitism, Utter Chaos paints a highly entertaining portrait of German Jews at the beginning of the twentieth century.

Published in Germany in 1920, Sammy Gronemann's satirical novel set in 1903 at the time of the Sixth Zionist Congress follows the life of a baptized Jew, Heinz Lehnsen, as he negotiates legal entanglements, German culture, religious differences, and Zionist aspirations. A chance encounter with a long-lost cousin from a shtetl in Russia further complicates the plot and challenges the characters' notions of Jewish identity and their belief in the claims of the Zionist movement. Gronemann's humor and compassion slyly expose the foibles and contradictions of human behavior. With deep insight into German society, German-Jewish culture, and antisemitism, Utter Chaos paints a highly entertaining portrait of German Jews at the beginning of the twentieth century.

In German-Jewish Thought and Its Afterlife, Vivian Liska innovatively focuses on the changing form, fate and function of messianism, law, exile, election, remembrance, and the transmission of tradition itself in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism, and the current period. Highlighting these elements of the Jewish tradition in the works of Franz Kafka, Walter Benjamin, Gershom Scholem, Hannah Arendt, and Paul Celan, Liska reflects on dialogues and conversations between them and on the reception of their work. She shows how this Jewish dimension of their writings is transformed, but remains significant in the theories of Maurice Blanchot and Jacques Derrida and how it is appropriated, dismissed or denied by some of the most acclaimed thinkers at the turn of the twenty-first century such as Giorgio Agamben, Slavoj Žižek, and Alain Badiou.

In German-Jewish Thought and Its Afterlife, Vivian Liska innovatively focuses on the changing form, fate and function of messianism, law, exile, election, remembrance, and the transmission of tradition itself in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism, and the current period. Highlighting these elements of the Jewish tradition in the works of Franz Kafka, Walter Benjamin, Gershom Scholem, Hannah Arendt, and Paul Celan, Liska reflects on dialogues and conversations between them and on the reception of their work. She shows how this Jewish dimension of their writings is transformed, but remains significant in the theories of Maurice Blanchot and Jacques Derrida and how it is appropriated, dismissed or denied by some of the most acclaimed thinkers at the turn of the twenty-first century such as Giorgio Agamben, Slavoj Žižek, and Alain Badiou.

In Passing Fancies in Jewish American Literature and Culture Judith Ruderman takes on the fraught question of who passes for Jewish in American literature and culture. In today's contemporary political climate, religious and racial identities are being reconceived as responses to culture and environment, rather than essential qualities. Many Jews continue to hold conflicting ideas about their identity—seeking, on the one hand, deep engagement with Jewish history and the experiences of the Jewish people, while holding steadfastly, on the other hand, to the understanding that identity is fluid and multivalent. Looking at a carefully chosen set of texts from American literature, Ruderman elaborates on the strategies Jews have used to "pass" from the late 19th century to the present—nose jobs, renaming, clothing changes, religious and racial reclassification, and even playing baseball. While traversing racial and religious identities has always been a feature of America's nation of immigrants, Ruderman shows how the complexities of identity formation and deformation are critically relevant during this important cultural moment.

In Passing Fancies in Jewish American Literature and Culture Judith Ruderman takes on the fraught question of who passes for Jewish in American literature and culture. In today's contemporary political climate, religious and racial identities are being reconceived as responses to culture and environment, rather than essential qualities. Many Jews continue to hold conflicting ideas about their identity—seeking, on the one hand, deep engagement with Jewish history and the experiences of the Jewish people, while holding steadfastly, on the other hand, to the understanding that identity is fluid and multivalent. Looking at a carefully chosen set of texts from American literature, Ruderman elaborates on the strategies Jews have used to "pass" from the late 19th century to the present—nose jobs, renaming, clothing changes, religious and racial reclassification, and even playing baseball. While traversing racial and religious identities has always been a feature of America's nation of immigrants, Ruderman shows how the complexities of identity formation and deformation are critically relevant during this important cultural moment.

Calendars map time, shaping and delineating our experience of it. While the challenges to tracking Jewish conceptions of time during the Holocaust were substantial, Alan Rosen reveals that many took great risks to mark time within that vast upheaval. Rosen inventories and organizes Jewish calendars according to the wartime settings in which they were produced—from Jewish communities to ghettos and concentration camps. The calendars he considers reorient views of Jewish circumstances during the war and show how Jews were committed to fashioning traditional guides to daily life, even in the most extreme conditions. In a separate chapter, moreover, he elucidates how Holocaust-era diaries sometimes served as surrogate Jewish calendars. All in all, Rosen presents a revised idea of time, continuity, the sacred and the mundane, the ordinary and the extraordinary even when death and destruction were the order of the day. Rosen's focus on the Jewish calendar—the ultimate symbol of continuity, as weekday follows weekday and Sabbath follows Sabbath—sheds new light on how Jews maintained connections to their way of conceiving time even within the cauldron of the Holocaust.

Calendars map time, shaping and delineating our experience of it. While the challenges to tracking Jewish conceptions of time during the Holocaust were substantial, Alan Rosen reveals that many took great risks to mark time within that vast upheaval. Rosen inventories and organizes Jewish calendars according to the wartime settings in which they were produced—from Jewish communities to ghettos and concentration camps. The calendars he considers reorient views of Jewish circumstances during the war and show how Jews were committed to fashioning traditional guides to daily life, even in the most extreme conditions. In a separate chapter, moreover, he elucidates how Holocaust-era diaries sometimes served as surrogate Jewish calendars. All in all, Rosen presents a revised idea of time, continuity, the sacred and the mundane, the ordinary and the extraordinary even when death and destruction were the order of the day. Rosen's focus on the Jewish calendar—the ultimate symbol of continuity, as weekday follows weekday and Sabbath follows Sabbath—sheds new light on how Jews maintained connections to their way of conceiving time even within the cauldron of the Holocaust.

Sinister tales written since the early 20th century by the foremost Hebrew authors, including S. Y. Agnon, Leah Goldberg, and Amos Oz, reveal a darkness at the foundation of Hebrew culture. The ghosts of a murdered Talmud scholar and his kidnapped bride rise from their graves for a nocturnal dance of death; a girl hidden by a count in a secret chamber of an Eastern European castle emerges to find that, unbeknownst to her, World War II ended years earlier; a man recounts the act of incest that would shape a trajectory of personal and national history. Reading these works together with central British and American gothic texts, Karen Grumberg illustrates that modern Hebrew literature has regularly appropriated key gothic ideas to help conceptualize the Jewish relationship to the past and, more broadly, to time. She explores why these authors were drawn to the gothic, originally a European mode associated with antisemitism, and how they use it to challenge assumptions about power and powerlessness, vulnerability and violence, and to shape modern Hebrew culture. Grumberg provides an original perspective on Hebrew literary engagement with history and sheds new light on the tensions that continue to characterize contemporary Israeli cultural and political rhetoric.

Sinister tales written since the early 20th century by the foremost Hebrew authors, including S. Y. Agnon, Leah Goldberg, and Amos Oz, reveal a darkness at the foundation of Hebrew culture. The ghosts of a murdered Talmud scholar and his kidnapped bride rise from their graves for a nocturnal dance of death; a girl hidden by a count in a secret chamber of an Eastern European castle emerges to find that, unbeknownst to her, World War II ended years earlier; a man recounts the act of incest that would shape a trajectory of personal and national history. Reading these works together with central British and American gothic texts, Karen Grumberg illustrates that modern Hebrew literature has regularly appropriated key gothic ideas to help conceptualize the Jewish relationship to the past and, more broadly, to time. She explores why these authors were drawn to the gothic, originally a European mode associated with antisemitism, and how they use it to challenge assumptions about power and powerlessness, vulnerability and violence, and to shape modern Hebrew culture. Grumberg provides an original perspective on Hebrew literary engagement with history and sheds new light on the tensions that continue to characterize contemporary Israeli cultural and political rhetoric.

Devoted to the ways in which Holocaust literature and Gulag literature provide contexts for each other, Leona Toker's book shows how the prominent features of one shed light on the veiled features and methods of the other. Toker views these narratives and texts against the background of historical information about the Soviet and the Nazi regimes of repression. Writers at the center of this work include Varlam Shalamov, Primo Levi, Elie Wiesel, and Ka-Tzetnik, and others, including Aleksandr Solzhenitsyn, Evgeniya Ginzburg, and Jorge Semprún, illuminate the discussion. Toker's twofold analysis concentrates on the narrative qualities of the works as well as on the ways in which each text documents the writer's experience and in which fictionalized narrative can double as historical testimony. References to events might have become obscure owing to the passage of time and the cultural diversity of readers; the book explains them and shows how they form new meaning in the text. Toker is well-known as a skillful interpreter of Gulag literature, and this text presents new thinking about how Gulag literature and Holocaust literature enable a better understanding about testimony in the face of evil.

Devoted to the ways in which Holocaust literature and Gulag literature provide contexts for each other, Leona Toker's book shows how the prominent features of one shed light on the veiled features and methods of the other. Toker views these narratives and texts against the background of historical information about the Soviet and the Nazi regimes of repression. Writers at the center of this work include Varlam Shalamov, Primo Levi, Elie Wiesel, and Ka-Tzetnik, and others, including Aleksandr Solzhenitsyn, Evgeniya Ginzburg, and Jorge Semprún, illuminate the discussion. Toker's twofold analysis concentrates on the narrative qualities of the works as well as on the ways in which each text documents the writer's experience and in which fictionalized narrative can double as historical testimony. References to events might have become obscure owing to the passage of time and the cultural diversity of readers; the book explains them and shows how they form new meaning in the text. Toker is well-known as a skillful interpreter of Gulag literature, and this text presents new thinking about how Gulag literature and Holocaust literature enable a better understanding about testimony in the face of evil.

". . . a fresh critical model for students of Holocaust literature and historiography . . . " —B'nai B'rith Messenger"This is the first and most sophisticated attempt I have come across to apply modern literary theory to Holocaust material, and the act of mediation which it involves is worthy of praise." —Naomi Diamant, Prooftexts"This is an authoritative and comprehensive, critical study covering all aspects of the remembrance of the Holocaust. James E. Young has written an exhaustive work, analyzing the many forms in which the Holocaust has been dealt with . . . " —AJL Newsletter"The first truly critical as well as comprehensive study of Holocaust narratives. . . . No one has clarified so well the 'texture of memory'." —Geoffrey Hartman" . . . a fascinating study. . . . thought provoking and elegantly written . . . " —Holocaust and Genocide Studies"A brilliant performance." —The Book Reader" . . . meticulously crafted and documented . . . far outranks the multitude of new titles on Holocaust topics." —Choice

" . . . stimulating and important anthology . . ." —Holocaust and Genocide Studies" . . . a useful and competent volume that can serve as a good introduction to scholarship on the aftermath of the Holocaust." —Times Literary SupplementMore than 50 years after the end of World War II, how do we look back upon and understand the nature and consequences of that catastrophic event? What kind of historical consciousness has developed over the past half century with respect to the Nazi destruction of European Jewry? These questions are explored by a distinguished international group of scholars who draw on history, literature, memory, memorials, and the representation of the Holocaust in the culture to assess the impact of the Holocaust on postwar consciousness.

Women and Gender in Jewish Philosophy is the first systematic attempt to interpret the Jewish philosophical tradition in light of feminist philosophy and to engage feminist philosophy from the perspective of Jewish philosophy. Written by Jewish women who are trained in philosophy, the 13 original essays presented here demonstrate that no analysis of Jewish philosophy (historical or constructive) can be adequate without attention to gender categories. The essays cover the entire Jewish philosophic tradition from Philo, through Maimonides, to Levinas, and they rethink the subdisciplines of Jewish philosophy, including metaphysics, epistemology, ethics, political theory, and theology. This volume offers an invitation for a new conversation between feminist philosophy and Jewish philosophy as well as a novel contribution to contemporary Jewish philosophy.Contributors are Leora Batnitzky, Jean Axelrad Cahan, Idit Dobbs-Weinstein, Claire Elise Katz, Nancy Levene, Sandra B. Lubarsky, Sarah Pessin, Randi Rashkover, Heidi Miriam Ravven, T. M. Rudavsky, Suzanne Last Stone, Hava Tirosh-Samuelson, and Laurie Zoloth.

"These essays are extremely well written, with the clarity and accessibility that one has come to expect from Berel Lang, one of the most respected and significant philosophers writing about the Holocaust and its impact." —Michael L. MorganIn these trenchant essays, philosopher Berel Lang examines post-Holocaust intepretations—and misinterpretations—showing the ways in which rhetoric and ideology have affected historical discourse about the Holocaust and how these accounts can be deconstructed. Why didn't the Jews resist? How could the Germans have done what they did? Why didn't more bystanders join in the rescue? In Lang's view, these questions become mischievous when the circumstances in which victims, perpetrators, and bystanders played their roles are omitted or obscured. To confront such issues adequately requires comparative and contextual evidence. Post-Holocaust addresses such questions as the place of the Holocaust in the Nazi project as a whole, the roles of revenge and forgiveness in post-Holocaust Jewish thinking, Holocaust commemoration as artifice or "business," and the relationship of the Holocaust to traditional antisemitism. Lang's analysis provides an incisive and fruitful basis for confronting these critical subjects.Jewish Literature and Culture—Alvin H. Rosenfeld, editor

In this pathbreaking study, Susan Gubar demonstrates that Theodor Adorno's famous injunction against writing poetry after Auschwitz paradoxically inspired an ongoing literary tradition. From the 1960s to the present, as the Shoah receded into a more remote European past, many contemporary writers grappled with personal and political, ethical and aesthetic consequences of the disaster. By speaking about or even as the dead, these poets tell what it means to cite, reconfigure, consume, or envy the traumatic memories of an earlier generation. This moving meditation by a major feminist critic finds in poetry a stimulant to empathy that can help us take to heart what we forget at our own peril.

"Jeffrey Veidlinger relates a fascinating and little-known piece of history. . . . [He] distills a remarkable amount of research into a pithy, well-turned account that will interest readers of cultural and political history." —Publishers WeeklyDrawing from newly available archives, Jeffrey Veidlinger uses the dramatic story of the Moscow State Yiddish Theater, the premiere secular Jewish cultural institution of the Soviet era, to demonstrate how Jewish writers and artists were able to promote Jewish national culture within the confines of Soviet nationality policies.Published with the generous support of the Lucius N. Littauer Foundation.

The Writer Uprooted is the first book to examine the emergence of a new generation of Jewish immigrant authors in America, most of whom grew up in formerly communist countries. In essays that are both personal and scholarly, the contributors to this collection chronicle and clarify issues of personal and cultural dislocation and loss, but also affirm the possibilities of reorientation and renewal. Writers, poets, translators, and critics such as Matei Calinescu, Morris Dickstein, Henryk Grynberg, Geoffrey Hartman, Eva Hoffman, Katarzyna Jerzak, Dov-Ber Kerler, Norman Manea, Zsuzsanna Ozsvath, Lara Vapnyar, and Bronislava Volkova describe how they have coped creatively with the trials of displacement and the challenges and opportunities of resettlement in a new land and, for some, authorship in a new language.

"Cohen has succeeded in showing a fusion of Ozick's writing as sacred and comic. Defining humor broadly, Cohen persuasively argues that levity and liturgy are natural companions, enriching each other, especially in the creative imagination of Cynthia Ozick." —Midstream" . . . a thoughtful introduction to a monumental though underrated writer." —SHOFAR"This study is a welcome addition to the growing body of scholarly criticism of Ozick and focuses on her comedic style." —Choice"Cohen has written an important . . . book, one that celebrates Ozick's 'liturgical laughter,' emphasizing on every occasion the connection between the comic and the sacred. It is a connection we should be reminded of often." —Belles Lettres"Cohen's readings of these stories reveal their many levels and meanings in a language as acute and perceptive as that of Ozick herself." —St. Louis Post-Dispatch Magazine"In presenting Ozick as a 'comedian of ideas,' Sarah Blacher Cohen has raised the study of Ozick to a new level." —Alan L. Berger"[Cohen] understands Ozick's hybrid conception of human nature, her realization that the secret source of humor is not joy but sorrow and that the ironic mode . . . is the best way of telling the truth." —Daniel Walden

"An original and brilliant thesis, exposing a long misunderstood figure. A great book." —Bernard Avishai"Excellent . . . a highly revealing portrait that demolishes Herzl-the-icon." —Michael Marrus"Other biographers . . . have illuminated aspects of [Herzl's] life, but none has been able to produce the kind of intellectual biography that we have here. Jacques Kornberg has done an admirable job of plumbing the depths of Herzl's mind to try to come to an understanding of just why he became a Zionist and why he was literally consumed with promoting Zionist goals." —Cithara"With compassion and critical balance, placing his subject well within his Austrian milieu, Kornberg analyzes Herzl's rhetoric, tergiversations, and profound ambivalence over his politics and identity." —Choice" . . . a masterful display of the sources . . . " —American Historical Review" . . . stimulating, provocative and agreeably iconoclastic . . . powerful and compelling." —German HistoryA novel and provocative explanation of Theodor Herzl's founding of Zionism as a way of resolving his personal crisis over his Jewish identity.

" . . . a fascinating and thought-provoking book . . . " —The Jewish Quarterly"The best introduction to the talmudic literature that is available. . . . An extraordinarily important book, brilliant, and lucid." —Daniel Boyarin"Menachem Fisch has written a rich, thoughtful book. One will come away from Rational Rabbis with a deeper understanding of just what the Talmud is." —Hilary PutnamTalmudic culture is often viewed as bound by its traditions. Menachem Fisch maintains that a close reading of talmudic texts frequently reveals their authors as rabbis who, rather than conform uncritically to tradition, knowingly set out to expose and resolve problems inherent in the received traditions.

" . . . scrupulous, fair-minded and richly-detailed study . . . the book charts one of the most remarkable intellectual careers of the 20th century's latter half. . . . What is most heartening about Mr. Alexander's biography is its exemplary civility and nuance in discussing ideas across the lines of political difference." —Nathan Glick, Washington Times"Anyone interested in Howe's varied career, and the historical context that has given it its particular shape—American radicalism, the Cold War and anticommunism, the New Left, literary modernism, Jewish life—will profit handsomely from reading Alexander's respectful book." —Wilson Quarterly"Edward Alexander's captivating study of Irving Howe is illuminating andscrupulous; it is also temperate, generous, and deeply fair-minded. IfHowe were alive, he would thank the author—and even now, in Paradise, heis surely doing so (while hotly continuing the discussion)." —Cynthia Ozick" . . . a singular achievement." —Jerusalem Post" . . . a masterpiece" —National Jewish Post and Opinion". . . meticulous scholarship, felicitous writing style and a literate feistiness." —Chicago Jewish Star"An excellent work of insight and criticism, recommended for academic libraries." —Library Journal"An insightful, balanced contribution . . ." —Booklist"Edward Alexander's estimable intellectual biography . . . studiously avoids both undue sentimentality and overly harsh censure." —Sanford Pinsker, Philadelphia Inquirer"Edward Alexander's well-informed and engaging portrait of Irving Howe does full justice to the complexities of mind and the political passions of one of this country's leading intellectuals. This bracing, perceptive study honors Howe's admirable career by treating it with the same high degree of moral seriousness that characterized Howe's own work at its best." —Alvin H. RosenfeldIrving Howe, author of World of Our Fathers, the prize-winning history of American Jewish immigrant culture, and founding editor of the influential magazine Dissent, was for over 50 years a dominant—and controversial—figure in American intellectual life. Through a clear and eloquent study of Howe's politics, writings, and thought, Edward Alexander constructs a sympathetic yet critical intellectual biography of this complex individual.

In the Footsteps of OrpheusThe Life and Times of Miklós RadnótiZsuzsanna OzsváthA powerful account of the life, art, and tragic death of a 20th-century Hungarian Jewish poet."Zsuzsanna Ozsváth bring[s] forth Radnóti's life, his thought, and his passion with a depth of insight that is rare in a scholar. Brilliant, penetrating, and passionate, Ozsváth's book sets a new standard of excellence in Holocaust studies. It is a must for anyone who would approach the dark flame that burns at the core of the Event." —David Patterson, University of Memphis Miklós Radnóti, a young Hungarian Jewish poet, was shot by Hungarian soldiers guarding him while on a forced march from Yugoslavia back to Hungary during the final days of World War II. When his body was discovered and exhumed nearly two years later, a small book of poems was found in his coat pocket. These poems, together with the rest of Radnóti's work, solidified his reputation as one of Hungary's greatest poets. Radnóti shared the experience of many Jewish artists and intellectuals in Central Europe during the early part of the 20th century, but his poetry brings out a particular and personal view of the Holocaust in Hungary. His work plays a unique role in the history of Central European culture as some of the most beautiful poems ever written in Hungarian, as a voice against the rise of totalitarianism, and as testimony to the destruction of Europe's Jews. Zsuzsanna Ozsváth places Radnóti within the context of the political and intellectual history of interwar Hungary, situating him as an artist who is both a Jew and a Hungarian patriot. Her sensitive translations from the Hungarian lend poignancy to this tragic and forcefully told story. This account of Radnóti's life and work explores the sources of the poet's inspiration and imagery and restores it to its extreme times and places.Zsuzsanna Ozsváth is Professor of Literature and the History of Ideas at the University of Texas at Dallas, where she is also Director of the Holocaust Studies Program. She is coeditor and cotranslator (with Frederick Turner) of Foamy Sky: The Major Poems of Miklós Radnóti and Attila Jozsef's The Iron-Blue Vault: Selected Poetry.Jewish Literature and Culture—Alvin H. Rosenfeld, editorContentsMyth and ConsciousnessPoetic Images: Socialist Art and Political CommitmentThe Pull of Contraries: Making of the PastVisions of Destruction, Lyrics of ResistanceIn Extremis: 1944

"Koltun-Fromm's reading of Hess is of crucial import for those who study the construction of self in the modern world as well as for those who are concerned with Hess and his contributions to modern thought. . . . a reading of Hess that is subtle, judicious, insightful, and well supported." —David EllensonMoses Hess, a fascinating 19th-century German Jewish intellectual figure, was at times religious and secular, traditional and modern, practical and theoretical, socialist and nationalist. Ken Koltun-Fromm's radical reinterpretation of his writings shows Hess as a Jew struggling with the meaning of conflicting commitments and impulses. Modern readers will realize that in Hess's life, as in their own, these commitments remain fragmented and torn. As contemporary Jews negotiate multiple, often contradictory allegiances in the modern world, Koltun-Fromm argues that Hess's struggle to unite conflicting traditions and frameworks of meaning offers intellectual and practical resources to re-examine the dilemmas of modern Jewish identity. Adopting Charles Taylor's philosophical theory of the self to uncover Hess's various commitments, Koltun-Fromm demonstrates that Hess offers a rich, textured, though deeply conflicted and torn account of the modern Jew. This groundbreaking study in conceptions of identity in modern Jewish texts is a vital contribution to the diverse fields of Jewish intellectual history, philosophy, Zionism, and religious studies.Jewish Literature and Culture—Alvin H. Rosenfeld, editorPublished with the generous support of the Koret Foundation

How can a fictional text adequately or meaningfully represent the events of the Holocaust? Drawing on philosopher Stanley Cavell's ideas about "acknowledgment" as a respectful attentiveness to the world, Emily Miller Budick develops a penetrating philosophical analysis of major works by internationally prominent Israeli writer Aharon Appelfeld. Through sensitive discussions of the novels Badenheim 1939, The Iron Tracks, The Age of Wonders, and Tzili, and the autobiographical work The Story of My Life, Budick reveals the compelling art with which Appelfeld renders the sights, sensations, and experiences of European Jewish life preceding, during, and after the Second World War. She argues that it is through acknowledging the incompleteness of our knowledge and understanding of the catastrophe that Appelfeld's fiction produces not only its stunning aesthetic power but its affirmation and faith in both the human and the divine. This beautifully written book provides a moving introduction to the work of an important and powerful writer and an enlightening meditation on how fictional texts deepen our understanding of historical events.Jewish Literature and Culture—Alvin H. Rosenfeld, editor