The Oxford History of the Novel in English is a twelve-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction, written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of the Covid-19 pandemic. The aftermath of the Second World War was arguably the high point of US nationalism, but in the years that followed, US writers would increasingly explore the possibility that US democracy was a failure, both at home and abroad. For so many of the writers whose work this volume explores, the idea of "nation" became suspect as did the idea of "national literature" as the foundation for US writing. Looking at post-1940s writing, the literary historian might well chart a movement within literary cultures away from nationalism and toward what we would call "cosmopolitanism," a perspective that fosters conversations between the occupants of different cultural spaces and that regards difference as an opportunity to be embraced rather than a problem to be solved. During this period, the novel has had significant competition for the US public's attention from other forms of narrative and media: film, television, comic books, videogames, and the internet and the various forms of social media that it spawned. If, however, the novel becomes a "residual" form during this period, it is by no means archaic. The novel has been reinvigorated over the past eighty years by its encounters with both emergent forms (such as film, television, comic books, and digital media) and the emergent voices typically associated with multiculturalism in the United States.

The period of 1870 to 1940 saw the consolidation of the nation following the Civil War and the rise of the United States as a world power. The transformation of the novel during these years accompanied, registered, and in some cases promoted these changes. The era witnessed the emergence of new reading publics, new means of producing and distributing novels, and new forms and genres. The proliferation of anthologies and criticism encouraged contemporary novelists to see themselves as writing within-or against--a national tradition as well as mass culture. Complementing and challenging that sense of tradition, international aesthetic movements (such as Modernism) and political ones (such as Marxism) encouraged novelists to engage with artistic and political movements beyond the literary, and improved transportation increased the opportunity for contact with formerly remote peoples and cultures. An expansive addition to the Oxford History of the Novel in English, this volume will highlight these developments within the context of global networks of influence and will cover topics like Reconstruction and the novel, the immigrant bildungsroman, early cinema and the novel, religious narratives, the innovations of Henry James, comics and the novel, and hardboiled detective fiction, among many others.

The American Revolution and the Civil War bracket roughly eight decades of formative change in a republic created in 1776 by a gesture that was both rhetorical and performative. The subsequent construction of U.S. national identity influenced virtually all art forms, especially prose fiction, until internal conflict disrupted the project of nation-building. This volume reassesses, in an authoritative way, the principal forms and features of the emerging American novel. It will include chapters on: the beginnings of the novel in the US; the novel and nation-building; the publishing industry; leading novelists of Antebellum America; eminent early American novels; cultural influences on the novel; and subgenres within the novel form during this period. This book is the first of the three proposed US volumes that will make up Oxford's ambitious new eleven-volume literary resource, The Oxford History of the Novel in English (OHONE), a venture being commissioned and administered on both sides of the Atlantic

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. South and South East Asia has produced some of the most dynamic, experimental, and commercially successful English-language novels of the post-war period. This wide-ranging volume, which comprises specially commissioned chapters from critics working in the fields of postcolonial and global literature, covers key authors, national traditions, and major themes and genres, providing an unrivalled survey of the South and South East Asian anglophone novel. The Oxford History of the Novel in English: Volume 10. The Novel in South and South East Asia since 1945 employs a unique three-part structure covering South Asia, South East Asia, and 'cross-border' fictions and is the first work of its kind to provide a single comparative assessment of the novel across South and South East Asia, and in migrant lines of travel in and beyond these regions. Both an introduction and a scholarly resource, it covers internationally recognized novelists but also showcases forgotten, under-represented writers and their works. The volume provides comprehensive survey chapters on individual national traditions, comprising the anglophone novel of India, Pakistan, Sri Lanka, Bangladesh, Mainland China, Hong Kong, the Philippines, Malaysia, Singapore, and Myanmar. Its historical and geographical reach takes in late colonial fictions, war-novels of Korea and Vietnam, and autobiographical fictions of the Chinese Cultural Revolution; its formal scope spans multi-volume historical epics, political fictions, and graphic novels. The development of the South and South East Asian novel in English is further contextualized in chapters on publishing and book history, and new forms of genre fiction, making this volume an invaluable resource for students, researchers, and general readers.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements and tendencies. This volume offers the fullest and most nuanced account available of the last eight decades of British prose fiction. It begins during the Second World War, when novel production fell by more than a third, and ends at a time when new technologies have made possible the publication of an unprecedented number of fiction titles and have changed completely the relationship between authors, publishers, the novel and the reader. The collection is made up of thirty-four chapters by leading scholars in the field who detail the impact of global warfare on the novel from the Second World War to the Cold War to the twenty-first century; the reflexive continuities of late modernism; the influence of film and television on the novel form; mobile and fluid connections between sexuality, gender and different periods of women's writing; a broad range of migrant and ethnic fictions; and the continuities and discontinuities of prose fiction in different regional, national, class and global contexts. Across the volume there is a blurring of the boundary between genre fiction and literary fiction, as the literary thinking of the period is traced in the spy novel, the children's novel, the historical novel, the serial novel, shorter fiction, the science fiction novel, and the comic novel. The final chapters of the volume explore the relationship of twenty-first century fiction to post-war culture, and show how this new fiction both emerges from the history of the novel, and prefigures the novel to come.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.The 36 expert contributors to Volume 4 trace the dramatic changes in British and Irish fiction from the cumbersome 3-volume novels of the 1880s to the 'paperback revolution' in the late 1930s. It looks at the intense debates over the nature and purpose of the novel in the period, the development of new popular sub-genres, and the stratification of the readership of fiction. In a period characterized by huge political and economic upheavals and wholesale revisions of personal morality and sexual and linguistic taboos, the volume traces both the process of modernist experimentation and the work of novelists who registered the social and cultural impact of modernity. The topics covered include national (Irish, Scottish, and Welsh), regional, and women's fiction; the influence of the European novel, of the cinema, and the growth of the modern city; the impact of the Empire, class-consciousness, and the First World War; and such specialized forms as the children's novel, detective stories, and thriller, science fiction and fantasy, and the short story.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.Volume 3, The Nineteenth-Century Novel 1820-1800 charts one of the most significant and exciting periods in the history of the genre. Beginning with the decade in which Scott's work helped inaugurate the three-volume novel, and in which many narrative genres, conventions, and preoccupations associated with Victorian fiction first emerged, it traces how these forms developed and changed in the mid nineteenth century, as the novel became established at the centre of British national culture. The volume includes sections on book history, on major authors, and on the varieties of fiction and range of narrative modes during the period. It also features essays on theories of the novel, and on the novel's relationship to other aesthetic forms. Volume 3 also emphasizes the wider cultural role and significance of the novel during the period, including its impact on ideas of place and nation, as well as its intervention in political, scientific, and intellectual contexts.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.Volume 2 examines the period from1750-1820, which was a crucial period in the development of the novel in English. Not only was it the time of Smollett, Sterne, Austen, and Scott, but it also saw the establishment and definition of the novel as we know it, as well as the emergence of a number of subgenres, several of which remain to this day. Conventionally however, it has been one of the least studied areas-seen as a falling off from the heyday of Richardson and Fielding, or merely a prelude to the great Victorian novelists. This volume takes full advantage of recent major advances in scholarly bibliography, new critical assessments, and the fresh availability of long-neglected fictional works, to offer a new mapping and appraisal. The opening section, as well as some remarkable later chapters, consider historical conditions underlying the production, circulation, and reception of fiction during these seventy years, a period itself marked by a rapid growth in output and expansion in readership. Other chapters cover the principal forms, movements, and literary themes of the period, with individual contributions on the four major novelists (named above), seen in historical context, as well as others on adjacent fields such as the shorter tale, magazine fiction, children's literature, and drama. The volume also views the novel in the light of other major institutions of modern literary culture, including book reviewing and the reprint trade, all of which played a part in advancing a sense of the novel as a defining feature of the British cultural landscape. A focus on 'global' literature and imported fiction in two concluding chapters in turn reflects a broader concern for transnat onal literary studies in general.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.Volume 1 explores the long period between the origins of printing in late fifteenth-century England and the establishment of the novel as a recognized, reputable genre in the mid eighteenth century. Later chapters in the volume provide original, authoritative accounts of innovations by the major canonical authors, notably Defoe, Richardson, and Fielding, who have traditionally been seen as pioneering 'the rise of the novel', in Ian Watt's famous phrase. With its extended chronological and geographical range, however, the volume also contextualizes these eighteenth-century developments in revelatory new ways, to provide a fresh, bold, and comprehensive account of the richness and variety of fictional traditions as they developed over two and a half centuries. The volume thus establishes a newly comprehensive mapping of early fiction that rectifies the shortcomings and exclusions of established 'rise of the novel' scholarship. These include the relative neglect of the importance of women writers, following Behn's reinvention of romance in the 1680s, in shaping novelistic themes and techniques; a restrictive generic definition based on circumstantial and psychological realism to the exclusion of non-realist modes that flourished for centuries beforehand; a teleological bias that overlooks or downgrades phases and types of fiction production, such as the richly variegated category of Elizabethan fiction, that resist being assimilated into narratives of evolution or ascent; a reductive Anglocentrism that leaves out of account the translation, reception, and pervasive influence from the sixteenth century onwards of, among much else, the 'ancient novel' of Apuleius and Heliodorus; Byzantine, Arabian, and Eastern traditions; the Italian novella from Boccaccio to Bandello; Spanish picaresque and anti-romance; and a range of French narrative modes from Rabelais to Marivaux. Alongside these key contexts, the volume treats the emergent novel as, above all, a phenomenon of print culture, with close attention to conditions of authorship, publishing, and reading across the extended period.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.Volume Nine traces the development of the 'world novel', that is, English-language novels written throughout the world except for in Britain, Ireland, and the United States. Focusing on the period up to 1950, the volume contains survey essays and essays on major writers, as well as essays on book history, publishing, and the critical contexts of the work discussed. The World Novel to 1950 covers periods from renaissance literary imaginings of exotic parts of the world like Oceania, through fiction embodying the ideology and conventions of empire, to the emergence of settler nationalist and Indigenous movements and, finally, the assimilations of modernism at the beginnings of the post-imperial world order. The book, then, contains essays on the development of the non-metropolitan novel throughout the British world from the eighteenth to the mid twentieth centuries. This is the period of empire and resistance to empire, of settler confidence giving way to doubt, and of the rise of indigenous and post-colonial nationalisms that would shape the world after World War II.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements and tendencies. This volume offers a comprehensive account of the production of English language novels and related prose fiction since 1950 in Australia, Canada, New Zealand, and the South Pacific. After the Second World War, the rise of cultural nationalism in Australia, Canada, and New Zealand and movements towards independence in the Pacific islands, together with the turn toward multiculturalism and transnationalism in the postcolonial world, has called into question the standard national frames for literary history. This has resulted in an increasing recognition of formerly marginalised peoples and a repositioning of these national literatures in a world literary context. This multi-authored volume explores the implications of such radical change through its focus on the novel and the short story, which model the crises in evolving narratives of nationhood and the reinvention of postcolonial identities. The constant interplay between national and regional specificity and transnational linkages is mirrored in the structure of this volume, where parallel sections on national literatures are situated within a broadly inclusive comparative framework. Shifting socio-political and cultural contexts and their effects on novels and novelists, together with shifts in literary genres (realism, modernism, the Gothic, postmodernism) are traced across these different regions. Attention is given not only to major authors but also to Indigenous and multicultural fiction , children's and young adult novels, and popular fiction. A significant feature of this volume is its extensive treatment of the novel in the South Pacific. Chapters on book publishing, critical reception, and literary histories for all four areas are included in this innovative presentation of a TransPacific postcolonial history of the novel.

The Oxford History of the Novel in English is a twelve-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction, written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of the Covid-19 pandemic. The aftermath of the Second World War was arguably the high point of US nationalism, but in the years that followed, US writers would increasingly explore the possibility that US democracy was a failure, both at home and abroad. For so many of the writers whose work this volume explores, the idea of "nation" became suspect as did the idea of "national literature" as the foundation for US writing. Looking at post-1940s writing, the literary historian might well chart a movement within literary cultures away from nationalism and toward what we would call "cosmopolitanism," a perspective that fosters conversations between the occupants of different cultural spaces and that regards difference as an opportunity to be embraced rather than a problem to be solved. During this period, the novel has had significant competition for the US public's attention from other forms of narrative and media: film, television, comic books, videogames, and the internet and the various forms of social media that it spawned. If, however, the novel becomes a "residual" form during this period, it is by no means archaic. The novel has been reinvigorated over the past eighty years by its encounters with both emergent forms (such as film, television, comic books, and digital media) and the emergent voices typically associated with multiculturalism in the United States.

The period of 1870 to 1940 saw the consolidation of the nation following the Civil War and the rise of the United States as a world power. The transformation of the novel during these years accompanied, registered, and in some cases promoted these changes. The era witnessed the emergence of new reading publics, new means of producing and distributing novels, and new forms and genres. The proliferation of anthologies and criticism encouraged contemporary novelists to see themselves as writing within-or against--a national tradition as well as mass culture. Complementing and challenging that sense of tradition, international aesthetic movements (such as Modernism) and political ones (such as Marxism) encouraged novelists to engage with artistic and political movements beyond the literary, and improved transportation increased the opportunity for contact with formerly remote peoples and cultures. An expansive addition to the Oxford History of the Novel in English, this volume will highlight these developments within the context of global networks of influence and will cover topics like Reconstruction and the novel, the immigrant bildungsroman, early cinema and the novel, religious narratives, the innovations of Henry James, comics and the novel, and hardboiled detective fiction, among many others.

The American Revolution and the Civil War bracket roughly eight decades of formative change in a republic created in 1776 by a gesture that was both rhetorical and performative. The subsequent construction of U.S. national identity influenced virtually all art forms, especially prose fiction, until internal conflict disrupted the project of nation-building. This volume reassesses, in an authoritative way, the principal forms and features of the emerging American novel. It will include chapters on: the beginnings of the novel in the US; the novel and nation-building; the publishing industry; leading novelists of Antebellum America; eminent early American novels; cultural influences on the novel; and subgenres within the novel form during this period. This book is the first of the three proposed US volumes that will make up Oxford's ambitious new eleven-volume literary resource, The Oxford History of the Novel in English (OHONE), a venture being commissioned and administered on both sides of the Atlantic

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. South and South East Asia has produced some of the most dynamic, experimental, and commercially successful English-language novels of the post-war period. This wide-ranging volume, which comprises specially commissioned chapters from critics working in the fields of postcolonial and global literature, covers key authors, national traditions, and major themes and genres, providing an unrivalled survey of the South and South East Asian anglophone novel. The Oxford History of the Novel in English: Volume 10. The Novel in South and South East Asia since 1945 employs a unique three-part structure covering South Asia, South East Asia, and 'cross-border' fictions and is the first work of its kind to provide a single comparative assessment of the novel across South and South East Asia, and in migrant lines of travel in and beyond these regions. Both an introduction and a scholarly resource, it covers internationally recognized novelists but also showcases forgotten, under-represented writers and their works. The volume provides comprehensive survey chapters on individual national traditions, comprising the anglophone novel of India, Pakistan, Sri Lanka, Bangladesh, Mainland China, Hong Kong, the Philippines, Malaysia, Singapore, and Myanmar. Its historical and geographical reach takes in late colonial fictions, war-novels of Korea and Vietnam, and autobiographical fictions of the Chinese Cultural Revolution; its formal scope spans multi-volume historical epics, political fictions, and graphic novels. The development of the South and South East Asian novel in English is further contextualized in chapters on publishing and book history, and new forms of genre fiction, making this volume an invaluable resource for students, researchers, and general readers.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements and tendencies. This volume offers the fullest and most nuanced account available of the last eight decades of British prose fiction. It begins during the Second World War, when novel production fell by more than a third, and ends at a time when new technologies have made possible the publication of an unprecedented number of fiction titles and have changed completely the relationship between authors, publishers, the novel and the reader. The collection is made up of thirty-four chapters by leading scholars in the field who detail the impact of global warfare on the novel from the Second World War to the Cold War to the twenty-first century; the reflexive continuities of late modernism; the influence of film and television on the novel form; mobile and fluid connections between sexuality, gender and different periods of women's writing; a broad range of migrant and ethnic fictions; and the continuities and discontinuities of prose fiction in different regional, national, class and global contexts. Across the volume there is a blurring of the boundary between genre fiction and literary fiction, as the literary thinking of the period is traced in the spy novel, the children's novel, the historical novel, the serial novel, shorter fiction, the science fiction novel, and the comic novel. The final chapters of the volume explore the relationship of twenty-first century fiction to post-war culture, and show how this new fiction both emerges from the history of the novel, and prefigures the novel to come.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.The 36 expert contributors to Volume 4 trace the dramatic changes in British and Irish fiction from the cumbersome 3-volume novels of the 1880s to the 'paperback revolution' in the late 1930s. It looks at the intense debates over the nature and purpose of the novel in the period, the development of new popular sub-genres, and the stratification of the readership of fiction. In a period characterized by huge political and economic upheavals and wholesale revisions of personal morality and sexual and linguistic taboos, the volume traces both the process of modernist experimentation and the work of novelists who registered the social and cultural impact of modernity. The topics covered include national (Irish, Scottish, and Welsh), regional, and women's fiction; the influence of the European novel, of the cinema, and the growth of the modern city; the impact of the Empire, class-consciousness, and the First World War; and such specialized forms as the children's novel, detective stories, and thriller, science fiction and fantasy, and the short story.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.Volume 3, The Nineteenth-Century Novel 1820-1800 charts one of the most significant and exciting periods in the history of the genre. Beginning with the decade in which Scott's work helped inaugurate the three-volume novel, and in which many narrative genres, conventions, and preoccupations associated with Victorian fiction first emerged, it traces how these forms developed and changed in the mid nineteenth century, as the novel became established at the centre of British national culture. The volume includes sections on book history, on major authors, and on the varieties of fiction and range of narrative modes during the period. It also features essays on theories of the novel, and on the novel's relationship to other aesthetic forms. Volume 3 also emphasizes the wider cultural role and significance of the novel during the period, including its impact on ideas of place and nation, as well as its intervention in political, scientific, and intellectual contexts.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.Volume 2 examines the period from1750-1820, which was a crucial period in the development of the novel in English. Not only was it the time of Smollett, Sterne, Austen, and Scott, but it also saw the establishment and definition of the novel as we know it, as well as the emergence of a number of subgenres, several of which remain to this day. Conventionally however, it has been one of the least studied areas-seen as a falling off from the heyday of Richardson and Fielding, or merely a prelude to the great Victorian novelists. This volume takes full advantage of recent major advances in scholarly bibliography, new critical assessments, and the fresh availability of long-neglected fictional works, to offer a new mapping and appraisal. The opening section, as well as some remarkable later chapters, consider historical conditions underlying the production, circulation, and reception of fiction during these seventy years, a period itself marked by a rapid growth in output and expansion in readership. Other chapters cover the principal forms, movements, and literary themes of the period, with individual contributions on the four major novelists (named above), seen in historical context, as well as others on adjacent fields such as the shorter tale, magazine fiction, children's literature, and drama. The volume also views the novel in the light of other major institutions of modern literary culture, including book reviewing and the reprint trade, all of which played a part in advancing a sense of the novel as a defining feature of the British cultural landscape. A focus on 'global' literature and imported fiction in two concluding chapters in turn reflects a broader concern for transnat onal literary studies in general.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.Volume 1 explores the long period between the origins of printing in late fifteenth-century England and the establishment of the novel as a recognized, reputable genre in the mid eighteenth century. Later chapters in the volume provide original, authoritative accounts of innovations by the major canonical authors, notably Defoe, Richardson, and Fielding, who have traditionally been seen as pioneering 'the rise of the novel', in Ian Watt's famous phrase. With its extended chronological and geographical range, however, the volume also contextualizes these eighteenth-century developments in revelatory new ways, to provide a fresh, bold, and comprehensive account of the richness and variety of fictional traditions as they developed over two and a half centuries. The volume thus establishes a newly comprehensive mapping of early fiction that rectifies the shortcomings and exclusions of established 'rise of the novel' scholarship. These include the relative neglect of the importance of women writers, following Behn's reinvention of romance in the 1680s, in shaping novelistic themes and techniques; a restrictive generic definition based on circumstantial and psychological realism to the exclusion of non-realist modes that flourished for centuries beforehand; a teleological bias that overlooks or downgrades phases and types of fiction production, such as the richly variegated category of Elizabethan fiction, that resist being assimilated into narratives of evolution or ascent; a reductive Anglocentrism that leaves out of account the translation, reception, and pervasive influence from the sixteenth century onwards of, among much else, the 'ancient novel' of Apuleius and Heliodorus; Byzantine, Arabian, and Eastern traditions; the Italian novella from Boccaccio to Bandello; Spanish picaresque and anti-romance; and a range of French narrative modes from Rabelais to Marivaux. Alongside these key contexts, the volume treats the emergent novel as, above all, a phenomenon of print culture, with close attention to conditions of authorship, publishing, and reading across the extended period.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.Volume Nine traces the development of the 'world novel', that is, English-language novels written throughout the world except for in Britain, Ireland, and the United States. Focusing on the period up to 1950, the volume contains survey essays and essays on major writers, as well as essays on book history, publishing, and the critical contexts of the work discussed. The World Novel to 1950 covers periods from renaissance literary imaginings of exotic parts of the world like Oceania, through fiction embodying the ideology and conventions of empire, to the emergence of settler nationalist and Indigenous movements and, finally, the assimilations of modernism at the beginnings of the post-imperial world order. The book, then, contains essays on the development of the non-metropolitan novel throughout the British world from the eighteenth to the mid twentieth centuries. This is the period of empire and resistance to empire, of settler confidence giving way to doubt, and of the rise of indigenous and post-colonial nationalisms that would shape the world after World War II.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements and tendencies. This volume offers a comprehensive account of the production of English language novels and related prose fiction since 1950 in Australia, Canada, New Zealand, and the South Pacific. After the Second World War, the rise of cultural nationalism in Australia, Canada, and New Zealand and movements towards independence in the Pacific islands, together with the turn toward multiculturalism and transnationalism in the postcolonial world, has called into question the standard national frames for literary history. This has resulted in an increasing recognition of formerly marginalised peoples and a repositioning of these national literatures in a world literary context. This multi-authored volume explores the implications of such radical change through its focus on the novel and the short story, which model the crises in evolving narratives of nationhood and the reinvention of postcolonial identities. The constant interplay between national and regional specificity and transnational linkages is mirrored in the structure of this volume, where parallel sections on national literatures are situated within a broadly inclusive comparative framework. Shifting socio-political and cultural contexts and their effects on novels and novelists, together with shifts in literary genres (realism, modernism, the Gothic, postmodernism) are traced across these different regions. Attention is given not only to major authors but also to Indigenous and multicultural fiction , children's and young adult novels, and popular fiction. A significant feature of this volume is its extensive treatment of the novel in the South Pacific. Chapters on book publishing, critical reception, and literary histories for all four areas are included in this innovative presentation of a TransPacific postcolonial history of the novel.