Oxford Ritual Studies Series - Böcker

Are the richness and diversity of rituals and celebrations in South Asia unique? Can we speak of a homo ritualis when it comes to India or Hinduism? Are Indians or Hindus more involved in rituals than other people? If so, what makes them special? Homo Ritualis is the first book to present a Hindu theory of rituals. Based on extensive textual studies and field-work in Nepal and India, Axel Michaels argues that ritual is a distinctive way of acting, which, as in the theater, can be distinguished from other forms of action. The book analyzes ritual in these cultural-specific and religious contexts, taking into account how indigenous terms and theories affect and contribute to current ritual theory. It describes and investigates various forms of Hindu rituals and festivals, such as life-cycle rituals, the Vedic sacrifice, vows processions, and the worship of deities (puja). It also examines conceptual components of (Hindu) rituals such as framing, formality, modality, and theories of meaning.

Are the richness and diversity of rituals and celebrations in South Asia unique? Can we speak of a homo ritualis when it comes to India or Hinduism? Are Indians or Hindus more involved in rituals than other people? If so, what makes them special? Homo Ritualis is the first book to present a Hindu theory of rituals. Based on extensive textual studies and field-work in Nepal and India, Axel Michaels argues that ritual is a distinctive way of acting, which, as in the theater, can be distinguished from other forms of action. The book analyzes ritual in these cultural-specific and religious contexts, taking into account how indigenous terms and theories affect and contribute to current ritual theory. It describes and investigates various forms of Hindu rituals and festivals, such as life-cycle rituals, the Vedic sacrifice, vows processions, and the worship of deities (puja). It also examines conceptual components of (Hindu) rituals such as framing, formality, modality, and theories of meaning.

This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.

This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.

Scholars of Vedic religion have long recognized the centrality of ritual categories to Indian thought. There have been few successful attempts, however, to bring the same systematic rigor of Vedic Scholarship to bear on later "Hindu" ritual. Excavating the deep history of a prominent ritual category in "classical" Hindu texts, Geslani traces the emergence of a class of rituals known as Śānti, or appeasement. This ritual, intended to counteract ominous omens, developed from the intersection of the fourth Vedathe oft-neglected Atharvavedaand the emergent tradition of astral science (Jyotiśāstra) sometime in the early first millennium, CE. Its development would come to have far-reaching consequences on the ideal ritual life of the king in early-medieval Brahmanical society. The mantric transformations involved in the history of śānti led to the emergence of a politicized ritual culture that could encompass both traditional Vedic and newer Hindu performers and practices.From astrological appeasement to gift-giving, coronation, and image worship, Rites of the God-King chronicles the multiple lives and afterlives of a single ritual mode, unveiling the always-inventive work of the priesthood to imagine and enrich royal power. Along the way, Geslani reveals the surprising role of astrologers in Hindu history, elaborates conceptions of sin and misfortune, and forges new connections between medieval texts and modern practices. In a work that details ritual forms that were dispersed widely across Asia, he concludes with a reflection on the nature of orthopraxy, ritual change, and the problem of presence in the Hindu tradition.

History in the Soviet Union was a political project. From the Soviet perspective, Buryats, an indigenous Siberian ethnic group, were a "backwards" nationality that was carried along on the inexorable march towards the Communist utopian future. When the Soviet Union ended, the Soviet version of history lost its power and Buryats, like other Siberian indigenous peoples, were able to revive religious and cultural traditions that had been suppressed by the Soviet state. In the process, they also recovered knowledge about the past that the Soviet Union had silenced. Borrowing the analytic lens of the chronotope from Bakhtin, Quijada argues that rituals have chronotopes which situate people within time and space. As they revived rituals, Post-Soviet Buryats encountered new historical information and traditional ways of being in time that enabled them to re-imagine the Buryat past, and what it means to be Buryat. Through the temporal perspective of a reincarnating Buddhist monk, Dashi-Dorzho Etigelov, Buddhists come to see the Soviet period as a test on the path of dharma. Shamanic practitioners, in contrast, renegotiate their relationship to the past by speaking to their ancestors through the bodies of shamans. By comparing the versions of history that are produced in Buddhist, shamanic and civic rituals, Buddhists, Shamans and Soviets offers a new lens for analyzing ritual, a new perspective on how an indigenous people grapples with a history of state repression, and an innovative approach to the ethnographic study of how people know about the past.

Rituals transform citizens into presidents and princesses into queens. They transform sick persons into healthy ones, and public space into prohibited sanctuary. Shamanic rituals heal, legal rituals bind, political rituals ratify, and religious rituals sanctify. But how exactly do they accomplish these things? How do rituals work? This is the question of ritual efficacy, and although it is one of the very first questions that people everywhere ask of rituals, surprisingly little has been written on the topic. In fact, this collection of 10 contributed essays is the first to explicitly address the question of ritual efficacy. The authors do not aspire to answer the question 'how do rituals work?' in a simplistic fashion, but rather to show how complex the question is. While some contributors do indeed advance a particular theory of ritual efficacy, others ask whether the question makes any sense at all, and most show how complex it is by referring to the sociocultural environment in which it is posed, since the answer depends on who is asking the question, and what criteria they use to evaluate the efficacy of ritual. In his introduction, William Sax emphasizes that the very notion of ritual efficacy is a suspicious one because, according to a widespread 'modern' and 'scientific' viewpoint, rituals are merely expressive, and therefore cannot be efficacious. Rituals are thought of as superficial, 'merely symbolic,' and certainly not effective. Nevertheless many people insist that rituals 'work,' and the various positions taken on the question tell us a great deal about the social and historical background of the people involved. One essay, for example, illuminates a dispute between 'materialist' and 'enlightenment' Catholics in Ecuador, with the former affirming the notion of ritual efficacy and the latter doubting it. In other essays, contributors address instances in which orthodox religious figures (mullahs, church authorities, and even scientific positivists) discount the efficacy of rituals. In several of the essays, 'modern' people are suspicious of rituals and tend to deny their efficacy, confirming the theme highlighted in Sax's introduction.

Rituals transform citizens into presidents and princesses into queens. They transform sick persons into healthy ones, and public space into prohibited sanctuary. Shamanic rituals heal, legal rituals bind, political rituals ratify, and religious rituals sanctify. But how exactly do they accomplish these things? How do rituals work? This is the question of ritual efficacy, and although it is one of the very first questions that people everywhere ask of rituals, surprisingly little has been written on the topic. In fact, this collection of 10 contributed essays is the first to explicitly address the question of ritual efficacy. The authors do not aspire to answer the question 'how do rituals work?' in a simplistic fashion, but rather to show how complex the question is. While some contributors do indeed advance a particular theory of ritual efficacy, others ask whether the question makes any sense at all, and most show how complex it is by referring to the sociocultural environment in which it is posed, since the answer depends on who is asking the question, and what criteria they use to evaluate the efficacy of ritual. In his introduction, William Sax emphasizes that the very notion of ritual efficacy is a suspicious one because, according to a widespread 'modern' and 'scientific' viewpoint, rituals are merely expressive, and therefore cannot be efficacious. Rituals are thought of as superficial, 'merely symbolic,' and certainly not effective. Nevertheless many people insist that rituals 'work,' and the various positions taken on the question tell us a great deal about the social and historical background of the people involved. One essay, for example, illuminates a dispute between 'materialist' and 'enlightenment' Catholics in Ecuador, with the former affirming the notion of ritual efficacy and the latter doubting it. In other essays, contributors address instances in which orthodox religious figures (mullahs, church authorities, and even scientific positivists) discount the efficacy of rituals. In several of the essays, 'modern' people are suspicious of rituals and tend to deny their efficacy, confirming the theme highlighted in Sax's introduction.

History in the Soviet Union was a political project. From the Soviet perspective, Buryats, an indigenous Siberian ethnic group, were a "backwards" nationality that was carried along on the inexorable march towards the Communist utopian future. When the Soviet Union ended, the Soviet version of history lost its power and Buryats, like other Siberian indigenous peoples, were able to revive religious and cultural traditions that had been suppressed by the Soviet state. In the process, they also recovered knowledge about the past that the Soviet Union had silenced. Borrowing the analytic lens of the chronotope from Bakhtin, Quijada argues that rituals have chronotopes which situate people within time and space. As they revived rituals, Post-Soviet Buryats encountered new historical information and traditional ways of being in time that enabled them to re-imagine the Buryat past, and what it means to be Buryat. Through the temporal perspective of a reincarnating Buddhist monk, Dashi-Dorzho Etigelov, Buddhists come to see the Soviet period as a test on the path of dharma. Shamanic practitioners, in contrast, renegotiate their relationship to the past by speaking to their ancestors through the bodies of shamans. By comparing the versions of history that are produced in Buddhist, shamanic and civic rituals, Buddhists, Shamans and Soviets offers a new lens for analyzing ritual, a new perspective on how an indigenous people grapples with a history of state repression, and an innovative approach to the ethnographic study of how people know about the past.

Mock Ritual in the Modern Era explores the complex interrelations between ritual and mockery, the latter of which is not infrequently the unofficial face of claims to rationality. McGinnis and Smyth consider how the mocking and parodying of ritual often associated with modern rationalism may itself become ritualized, and other ways in which supposedly sham ritual may survive its "outing." This volume traces the evolution of "mock ritual" in various forms throughout the modern era, as found in literary, historical, and anthropological texts as well as encyclopedias, newspapers, and films. Mock Ritual in the Modern Era places famous eighteenth- and nineteenth-century authors in dialogue with contemporary popular culture, from Diderot, Sterne, and Flaubert to the TV shows Survivor and Judge Judy, and from Voltaire to the Charlie Hebdo tragedy of 2015. Ritualistic and mock ritualistic aspects of comedy and ridicule are considered along with those, notably, of sexuality, medicine, art, education, and justice.

The practice of making votive offerings into fire dates from the earliest periods of human history, and is found in many different religious cultures. Throughout the tantric world, this kind of ritual offering practice is known as the homa. With roots in Vedic and Zoroastrian rituals, the tantric homa developed in early medieval India. Since that time it has been transmitted to Central and East Asia by tantric Buddhist practitioners. Today, Hindu forms are also being practiced outside of India as well. Despite this historical and cultural range, the homa retains an identifiable unity of symbolism and ritual form. The essays collected in Homa Variations provide detailed studies of a variety of homa forms, providing an understanding of the history of the homa from its inception up to its use in the present. At the same time, the authors cover a wide range of religious cultures, from India and Nepal to Tibet, China, and Japan. The theoretical focus of the collection is the study of ritual change over long periods of time, and across the boundaries of religious cultures. The identifiable unity of the homa allows for an almost unique opportunity to examine ritual change from such a broad perspective.

The practice of making votive offerings into fire dates from the earliest periods of human history, and is found in many different religious cultures. Throughout the tantric world, this kind of ritual offering practice is known as the homa. With roots in Vedic and Zoroastrian rituals, the tantric homa developed in early medieval India. Since that time it has been transmitted to Central and East Asia by tantric Buddhist practitioners. Today, Hindu forms are also being practiced outside of India as well. Despite this historical and cultural range, the homa retains an identifiable unity of symbolism and ritual form. The essays collected in Homa Variations provide detailed studies of a variety of homa forms, providing an understanding of the history of the homa from its inception up to its use in the present. At the same time, the authors cover a wide range of religious cultures, from India and Nepal to Tibet, China, and Japan. The theoretical focus of the collection is the study of ritual change over long periods of time, and across the boundaries of religious cultures. The identifiable unity of the homa allows for an almost unique opportunity to examine ritual change from such a broad perspective.

Although conflict is a normal aspect of human life, mass media technologies are changing the dynamics of conflict and shaping strategies for deploying rituals. Rituals can provoke or escalate conflict; they can also mediate it. Media representations have long been instrumental in establishing, maintaining, and challenging political and economic power, as well as in determining the nature of religious practice. This collection of essays emerged from a two-year project based on collaboration between the Faculty of Religious Studies at Radboud University Nijmegen in the Netherlands and the Ritual Dynamics Collaborative Research Center at the University of Heidelberg in Germany. Here, an interdisciplinary team of twenty-four scholars locates, describes, and explores cases in which media-driven rituals or ritually saturated media instigate, disseminate, or escalate conflict. Each chapter, built around global and local examples of ritualized, mediatized conflict, is multi-authored. The book's central question is: "When ritual and media interact (either by the mediatizing of ritual or by the ritualizing of media), how do the patterns of conflict change?"

Although conflict is a normal aspect of human life, mass media technologies are changing the dynamics of conflict and shaping strategies for deploying rituals. Rituals can provoke or escalate conflict; they can also mediate it. Media representations have long been instrumental in establishing, maintaining, and challenging political and economic power, as well as in determining the nature of religious practice. This collection of essays emerged from a two-year project based on collaboration between the Faculty of Religious Studies at Radboud University Nijmegen in the Netherlands and the Ritual Dynamics Collaborative Research Center at the University of Heidelberg in Germany. Here, an interdisciplinary team of twenty-four scholars locates, describes, and explores cases in which media-driven rituals or ritually saturated media instigate, disseminate, or escalate conflict. Each chapter, built around global and local examples of ritualized, mediatized conflict, is multi-authored. The book's central question is: "When ritual and media interact (either by the mediatizing of ritual or by the ritualizing of media), how do the patterns of conflict change?"

The home of Martin Luther for thirty six years and seat of the German Reformation, Wittenberg, Germany is now a UNESCO World Heritage site. Wittenberg has long been Protestant sacred space, but since the fall of the Berlin Wall in 1989, the city and surrounding region have been developing their considerable cultural capital. Today, Wittenberg is host to two large-scale annual Luther-themed festivals, and is becoming a center for pilgrimage and heritage tourism. In a recent study, Charles Taylor notes that festivity is experiencing a renaissance as "one of the new forms of religion in our world." Festivals and pilgrimage routes are an integral part of contemporary religion and spirituality, and important cultural institutions in a globalized world.In Performing the Reformation, Stephenson offers a field-based case study of contemporary festivity and pilgrimage in the City of Luther. Welcome to Lutherland, where atheists dress up as monks and nuns for Luther's Wedding; conservative Lutherans work to sacralize the secular, carnival-like festivities; and medieval players, American Gospel singers, and Peruvian pan flute bands compete for the attention of the bustling crowds. Festivals and tourism in Wittenberg include a range of performative genres (parades and processions, liturgies and concerts, music and dance), cut across multiple cultural domains (religion, politics, economics), and effect connections and shifts among identities (religious, secular, American, German, traditional, postmodern). Incorporating visual methodologies and grounded in historical and social contexts, Stephenson provides an on-the-ground account of the annual Luther's Wedding Festival, the Reformation Day Festival, and Lutheran pilgrimage. He also brings his case study into dialogue with important methodological and theoretical issues informing the fields of ritual studies and performance studies.A model of interdisciplinary research, the book includes a DVD with over 2.5 hours of material, extending and animating textual accounts and interpretations.

The discipline of religious studies has, historically, tended to focus on discrete ritual mistakes that occur in the context of individual performances outlined in ethnographic or sociological studies, and scholars have largely dismissed the fact that there are extensive discussions of ritual mistakes in many indigenous traditions' religious literature. And yet ritual mistakes (ranging from the simple to the complex) happen all the time, and they continue to carry ritual "weight," even when no one seriously doubts their impact on the efficacy of a ritual. In Ritual Gone Wrong, Kathryn McClymond approaches ritual mistakes as an integral part of ritual life and argues that religious traditions can accommodate mistakes and are often prepared for them. McClymond shows that many traditions even incorporate the regular occurrence of errors into their ritual systems, developing a substantial literature on how rituals can be disrupted, how these disruptions can be addressed, and when disruptions have gone too far. Using a series of case studies ranging from ancient India to modern day Iraq, and from medieval allegations of child sacrifice to contemporary Olympic ceremonies, McClymond explores the numerous ways in which ritual can go wrong, and demonstrates that the ritual is by nature fluid, supple, and dynamic-simultaneously adapting to socio-cultural conditions and, in some cases, shaping them.

The discipline of religious studies has, historically, tended to focus on discrete ritual mistakes that occur in the context of individual performances outlined in ethnographic or sociological studies, and scholars have largely dismissed the fact that there are extensive discussions of ritual mistakes in many indigenous traditions' religious literature. And yet ritual mistakes (ranging from the simple to the complex) happen all the time, and they continue to carry ritual "weight," even when no one seriously doubts their impact on the efficacy of a ritual. In Ritual Gone Wrong, Kathryn McClymond approaches ritual mistakes as an integral part of ritual life and argues that religious traditions can accommodate mistakes and are often prepared for them. McClymond shows that many traditions even incorporate the regular occurrence of errors into their ritual systems, developing a substantial literature on how rituals can be disrupted, how these disruptions can be addressed, and when disruptions have gone too far. Using a series of case studies ranging from ancient India to modern day Iraq, and from medieval allegations of child sacrifice to contemporary Olympic ceremonies, McClymond explores the numerous ways in which ritual can go wrong, and demonstrates that the ritual is by nature fluid, supple, and dynamic-simultaneously adapting to socio-cultural conditions and, in some cases, shaping them.

Knowing Body, Moving Mind investigates ritualizing and learning in introductory meditation classes at two Buddhist centers in Toronto, Canada. The centers, Friends of the Heart and Chandrakirti, are led and attended by Western (sometimes called "convert') Buddhists: that is, people from non-Buddhist familial and cultural backgrounds. Inspired by theories that suggest that rituals impart new knowledge or understanding, Patricia Campbell examines how introductory meditation students learn through formal Buddhist practice. Along the way, she also explores practitioners' reasons for enrolling in meditation classes, their interests in Buddhism, and their responses to formal Buddhist practices and to ritual in general. Based on ethnographic interviews and participant-observation fieldwork, the text follows interview participants' reflections on what they learned in meditation classes and through personal practice, and what roles meditation and other ritual practices played in that learning. Participants' learning experiences are illuminated by an influential learning theory called Bloom's Taxonomy, while the rites and practices taught and performed at the centers are explored using performance theory, a method which focuses on the performative elements of ritual's postures and gestures. But the study expands the performance framework as well, by demonstrating that performative ritualizing includes the concentration techniques that take place in a meditator's mind. Such techniques are received as traditional mental acts or behaviors that are standardized, repetitively performed, and variously regarded as special, elevated, spiritual or religious. Having established a link between mental and physical forms of ritualizing, the study then demonstrates that the repetitive mental techniques of meditation practice train the mind to develop new skills in the same way that physical postures and gestures train the body. The mind is thus experienced as both embodied and gestural, and the whole of the body as socially and ritually informed.

Even in the twenty-first century some two-thirds of the world's peoples--the world's social majority--quietly live in non-modern, non-cosmopolitan places. In such places the multitudinous voices of the spirits, deities, and other denizens of the other-than-human world continue to be heard, continue to be loved or feared or both, continue to accompany the human beings in all their activities. In this book, Frederique Apffel-Marglin draws on a lifetime of work with the indigenous peoples of Peru and India to support her argument that the beliefs, values, and practices of such traditional peoples are ''eco-metaphysically true.'' In other words, they recognize that human beings are in communion with other beings in nature that have agency and are kinds of spiritual intelligences, with whom humans can be in relationship and communion. Ritual is the medium for communicating, reciprocating, creating and working with the other-than-humans, who daily remind the humans that the world is not for humans' exclusive use. Apffel-Marglin argues moreover, that when such relationships are appropriately robust, human lifeways are rich, rewarding, and in the contemporary jargon, environmentally sustainable. Her ultimate objective is to ''re-entangle'' humans in nature--she is, in the final analysis, promoting a spirituality and ecology of belonging and connection to nature, and an appreciation of animistic perception and ecologies. Along the way she offers provocative and poignant critiques of many assumptions, including of the ''development'' paradigm as benign (including feminist forms of development advocacy), of the majority of anthropological and other social scientific understandings of indigenous religions, and of common views about peasant and indigenous agronomy. She concludes with a case study of the fair trade movement, illuminating both its shortcomings (how it echoes some of the assumptions in the development paradigms) and its promise as a way to rekindle community between humans as well as between humans and the other-than-human world.

Even in the twenty-first century some two-thirds of the world's peoples--the world's social majority--quietly live in non-modern, non-cosmopolitan places. In such places the multitudinous voices of the spirits, deities, and other denizens of the other-than-human world continue to be heard, continue to be loved or feared or both, continue to accompany the human beings in all their activities. In this book, Frederique Apffel-Marglin draws on a lifetime of work with the indigenous peoples of Peru and India to support her argument that the beliefs, values, and practices of such traditional peoples are ''eco-metaphysically true.'' In other words, they recognize that human beings are in communion with other beings in nature that have agency and are kinds of spiritual intelligences, with whom humans can be in relationship and communion. Ritual is the medium for communicating, reciprocating, creating and working with the other-than-humans, who daily remind the humans that the world is not for humans' exclusive use. Apffel-Marglin argues moreover, that when such relationships are appropriately robust, human lifeways are rich, rewarding, and in the contemporary jargon, environmentally sustainable. Her ultimate objective is to ''re-entangle'' humans in nature--she is, in the final analysis, promoting a spirituality and ecology of belonging and connection to nature, and an appreciation of animistic perception and ecologies. Along the way she offers provocative and poignant critiques of many assumptions, including of the ''development'' paradigm as benign (including feminist forms of development advocacy), of the majority of anthropological and other social scientific understandings of indigenous religions, and of common views about peasant and indigenous agronomy. She concludes with a case study of the fair trade movement, illuminating both its shortcomings (how it echoes some of the assumptions in the development paradigms) and its promise as a way to rekindle community between humans as well as between humans and the other-than-human world.

In common understanding, but also in scholarly discourse, ritual has been long viewed as an undisputed and indisputable part of (especially religious) tradition, performed over and over in the same ways: stable in form, meaningless, preconcieved, and with the aim of creating harmony and enabling a tradition's survival. The authors represented in this collection argue, however, that these assumptions can be seriously challenged. Not only are rituals frequently disputed, they also constitute a field in which vital and sometimes even violent negotiations take place. Negotiations - here understood as processes of interaction during which differing positions are debated and/or acted out - are ubiquitous in ritual contexts, either in relation to the ritual itself, or in relation to the realm beyond any given ritual performance. The authors contend that a central feature of ritual is its embeddedness in negotiation processes and that life beyond the ritual frame often is negotiated in the field of rituals. This point of view opens up fruitful new perspectives on ritual procedures, on the interactions that constitute these procedures, and on the contexts in which they are embedded. By explicitly addressing and theorizing the relevance of negotiation in the world of ritual, the essays in this volume seek to persuade scholars and students alike to think differently and to find new starting points for more nuanced discussions.

Walter E. A. van Beek draws on over four decades of extensive fieldwork to offer an in-depth study of the religion of the Kapsiki/Higi, who live in the Mandara Mountains on the border between North Cameroon and Northeast Nigeria. Concentrating on ritual as the core of traditional religion, van Beek shows how Kapsiki/Higi practices have endured through the long and turbulent history of the region. Kapsiki rituals reveal a focus on two fundamental concepts: dwelling and belonging. Van Beek examines their sacrificial practices, through which the Kapsiki show a complex and pervasive connection with the Mandara Mountains, as well as the character of their relationships among themselves and with outsiders. Van Beek also explores their rituals of belonging, rites of passage which take place from birth through initiation and marriage - and even death, with the tradition of the ''dancing dead,'' when a fully decorated corpse on the shoulders of a smith ''dances'' with his mourning kinsmen.The Dancing Dead is the result of the author's lifelong study of the Kapsiki/Higi. It gives a unique description of the rituals in an African traditional religion based not upon ancestors, but on a completely relational thought system, where in the end all rituals are integrated into one major cycle.

Walter E. A. van Beek draws on over four decades of extensive fieldwork to offer an in-depth study of the religion of the Kapsiki/Higi, who live in the Mandara Mountains on the border between North Cameroon and Northeast Nigeria. Concentrating on ritual as the core of traditional religion, van Beek shows how Kapsiki/Higi practices have endured through the long and turbulent history of the region. Kapsiki rituals reveal a focus on two fundamental concepts: dwelling and belonging. Van Beek examines their sacrificial practices, through which the Kapsiki show a complex and pervasive connection with the Mandara Mountains, as well as the character of their relationships among themselves and with outsiders. Van Beek also explores their rituals of belonging, rites of passage which take place from birth through initiation and marriage - and even death, with the tradition of the ''dancing dead,'' when a fully decorated corpse on the shoulders of a smith ''dances'' with his mourning kinsmen.The Dancing Dead is the result of the author's lifelong study of the Kapsiki/Higi. It gives a unique description of the rituals in an African traditional religion based not upon ancestors, but on a completely relational thought system, where in the end all rituals are integrated into one major cycle.

Anne Fedele offers a comprehensive ethnography of alternative pilgrimages to French Catholic shrines dedicated to Saint Mary Magdalene. Drawing on more than three years of extensive fieldwork, she describes how pilgrims from Italy, Spain, Britain, and the United States interpret Catholic figures, symbols, and sites according to spiritual theories and practices derived from the transnational Neopagan movement. Fedele pays particular attention to the life stories of the pilgrims, the crafted rituals they perform, and the spiritual-esoteric literature they draw upon. She examines how they devise their rituals; why this kind of spirituality is increasingly prevalent in the West; and the influence of anthropological literature on the pilgrims. Among these pilgrims, spirituality is lived and negotiated in interaction with each other and with textual sources: Jungian psychology, Goddess mythology, and ''indigenous'' traditions merge into a corpus of theories and practices centered upon the worship of divinities such as the Goddess, Mother Earth, and the sacralization of the reproductive cycle. The pilgrims' rituals present a critique of the Roman Catholic Church and the medical establishment and have critical implications for contemporary discourses on gender. Looking for Mary Magdalene is an invaluable resource for anyone interested in ritual and pilgrimage.

Anne Fedele offers a comprehensive ethnography of alternative pilgrimages to French Catholic shrines dedicated to Saint Mary Magdalene. Drawing on more than three years of extensive fieldwork, she describes how pilgrims from Italy, Spain, Britain, and the United States interpret Catholic figures, symbols, and sites according to spiritual theories and practices derived from the transnational Neopagan movement. Fedele pays particular attention to the life stories of the pilgrims, the crafted rituals they perform, and the spiritual-esoteric literature they draw upon. She examines how they devise their rituals; why this kind of spirituality is increasingly prevalent in the West; and the influence of anthropological literature on the pilgrims. Among these pilgrims, spirituality is lived and negotiated in interaction with each other and with textual sources: Jungian psychology, Goddess mythology, and ''indigenous'' traditions merge into a corpus of theories and practices centered upon the worship of divinities such as the Goddess, Mother Earth, and the sacralization of the reproductive cycle. The pilgrims' rituals present a critique of the Roman Catholic Church and the medical establishment and have critical implications for contemporary discourses on gender. Looking for Mary Magdalene is an invaluable resource for anyone interested in ritual and pilgrimage.

In The Dysfunction of Ritual in Early Confucianism Michael Ing describes how early Confucians coped with situations where their rituals failed to achieve their intended aims. In contrast to most contemporary interpreters of Confucianism, Ing demonstrates that early Confucian texts can be read as arguments for ambiguity in ritual failure. If, as discussed in one text, Confucius builds a tomb for his parents unlike the tombs of antiquity, and rains fall causing the tomb to collapse, it is not immediately clear whether this failure was the result of random misfortune or the result of Confucius straying from the ritual script by building a tomb incongruent with those of antiquity. The Liji (Record of Ritual)--one of the most significant, yet least studied, texts of Confucianism--poses many of these situations and suggests that the line between preventable and unpreventable failures of ritual is not always clear. Ritual performance, in this view, is a performance of risk. It entails rendering oneself vulnerable to the agency of others; and resigning oneself to the need to vary from the successful rituals of past, thereby moving into untested and uncertain territory. Ing's book is the first monograph in English about the Liji--a text that purports to be the writings of Confucius' immediate disciples, and part of the earliest canon of Confucian texts called ''The Five Classics,'' included in the canon several centuries before the Analects. It challenges some common assumptions of contemporary interpreters of Confucian ethics--in particular the assumption that a cultivated ritual agent is able to recognize which failures are within his sphere of control to prevent and thereby render his happiness invulnerable to ritual failure.

In The Dysfunction of Ritual in Early Confucianism Michael Ing describes how early Confucians coped with situations where their rituals failed to achieve their intended aims. In contrast to most contemporary interpreters of Confucianism, Ing demonstrates that early Confucian texts can be read as arguments for ambiguity in ritual failure. If, as discussed in one text, Confucius builds a tomb for his parents unlike the tombs of antiquity, and rains fall causing the tomb to collapse, it is not immediately clear whether this failure was the result of random misfortune or the result of Confucius straying from the ritual script by building a tomb incongruent with those of antiquity. The Liji (Record of Ritual)--one of the most significant, yet least studied, texts of Confucianism--poses many of these situations and suggests that the line between preventable and unpreventable failures of ritual is not always clear. Ritual performance, in this view, is a performance of risk. It entails rendering oneself vulnerable to the agency of others; and resigning oneself to the need to vary from the successful rituals of past, thereby moving into untested and uncertain territory. Ing's book is the first monograph in English about the Liji--a text that purports to be the writings of Confucius' immediate disciples, and part of the earliest canon of Confucian texts called ''The Five Classics,'' included in the canon several centuries before the Analects. It challenges some common assumptions of contemporary interpreters of Confucian ethics--in particular the assumption that a cultivated ritual agent is able to recognize which failures are within his sphere of control to prevent and thereby render his happiness invulnerable to ritual failure.

Drawing on two years of ethnographic field research among the Navajos, this book explores a controversial Native American ritual and healthcare practice: ceremonial consumption of the psychedelic Peyote cactus in the context of an indigenous postcolonial healing movement called the Native American Church (NAC), which arose in the 19th century in response to the creation of the reservations system and increasing societal ills, including alcoholism. The movement is the locus of cultural conflict with a long history in North America, and stirs very strong and often opposed emotions and moral interpretations. Joseph Calabrese describes the Peyote Ceremony as it is used in family contexts and federally funded clinical programs for Native American patients. He uses an interdisciplinary methodology that he calls clinical ethnography: an approach to research that involves clinically informed and self-reflective immersion in local worlds of suffering, healing, and normality. Calabrese combined immersive fieldwork among NAC members in their communities with a year of clinical work at a Navajo-run treatment program for adolescents with severe substance abuse and associated mental health problems. There he had the unique opportunity to provide conventional therapeutic intervention alongside Native American therapists who were treating the very problems that the NAC often addresses through ritual. Calabrese argues that if people respond better to clinical interventions that are relevant to their society's unique cultural adaptations and ideologies (as seems to be the case with the NAC), then preventing ethnic minorities from accessing traditional ritual forms of healing may actually constitute a human rights violation.

Drawing on two years of ethnographic field research among the Navajos, this book explores a controversial Native American ritual and healthcare practice: ceremonial consumption of the psychedelic Peyote cactus in the context of an indigenous postcolonial healing movement called the Native American Church (NAC), which arose in the 19th century in response to the creation of the reservations system and increasing societal ills, including alcoholism. The movement is the locus of cultural conflict with a long history in North America, and stirs very strong and often opposed emotions and moral interpretations. Joseph Calabrese describes the Peyote Ceremony as it is used in family contexts and federally funded clinical programs for Native American patients. He uses an interdisciplinary methodology that he calls clinical ethnography: an approach to research that involves clinically informed and self-reflective immersion in local worlds of suffering, healing, and normality. Calabrese combined immersive fieldwork among NAC members in their communities with a year of clinical work at a Navajo-run treatment program for adolescents with severe substance abuse and associated mental health problems. There he had the unique opportunity to provide conventional therapeutic intervention alongside Native American therapists who were treating the very problems that the NAC often addresses through ritual. Calabrese argues that if people respond better to clinical interventions that are relevant to their society's unique cultural adaptations and ideologies (as seems to be the case with the NAC), then preventing ethnic minorities from accessing traditional ritual forms of healing may actually constitute a human rights violation.