Picador Paper – serie

In this remarkably human portrait of Mohammad Reza Pahlavi, the last Emperor of Iran, Andrew Scott Cooper examines the life of an infamously complex personality in a bold new light. The recent wave of instability in the Middle East has led Iranians and scholars to reassess the legacy of the Shah—widely denounced as a brutal, corrupt dictator—who championed Western-style reforms and launched Iran onto the world stage as a modern and powerful state.The Fall of Heaven was written with exclusive access to royalists and revolutionaries—most notably the Shah’s widow Empress Farah, other members of the Pahlavi family, and the men who deposed them: Iran’s first elected president Abolhassan Banisadr, along with other religious and political figures active in the revolutionary underground. These testimonials are set alongside first-person remembrances of White House officials, along with American diplomats and civilians in Tehran.Cooper takes readers from the Shah’s lavish palace in Tehran to the dusty streets of Najaf, where Ayatollah Khomeini lived in exile, and from the Imperial Family’s summer retreat on the Caspian Sea to the back alleys of Beirut, where Islamist revolutionaries plotted the regime’s overthrow. Both epic and intimate, The Fall of Heaven re-creates the dramatic final days of a legendary ruling family, the deposition of which started the militant unrest that still affects the Middle East today.

The first novel from award-winning author Gianfranco Calligarich to be published in English, Last Summer in the City is a witty and despairing classic of Italian literature. Biting, tragic, and endlessly quotable, this translated edition features an introductory appreciation from longtime fan New York Times bestselling author Andre Aciman.

The bestselling author of No Logo shows how the global "free market" has exploited crises and shock for three decades from Chile to Iraq

Scattered across the world, an elite team of code crackers is working tirelessly to thwart the defining cyber scourge of our time. You’ve probably never heard of them. But if you work for a school, a business, a hospital, or a municipal government, or simply cherish your digital data, you may be painfully familiar with the team’s sworn enemy: ransomware. Again and again, an unlikely band of misfits, mostly self-taught and often struggling to make ends meet, have outwitted the underworld of hackers who lock computer networks and demand huge payments in return for the keys.The Ransomware Hunting Team traces the adventures of these unassuming heroes and how they have used their skills to save millions of ransomware victims from paying billions of dollars to criminals. Working tirelessly from bedrooms and back offices, and refusing payment, they’ve rescued those whom the often hapless FBI has been unwilling or unable to help. Foremost among them is Michael Gillespie, a cancer survivor and cat lover who got his start cracking ransomware while working at a Nerds on Call store in the town of Normal, Illinois. Other teammates include the brilliant, reclusive Fabian Wosar, a high school dropout from Germany who enjoys bantering with the attackers he foils, and his protégé, the British computer science prodigy Sarah White. Together, they have established themselves as the most effective force against an escalating global threat. This book follows them as they put their health, personal relationships, and financial security on the line to navigate the technological and moral challenges of combating digital hostage taking.Urgent, uplifting, and entertaining, Renee Dudley and Daniel Golden’s The Ransomware Hunting Team is a real-life technological thriller that illuminates a dangerous new era of cybercrime.

Tears in the Darkness is an altogether new look at World War II that exposes the myths of war and shows the extent of suffering and loss on both sides.

A career-spanning collection of writings by the Nobel laureate Elias Canetti, edited and introduced by Pulitzer Prize winner Joshua Cohen. He embarked on no adventures, he was in no war. He was never in prison, he never killed anyone. He neither won nor lost a fortune. All he ever did was live in this century. But that alone was enough to give his life dimension, both of feeling and of thought. Here, in his own words, is one of the twentieth century's foremost chroniclers: a dizzyingly inventive, formally unplaceable, unstoppably peripatetic writer named Elias Canetti, who was awarded the Nobel Prize in Literature in 1981. I Want to Keep Smashing Myself Until I Am Whole is a summa of Canetti's life and thought, and the definitive introduction to a writer whose genius for interpreting world-historical changes was matched by a keen sense of wonder and an abiding skepticism about the knowability of the self. Born into a Sephardi Jewish family in Bulgaria, Canetti later lived in Austria, England, and Switzerland while traversing, in writing, the great thematic provinces of his time: politics, identity, mortality, and more. Sourced from Canetti's landmark texts, including Crowds and Power, an analysis of authoritarianism and mobs; Auto-da-Fe, a darkly comic, daringly modernist novel about the fate of European literature; the famous sequence of sensory-titled memoirs, including The Tongue Set Free and The Torch in My Ear; and never-before-translated writings such as the posthumous The Book Against Death, this collection assembles its luminous shards into the fullest portrait yet of Canetti's remarkable achievement. Edited and introduced by Joshua Cohen (Book of Numbers, The Netanyahus), I Want to Keep Smashing Myself Until I Am Whole leads us from Canetti's polyglot childhood to his mature preoccupations, and his friendships and rivalries with Hermann Broch, James Joyce, Karl Kraus, Thomas Mann, Robert Musil, and others. This collection is also interspersed with aphorisms and diary entries, revealing Canetti's formal range and stylistic versatility in flashes of erudition and introspective humor. Throughout, we come to see Canetti's restless fascination with the instability of identity as one of the keys to his thought--as he reminds us, It all depends on this: with whom we confuse ourselves.

William Edward Burghardt Du Bois - the premier architect of the civil rights movement in America - was a towering and controversial personality. This book chronicles Du Bois' career.

Even before the recent earthquake destroyed much of the country, Haiti was known as a benighted place of poverty and corruption. Maligned and misunderstood, the nation has long been blamed by many for its own wretchedness. But as acclaimed historian Laurent Dubois demonstrates, Haiti's troubles owe more to a legacy of international punishment for the original sin of staging the only successful slave revolt in the world. Dubois vividly depicts the isolation and impoverishment that followed the 1804 rebellion: the crushing indemnities imposed by the former French rulers, which initiated a cycle of debt; the multiple interventions by the U.S. armed forces, including a twenty-year occupation; and the internal divisions and political chaos that are the inevitable consequences of centuries of subversion. At the same time, he also explores Haiti's overlooked successes, as its revolution created a resilient culture insistent on autonomy and equality.

One morning in 1805, off a remote island in the South Pacific, Captain Amasa Delano, a New England seal hunter, climbed aboard a distressed Spanish ship carrying scores of West Africans he thought were slaves. They weren't. Having earlier seized control of the vessel and slaughtered most of the crew, they were staging an elaborate ruse, acting as if they were humble servants. When Delano, an idealistic, anti-slavery republican, finally realized the deception, he responded with explosive violence. Drawing on research on four continents, The Empire of Necessity explores the multiple forces that culminated in this extraordinary event-an event that already inspired Herman Melville's masterpiece Benito Cereno. Now historian Greg Grandin, with the gripping storytelling that was praised in Fordlandia, uses the dramatic happenings of that day to map a new transnational history of slavery in the Americas, capturing the clash of peoples, economies, and faiths that was the New World in the early 1800s.

Every Sunday, readers of The New York Times Book Review turn with anticipation to see which novelist, historian, short story writer, or artist will be the subject of the popular By the Book feature. These wide-ranging interviews are conducted by Pamela Paul, the editor of the Book Review, and here she brings together sixty-five of the most intriguing and fascinating exchanges, featuring personalities as varied as David Sedaris, Hilary Mantel, Michael Chabon, Khaled Hosseini, Anne Lamott, and James Patterson. The questions and answers admit us into the private worlds of these authors, as they reflect on their work habits, reading preferences, inspirations, pet peeves, and recommendations. By the Book contains the full uncut interviews, offering a range of experiences and observations that deepens readers' understanding of the literary sensibility and the writing process. It also features dozens of sidebars that reveal the commonalities and conflicts among the participants, underscoring those influences that are truly universal and those that remain matters of individual taste.For the devoted reader, By the Book is a way to invite sixty-five of the most interesting guests into your world. It's a book party not to be missed.

From his small apartment in southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. As the creator of "Trace Italian" a text-based, role-playing game that's played through the mail. Sean guides subscribers through his intricately imagined terrain, turn by turn, as they search out sanctuary in a ravaged, savage future America. But when Lance and Carrie, two teenaged seekers of the Trace, take their play outside of the game, disaster strikes, and Sean is called on to account for it. In the process, he is pulled back through time, toward the beginning and the climax: the moment of his own self-inflicted departure from the world in which most people live.