Seventeenth- and Eighteenth-Century Studies – serie

This collection of essays studies the expression and diffusion of radical ideas in Britain from the period of the English Revolution in the mid-seventeenth century to the Romantic Revolution in the early nineteenth century. The essays included in the volume explore the modes of articulation and dissemination of radical ideas in the period by focusing on actors ('radical voices') and a variety of written texts and cultural practices ('radical ways'), ranging from fiction, correspondence, pamphlets and newspapers to petitions presented to Parliament and toasts raised in public. They analyse the way these media interacted with their political, religious, social and literary context. This volume provides an interdisciplinary outlook on the study of early modern radicalism, with contributions from literary scholars and historians, and uses case studies as insights into the global picture of radical ideas. It will be of interest to students of seventeenth- and eighteenth-century literature and history.

This study of English Benedictine nuns is based upon a wide variety of original manuscripts, including chronicles, death notices, clerical instructions, texts of spiritual guidance, but also the nuns' own collections of notes. It highlights the tensions between the contemplative ideal and the nuns' personal experiences, illustrating the tensions between theory and practice in the ideal of being dead to the world. It shows how Benedictine convents were both cut-off and enclosed yet very much in touch with the religious and political developments at home, but also proposes a different approach to the history of nuns, with a study of emotions and the senses in the cloister, delving into the textual analysis of the nuns' personal and communal documents to explore aspect of a lived spirituality, when the body which so often hindered the spirit, at times enabled spiritual experience.

This book examines the links between the unprecedented visual inventiveness of the Romantic period in Britain and eighteenth-century theories of the sublime. Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757), in particular, is shown to have directly or indirectly challenged visual artists to explore not just new themes, but also new compositional strategies and visual media such as panoramas and book illustrations, by arguing that the sublime was beyond the reach of painting. More significantly, it began to call into question mimetic representational models, causing artists to reflect about the presentation of the unpresentable and drawing attention to the process of artistic production itself, rather than the finished artwork.

This book examines the links between the unprecedented visual inventiveness of the Romantic period in Britain and eighteenth-century theories of the sublime. Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757), in particular, is shown to have directly or indirectly challenged visual artists to explore not just new themes, but also new compositional strategies and visual media such as panoramas and book illustrations, by arguing that the sublime was beyond the reach of painting. More significantly, it began to call into question mimetic representational models, causing artists to reflect about the presentation of the unpresentable and drawing attention to the process of artistic production itself, rather than the finished artwork.

Frontiers of servitude explores the fundamental ideas behind early French thinking about Atlantic slavery in little-examined printed and archival sources, focusing on what 'made' a slave, what was unique about Caribbean labour, and what strategic approaches meant in interacting with slaves. From c. 1620 –1750, authoritative discourses were confronted with new social realities, and servitude was accompanied by continuing moral uncertainties. Slavery gave the ownership of labour and even time, but slaves were a troubling presence. Colonists were wary of what slaves knew, and were aware of how imperfect the strategies used to control them were. Commentators were conscious of the fragility of colonial society, with its social and ecological frontiers, its renegade slaves, and its population born to free fathers and slave mothers. This book will interest specialists and more general readers interested in the history and literature of the Atlantic and Caribbean.

The injunction, ‘Know thyself!’, resounding down the centuries, has never lost its appeal and urgency. The ‘self’ remains an abiding and universal concern, something at once intimate, indispensable and elusive; something we take for granted and yet remains difficult to pin down, describe or define. This volume of twelve essays explores how writers in different domains – philosophers and thinkers, novelists, poets, churchmen, political writers and others – construed, fashioned and expressed the self in written form in Great Britain in the course of the long eighteenth century from the Restoration to the period of the French Revolution. The essays are preceded by an introduction that seeks to frame several key aspects of the debate on the self in a succinct and open-minded spirit. The volume foregrounds the coming into being of a recognisably modern self.

This collection of essays seeks to challenge the notion of the supremacy of the brain as the key organ of the Enlightenment, by focusing on the workings of the bowels and viscera that so obsessed writers and thinkers during the long eighteenth-century. These inner organs and the digestive process acted as counterpoints to politeness and other modes of refined sociability, drawing attention to the deeper workings of the self. Moving beyond recent studies of luxury and conspicuous consumption, where dysfunctional bowels have been represented as a symptom of excess, this book seeks to explore other manifestations of the visceral and to explain how the bowels played a crucial part in eighteenth-century emotions and perceptions of the self. The collection offers an interdisciplinary and cross-cultural perspective on entrails and digestion by addressing urban history, visual studies, literature, medical history, religious history, and material culture in England, France, and Germany.

This collection of essays studies the expression and diffusion of radical ideas in Britain from the period of the English Revolution in the mid-seventeenth century to the Romantic Revolution in the early nineteenth century. The essays included in the volume explore the modes of articulation and dissemination of radical ideas in the period by focusing on actors ('radical voices') and a variety of written texts and cultural practices ('radical ways'), ranging from fiction, correspondence, pamphlets and newspapers to petitions presented to Parliament and toasts raised in public. They analyse the way these media interacted with their political, religious, social and literary context. This volume provides an interdisciplinary outlook on the study of early modern radicalism, with contributions from literary scholars and historians, and uses case studies as insights into the global picture of radical ideas.

This edited collection brings together literary scholars and art historians, and maps how satire became a less genre-driven and increasingly visual medium in the seventeenth through the early nineteenth century. Changing satire demonstrates how satire proliferated in various formats, and discusses a wide range of material from canonical authors like Swift to little known manuscript sources and prints. As the book emphasises, satire was a frame of reference for well-known authors and artists ranging from Milton to Bernini and Goya. It was moreover a broad European phenomenon: while the book focuses on English satire, it also considers France, Italy, The Netherlands and Spain, and discusses how satirical texts and artwork could move between countries and languages. In its wide sweep across time and formats, Changing satire brings out the importance that satire had as a transgressor of borders.

This collection of essays seeks to challenge the notion of the supremacy of the brain as the key organ of the Enlightenment, by focusing on the workings of the bowels and viscera that so obsessed writers and thinkers during the long eighteenth-century. These inner organs and the digestive process acted as counterpoints to politeness and other modes of refined sociability, drawing attention to the deeper workings of the self. Moving beyond recent studies of luxury and conspicuous consumption, where dysfunctional bowels have been represented as a symptom of excess, this book seeks to explore other manifestations of the visceral and to explain how the bowels played a crucial part in eighteenth-century emotions and perceptions of the self. The collection offers an interdisciplinary and cross-cultural perspective on entrails and digestion by addressing urban history, visual studies, literature, medical history, religious history, and material culture in England, France and Germany.

Religion and life cycles in early modern England assembles scholars working in the fields of history, English literature and art history to further our understanding of the intersection between religion and the life course in the period c. 1550–1800. Featuring chapters on Catholic, Protestant and Jewish communities, it encourages cross-confessional comparison between life stages and rites of passage that were of religious significance to all faiths in early modern England. The book considers biological processes such as birth and death, aspects of the social life cycle including schooling, coming of age and marriage and understandings of religious transition points such as spiritual awakenings and conversion. Through this inclusive and interdisciplinary approach, it seeks to show that the life cycle was not something fixed or predetermined and that early modern individuals experienced multiple, overlapping life cycles.

This international and interdisciplinary volume investigates Protestant devotional identities in sixteenth- and seventeenth-century England. Divided into two sections, the book examines the ‘sites’ where these identities were forged – the academy, printing house, household, theatre and prison – and the ‘types’ of texts that expressed them – spiritual autobiographies, religious poetry and writings tied to the ars moriendi – providing a broad analysis of social, material and literary forms of devotion during England’s Long Reformation. Through archival and cutting-edge research, a detailed picture of ‘lived religion’ emerges, which re-evaluates the pietistic acts and attitudes of well-known and recently discovered figures. To those studying and teaching religion and identity in early modern England, and anyone interested in the history of religious self-expression, these chapters offer a rich and rewarding read.

This international and interdisciplinary volume investigates Protestant devotional identities in sixteenth- and seventeenth-century England. Divided into two sections, the book examines the ‘sites’ where these identities were forged – the academy, printing house, household, theatre and prison – and the ‘types’ of texts that expressed them – spiritual autobiographies, religious poetry and writings tied to the ars moriendi – providing a broad analysis of social, material and literary forms of devotion during England’s Long Reformation. Through archival and cutting-edge research, a detailed picture of ‘lived religion’ emerges, which re-evaluates the pietistic acts and attitudes of well-known and recently discovered figures. To those studying and teaching religion and identity in early modern England, and anyone interested in the history of religious self-expression, these chapters offer a rich and rewarding read.

This international and interdisciplinary volume investigates Protestant devotional identities in sixteenth- and seventeenth-century England. Divided into two sections, the book examines the ‘sites’ where these identities were forged – the academy, printing house, household, theatre and prison – and the ‘types’ of texts that expressed them – spiritual autobiographies, religious poetry and writings tied to the ars moriendi – providing a broad analysis of social, material and literary forms of devotion during England’s Long Reformation. Through archival and cutting-edge research, a detailed picture of ‘lived religion’ emerges, which re-evaluates the pietistic acts and attitudes of well-known and recently discovered figures. To those studying and teaching religion and identity in early modern England, and anyone interested in the history of religious self-expression, these chapters offer a rich and rewarding read.

Murky waters challenges the refined image of spa towns in eighteenth-century Britain by unveiling darker and more ambivalent contemporary representations. It reasserts the centrality of health in British spas by looking at disease, the representation of treatment and the social networks of care woven into spa towns. The book explores the great variety of medical and literary discourses on the numerous British spas in the long eighteenth century and offers a rare look at spas beyond Bath. Following the thread of 'murkiness', it explores the underwater culture of spas, from the gender fluidity of users to the local and national political dimensions, as well as the financial risks taken by gamblers and investors. It thus brings a fresh look at mineral waters and a pinch of salt to health-related discourses.

George Herbert (1593-1633), the celebrated devotional poet, and his brother Lord Herbert of Cherbury (1583-1648), often described as the father of English deism, are rarely considered together. This collection explores connections between the full range of the brothers’ writings and activities, despite the apparent differences both in what they wrote and in how they lived their lives. More specifically, the volume demonstrates that despite these differences, each conceived of their extended republic of letters as militating against a violent and exclusive catholicity; theirs was a communion in which contention (or disputation) served to develop more dynamic forms of comprehensiveness. The literary, philosophical and musical production of the Herbert brothers appears here in its full European context, connected as they were with the Sidney clan and its investment in international Protestantism.The disciplinary boundaries between poetry, philosophy, politics and theology in modern universities are a stark contrast to the deep interconnectedness of these pursuits in the seventeenth century. Crossing disciplinary and territorial borders, contributors discuss a variety of texts and media, including poetry, musical practices, autobiography, letters, council literature, orations, philosophy, history and nascent religious anthropology, all serving as agents of the circulation and construction of transregionally inspired and collective responses to human conflict and violence. We see as never before the profound connections, face-to-face as well as textual, linking early modern British literary culture with the continent.

Agents of European overseas empires involves contributors who specialise on often overlooked aspects of imperial endeavour: ‘private’ European interests, companies, merchants or courtiers, who conducted their own activities both with and without the benediction of polities. The chapters adopt intra- as well as inter-imperial perspectives and transport the reader to colonial America, the West Indies, the Cape of Good Hope, Batavia, or Ceylon, through the Dutch, English, French and Spanish empires. Agents of European overseas empires offers crucial insight on how these actors acquired profits and power and, in turn, laid the platforms for European global empires.

Murky waters challenges the refined image of spa towns in eighteenth-century Britain by unveiling darker and more ambivalent contemporary representations. It reasserts the centrality of health in British spas by looking at disease, the representation of treatment and the social networks of care woven into spa towns. The book explores the great variety of medical and literary discourses on the numerous British spas in the long eighteenth century and offers a rare look at spas beyond Bath. Following the thread of 'murkiness', it explores the underwater culture of spas, from the gender fluidity of users to the local and national political dimensions, as well as the financial risks taken by gamblers and investors. It thus brings a fresh look at mineral waters and a pinch of salt to health-related discourses.

This book examines the cultural transfer of the British club model to the English-speaking colonies of North America. The gentlemen’s club, which flourished in eighteenth-century Britain, became a highly exportable institution throughout the Empire. This study shows that this unique model of sociability played a central part both in transmitting British values and in shaping a new colonial identity. It argues that the success of clubs in British America depended on the emergence of favourable cultural, economic and political factors, on the agency of some decisive social actors such as Benjamin Franklin and Dr. Alexander Hamilton, and on the creation of networks of influence and power, therefore shedding new light on the circulation of individuals, ideas and practices in the colonies from 1720 to the eve of the American Revolution.

This international and interdisciplinary volume investigates Protestant devotional identities in sixteenth- and seventeenth-century England. Divided into two sections, the book examines the ‘sites’ where these identities were forged – the academy, printing house, household, theatre and prison – and the ‘types’ of texts that expressed them – spiritual autobiographies, religious poetry and writings tied to the ars moriendi – providing a broad analysis of social, material and literary forms of devotion during England’s Long Reformation. Through archival and cutting-edge research, a detailed picture of ‘lived religion’ emerges, which re-evaluates the pietistic acts and attitudes of well-known and recently discovered figures. To those studying and teaching religion and identity in early modern England, and anyone interested in the history of religious self-expression, these chapters offer a rich and rewarding read.

Wives have long been neglected as a topic of scholarly research. The invisibility of married women in England within the historical record, the complexities of their legal and economic status, and an erroneous belief that women’s activities were confined to the domestic has meant that little attention has been focussed exclusively on wives. Now, however, new scholarship is challenging the orthodoxy of previously dominant ‘private sphere’ narratives and demonstrating that the roles available to married women were more nuanced and dynamic than mainstream assumptions have allowed. This edited volume brings together new research from a number of disciplines to interrogate key issues relating to married women during the long eighteenth century: coverture and the law, literary representation and ideology, paid labour and property ownership. In doing so, it also explores new cross-chronological and multi-disciplinary models that will direct future research.

This study examines the image of the poet in early modern plays from 1558–1660, drawing on rarely discussed dramatic material by figures such as Shirley and Brome. It investigates how playwrights depict poets as working professionals and as socially ambivalent figures shaped by patronage, rivalry and shifting literary values. Through close attention to prologues, staged representations and mythological allusions, it highlights the poet’s unstable position between mastery of a quasi-divine art and accusations of parasitism in a culture preoccupied with imitation and theft. By situating these portrayals within early modern society, aesthetics and readerships, the book offers new insight into poetic identity, social distinction and literary authority, enriching research in early modern drama, poetics and cultural history.