World Directors – serie

A discussion of the frequently controversial film maker Youssef Chahine. The book aims to illuminate Chahine's work in the context of modern Egyptian culture and its tumultuous post-war history and how such films as 'Cairo Station' (1958), 'The Earth' (1959) and 'The Sparrow' (1973) dramatized the dilemmas of ordinary Egyptians. He also argues that Chahine's intensely autobiographical trilogy 'Alexandria...Why?' (1978), 'An Egyptian Story' (1985) and 'Alexandria...More and More' (1989) spoke to the concerns of the broader Egyptian intelligentsia amongst whom he has earned the reputation of being the 'poet and thinker' of modern Arab cinema. The final analysis of the book argues that Chahine's work stands comparison with directors such as Fellini, Bergman, Kurosawa or Sembene but also emphatically draws strength from its links with one of the most vibrant popular cinemas of the world and from the roots and traditions of popular Arabic culture.

As a charismatic director in the Indian film industry, Chopra's name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as 'Deewaar' and 'Kabhi Kabhie'. His directorial career began in 1959 with 'Dhool Ka Phool' and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including 'Dilwale Dulhaniya Le Jayenge'. He has also worked in other Hindi movie genres, directing action movies such as 'Mashaal' and a thriller, 'Darr'. This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as 'Deewaar', 'Trishul', 'Kala Patthar' and 'Silsila' and how, in his transformation of the look of mainstream cinema in 'Dil To Pagal Hai' and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer's book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as 'Kuch Kuch Hota Hai' and younger directors such as Karan Johar and Aditya Chopra.

Films such as 'The Adjuster', 'Calendar' and 'Speaking Parts' established Canadian Armenian director Atom Egoyan as a leading contender for being the worlds most alluring post-modern filmmaker. In these and other films the distortions and perversions of the self are mirrored through an omnipresent (and sexualised) visual media culture. Through the filter of a compassionate detachment his work is an unparalleled probing of identity and alienation, sexuality and dysfunction, psychology and subjectivity. Critic Jonathan Romney traces Egoyan's career, film by film - from his early shorts, through the video-themed features that made his name, to his emergence as prize-winning A list auteur with 'The Sweet Hereafter' and the wider canvasses of his most recent films 'Felicia's Journey' and 'Ararat'. The author shows how films such as Egoyan's 'Exotica' (set in a strip club and structured like a striptease) offer their viewers rich, almost inexhaustibly complex pleasures and demonstrate the craft of one of contemporary cinema's most provocative auteurs.

With no less than two Golden Palms from Cannes and scores of other top awards, Bosnian-born Emir Kusturica is one of the most decorated and celebrated film directors in the world. Films such as Time of the Gypsies (1989) and Underground (1995) have captivated audiences with their extraordinary imagination, exuberant energy and challenging and often contentious subjectmatter. But Kusturica is also one of the most controversial directors working in cinema today. While many critics have praised his free-flying fantasy, others have found his films excessively exoticised and overdrawn. Some have publicly criticised his politics. He has an extensive international fan following who worship his work and think of him as a film-making genius, but there are also people who think of him as an opportunist. Dina Iordanova's study in the BFI World Directors series is a balanced examination of Kusturica's personality, films, artistry, and ideology. It acknowledges the contradictions but tries to understand and make them comprehensible to others. The text presents an overview of Kusturica's career from early films with their debt to Russian cinema and the Czech New Wave (Do you Remember Dolly Bell? 1981; When Father was Away on Business, 1985) to the most recent Black Cat White Cat (1998) and the 'rockumentary' Super 8 Story (2001). It pays tribute to his attractive and impressive aesthetics and investigates the particularities of his ideology. The author details Kusturica's artistic and personal roots dating back to socialist Sarejevo in the former Yugoslavia, examining the sources of his unique artistry, and the complex ideological and political issues that arise from their production and reception histories. Dina Iordanova's account presents a uniquely rounded view of this fascinating director showing how Kusturica's intensely held (though changing) Balkan affiliations lie at the root of a practice which has proved to be one of the latest and glorious flowerings of the European auteurist tradition.

This is the first major book-length study of the work of Australian film-maker Baz Luhrmann, one of the most exciting and controversial personalities working in World Cinema today. Luhrmann''s reputation as an innovator rests on the evidence of the three films known as the Red Curtain Trilogy: Strictly Ballroom (1992), William Shakespeare''s Romeo + Juliet (1996) and Moulin Rouge! (2001), which together demonstrate the development of a highly distinctive style and brand.   Pam Cook, who was given unprecedented access to the Luhrmann private archives, explores the genesis of the Red Curtain aesthetic, from Luhrmann''s early experience in theatre and opera to his collaborative working methods and unique production set-up. Drawing on in-depth interviews with Luhrmann and his chief collaborator, designer Catherine Martin, she traces the roots of their work in an increasingly globalised Australian film culture, investigating the relationship of their company Bazmark to the Hollywood studio Twentieth Century-Fox, and the influences on their style and production methods. At the book''s heart are substantial analyses of the spectacular Red Curtain films and the historical epic Australia (2008). This lively and original study of one of contemporary cinema''s most fascinating figures will appeal to film scholars, cultural historians and Luhrmann enthusiasts alike.  

With the phenomenal success of ''The Piano'' (1993), Jane Campion became revered by many as the leading female film director of the 1990s. In this book, Dana Polan examines the phenomenon of ''The Piano'' and how it develops from the early shorts and first features which evoke an often surreal and critical distanced style of looking at everyday issues. Looking at all of Campion''s work before and since, including ''Holy Smoke'' (1999), which returned again to the battleground of gender politics, the author concludes his survey of the director''s work by offering some hypotheses about the erotic thriller ''The Cut'' (2001) whilst asking what variety of approaches to the study of directors might now be fruitful.

With the phenomenal success of ''The Piano'' (1993), Jane Campion became revered by many as the leading female film director of the 1990s. In this book, Dana Polan examines the phenomenon of ''The Piano'' and how it develops from the early shorts and first features which evoke an often surreal and critical distanced style of looking at everyday issues. Looking at all of Campion''s work before and since, including ''Holy Smoke'' (1999), which returned again to the battleground of gender politics, the author concludes his survey of the director''s work by offering some hypotheses about the erotic thriller ''The Cut'' (2001) whilst asking what variety of approaches to the study of directors might now be fruitful.

Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano''s films from Violent Cop to Takeshis, the author relates the director to issues of contemporary cinema, Japanese national identity, and globalism.

Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano''s films from Violent Cop to Takeshis, the author relates the director to issues of contemporary cinema, Japanese national identity, and globalism.

With the international success of Breaking the Waves (1996) and Dancer in the Dark (2000), Lars von Trier has established himself as a one of the most provocative and daring film directors working today. The founding father of Dogma 95, he made the movement''s most controversial film, The Idiots (1998), and has played a leading role in the recent resurgence of Danish cinema. Yet despite his success, von Trier remains something of an polarising and enigmatic figure hailed as the new Godard by some and a charlatan by others. In this new study, Jack Stevenson explores the achievements as well as the paradoxes of Lars von Trier, assessing his life, work, and critical reception. The book follows von Trier from his early life as a troubled son of ''Cultural Radical'' parents through to his student days at the Danish Film School, diligently spent making films that were as innovative and disturbing as his later features have proved to be. These films (consisting of the Europa and Gold-Hearted trilogies) are fully examined together with considerations of his creative detours into other media and his current work in progress, Dogville. Based in Denmark, the author brings a unique perspective to Lars von Trier creating a multi-dimensional portrait of the director. Utilising sources heretofore unavailable in English, Stevenson''s lively yet fact-filled narrative is accessible to students and film enthusiasts alike. The book is indispensable to anyone interested in Lars von Trier and the broader issues that surround modern Danish film and its current renaissance.

With the international success of Breaking the Waves (1996) and Dancer in the Dark (2000), Lars von Trier has established himself as a one of the most provocative and daring film directors working today. The founding father of Dogma 95, he made the movement''s most controversial film, The Idiots (1998), and has played a leading role in the recent resurgence of Danish cinema. Yet despite his success, von Trier remains something of an polarising and enigmatic figure hailed as the new Godard by some and a charlatan by others. In this new study, Jack Stevenson explores the achievements as well as the paradoxes of Lars von Trier, assessing his life, work, and critical reception. The book follows von Trier from his early life as a troubled son of ''Cultural Radical'' parents through to his student days at the Danish Film School, diligently spent making films that were as innovative and disturbing as his later features have proved to be. These films (consisting of the Europa and Gold-Hearted trilogies) are fully examined together with considerations of his creative detours into other media and his current work in progress, Dogville. Based in Denmark, the author brings a unique perspective to Lars von Trier creating a multi-dimensional portrait of the director. Utilising sources heretofore unavailable in English, Stevenson''s lively yet fact-filled narrative is accessible to students and film enthusiasts alike. The book is indispensable to anyone interested in Lars von Trier and the broader issues that surround modern Danish film and its current renaissance.

The book provides a detailed introduction to the essential themes, style, and aesthetics of Pedro Almodovar''s films, put in the context of Spain''s profound cultural transitions since 1980. With precise and close analysis, the book covers the major concerns of the most successful of all Spanish film directors and makes direct, clear connections to the logic of Almodovar''s aesthetic and stylistic choices. By spanning the entirety of Pedro Almodovar''s feature making career, the book emphasizes the director''s sensibility to make the outrageous believable and to always give a unique spin to the issues Spanish history, culture and identity. A detailed and comprehensive approach to all of Pedro Almodovar''s feature films from the outrageous 1980 ''Pepi, Luci, Bom and Other Girls on the Heap'' to the sophisticated 2004 ''Bad Education'', this book provides more than an introduction an intimate look at the topics, style, aesthetics and cultural sensibilities of Spain''s most distinguished and celebrated film director since Luis Bunuel. By focusing on a film-by-film, and often scene-by-scene analysis, this book offers a meticulous interpretation of characters, situations, allusions and cultural intersections, as well as emphasizing the meaning and weight of cultural, historical and social contexts. The book traces the evolution of Almodovar''s career, from the perspective of aesthetic, narrative and stylistic concerns and places those changes in the logical context of Spain''s historical trajectory from the end of Franco''s dictatorship to the transition to democracy, exploring Almodovar''s interest on issues of identity, sexuality, and nationalism.

The book provides a detailed introduction to the essential themes, style, and aesthetics of Pedro Almodovar''s films, put in the context of Spain''s profound cultural transitions since 1980. With precise and close analysis, the book covers the major concerns of the most successful of all Spanish film directors and makes direct, clear connections to the logic of Almodovar''s aesthetic and stylistic choices. By spanning the entirety of Pedro Almodovar''s feature making career, the book emphasizes the director''s sensibility to make the outrageous believable and to always give a unique spin to the issues Spanish history, culture and identity. A detailed and comprehensive approach to all of Pedro Almodovar''s feature films from the outrageous 1980 ''Pepi, Luci, Bom and Other Girls on the Heap'' to the sophisticated 2004 ''Bad Education'', this book provides more than an introduction an intimate look at the topics, style, aesthetics and cultural sensibilities of Spain''s most distinguished and celebrated film director since Luis Bunuel. By focusing on a film-by-film, and often scene-by-scene analysis, this book offers a meticulous interpretation of characters, situations, allusions and cultural intersections, as well as emphasizing the meaning and weight of cultural, historical and social contexts. The book traces the evolution of Almodovar''s career, from the perspective of aesthetic, narrative and stylistic concerns and places those changes in the logical context of Spain''s historical trajectory from the end of Franco''s dictatorship to the transition to democracy, exploring Almodovar''s interest on issues of identity, sexuality, and nationalism.

Shyam Benegal is the best known and most prolific contemporary film-maker from India''s arthouse or ''New Cinema'' tradition. This work traces a career with its beginnings in political cinema and a realist aesthetic. Sangeeta Datta demonstrates how the struggles of women and the dispossessed and marginalised in Indian society have found an eloquent expression in films as diverse as Nishant, Bhumika, Mandi, Suraj Ka Satwan Ghoda and Kalyug. The book also traces Benegal''s work with his protégés and collaborators including many of the biggest names in Indian Cinema - Shabana Azmi, Smita Patil, Naseeruddin Shah, Karishma Kapoor and A.R. Rahman.

Shyam Benegal is the best known and most prolific contemporary film-maker from India''s arthouse or ''New Cinema'' tradition. This work traces a career with its beginnings in political cinema and a realist aesthetic. Sangeeta Datta demonstrates how the struggles of women and the dispossessed and marginalised in Indian society have found an eloquent expression in films as diverse as Nishant, Bhumika, Mandi, Suraj Ka Satwan Ghoda and Kalyug. The book also traces Benegal''s work with his protégés and collaborators including many of the biggest names in Indian Cinema - Shabana Azmi, Smita Patil, Naseeruddin Shah, Karishma Kapoor and A.R. Rahman.

This study of Hong Kong cult director Wong Kar-wai provides an overview of his career and in-depth analysis of his seven feature films to date. Teo probes Wong''s cinematic and literary influences - from Martin Scorsese to Haruki Murakami - yet shows how Wong transcends them all.

This study of Hong Kong cult director Wong Kar-wai provides an overview of his career and in-depth analysis of his seven feature films to date. Teo probes Wong''s cinematic and literary influences - from Martin Scorsese to Haruki Murakami - yet shows how Wong transcends them all.

As a charismatic director in the Indian film industry, Chopra''s name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as ''Deewaar'' and ''Kabhi Kabhie''. His directorial career began in 1959 with ''Dhool Ka Phool'' and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including ''Dilwale Dulhaniya Le Jayenge''. He has also worked in other Hindi movie genres, directing action movies such as ''Mashaal'' and a thriller, ''Darr''. This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as ''Deewaar'', ''Trishul'', ''Kala Patthar'' and ''Silsila'' and how, in his transformation of the look of mainstream cinema in ''Dil To Pagal Hai'' and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer''s book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as ''Kuch Kuch Hota Hai'' and younger directors such as Karan Johar and Aditya Chopra.

As a charismatic director in the Indian film industry, Chopra''s name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as ''Deewaar'' and ''Kabhi Kabhie''. His directorial career began in 1959 with ''Dhool Ka Phool'' and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including ''Dilwale Dulhaniya Le Jayenge''. He has also worked in other Hindi movie genres, directing action movies such as ''Mashaal'' and a thriller, ''Darr''. This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as ''Deewaar'', ''Trishul'', ''Kala Patthar'' and ''Silsila'' and how, in his transformation of the look of mainstream cinema in ''Dil To Pagal Hai'' and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer''s book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as ''Kuch Kuch Hota Hai'' and younger directors such as Karan Johar and Aditya Chopra.

A discussion of the frequently controversial film maker Youssef Chahine. The book aims to illuminate Chahine''s work in the context of modern Egyptian culture and its tumultuous post-war history and how such films as ''Cairo Station'' (1958), ''The Earth'' (1959) and ''The Sparrow'' (1973) dramatized the dilemmas of ordinary Egyptians. He also argues that Chahine''s intensely autobiographical trilogy ''Alexandria...Why?'' (1978), ''An Egyptian Story'' (1985) and ''Alexandria...More and More'' (1989) spoke to the concerns of the broader Egyptian intelligentsia amongst whom he has earned the reputation of being the ''poet and thinker'' of modern Arab cinema. The final analysis of the book argues that Chahine''s work stands comparison with directors such as Fellini, Bergman, Kurosawa or Sembene but also emphatically draws strength from its links with one of the most vibrant popular cinemas of the world and from the roots and traditions of popular Arabic culture.

A discussion of the frequently controversial film maker Youssef Chahine. The book aims to illuminate Chahine''s work in the context of modern Egyptian culture and its tumultuous post-war history and how such films as ''Cairo Station'' (1958), ''The Earth'' (1959) and ''The Sparrow'' (1973) dramatized the dilemmas of ordinary Egyptians. He also argues that Chahine''s intensely autobiographical trilogy ''Alexandria...Why?'' (1978), ''An Egyptian Story'' (1985) and ''Alexandria...More and More'' (1989) spoke to the concerns of the broader Egyptian intelligentsia amongst whom he has earned the reputation of being the ''poet and thinker'' of modern Arab cinema. The final analysis of the book argues that Chahine''s work stands comparison with directors such as Fellini, Bergman, Kurosawa or Sembene but also emphatically draws strength from its links with one of the most vibrant popular cinemas of the world and from the roots and traditions of popular Arabic culture.

This, the first book-length study of Hong Kong cult director Wong Kar-wai, provides an overview of his career and in-depth analyses of his seven feature films to date. The study also takes an intriguing look at Wong's commercials for the likes of Motorola, BMW, and Lacoste and at his music vide for DJ Shadow. Stephen Teo probes Wong's cinematic and literary influences - from Martin Scorsese and Alfred Hitchcock to Manuel Puig and Haruki Murakami - yet shows how Wong transcends them all. This comprehensive and thoroughly accessible study confirms Wong's position as the star of the Hong Kong-global nexus and as a postmodern exemplar of world cinema.

This study of Hong Kong cult director Wong Kar-wai provides an overview of his career and in-depth analysis of his seven feature films to date. Teo probes Wong's cinematic and literary influences - from Martin Scorsese to Haruki Murakami - yet shows how Wong transcends them all.

This is the first major book-length study of the work of Australian film-maker Baz Luhrmann, one of the most exciting and controversial personalities working in World Cinema today. Luhrmann's reputation as an innovator rests on the evidence of the three films known as the Red Curtain Trilogy: Strictly Ballroom (1992), William Shakespeare's Romeo + Juliet (1996) and Moulin Rouge! (2001), which together demonstrate the development of a highly distinctive style and brand. Pam Cook, who was given unprecedented access to the Luhrmann private archives, explores the genesis of the Red Curtain aesthetic, from Luhrmann's early experience in theatre and opera to his collaborative working methods and unique production set-up. Drawing on in-depth interviews with Luhrmann and his chief collaborator, designer Catherine Martin, she traces the roots of their work in an increasingly globalised Australian film culture, investigating the relationship of their company Bazmark to the Hollywood studio Twentieth Century-Fox, and the influences on their style and production methods. At the book's heart are substantial analyses of the spectacular Red Curtain films and the historical epic Australia (2008). This lively and original study of one of contemporary cinema's most fascinating figures will appeal to film scholars, cultural historians and Luhrmann enthusiasts alike.

Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author relates the director to issues of contemporary cinema, Japanese national identity, and globalism.