Michele Hilmes is Professor Emerita at the University of Wisconsin-Madison.Andrew J. Bottomley is Associate Professor of Media Studies at SUNY Oneonta

• Introduction to The Oxford Handbook of Radio and Podcasting - Michele Hilmes and Andrew J. Bottomley SECTION I: RADIO ARTS - MUSIC 1. Punch Cards and Playlists: Computation, Curation, and the Cybernetic Origins of Radio Formatting - Alexander Russo 2. Freeform Radio and the History of Music Streaming - Elena Razlogova 3. New Music Fridays: Now Available via Podcasts - Jeremy Wade Morris 4. <"A Golden Age of Audio> ": Smart Speakers, Domestic Listening, and the Question of Radioness - Christina Baade 5. The Campus Radio Music Library in the Streaming Music Era - Brian Fautuex SECTION II: RADIO ARTS - DRAMA 6. British Radio Drama and Theatre - Hugh Chignell 7. Silly Women's Stories? The Foundational Role of the Daytime Radio Serial - Elana Levine 8. Korean Radio Drama: Mid-Century Melodramatic Voice Performance - Jina E. Kim 9. Sloppy Realism: Audio Drama, Field Recording, and the Radiophonic Unconscious - Neil Verma 10. Listen Without Limits: True Crime, Audio Drama, and BBC Sounds Podcasts - Leslie McMurtry SECTION III: RADIO ARTS - POETRY, POLITICS, AND POETICS 11. Through the Wild Dark: Loose Notes in Search of a Radio Poetics - Gregory Whitehead 12. Langston Hughes, The Man Who Went to War, and the Political Work of the Radio Ballad - Michele Hilmes 13. In the Air: Broadcasting the Poetry of the U.S. Women's Liberation Movement - Lisa Hollenbach 14. Noisy Feeds: Reciprocal Listening, Decolonial Struggle, and Play in Podcasting - Michelle Macklem SECTION IV: RADIO FACTUALITIES - DOCUMENTARY AND NONFICTION STORYTELLING 15. Back to Sound School: Revisiting the Aesthetic Norms of 1950s and 1960s Educational Radio - Matt St. John, Eric Hoyt, and Stephanie Sapienza 16. Sensational Voices: Discourses of Intimacy in Podcast Production Culture - Andrew J. Bottomley 17. The Invisible Art of Audio Storytelling - Siobhán McHugh 18. Giving Voice or Creating a Spectacle?: Personality, Intimacy, and Ehtics in First-Person Narrative Nonfiction Podcasting - Christopher Cwynar SECTION V: RADIO FACTUALITIES - NEWS AND TALK 19. Breakfast Radio: <"We Wake Up Bright and Early Just to Howdy-Do Ya> " - Amanda Keeler 20. The Strange Case of Topless Radio - Jacob Smith 21. Late-Night Talk Radio in Post-Mao China: From the Telecommunication Age to the Digital Age - Wei Lei 22. Podcast Journalism: Storytelling Experimentation and Emerging Conventions - Dylan Bird and Mia Lindgren 23. The Daily Dose: Podcasting and Broadcasting in the Public Interest - Jason Loviglio SECTION VI: RADIO AND COMMUNITY 24. Native American Radio History and the Indians for Indians Program - Lina Ortega and Josh Garrett-Davis 25. Finding Queer Soundwork: Information Activism in Lesbian Feminist Radio and Queer Podcast Networks - Stacey Copeland 26. Community Radio in Central and Eastern Europe: Poland Takes Two Steps Forward, One Step Back - Urszula Doliwa 27. Casting On Podcasts: Stitching Maker Identities into a Modern Sound Culture - Jennifer Hyland Wang SECTION VII: RADIO AND NATION 28. The BBC and the Rise and Fall of the Empire Radio Feature, 1932-1966 - Simon J. Potter 29. Kenyan Radio, Colonial Modernity, and Postcolonial Subjectivities - Dina Ligaga 30. Segregation on the Airwaves: From a Monolingual to a Multilingual Broadcasting Model in Angola and Mozambique - Nelson Ribeiro 31. Radio, Cinema, and the South Asian Soundscape: From Broadcasting to the Digital Era - Aswin Punathambekar 32. Educating the Public: U.S. Public Radio's Roots in Education and Research - Josh Shepperd SECTION VIII: RADIO CULTURE AND HISTORIOGRAPHY 33. Remediate, Listen, Repeat: Lives and Afterlives of Three Caribbean Archives - Alejandra Bronfman 34. Recuperating a Critical Tradition: John Crosby, Jack Gould, and the Development of American Newspaper Radio Criticism, 1946-1952 - Kathy Fuller-Seeley and Laura C. Brown 35. For the Love of Radio: The Archival Impulse in Broadcast Institutions - Carolyn Birdsall 36. Confronting the Inaudible Past: A Document-Based Approach to Audio Archaeology - Shawn VanCour 37. Communication in the Radio Century: Thinking Through Radio - Kate Lacey

Michele Hilmes is Professor Emerita at the University of Wisconsin-Madison.Andrew J. Bottomley is Associate Professor of Media Studies at SUNY Oneonta

• Introduction to The Oxford Handbook of Radio and Podcasting - Michele Hilmes and Andrew J. Bottomley SECTION I: RADIO ARTS - MUSIC 1. Punch Cards and Playlists: Computation, Curation, and the Cybernetic Origins of Radio Formatting - Alexander Russo 2. Freeform Radio and the History of Music Streaming - Elena Razlogova 3. New Music Fridays: Now Available via Podcasts - Jeremy Wade Morris 4. <"A Golden Age of Audio> ": Smart Speakers, Domestic Listening, and the Question of Radioness - Christina Baade 5. The Campus Radio Music Library in the Streaming Music Era - Brian Fautuex SECTION II: RADIO ARTS - DRAMA 6. British Radio Drama and Theatre - Hugh Chignell 7. Silly Women's Stories? The Foundational Role of the Daytime Radio Serial - Elana Levine 8. Korean Radio Drama: Mid-Century Melodramatic Voice Performance - Jina E. Kim 9. Sloppy Realism: Audio Drama, Field Recording, and the Radiophonic Unconscious - Neil Verma 10. Listen Without Limits: True Crime, Audio Drama, and BBC Sounds Podcasts - Leslie McMurtry SECTION III: RADIO ARTS - POETRY, POLITICS, AND POETICS 11. Through the Wild Dark: Loose Notes in Search of a Radio Poetics - Gregory Whitehead 12. Langston Hughes, The Man Who Went to War, and the Political Work of the Radio Ballad - Michele Hilmes 13. In the Air: Broadcasting the Poetry of the U.S. Women's Liberation Movement - Lisa Hollenbach 14. Noisy Feeds: Reciprocal Listening, Decolonial Struggle, and Play in Podcasting - Michelle Macklem SECTION IV: RADIO FACTUALITIES - DOCUMENTARY AND NONFICTION STORYTELLING 15. Back to Sound School: Revisiting the Aesthetic Norms of 1950s and 1960s Educational Radio - Matt St. John, Eric Hoyt, and Stephanie Sapienza 16. Sensational Voices: Discourses of Intimacy in Podcast Production Culture - Andrew J. Bottomley 17. The Invisible Art of Audio Storytelling - Siobhán McHugh 18. Giving Voice or Creating a Spectacle?: Personality, Intimacy, and Ehtics in First-Person Narrative Nonfiction Podcasting - Christopher Cwynar SECTION V: RADIO FACTUALITIES - NEWS AND TALK 19. Breakfast Radio: <"We Wake Up Bright and Early Just to Howdy-Do Ya> " - Amanda Keeler 20. The Strange Case of Topless Radio - Jacob Smith 21. Late-Night Talk Radio in Post-Mao China: From the Telecommunication Age to the Digital Age - Wei Lei 22. Podcast Journalism: Storytelling Experimentation and Emerging Conventions - Dylan Bird and Mia Lindgren 23. The Daily Dose: Podcasting and Broadcasting in the Public Interest - Jason Loviglio SECTION VI: RADIO AND COMMUNITY 24. Native American Radio History and the Indians for Indians Program - Lina Ortega and Josh Garrett-Davis 25. Finding Queer Soundwork: Information Activism in Lesbian Feminist Radio and Queer Podcast Networks - Stacey Copeland 26. Community Radio in Central and Eastern Europe: Poland Takes Two Steps Forward, One Step Back - Urszula Doliwa 27. Casting On Podcasts: Stitching Maker Identities into a Modern Sound Culture - Jennifer Hyland Wang SECTION VII: RADIO AND NATION 28. The BBC and the Rise and Fall of the Empire Radio Feature, 1932-1966 - Simon J. Potter 29. Kenyan Radio, Colonial Modernity, and Postcolonial Subjectivities - Dina Ligaga 30. Segregation on the Airwaves: From a Monolingual to a Multilingual Broadcasting Model in Angola and Mozambique - Nelson Ribeiro 31. Radio, Cinema, and the South Asian Soundscape: From Broadcasting to the Digital Era - Aswin Punathambekar 32. Educating the Public: U.S. Public Radio's Roots in Education and Research - Josh Shepperd SECTION VIII: RADIO CULTURE AND HISTORIOGRAPHY 33. Remediate, Listen, Repeat: Lives and Afterlives of Three Caribbean Archives - Alejandra Bronfman 34. Recuperating a Critical Tradition: John Crosby, Jack Gould, and the Development of American Newspaper Radio Criticism, 1946-1952 - Kathy Fuller-Seeley and Laura C. Brown 35. For the Love of Radio: The Archival Impulse in Broadcast Institutions - Carolyn Birdsall 36. Confronting the Inaudible Past: A Document-Based Approach to Audio Archaeology - Shawn VanCour 37. Communication in the Radio Century: Thinking Through Radio - Kate Lacey

Michele Hilmes is Professor Emerita at the University of Wisconsin-Madison.Andrew J. Bottomley is Associate Professor of Media Studies at SUNY Oneonta

• Introduction to The Oxford Handbook of Radio and Podcasting - Michele Hilmes and Andrew J. Bottomley SECTION I: RADIO ARTS - MUSIC 1. Punch Cards and Playlists: Computation, Curation, and the Cybernetic Origins of Radio Formatting - Alexander Russo 2. Freeform Radio and the History of Music Streaming - Elena Razlogova 3. New Music Fridays: Now Available via Podcasts - Jeremy Wade Morris 4. <"A Golden Age of Audio> ": Smart Speakers, Domestic Listening, and the Question of Radioness - Christina Baade 5. The Campus Radio Music Library in the Streaming Music Era - Brian Fautuex SECTION II: RADIO ARTS - DRAMA 6. British Radio Drama and Theatre - Hugh Chignell 7. Silly Women's Stories? The Foundational Role of the Daytime Radio Serial - Elana Levine 8. Korean Radio Drama: Mid-Century Melodramatic Voice Performance - Jina E. Kim 9. Sloppy Realism: Audio Drama, Field Recording, and the Radiophonic Unconscious - Neil Verma 10. Listen Without Limits: True Crime, Audio Drama, and BBC Sounds Podcasts - Leslie McMurtry SECTION III: RADIO ARTS - POETRY, POLITICS, AND POETICS 11. Through the Wild Dark: Loose Notes in Search of a Radio Poetics - Gregory Whitehead 12. Langston Hughes, The Man Who Went to War, and the Political Work of the Radio Ballad - Michele Hilmes 13. In the Air: Broadcasting the Poetry of the U.S. Women's Liberation Movement - Lisa Hollenbach 14. Noisy Feeds: Reciprocal Listening, Decolonial Struggle, and Play in Podcasting - Michelle Macklem SECTION IV: RADIO FACTUALITIES - DOCUMENTARY AND NONFICTION STORYTELLING 15. Back to Sound School: Revisiting the Aesthetic Norms of 1950s and 1960s Educational Radio - Matt St. John, Eric Hoyt, and Stephanie Sapienza 16. Sensational Voices: Discourses of Intimacy in Podcast Production Culture - Andrew J. Bottomley 17. The Invisible Art of Audio Storytelling - Siobhán McHugh 18. Giving Voice or Creating a Spectacle?: Personality, Intimacy, and Ehtics in First-Person Narrative Nonfiction Podcasting - Christopher Cwynar SECTION V: RADIO FACTUALITIES - NEWS AND TALK 19. Breakfast Radio: <"We Wake Up Bright and Early Just to Howdy-Do Ya> " - Amanda Keeler 20. The Strange Case of Topless Radio - Jacob Smith 21. Late-Night Talk Radio in Post-Mao China: From the Telecommunication Age to the Digital Age - Wei Lei 22. Podcast Journalism: Storytelling Experimentation and Emerging Conventions - Dylan Bird and Mia Lindgren 23. The Daily Dose: Podcasting and Broadcasting in the Public Interest - Jason Loviglio SECTION VI: RADIO AND COMMUNITY 24. Native American Radio History and the Indians for Indians Program - Lina Ortega and Josh Garrett-Davis 25. Finding Queer Soundwork: Information Activism in Lesbian Feminist Radio and Queer Podcast Networks - Stacey Copeland 26. Community Radio in Central and Eastern Europe: Poland Takes Two Steps Forward, One Step Back - Urszula Doliwa 27. Casting On Podcasts: Stitching Maker Identities into a Modern Sound Culture - Jennifer Hyland Wang SECTION VII: RADIO AND NATION 28. The BBC and the Rise and Fall of the Empire Radio Feature, 1932-1966 - Simon J. Potter 29. Kenyan Radio, Colonial Modernity, and Postcolonial Subjectivities - Dina Ligaga 30. Segregation on the Airwaves: From a Monolingual to a Multilingual Broadcasting Model in Angola and Mozambique - Nelson Ribeiro 31. Radio, Cinema, and the South Asian Soundscape: From Broadcasting to the Digital Era - Aswin Punathambekar 32. Educating the Public: U.S. Public Radio's Roots in Education and Research - Josh Shepperd SECTION VIII: RADIO CULTURE AND HISTORIOGRAPHY 33. Remediate, Listen, Repeat: Lives and Afterlives of Three Caribbean Archives - Alejandra Bronfman 34. Recuperating a Critical Tradition: John Crosby, Jack Gould, and the Development of American Newspaper Radio Criticism, 1946-1952 - Kathy Fuller-Seeley and Laura C. Brown 35. For the Love of Radio: The Archival Impulse in Broadcast Institutions - Carolyn Birdsall 36. Confronting the Inaudible Past: A Document-Based Approach to Audio Archaeology - Shawn VanCour 37. Communication in the Radio Century: Thinking Through Radio - Kate Lacey