Carlos Rojas is Professor of Chinese Cultural Studies at Duke University, and is the founding co-director of the Humanities Research Center at Duke Kunshan University. He has authored, edited, and translated many volumes, including the Oxford Handbook of Chinese Cinemas and the Oxford Handbook of Modern Chinese Literatures. Yomi Braester is Professor of Cinema and Media Studies at the University of Washington in Seattle and the Editor-in-Chief of Journal of Chinese Cinemas. Among his books are Witness Against History: Literature, Film, and Public Discourse in Twentieth-Century China (2003) and Painting the City Red: Chinese Cinema and the Urban Contract (2010, Joseph Levenson Book Prize ). His current research projects include a book on urban media in 21st-century China and cinephilia in the PRC, which was awarded the John Simon Guggenheim Fellowship.Jinying Li is Assistant Professor of Modern Culture and Media at Brown University, where she teaches media theory,animation, and digital cultures in East Asia. She co-edited two special issues on Chinese animations for The Journal of Chinese Cinemas, and a special issue on regional platforms for Asiascape: Digital Asia. Her first book, Anime's Knowledge Cultures (University of Minnesota Press, 2024), explores the connection between anime culture and global geekdom. She is currently completing her second book, Walled Media and Mediating Walls, which studies the wall as a critical dispositif to interrogate the relations between digital media and enclosure.

Carlos Rojas is Professor of Chinese Cultural Studies at Duke University, and is the founding co-director of the Humanities Research Center at Duke Kunshan University. He has authored, edited, and translated many volumes, including the Oxford Handbook of Chinese Cinemas and the Oxford Handbook of Modern Chinese Literatures. Yomi Braester is Professor of Cinema and Media Studies at the University of Washington in Seattle and the Editor-in-Chief of Journal of Chinese Cinemas. Among his books are Witness Against History: Literature, Film, and Public Discourse in Twentieth-Century China (2003) and Painting the City Red: Chinese Cinema and the Urban Contract (2010, Joseph Levenson Book Prize ). His current research projects include a book on urban media in 21st-century China and cinephilia in the PRC, which was awarded the John Simon Guggenheim Fellowship.Jinying Li is Assistant Professor of Modern Culture and Media at Brown University, where she teaches media theory,animation, and digital cultures in East Asia. She co-edited two special issues on Chinese animations for The Journal of Chinese Cinemas, and a special issue on regional platforms for Asiascape: Digital Asia. Her first book, Anime's Knowledge Cultures (University of Minnesota Press, 2024), explores the connection between anime culture and global geekdom. She is currently completing her second book, Walled Media and Mediating Walls, which studies the wall as a critical dispositif to interrogate the relations between digital media and enclosure.

Carlos Rojas is Professor of Chinese Cultural Studies at Duke University, and is the founding co-director of the Humanities Research Center at Duke Kunshan University. He has authored, edited, and translated many volumes, including the Oxford Handbook of Chinese Cinemas and the Oxford Handbook of Modern Chinese Literatures. Yomi Braester is Professor of Cinema and Media Studies at the University of Washington in Seattle and the Editor-in-Chief of Journal of Chinese Cinemas. Among his books are Witness Against History: Literature, Film, and Public Discourse in Twentieth-Century China (2003) and Painting the City Red: Chinese Cinema and the Urban Contract (2010, Joseph Levenson Book Prize ). His current research projects include a book on urban media in 21st-century China and cinephilia in the PRC, which was awarded the John Simon Guggenheim Fellowship.Jinying Li is Assistant Professor of Modern Culture and Media at Brown University, where she teaches media theory,animation, and digital cultures in East Asia. She co-edited two special issues on Chinese animations for The Journal of Chinese Cinemas, and a special issue on regional platforms for Asiascape: Digital Asia. Her first book, Anime's Knowledge Cultures (University of Minnesota Press, 2024), explores the connection between anime culture and global geekdom. She is currently completing her second book, Walled Media and Mediating Walls, which studies the wall as a critical dispositif to interrogate the relations between digital media and enclosure.