Johan Andersson is lecturer in urban geography at King's College London. Lawrence Webb is lecturer in film studies at the University of Sussex and author of The Cinema of Urban Crisis: Seventies Film and the Reinvention of the City.

Offering an extremely thoughtful mix of established and new voices, this is an intellectually exciting contribution to film scholarship. It adds significant new knowledge and understanding of the links and dissonances between the urban, the local, and the global to shed new light on existing and emerging cinematic cities throughout the world.

• Notes on Contributors Introduction: Decentring the Cinematic City-Film and Media in the Digital Age Part 1: Transnational Screen Cities 1. In the City but Not Bounded by It: Cinema in the Global, the Generic and the Cluster City, by Thomas Elsaesser 2. Traversing the Oresund: the Transnational Urban Region in Bron/Broen, by Pei-Sze Chow 3. Neoliberalism, Nollywood, and Lagos, by Jonathan Haynes Part 2: Global City Imaginaries 4. New Urban and Media Ecologies in Contemporary Buenos Aires, by Joanna Page 5. When Harry Met Siri: Digital Romcom and the Global City in Spike Jonze's Her, by Lawrence Webb 6. Cinephilia and the City: the Politics of Place in Contemporary Bengali Cinema, by Malini Guha Part 3: Public Screens and New Media Landscapes 7. Screen Cultures and the 'Generic City': Public Screens in Cairo and Shanghai, by Chris Berry 8. The City as Found Footage: the Reassemblage of Chinese Urban Space, by Yomi Braester 9. Remediating the 'Other Half': Planet Slum as Transmedia Project, by Igor Krstic Part 4: New Narrative Topographies 10. Interstitial Cityspace and the Immigrant Experience in Contemporary French Cinema, by William Higbee 11. Seoul, Busan and Somewhere Near: Korean Gangster Noir and Social Immobility, by Jinhee Choi 12. Chase Sequences and Transport Infrastructure in Global Hollywood Spy Films, by Christian B. Long Index

Johan Andersson is lecturer in urban geography at King's College London. Lawrence Webb is lecturer in film studies at the University of Sussex and author of The Cinema of Urban Crisis: Seventies Film and the Reinvention of the City.

Offering an extremely thoughtful mix of established and new voices, this is an intellectually exciting contribution to film scholarship. It adds significant new knowledge and understanding of the links and dissonances between the urban, the local, and the global to shed new light on existing and emerging cinematic cities throughout the world.

• Notes on Contributors Introduction: Decentring the Cinematic City-Film and Media in the Digital Age Part 1: Transnational Screen Cities 1. In the City but Not Bounded by It: Cinema in the Global, the Generic and the Cluster City, by Thomas Elsaesser 2. Traversing the Oresund: the Transnational Urban Region in Bron/Broen, by Pei-Sze Chow 3. Neoliberalism, Nollywood, and Lagos, by Jonathan Haynes Part 2: Global City Imaginaries 4. New Urban and Media Ecologies in Contemporary Buenos Aires, by Joanna Page 5. When Harry Met Siri: Digital Romcom and the Global City in Spike Jonze's Her, by Lawrence Webb 6. Cinephilia and the City: the Politics of Place in Contemporary Bengali Cinema, by Malini Guha Part 3: Public Screens and New Media Landscapes 7. Screen Cultures and the 'Generic City': Public Screens in Cairo and Shanghai, by Chris Berry 8. The City as Found Footage: the Reassemblage of Chinese Urban Space, by Yomi Braester 9. Remediating the 'Other Half': Planet Slum as Transmedia Project, by Igor Krstic Part 4: New Narrative Topographies 10. Interstitial Cityspace and the Immigrant Experience in Contemporary French Cinema, by William Higbee 11. Seoul, Busan and Somewhere Near: Korean Gangster Noir and Social Immobility, by Jinhee Choi 12. Chase Sequences and Transport Infrastructure in Global Hollywood Spy Films, by Christian B. Long Index

Johan Andersson is lecturer in urban geography at King's College London. Lawrence Webb is lecturer in film studies at the University of Sussex and author of The Cinema of Urban Crisis: Seventies Film and the Reinvention of the City.

Offering an extremely thoughtful mix of established and new voices, this is an intellectually exciting contribution to film scholarship. It adds significant new knowledge and understanding of the links and dissonances between the urban, the local, and the global to shed new light on existing and emerging cinematic cities throughout the world.

• Notes on Contributors Introduction: Decentring the Cinematic City-Film and Media in the Digital Age Part 1: Transnational Screen Cities 1. In the City but Not Bounded by It: Cinema in the Global, the Generic and the Cluster City, by Thomas Elsaesser 2. Traversing the Oresund: the Transnational Urban Region in Bron/Broen, by Pei-Sze Chow 3. Neoliberalism, Nollywood, and Lagos, by Jonathan Haynes Part 2: Global City Imaginaries 4. New Urban and Media Ecologies in Contemporary Buenos Aires, by Joanna Page 5. When Harry Met Siri: Digital Romcom and the Global City in Spike Jonze's Her, by Lawrence Webb 6. Cinephilia and the City: the Politics of Place in Contemporary Bengali Cinema, by Malini Guha Part 3: Public Screens and New Media Landscapes 7. Screen Cultures and the 'Generic City': Public Screens in Cairo and Shanghai, by Chris Berry 8. The City as Found Footage: the Reassemblage of Chinese Urban Space, by Yomi Braester 9. Remediating the 'Other Half': Planet Slum as Transmedia Project, by Igor Krstic Part 4: New Narrative Topographies 10. Interstitial Cityspace and the Immigrant Experience in Contemporary French Cinema, by William Higbee 11. Seoul, Busan and Somewhere Near: Korean Gangster Noir and Social Immobility, by Jinhee Choi 12. Chase Sequences and Transport Infrastructure in Global Hollywood Spy Films, by Christian B. Long Index