Early Cinema in Russia and its Cultural Reception

AvYuri Tsivian,Richard Taylor

Inbunden, Engelska, 2013

Del i serien Routledge Library Editions: Cinema

2 546 kr

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Beskrivning

This book examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years.The author traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films from actors, novelists, poets, writers and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics.In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. The book presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. The study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

Produktinformation

Utgivningsdatum:2013-11-11
Mått:156 x 234 x 21 mm
Vikt:566 g
Format:Inbunden
Språk:Engelska
Serie:Routledge Library Editions: Cinema
Antal sidor:304
Förlag:Taylor & Francis Ltd
ISBN:9780415726542
Översättare:Alan Bodger

Utforska kategorier

Kulturvetenskap inom Samhälle och politik
Socialhistoria och kulturhistoria inom Historia och arkeologi
Film inom Kultur

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Innehållsförteckning

Foreword Tom Gunning Introduction Part 1 1. Early Cinema Architecture and the Evolution of the Social Composition of Cinema 2. Projection Technique as a Factor in Aesthetic Perception 3. The Acoustics of Cinema Performance 4. The Reception of Interference Part 2 5. Shifting Textual Boundaries 6. The Reception of the Moving Image 7. The Reception of Narrative Categories 8. The Reception of Narrative Devices. Postscript

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