Tom Nichols is Honorary Senior Research Fellow at the University of Glasgow. His previous books include Titian and the End of the Venetian Renaissance (2013), Tintoretto (2015) and Giorgione’s Ambiguity (2020), all published by Reaktion Books.

Through a series of brilliant visual analyses of Veronese’s paintings, Nichols’s book highlights the feminization of the artist’s ravishingly beautiful visual world as well as the sustained attention that he paid to those on the margins of society. Veronese emerges as an aristocratic painter but never a socially exclusive one. His tendency toward pictorial inclusivity is explored for the first time in this compelling and sharply observed study that casts fresh light on one of the greatest masters of the Venetian Renaissance. - Marie-Louise Lillywhite, Fellow by Special Election, Keble College, University of Oxford

Tom Nichols is Honorary Senior Research Fellow at the University of Glasgow. His previous books include Titian and the End of the Venetian Renaissance (2013), Tintoretto (2015) and Giorgione’s Ambiguity (2020), all published by Reaktion Books.

Through a series of brilliant visual analyses of Veronese’s paintings, Nichols’s book highlights the feminization of the artist’s ravishingly beautiful visual world as well as the sustained attention that he paid to those on the margins of society. Veronese emerges as an aristocratic painter but never a socially exclusive one. His tendency toward pictorial inclusivity is explored for the first time in this compelling and sharply observed study that casts fresh light on one of the greatest masters of the Venetian Renaissance. - Marie-Louise Lillywhite, Fellow by Special Election, Keble College, University of Oxford

Tom Nichols is Honorary Senior Research Fellow at the University of Glasgow. His previous books include Titian and the End of the Venetian Renaissance (2013), Tintoretto (2015) and Giorgione’s Ambiguity (2020), all published by Reaktion Books.

Through a series of brilliant visual analyses of Veronese’s paintings, Nichols’s book highlights the feminization of the artist’s ravishingly beautiful visual world as well as the sustained attention that he paid to those on the margins of society. Veronese emerges as an aristocratic painter but never a socially exclusive one. His tendency toward pictorial inclusivity is explored for the first time in this compelling and sharply observed study that casts fresh light on one of the greatest masters of the Venetian Renaissance. - Marie-Louise Lillywhite, Fellow by Special Election, Keble College, University of Oxford