Christina Kullberg – författare

This book is a collective effort to investigate and problematise notions of time and temporality in European travel writing from the late medieval period up to the late nineteenth century. It brings together nine researchers in European travel writing and covers a wide range of areas, travel genres, and languages, coherently integrated around the central theme of time and temporalities. Taken together, the contributions consider how temporal aspects evolve and change in regard to spatial, historical, and literary contexts. In a chapter-by-chapter account this volume thus offers various case studies that address the issue of temporality by showing, for example, how time is inscribed in landscape, how travellers’ encounters with other temporalities informed other disciplines; it interrogates the idea of "cultural temporalities" in regard to a tension between past and future, passivity and progression; and focuses on how time is entangled in identity construction proper to travelogues.

This book is a collective effort to investigate and problematise notions of time and temporality in European travel writing from the late medieval period up to the late nineteenth century. It brings together nine researchers in European travel writing and covers a wide range of areas, travel genres, and languages, coherently integrated around the central theme of time and temporalities. Taken together, the contributions consider how temporal aspects evolve and change in regard to spatial, historical, and literary contexts. In a chapter-by-chapter account this volume thus offers various case studies that address the issue of temporality by showing, for example, how time is inscribed in landscape, how travellers’ encounters with other temporalities informed other disciplines; it interrogates the idea of "cultural temporalities" in regard to a tension between past and future, passivity and progression; and focuses on how time is entangled in identity construction proper to travelogues.

This open access book complicates and develops the notion of the vernacular. Understood in the linguistic sense as well as an element of the local, the vernacular facilitates the exploration of local and global dynamics. Through exploring the unexamined active role of the local, the indigenous, and the periphery in international literary exchanges, this volume argues that a coherent theorization of the vernacular will enable us to do so. The essays in Vernaculars in an Age of World Literatures present new critical approaches in the debate on world literature, which has given priority to cosmopolitan movements, global circulation of literatures, and metropolitan centers. In nine case studies, approaching narratives from the long 20th century from more or less marginal contexts—such as the Francophone Chinese diaspora, multilingual regions in Spain, West Africa, and the Caribbean—the volume offers theoretical and methodological ways of putting the concept of the vernacular in practice and demonstrates how vernaculars operate within different literary, critical, cultural, and political circumstances.The eBook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com.

This open access book complicates and develops the notion of the vernacular. Understood in the linguistic sense as well as an element of the local, the vernacular facilitates the exploration of local and global dynamics. Through exploring the unexamined active role of the local, the indigenous, and the periphery in international literary exchanges, this volume argues that a coherent theorization of the vernacular will enable us to do so. The essays in Vernaculars in an Age of World Literatures present new critical approaches in the debate on world literature, which has given priority to cosmopolitan movements, global circulation of literatures, and metropolitan centers. In nine case studies, approaching narratives from the long 20th century from more or less marginal contexts—such as the Francophone Chinese diaspora, multilingual regions in Spain, West Africa, and the Caribbean—the volume offers theoretical and methodological ways of putting the concept of the vernacular in practice and demonstrates how vernaculars operate within different literary, critical, cultural, and political circumstances.The eBook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com.

This open-access book investigates Francophone Caribbean literature by exploring and analyzing French seventeenth-century travel writings. The book argues for a literary re-examination of the representation of the early colonial Caribbean by proposing theoretical linkages to contemporary Caribbean theories of creolization and archipelagic thinking. Using Édouard Glissant’s notion of points of entanglement, Christina Kullberg claims that the historical, social, and political messiness of the Caribbean seventeenth century make for complex representations and expressions, generating textual instability despite the travelers’ apparent desires to domesticate the islands. Taking a synoptic approach to travel narratives in French from 1620 up to the publication of Labat’s Nouveau voyage aux Isles de l’Amérique in 1722, Kullberg examines textual instances where the islands and the peoples of this period disrupt and unsettle dominant French narratives and enter productively into the construction of knowledge and the representations of the region. Kullberg’s contribution is to read French early modern travels in situ as shaped by the archipelagic geography, its history and social formations in order to interrogate both the construction and the limitations of discourses of power.

This open-access book investigates Francophone Caribbean literature by exploring and analyzing French seventeenth-century travel writings. The book argues for a literary re-examination of the representation of the early colonial Caribbean by proposing theoretical linkages to contemporary Caribbean theories of creolization and archipelagic thinking. Using Édouard Glissant’s notion of points of entanglement, Christina Kullberg claims that the historical, social, and political messiness of the Caribbean seventeenth century make for complex representations and expressions, generating textual instability despite the travelers’ apparent desires to domesticate the islands. Taking a synoptic approach to travel narratives in French from 1620 up to the publication of Labat’s Nouveau voyage aux Isles de l’Amérique in 1722, Kullberg examines textual instances where the islands and the peoples of this period disrupt and unsettle dominant French narratives and enter productively into the construction of knowledge and the representations of the region. Kullberg’s contribution is to read French early modern travels in situ as shaped by the archipelagic geography, its history and social formations in order to interrogate both the construction and the limitations of discourses of power.

In an age of accelerating ecological crises, global inequalities and democratic fragility, it has become crucial to achieve renewed articulations of human commonality. With anchorage in critical theory as well as world literary studies, this volume approaches literature – and modes of literary thinking – as a key resource for such a task. "Universality" is understood here not as an established "universalism", but as a horizon towards which intellectual inquiry and literary practices orient themselves. In the field of world literature, there is by now a wide repertoire of epistemological resources through which claims to universality can be both questioned and reconfigured. If, at one end of the spectrum, world literature confronts us with the spectre of homogenisation and the commodification of difference under a regime of global capitalism, at another end renewed forms of philological, anthropological and ecological attentiveness to the particulars of languages and texts within the crucible of connected histories allow for defamiliarising perspectives both on received historical narratives and aesthetic practices. Vernacularity emerges here as a central point of reference for constructing the universal from within the particular, the idiomatic, and the experiences of social subordination or complicity.

Cette étude propose d’examiner les ramifications historiques de l’exotisme à partir d’une lecture critique de l’Histoire générale des Antilles (1654/1667-71) écrite par le missionnaire dominicain, Jean-Baptiste Du Tertre. En procédant d’une analyse littéraire, notre étude suggère une reconfiguration de l’exotisme basée à la fois sur la théorisation contemporaine et sur le contexte historique et l’esthétique de l’époque. Notre travail se veut donc à la fois théorique en offrant une analyse critique des différentes orientations de l’exotisme ; et historique, en présentant une lecture approfondie d’une œuvre dont l’importance est considérable aussi bien pour l’histoire de la littérature française et antillaise que pour l’histoire de l’anthropologie. À cet égard, cette étude fournira aussi une exploration de la toute première colonisation française des îles et de la manière dont elle a été représentée. This book examines the historical ramifications of the concept of exoticism through a literary analysis of Histoire générale des Antilles (1654/1667-71) written by Dominican missionary Jean-Baptiste Du Tertre. The study gives a thorough account of the early French colonization of the islands and the ways in which this violent process of cultural encounters was represented. It argues for the necessity to reconfigure the notion of exoticism, both by revisiting contemporary theorization and by contextualizing it in regard to the history and aesthetics of the times. The study is thus both theoretical, in proceeding by a critical reading of different orientations of exoticism, and historical in offering an in-depth study of an author and a period that have received little attention despite their impact on French Caribbean literature and on the history of anthropology.

Det borde inte finnas några vapen; vapen är oumbärliga. Begränsande konventioner och deklarationer produceras i samma takt som svensk vapenexport bara ökar och ökar. Gläntas nya nummer speglar en motsägelsefullhet som verkar vara en del av vapnets egen logik, fetisch och verktyg, symbol och dödbringare, statuspryl och dolt hot. Det handlar om knivar, nyckelknippor, datorspel, jakt, cyborgsoldater och en vilsegången mordutredning.

Nya numret av Glänta följer karnevalens rörelser i tid och rum, från det medeltida Europa, via Västindien till de samtida karnevalerna i Skandinavien. Det karnevaliska diskuteras och visualiseras i relation till politiskt motstånd, multikulturalism, evenemangskultur och stadens offentliga rum. Numret tar sin utgångspunkt i det nyligen återupptäckta arkivet över Göteborgskarnevalen (1982?1993), och flera av bidragen handlar om (det göteborgska) stadsrummet i relation till begrepp som festivalisering, korruption, centrum/periferi och representationer av staden. Numret är ett samarbete med den berlinbaserade tidskriften ...ment, och med curatorn och gästredaktören Claire Tancons.