Hans-Georg Soeffner – författare

To those still accustomed to seeing social order depicted in classes, strata, central groups, or institutions, and who measure and classify the social world according to "centers" and "margins," modern society presents itself as ambiguous and unmanageable. This is not unprecedented. Human societies often discover themselves in situations in which the traditional grids of order and stratification lose their value and fail to serve as guideposts for individuals.In The Order of Rituals, Hans-Georg Soeffner aims to answer the question: Through what efforts of order and orientation are loosely organized societies like ours held together? Soeffner focuses on symbolic forms of self-presentation that bring focus and clarity to our lives, such as emblems, fashions, styles, and symbols. As these replace old orders of classes or strata, there is a further consequence. Economically, culturally, and ethnically "mixed" societies not only return to specific visible forms of presentation, but also present themselves and their worldviews as a public stage of life-styles, attitudes, and demeanor.Soeffner asserts that society preserves certain continuously handed-down forms of action and ritual as specific symbolic forms over a long period of time. The Order of Rituals describes these symbols and routines of everyday life in fascinating detail, coupled with thoughtful analysis. Sociologists, anthropologists, and philosophers will all benefit immensely from this book.

To those still accustomed to seeing social order depicted in classes, strata, central groups, or institutions, and who measure and classify the social world according to "centers" and "margins," modern society presents itself as ambiguous and unmanageable. This is not unprecedented. Human societies often discover themselves in situations in which the traditional grids of order and stratification lose their value and fail to serve as guideposts for individuals.In The Order of Rituals, Hans-Georg Soeffner aims to answer the question: Through what efforts of order and orientation are loosely organized societies like ours held together? Soeffner focuses on symbolic forms of self-presentation that bring focus and clarity to our lives, such as emblems, fashions, styles, and symbols. As these replace old orders of classes or strata, there is a further consequence. Economically, culturally, and ethnically "mixed" societies not only return to specific visible forms of presentation, but also present themselves and their worldviews as a public stage of life-styles, attitudes, and demeanor.Soeffner asserts that society preserves certain continuously handed-down forms of action and ritual as specific symbolic forms over a long period of time. The Order of Rituals describes these symbols and routines of everyday life in fascinating detail, coupled with thoughtful analysis. Sociologists, anthropologists, and philosophers will all benefit immensely from this book.

War captivity is a prolific field of research for studies on strong asymmetrical dependency. The contributions in the present volume examine how POWs and civilian internees in different military conflicts, including the Franco-Prussian War of 1870/71, the two world wars, and the war in Bosnia, have been represented in visual sources. The images of war captivity addressed in the contributions are as heterogeneous as the contexts in which they were produced; they include allegorical representations and official press photographs, amateurish snapshots and propagandistic film recordings, self-drawn camp albums and comics commemorating war. What they have in common, however, is that they not only offer information about POWs and civilian internees but also interpret and emotionalise their experience. Visual sources may, for instance, document how POWs were treated in a particular camp, but they may also stress a certain amount of agency of the POWs; in addition, they may come to play a vital role in how the detaining power is remembered. Images provide evidence of atrocities and comparatively humane treatment alike – and thus may be relevant to the question whether reconciliation might seem possible in the long run.

In den spätindustriellen Gesellschaften des Westens geht ein Zeitalter der Sicherheit zu Ende. Wir erleben gegenwärtig die Transformation der durch scheinbar grenzenloses wirtschaftliches Wachstum, anhaltende politische Stabilität und effektive wohlfahrtsstaatliche Garantien gekennzeichneten gesellschaftlichen Verhältnisse der langen Nachkriegszeit. Die vielfältigen und widersprüchlichen Phänomene und Konstellationen zeitgenössischer Verunsicherung, ihre Ursachen und Konsequenzen, standen im Mittelpunkt der Debatten auf dem 34. Kongress der Deutschen Gesellschaft für Soziologie in Jena. Der vorliegende Band versammelt die Beiträge zur Eröffnungs- und Abschlussveranstaltung sowie die Vorträge der Plenen, Mittagsvorlesungen, Foren, Sonderveranstaltungen, Author meets Critics- und Abendveranstaltungen. Die beigelegte CD-ROM enthält die Referate der Sektionssitzungen und Ad-hoc-Gruppen.

In the last few years we have witnessed the widespread proliferation of video camcorders as a powerful and sophisticated instrument for data collection. Video is increasingly used in broad areas of research throughout the social sciences. It allows for a rich recording of social processes and provides a completely new kind of data. Used as a «microscope of interaction», this «video revolution» is expected to exert profound impact on research practice. But despite its popularity as an instrument, the methodological discussion of video is still underdeveloped. This book gathers a selection of outstanding European researchers in the field of qualitative interpretive video analysis. The contributions discuss the crucial features of video data and present different approaches how to handle, interpret, analyse and present video data collected in a wide range of «real world» social fields. The book thereby aims at providing an overview on contemporary interpretive and qualitative approaches to video analysis.

Migration involves change of geographical place, social relations and cultural habits. This volume brings together contributions from an international group of scholars including studies of ritual change and social transformation in Singapore, Germany and the US. In situations of change, individuals as well as social groups mobilize rituals to reaffirm a sense of identity. Usually thinking of rituals as fixed sets of symbolic behaviour, handed down through generations, migration forces a fresh look at rituals: that they are open to change and adjustment as well as means of social transformation. The authors show the challenge of the transformation of symbolic behaviour for those who experience spatial and social change. They emphasise that ritual change is also common when cultures become intercultural.

Dass kulturelle Differenzen und darauf basierendes, wechselseitiges Nicht- Verstehen verantwortlich sind für soziale und politische Konflikte, gehört zu den Standardüberzeugungen unserer Welt. Diese wiederum beruhen auf einem Kulturverständnis, das Kulturen als Substanzen missversteht und glaubt, diese Substanzen wie je singuläre Entitäten miteinander vergleichen zu können. Eine solche kulturalistisch verzerrte Sichtweise verdeckt jedoch die eigentlichen Ursachen der meisten Kommunikationsprobleme: den Ursprung, die Wirkungsweise und die Labilität von Kommunikationsmaximen und existenziellen Hypothesen. – Unsere gesellschaftliche Wirklichkeit: die pluralistische Verfasstheit moderner Gesellschaften, zwingt die Sozialwissenschaften, (1) die Substanzillusionen aufzugeben; (2) sich erneut den Grundlagen kommunikativen Handelns zuzuwenden und (3) aus dieser Zuwendung empirisch basierte Konsequenzen zu erarbeiten.

Für die visuelle Kommunikation und für das bildmedial vermittelte Wissen gilt wie für jegliche menschliche Kommunikation und wie für jedes historisch-gesellschaftliche Wissen: Wer kommuniziert und Wissen hervorbringt, weitergibt und deutet, trifft auf die Dialektik von Wissen und Nichtwissen, von Eindeutigkeit und Mehrdeutigkeit, von Evidenz und Täuschung. Die Beiträge des Bandes erörtern diese komplexen Ambivalenzen des Wissens. Sie stellen sich den spezifischen Herausforderungen der Analyse ikonischer Kommunikation und ikonischen Wissens und sondieren in theologischer, kunsthistorischer, medienwissenschaftlicher und wissenssoziologischer Perspektive die methodologischen Probleme und methodischen Grenzen der Bildinterpretation.

Utopisches Denken und Utopieentwürfe stehen vordergründig für den Glauben an den menschlichen Fortschritt. Ausgangspunkt der Utopien ist fast immer eine schlechte Gegenwart, die überwunden werden soll. Aber im 20. und 21. Jahrhundert wachsen die Zweifel an einer durch die aufgeklärte Vernunft entworfenen, planbaren Zukunft, am Projekt der Moderne. Auf Utopien antworten Dystopien. Daran wird deutlich: Das Grundmotiv utopischen Denkens ist die Angst vor einer unbeherrschbaren Zukunft, eine Angst, die vielleicht durch das Prinzip Hoffnung (Ernst Bloch), eine liebenswürdige Illusion, überwunden werden könnte.Der InhaltDer „Widerspruch“ von Rationalität und Irrationalität in utopischen Konzeptionen ● Fiktion und Wirklichkeit ● Modell und Mythos ● Symbol und symbolische Handlung ● Aufklärung zur Autonomie Die Zielgruppen● Geistes-, Politik- und SozialwissenschaftlerInnen● PhilosophInnen● TheologInnenDer AutorProf. Dr. Hans-Georg Soeffner ist emeritierter Professor für allgemeine Soziologie an der Universität Konstanz, Senior Fellow und Vorstandsmitglied am Kulturwissenschaftlichen Institut Essen (KWI) und Permanent Visiting Fellow am Forum internationale Wissenschaft der Rheinischen Friedrich-Wilhelms-Universität Bonn.

Im Ghetto, Durchgangs- und Konzentrationslager Theresienstadt sind, unter erzwungener Beteiligung der Deportierten, filmische Aufzeichnungen entstanden und unter dem Titel „Theresienstadt – Ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet“ bekannt geworden.

Utopian thinking and utopian designs ostensibly represent a belief in human progress. The starting point of utopias is almost always a bad present that is to be overcome. But in the 20th and 21st centuries, doubts are growing about a plannable future designed by enlightened reason, about the project of modernity. Utopias are answered by dystopias. This makes it clear: the basic motif of utopian thinking is the fear of an uncontrollable future, a fear that could perhaps be overcome by the principle of hope (Ernst Bloch), an amiable illusion.The ContentThe "contradiction" of rationality and irrationality in utopian conceptions● Fiction and reality● Model and myth ● Symbol and symbolic action● Enlightenment to autonomy.The target groups● Humanities scholars, political scientists and social scientists ● Philosophers ● TheologiansTheauthor Prof. Dr. Hans-Georg Soeffner is Professor Emeritus of General Sociology at the University of Konstanz, Senior Fellow and Board Member at the Institute for Advanced Study in the Humanities Essen (KWI) and Permanent Visiting Fellow at the Forum internationale Wissenschaft of the Rheinische Friedrich-Wilhelms-Universität Bonn.This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation.

In the ghetto, transit and concentration camp Theresienstadt, film recordings were made with the forced participation of the deportees and became known under the title "Theresienstadt - A Documentary from the Jewish Settlement Area".