Jürgen Raab – författare

While Erving Goffman’s books are among the most widely read sociological works, covering issues including the presentation of the self, total institutions, interaction order to frame analysis, they are in fact guided by a single theme: the analysis of the form of interaction in social situations and the role that individuals play in it. This book stresses Goffman’s central role as a sociological theorist, exploring the potentials of his work and uncovering the recondite layers of his oeuvre. In opening a path to understanding the complexity of his writings, it offers new directions for social theory and empirical research.

While Erving Goffman’s books are among the most widely read sociological works, covering issues including the presentation of the self, total institutions, interaction order to frame analysis, they are in fact guided by a single theme: the analysis of the form of interaction in social situations and the role that individuals play in it. This book stresses Goffman’s central role as a sociological theorist, exploring the potentials of his work and uncovering the recondite layers of his oeuvre. In opening a path to understanding the complexity of his writings, it offers new directions for social theory and empirical research.

Für die visuelle Kommunikation und für das bildmedial vermittelte Wissen gilt wie für jegliche menschliche Kommunikation und wie für jedes historisch-gesellschaftliche Wissen: Wer kommuniziert und Wissen hervorbringt, weitergibt und deutet, trifft auf die Dialektik von Wissen und Nichtwissen, von Eindeutigkeit und Mehrdeutigkeit, von Evidenz und Täuschung. Die Beiträge des Bandes erörtern diese komplexen Ambivalenzen des Wissens. Sie stellen sich den spezifischen Herausforderungen der Analyse ikonischer Kommunikation und ikonischen Wissens und sondieren in theologischer, kunsthistorischer, medienwissenschaftlicher und wissenssoziologischer Perspektive die methodologischen Probleme und methodischen Grenzen der Bildinterpretation.