Jane Aaron - Böcker
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For first-year composition and undergraduate courses across the curriculum.
Cross-curricular outlook, straightforward presentation, essential coverage.
The Little, Brown Essential Handbook is brief, accessible, and pocket-sized--answering questions about the writing process, grammar and usage, researching writing, documentation, and writing in different disciplines. Through clear explanations and examples, minimal terminology, and specific tips for ESL writers, the text helps students at all levels of learning. Extensive sections on academic writing, research writing, source documentation, and document design support writers in all disciplines. The 9th Edition provides a better educational experience for instructors and students, with annotated examples of student writing and complete discussions of four major documentation styles, including MLA, APA, CMS, and CSE.
2 071 kr
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In 1796 when Mary Lamb, in a sudden attack of violent frenzy, killed her mother, her brother Charles pledged himself to be responsible for her care, thus sparing her from threatened incarceration in Bedlam. For the next thirty odd years they lived, and wrote, together. Informed by feminist and psychoanalytic literary theory, this book provides an entirely new perspective on the lives and writings of Charles and Mary Lamb. It argues that the Lambs's ideological inheritance as the children of servants, their work experience as clerk and needlewoman respectively, and the role that madness and matricide played in both their lives, resulted in writings which were at variance with the spirit of their age. In particular, the intensity of their sibling bond is seen, in Charles Lamb's case, as resulting in texts stylistically and thematically opposed to the masculinist stance currently considered characteristic of Romantic writers.
The Oxford Literary History of Wales
Volume 3. Welsh Writing in English, 1536-1914: The First Four Hundred Years
Inbunden, Engelska, 2020
1 754 kr
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In a lecture entitled The First Forty Years: Some Notes on Anglo-Welsh Literature, published in 1957, the novelist and critic Gwyn Jones stated that Welsh writing in English 'began with Caradoc Evans in 1915'. His claim was widely accepted and proved influential in the development of Welsh writing in English as an academic subject. The primary aim of this volume is to refute that erroneous misconception, as its sub-title The First Four Hundred Years indicates. From 1536, the date of that Act which bound Wales to England, an abundance of Welsh authors chose to write in English. Some did so because their education had been entirely in English and they were not fully literate in Welsh. Others chose English with deliberate political intent, aiming to alert anglophone audiences to the social situation in Wales and persuade them of the value of the Welsh language and its literature. Their work constitutes a site of prolonged political tension, in which the pros and cons of the continuing existence of Wales are argued intensively. How far is it possible to reconfigure a self-consciousness forged under the dominion of a non-indigenous culture? This is an issue of central concern to large tracts of the worlds population today; in Wales it has for centuries featured large in English-language — as well as Welsh- language — writing. The First Four Hundred Years is also informed by social class and gender issues as it rescues from oblivion the work of many forgotten male and female writers.
2 418 kr
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This essay collection rediscovers and reassesses a host of still little-known, pre-1914, Welsh women writers.In the last few decades considerable advances have been made towards rediscovering, contextualising, and analysing women’s writing from Wales. The combined influences of the post-1960s women’s movement, the 1990s Welsh devolution successes, and the development of the ‘Four Nations’ school of British literary criticism, have together effected significant advances in the field of Welsh feminist literary studies. This book focuses in particular on: the fifteenth- to eighteenth-century Welsh-language bards, such as Gwerful Mechain, Angharad James, and Marged Dafydd; the seventeenth- and eighteenth-century English-language poets, including Katherine Philips, Jane Brereton, Anne Penny, and Anne Hughes; contributors to the Romantic movement in Wales, such as the poets and novelists Mary Robinson and Ann of Swansea; the mid-nineteenth-century protesting voice of polemicists such as Jane Williams (Ysgafell); the Victorian English-language novelists, for example Louisa Matilda Spooner, Anne Beale, Amy Dillwyn, Allen Raine, and Mallt Williams, and their concern with national, class, and gender identities; and early twentieth-century Welsh-language writers engaged with Welsh Home Rule and women’s suffrage issues, such as Gwyneth Vaughan and Eluned Morgan.This book was originally published as a special issue of Women's Writing.Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution (CC-BY) 4.0 license.
114 kr
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Women's lives in Wales are changing dramatically. They are becoming increasingly important to the world of paid work, while retaining their roles and responsibilities in the home. The pattern of family life has shifted, to the much vaunted growth of single parents, and the increase of elderly women living alone. Many women are increasingly active in public life, but meet barriers to their success, whether the arena be returning to study as mature students, the church, business, the arts or literature: they are expected to fit into a male world. Women's lives are very diverse, and their changing identity as they manage the balance between private and public lives has been as yet realtively uncharted. This text brings together a collection of interdisciplinary research papers on the changing identity of women in Wales. Research findings are complemented by cameo "voices" - personal accounts by a variety of individual women living and working in Wales. The volume is illustrated with photographs especially commissioned from the photographer Mary Giles.
82 kr
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A study of the images of the Welsh female as seen in nineteenth century Welsh literature.
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Welsh Writing in English: A Yearbook of Critical Essays is the first academic journal devoted solely to the study of the English-language writing of Wales. It is the principal forum for critical discussion of the whole chronological range of Welsh writing in English. This issue's featured writer is Dylan Thomas, whose politics are discussed in essays by Victor Golightly and Victor Paananen. James A. Davies looks at how Thomas's marriage is represented in his poetry of the 1940s, while the work of Thomas's contemporary, Vernon Watkins, is re-evaluated by the Archbishop of Canterbury, Dr Rowan Williams. Further essays look at T. J. Llewelyn Prichard's Twm Shon Catti, and R. S. Thomas's reading of William Carlos Williams and Lewis Jones. In addition, Jeremy Hooker writes on poetry and place, and the work of Alun Lewis is debated by John Pikoulis, Tony Brown and M. Wynn Thomas. This issue of Welsh Writing in English will be essential reading for anyone interested in the latest critical perspectives on the English-language literature of Wales.
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A collection of essays that uses questions, hypotheses and concepts drawn from postcolonial theory to understand the culture and politics of post-devolution Wales. Beginning with discussions of how Wales as a nation has been understood historiographically, as well as historically, the book focuses in the next section on society and politics in post-devolution Wales. The final section of the volume considers Welsh cultural difference in terms of literature, the mass media, music, drama and the visual arts. Flexible in approach and diverse in their approaches, each contribution aims to stimulate ideas and suggest new ways of thinking about contemporary Wales.
146 kr
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The study of borders has recently undergone significant transitions, reflecting changes in the functions of boundaries themselves, as the world political map has experienced transformations. Gender (defined as the knowledge about perceived distinctions between the sexes) is an important signifier of borders as constructed and contested lines of differences. In the interplay with other categories of difference like class, race, ethnicity, and religion, it plays a major role in giving meaning to different forms of borders. It is not surprising, then, that an increasing number of studies in the last years have aimed for a gendering of border studies. This book explores this new interdisciplinary field and develops it further. The main questions it asks are: How do we define 'borders', 'frontiers' and 'boundaries' in different disciplinary approaches of gendered border studies? What were and are the main fields of gendered border studies in different fields? What might be important questions for future research? And how useful is an inter- or transdisciplinary approach for gendered border studies? Sixteen established scholars from various disciplines contribute chapters in which they set out how the issue of gender and borders has been approached in their discipline and describe what they expect from future research.
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Argues that the way in which people came to perceive and to represent themselves as Welsh was profoundly affected by the gender ideologies prevalent during the Romantic and Victorian periods. This title introduces readers to a hundred Welsh women authors at work during the years 1780-1900, some writing in Welsh and some in English.
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Welsh Gothic, the first study of its kind, introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Informed by postcolonial and psychoanalytic theory, it argues that many of the fears encoded in Welsh Gothic writing are specific to the history of Welsh people, telling us much about the changing ways in which Welsh people have historically seen themselves and been perceived by others. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on figures specific to the Welsh Gothic genre who enter literature from folk lore and local superstition, such as the sin-eater, cŵn Annwn (hellhounds), dark druids and Welsh witches.ContentsPrologue: ‘A Long Terror’PART I: HAUNTED BY HISTORY1. Cambria Gothica (1780s–1820s)2. An Underworld of One’s Own (1830s–1900s).3. Haunted Communities (1900s–1940s).4. Land of the Living Dead (1940s–1997).PART II: ‘THINGS THAT GO BUMP IN THE CELTIC TWILIGHT’5. Witches, Druids and the Hounds of Annwn.6. The Sin-eaterEpilogue: Post-devolution GothicNotesSelect BibliographyIndex
351 kr
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Welsh Gothic, the first study of its kind, introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Informed by postcolonial and psychoanalytic theory, it argues that many of the fears encoded in Welsh Gothic writing are specific to the history of Welsh people, telling us much about the changing ways in which Welsh people have historically seen themselves and been perceived by others. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on figures specific to the Welsh Gothic genre who enter literature from folk lore and local superstition, such as the sin-eater, cŵn Annwn (hellhounds), dark druids and Welsh witches.ContentsPrologue: ‘A Long Terror’PART I: HAUNTED BY HISTORY1. Cambria Gothica (1780s–1820s)2. An Underworld of One’s Own (1830s–1900s).3. Haunted Communities (1900s–1940s).4. Land of the Living Dead (1940s–1997).PART II: ‘THINGS THAT GO BUMP IN THE CELTIC TWILIGHT’5. Witches, Druids and the Hounds of Annwn.6. The Sin-eaterEpilogue: Post-devolution GothicNotesSelect BibliographyIndex
710 kr
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This essay collection rediscovers and reassesses a host of still little-known, pre-1914, Welsh women writers.In the last few decades considerable advances have been made towards rediscovering, contextualising, and analysing women’s writing from Wales. The combined influences of the post-1960s women’s movement, the 1990s Welsh devolution successes, and the development of the ‘Four Nations’ school of British literary criticism, have together effected significant advances in the field of Welsh feminist literary studies. This book focuses in particular on: the fifteenth- to eighteenth-century Welsh-language bards, such as Gwerful Mechain, Angharad James, and Marged Dafydd; the seventeenth- and eighteenth-century English-language poets, including Katherine Philips, Jane Brereton, Anne Penny, and Anne Hughes; contributors to the Romantic movement in Wales, such as the poets and novelists Mary Robinson and Ann of Swansea; the mid-nineteenth-century protesting voice of polemicists such as Jane Williams (Ysgafell); the Victorian English-language novelists, for example Louisa Matilda Spooner, Anne Beale, Amy Dillwyn, Allen Raine, and Mallt Williams, and their concern with national, class, and gender identities; and early twentieth-century Welsh-language writers engaged with Welsh Home Rule and women’s suffrage issues, such as Gwyneth Vaughan and Eluned Morgan.This book was originally published as a special issue of Women's Writing. Chapter 7 is available Open Access at https://s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9780367353483_oachapter7.pdf
Little, Brown Compact Handbook with Exercises, The
Pearson New International Edition
Häftad, Engelska, 2013
1 019 kr
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The Little, Brown Compact Handbook with Exercises packages the authority and currency of its best-selling parent, The Little, Brown Handbook, in a briefer book with a spiral binding, tabbed dividers, and more than 150 exercises. A bestseller since publication, The Little, Brown Compact Handbook with Exercises provides reliable and thorough coverage of handbook basics--the writing process, grammar and usage, research and documentation--while also giving detailed discussions of critical reading, academic writing, argument, writing in the disciplines, and public writing. Widely used by both experienced and inexperienced writers, The Little, Brown Compact Handbook with Exercises works as both a comprehensive classroom text and an accessible reference guide. The Little, Brown Compact Handbook with Exercises has a sibling without exercises.Otherwise identical, both books build on their best-selling features with five emphases: (1) media-rich eText and iPad versions, including video tutorials, podcasts, sample documents, exercise, and checklists;(2)academic writing, including a new chapter on joining the academic community, new coverage of genre, more on summary and academic integrity, and four new sample academic papers; (3) research writing, including new material on finding and evaluating Web sites, social-networking sites, blogs, wikis, and multimedia; (4) thorough and up-to-date documentation guidelines, including the most recent versions of MLA, APA, Chicago, and CSE styles with models of new media in each style and new annotated sample sources; (5) thewriting process, including new material on genre and strengthened discussions of the thesis and paragraphs.
894 kr
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For first year composition and undergraduate courses across the curriculum. The Little, Brown Essential Handbook , Eighth Edition, is a brief, accessible, and inexpensive pocket-sized handbook that answers questions about writing in the disciplines, the writing process, grammar and usage, research writing, and documentation. Teaching and Learning Experience This text will provide a better teaching and learning experience—for you and your students. It provides: · Minimal terminology, clear explanations and examples, and pointers for ESL writers: Help students at all levels of learning. · Extensive sections on academic writing, research writing, source documentation, and document design: Support writers in all disciplines. · Convenient pocket size, four-color design, spiral binding, and numerous reference aids: Make the book convenient to carry and easy to use.
953 kr
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Note: You are purchasing a standalone product; MyWritingLabTM does not come packaged with this content. If you would like to purchase both the physical text and MyWritingLab, search for ISBN-10: 0134072928/ ISBN-13: 9780134072920. That package includes ISBN-10: 0321988272 / ISBN-13: 9780321988270 and ISBN-10: 0133954706 / ISBN-13: 9780133954708. MyWritingLab is not a self-paced technology and should only be purchased when required by an instructor. For courses in English Composition. The gold standard of handbooks – unmatched in accuracy, currency, and reliability The Little, Brown Handbook is an essential reference tool and classroom resource designed to help students find the answers they need quickly and easily. While keeping pace with rapid changes in writing and its teaching, it offers the most comprehensive research and documentation available–with grammar coverage that is second to none. With detailed discussions of critical reading, media literacy, academic writing, and argument, as well as writing as a process, writing in the disciplines, and writing beyond the classroom, this handbook addresses writers of varying experience and in varying fields. Also available with MyWritingLabTM This title is also available with MyWritingLab—an online homework, tutorial, and assessment program designed to engage students and improve results. Within its structured environment, students practice what they learn, test their understanding, and pursue a personalized study plan that helps them better absorb course material and understand difficult concepts.
1 263 kr
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For courses in English Composition. The gold standard of handbooks - unmatched in accuracy, currency, and reliability The Little, Brown Handbook is an essential reference tool and classroom resource designed to help students find the answers they need quickly and easily. While keeping pace with rapid changes in writing and its teaching, it offers the most comprehensive research and documentation available-with grammar coverage that is second to none. With detailed discussions of critical reading, media literacy, academic writing, and argument, as well as writing as a process, writing in the disciplines, and writing beyond the classroom, this handbook addresses writers of varying experience and in varying fields. This package includes MyWritingLab(TM), an online homework, tutorial, and assessment product designed to personalize learning and improve results. With a wide range of interactive, engaging, and assignable activities, students are encouraged to actively learn and retain tough course concepts. MyWritingLab should only be purchased when required by an instructor. Please be sure you have the correct ISBN and Course ID.Instructors, contact your Pearson representative for more information.
1 019 kr
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For courses in English Composition. The platinum standard of handbooks – unmatched in accuracy, currency, and reliability The Little, Brown Handbook is an essential reference tool designed to help readers find the answers they need quickly and easily. While keeping pace with rapid changes in writing and its teaching, this meticulous handbook combines comprehensive research and documentation with grammar coverage that is second to none. Incorporating detailed discussions of critical reading, media literacy, academic writing, argument, and much more, The Little, Brown Handbook is an accurate, reliable, and accessible resource for writers of varying experience levels and in a variety of fields. The 14th Edition includes over 90 new student samples, new learning objectives, updates to MLA and Chicago style, a new chapter on writing about literature, and more. The Little, Brown Handbook is also available via RevelTM, an interactive learning environment that enables students to read, practice, and study in one continuous experience. Learn more about Revel.
262 kr
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Yn oes Fictoria, ystyriwyd menywod yn anaddas ac anabl ar gyfer pob arweinyddiaeth gyhoeddus a deallusol. Ond llwyddodd Cranogwen, sef Sarah Jane Rees (1839–1916) o Langrannog, i ennill parch ac enwogrwydd fel bardd, darlithydd, golygydd, pregethwraig, dirwestwraig – ac ysbrydolwraig to newydd o awduresau a merched cyhoeddus. Mae’r gyfrol hon yn dilyn ei thrywydd er mwyn deall pam a sut y cododd Cranogwen, benyw ddibriod o gefndir gwerinol, i’r fath fri a dylanwad ymhlith Cymry ei hoes. Teflir goleuni newydd hefyd ar ei bywyd carwriaethol cyfunrywiol, a’i syniadau arloesol ynghylch rhywedd.Cyhoeddwyd cyfrolau bywgraffiadol ar Cranogwen ym 1932 a 1981, ond oddi ar hynny mae twf y mudiad ffeminyddol wedi ysgogi llawer astudiaeth (ar awduron benywaidd a lesbiaid y bedwaredd ganrif ar bymtheg, er enghraifft, ac ar wragedd mewn cymunedau morwrol) sy’n berthnasol iawn i’w hanes. Yng ngoleuni’r holl ddeunydd ychwanegol hyn, ceir yn y gyfrol hon ddarlun newydd o’i bywyd a’i dylanwad.
- Nyhet
262 kr
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During an age of extreme gender polarisation when women were confined to the domestic sphere, Sarah Jane Rees (1839–1916) from Llangrannog, better known by her bardic name Cranogwen, won high esteem as a poet, lecturer, journal editor, preacher and temperance campaigner. She also succeeded in her aim of inspiring other Welsh women to overcome class and gender barriers and enter the public sphere, and was hailed as a pioneering forerunner of the ‘New Woman’. This biographical volume follows her through the various stages of her career from early years as a sailor, showing how an underprivileged woman succeeded in winning such influential renown. New light is also thrown on her homosexual love life, and her progressive views on gender – ‘gender difference is nothing’, she proclaimed in 1888. The Welsh-language version of this volume, entitled Cranogwen, won the Wales Book of the Year award for creative non-fiction in 2024.
98 kr
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With voices including female Chartists, patriotic defenders of Wales, feminists working for women's equality within religious and educational institutions, early socialists and temperance campaigners, The Very Salt of Life introduces a diverse range of texts covering a century of Welsh women's political writings. Incorporating material in Welsh and English from a wide range of sources, the work displays the deep engagment of women in all aspects of the public life of the nation.
170 kr
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Twenty short stories by women writers, reflecting their realities, dreams and personal images of Wales - from the industrial communities of the south to the hinterlands of the rural west and the border country of east Wales. This rich and diverse collection provides an opportunity for the modern reader to discover a lost tradition of English-language storytelling by women from Wales, for most of the stories it includes have never been republished since their first appearance in print. As well as being entertaining - and often moving - in themselves, the stories demonstrate how late nineteenth and early twentieth century women contributed to the development of Welsh culture and identity, although their contribution has since been forgotten. This volume also includes a general introduction, and biographical and textual notes on each author and text, by the editor, Jane Aaron, a renowned expert on Welsh women's writing.
135 kr
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First published in 1962, this novel tells the tale of a young collier's death in a mining accident in Cilhendre, a fictional industrial village in the south Wales Valleys. The story vividly and sympathetically portrays how the Valley community, and in particular the women, struggle to come to terms with the sudden loss, an occurrence with which they are all too familiar. Yet for all its tragic subject-matter, The Small Mine also conveys the warmth and gusto of the villagers' lives by means of a witty use of language, which was favourably compared to that of Gwyn Thomas and other male Valleys writers on the first appearance of Menna Gallie's Welsh novels. This was the third in the Honno Classics series, an imprint which brings books by women writers from Wales in English, long since out of print, to a new generation of readers.