Omer Bartov – författare

FINALIST FOR THE ORWELL PRIZE FOR POLITICAL WRITING 2026'Remarkable' GUARDIAN'Anyone disturbed and frightened by our current moral and intellectual morass should read it' PANKAJ MISHRAA leading genocide scholar explores the history of Zionism, Israel’s lurch towards extreme oppression and violence, and why it stands accused of crimes against humanityProfessor Omer Bartov was born on a kibbutz, grew up in Tel Aviv and served in the Israel Defence Forces during the Yom Kippur War. He went on to become an expert on the German army and the Holocaust, before turning his attention to his native country.In Israel: What Went Wrong?, Bartov explores the transformation of Zionism from a movement of Jewish emancipation and liberation into a state ideology of ethno-nationalism, exclusion and violent domination of Palestinians. He traces the process whereby Israel – whose establishment in 1948 received international support in the aftermath of the Holocaust – now faces accusations of war crimes and genocide.What are the implications of Israel’s near total impunity for the post-1945 regime of international law? And how do we understand the widespread support for these policies by Israel’s Jewish citizens?The result is a searing and urgent critique that addresses today’s debates over Zionism, genocide, and the future of Israel with rigour and depth.

A 2024 Choice Outstanding Academic TitleThis book discusses some of the most urgent current debates over the study, commemoration, and politicization of the Holocaust through key critical perspectives. Omer Bartov adeptly assesses the tensions between Holocaust and genocide studies, which have repeatedly both enriched and clashed with each other, whilst convincingly arguing for the importance of local history and individual testimony in grasping the nature of mass murder. He goes on to critically examine how legal discourse has served to both uncover and deny individual and national complicity. Genocide, the Holocaust and Israel-Palestine outlines how first-person histories provide a better understanding of events otherwise perceived as inexplicable and, lastly, draws on the author’s own personal trajectory to consider links between the fate of Jews in World War II and the plight of Palestinians during and in the aftermath of the establishment of the state of Israel.Bartov demonstrates that these five perspectives, rarely if ever previously discussed in a single book, are inextricably linked, and shed much light on each other. Thus the Holocaust and other genocides must be seen as related catastrophes in the modern era; understanding such vast human tragedies necessitates scrutinizing them on the local and personal scale; this in turn calls for historical empathy, accomplished via personal-biographical introspection; and true, open-minded, and rigorous introspection, without which historical understanding tends toward obfuscation, brings to light uncomfortable yet clarifying connections, such as that between the Holocaust and the Nakba, the mass flight and expulsion of the Palestinians in 1948.

The story of the diverse communities of Eastern Europe’s borderlands in the centuries prior to World War II  “A powerful combination of history and personal memoir. . . . A richly contextual, skillfully woven historical study.”—Kirkus Reviews (starred review)  Focusing on the former province of Galicia, this book tells the story of Europe’s eastern borderlands, stretching from the Baltic to the Balkans, through the eyes of the diverse communities of migrants who settled there for centuries and were murdered or forcibly removed from the borderlands in the course of World War II and its aftermath. Omer Bartov explores the fates and hopes, dreams and disillusionment of the people who lived there, and, through the stories they told about themselves, reconstructs who they were, where they came from, and where they were heading. It was on the borderlands that the expanding great empires—German, Austro-Hungarian, Russian, and Ottoman—overlapped, clashed, and disintegrated. The civilization of these borderlands was a mix of multiple cultures, languages, ethnic groups, religions, and nations that similarly overlapped and clashed. The borderlands became the cradle of modernity. Looking back at it tells us where we came from.

Shatterzone of Empires is a comprehensive analysis of interethnic relations, coexistence, and violence in Europe's eastern borderlands over the past two centuries. In this vast territory, extending from the Baltic to the Black Sea, four major empires with ethnically and religiously diverse populations encountered each other along often changing and contested borders. Examining this geographically widespread, multicultural region at several levels—local, national, transnational, and empire—and through multiple approaches—social, cultural, political, and economic—this volume offers informed and dispassionate analyses of how the many populations of these borderlands managed to coexist in a previous era and how and why the areas eventually descended into violence. An understanding of this specific region will help readers grasp the preconditions of interethnic coexistence and the causes of ethnic violence and war in many of the world's other borderlands both past and present.

Mirrors of Destruction examines the relationship between total war, state-organized genocide, and the emergence of modern identity. Here, Omer Bartov demonstrates that in the twentieth century there have been intimate links between military conflict, mass murder of civilian populations, and the definition and categorization of groups and individuals. These connections were most clearly manifested in the Holocaust, as the Nazis attempted to exterminate European Jewry under cover of a brutal war and with the stated goal of creating a racially pure Aryan population and Germanic empire. The Holocaust, however, can only be understood within the context of the century''s predilection for applying massive and systematic methods of destruction to resolve conflicts over identity. To provide the context for the "Final Solution," Bartov examines the changing relationships between Jews and non-Jews in France and Germany from the outbreak of World War I to the present. Rather than presenting a comprehensive history, or a narrative from a single perspective, Bartov views the past century through four interrelated prisms. He begins with an analysis of the glorification of war and violence, from its modern birth in the trenches of World War I to its horrifying culmination in the presentation of genocide by the SS as a glorious undertaking. He then examines the pacifist reaction in interwar France to show how it contributed to a climate of collaboration with dictatorship and mass murder. The book goes on to argue that much of the discourse on identity throughout the century has had to do with identifying and eliminating society''s "elusive enemies" or "enemies from within." Bartov concludes with an investigation of modern apocalyptic visions, showing how they have both encouraged mass destructions and opened a way for the reconstruction of individual and collective identifies after a catastrophe. Written with verve, Mirrors of Destruction is rich in interpretations and theoretical tools and provides a new framework for understanding a central trait of modern history.

War endlessly tries to mask itself. The myth of the heroic soldier testing his individual courage stands in stark contrast to the reality of mass, anonymous death and the suppression of individual actions. Murder in Our Midst shows that this fundamental tension reached its natural conclusion in the Holocaust, and that disguising it has required an ongoing effort to misrepresent war and the Holocaust as something other than industrial killing. Examining a broad range of the representations of war''s horrors, from scholarly depictions to those in popular literature, poetry, art, and the movies, Omer Bartov finds they have some things in common. Societies and cultures have attempted to form coherent images of horrific events, to draw didactic lessons from them, and to exploit them to legitimate ideological or political positions. Made up of interconnected essays, this book is both a scholarly and an often personal and passionate examination of the emergence, implementation, and representation of industrial killing. Bartov draws out the links between recent revisionist attempts to minimize and deny the Holocaust, and Hollywood''s ongoing fascination with National Socialism and Hitler''s "Final Solution." Arguing that the modern predicament reflects the effects of the Nazi genocide on current perceptions of war, history, and memory, this book is a plea for compassion and commitment in an increasingly violent and indifferent world.

This book examines the relationship between total war, state-organized genocide, and the emergence of modern identity. Omer Bartov demonstrates that, in the twentieth century, there have been intimate links between military conflict, mass murder of civilian populations, and the definition and categorization of groups and individuals. The Holocaust, he argues, can only be understood within the context of the century's predilection to apply systematic and destructive methods to resolve conflicts over identity. His study follows the changing relationships between Jews and non-Jews in France and Germany from the outbreak of World War I to the present. He takes a close look at the glorification of war between 1914-18 and examines the pacifist reaction in interwar France to show how it contributed to a climate of collaboration with dictatorship and mass murder. He also provides detailed analyses of modern apocalyptic visions and pursuits for internal enemies. The book is an important new perspective on some of the most crucial issues of our time.

This study shows that the Wehrmacht was systematically involved in atrocities against the civilian population on the Eastern Front.

Mirrors of Destruction examines the relationship between total war, state-organized genocide, and the emergence of modern identity. Here, Omer Bartov demonstrates that in the twentieth century there have been intimate links between military conflict, mass murder of civilian populations, and the definition and categorization of groups and individuals. These connections were most clearly manifested in the Holocaust, as the Nazis attempted to exterminate European Jewry under cover of a brutal war and with the stated goal of creating a racially pure Aryan population and Germanic empire. The Holocaust, however, can only be understood within the context of the century's predilection for applying massive and systematic methods of destruction to resolve conflicts over identity. To provide the context for the "Final Solution," Bartov examines the changing relationships between Jews and non-Jews in France and Germany from the outbreak of World War I to the present. Rather than presenting a comprehensive history, or a narrative from a single perspective, Bartov views the past century through four interrelated prisms. He begins with an analysis of the glorification of war and violence, from its modern birth in the trenches of World War I to its horrifying culmination in the presentation of genocide by the SS as a glorious undertaking. He then examines the pacifist reaction in interwar France to show how it contributed to a climate of collaboration with dictatorship and mass murder. The book goes on to argue that much of the discourse on identity throughout the century has had to do with identifying and eliminating society's "elusive enemies" or "enemies from within." Bartov concludes with an investigation of modern apocalyptic visions, showing how they have both encouraged mass destructions and opened a way for the reconstruction of individual and collective identifies after a catastrophe. Written with verve, Mirrors of Destruction is rich in interpretations and theoretical tools and provides a new framework for understanding a central trait of modern history.

As the Cold War followed on the heels of the Second World War, as the Nuremburg Trials faded in the shadow of the Iron Curtain, both the Germans and the West were quick to accept the idea that Hitler''s army had been no SS, no Gestapo, that it was a professional force little touched by Nazi politics. But in this compelling account Omer Bartov reveals a very different history, as he probes the experience of the average soldier to show just how thoroughly Nazi ideology permeated the army.In Hitler''s Army, Bartov focuses on the titanic struggle between Germany and the Soviet Union--where the vast majority of German troops fought--to show how the savagery of war reshaped the army in Hitler''s image. Both brutalized and brutalizing, these soldiers needed to see their bitter sacrifices as noble patriotism and to justify their own atrocities by seeing their victims as subhuman. In the unprecedented ferocity and catastrophic losses of the Eastrn front, he writes, soldiers embraced the idea that the war was a defense of civilization against Jewish/Bolshevik barbarism, a war of racial survival to be waged at all costs. Bartov describes the incredible scale and destruction of the invasion of Russia in horrific detail. Even in the first months--often depicted as a time of easy victories--undermanned and ill-equipped German units were stretched to the breaking point by vast distances and bitter Soviet resistance. Facing scarce supplies and enormous casualties, the average soldier sank to ta a primitive level of existence, re-experiencing the trench warfare of World War I under the most extreme weather conditions imaginable; the fighting itself was savage, and massacres of prisoners were common. Troops looted food and supplies from civilians with wild abandon; they mercilessly wiped out villages suspected of aiding partisans. Incredible losses led to recruits being thrown together in units that once had been filled with men from the same communities, making Nazi ideology even more important as a binding force. And they were further brutalized by a military justice system that executed almost 15,000 German soldiers during the war. Bartov goes on to explore letters, diaries, military reports, and other sources, showing how widespread Hitler''s views became among common fighting men--men who grew up, he reminds us, under the Nazi regime. In the end, they truly became Hitler''s army.In six years of warfare, the vast majority of German men passed through the Wehrmacht and almost every family had a relative who fought in the East. Bartov''s powerful new account of how deeply Nazi ideology penetrated the army sheds new light on how deeply it penetrated the nation. Hitler''s Army makes an important correction not merely to the historical record but to how we see the world today.

War endlessly tries to mask itself. The myth of the heroic soldier testing his individual courage stands in stark contrast to the reality of mass, anonymous death and the suppression of individual actions. Murder in Our Midst shows that this fundamental tension reached its natural conclusion in the Holocaust, and that disguising it has required an ongoing effort to misrepresent war and the Holocaust as something other than industrial killing. Examining a broad range of the representations of war''s horrors, from scholarly depictions to those in popular literature, poetry, art, and the movies, Omer Bartov finds they have some things in common. Societies and cultures have attempted to form coherent images of horrific events, to draw didactic lessons from them, and to exploit them to legitimate ideological or political positions. Made up of interconnected essays, this book is both a scholarly and an often personal and passionate examination of the emergence, implementation, and representation of industrial killing. Bartov draws out the links between recent revisionist attempts to minimize and deny the Holocaust, and Hollywood''s ongoing fascination with National Socialism and Hitler''s "Final Solution." Arguing that the modern predicament reflects the effects of the Nazi genocide on current perceptions of war, history, and memory, this book is a plea for compassion and commitment in an increasingly violent and indifferent world.

Mirrors of Destruction examines the relationship between total war, state-organized genocide, and the emergence of modern identity. Here, Omer Bartov demonstrates that in the twentieth century there have been intimate links between military conflict, mass murder of civilian populations, and the definition and categorization of groups and individuals. These connections were most clearly manifested in the Holocaust, as the Nazis attempted to exterminate European Jewry under cover of a brutal war and with the stated goal of creating a racially pure Aryan population and Germanic empire. The Holocaust, however, can only be understood within the context of the century''s predilection for applying massive and systematic methods of destruction to resolve conflicts over identity. To provide the context for the "Final Solution," Bartov examines the changing relationships between Jews and non-Jews in France and Germany from the outbreak of World War I to the present. Rather than presenting a comprehensive history, or a narrative from a single perspective, Bartov views the past century through four interrelated prisms. He begins with an analysis of the glorification of war and violence, from its modern birth in the trenches of World War I to its horrifying culmination in the presentation of genocide by the SS as a glorious undertaking. He then examines the pacifist reaction in interwar France to show how it contributed to a climate of collaboration with dictatorship and mass murder. The book goes on to argue that much of the discourse on identity throughout the century has had to do with identifying and eliminating society''s "elusive enemies" or "enemies from within." Bartov concludes with an investigation of modern apocalyptic visions, showing how they have both encouraged mass destructions and opened a way for the reconstruction of individual and collective identifies after a catastrophe. Written with verve, Mirrors of Destruction is rich in interpretations and theoretical tools and provides a new framework for understanding a central trait of modern history.

As the Cold War followed on the heels of the Second World War, as the Nuremburg Trials faded in the shadow of the Iron Curtain, both the Germans and the West were quick to accept the idea that Hitler''s army had been no SS, no Gestapo, that it was a professional force little touched by Nazi politics. But in this compelling account Omer Bartov reveals a very different history, as he probes the experience of the average soldier to show just how thoroughly Nazi ideology permeated the army.In Hitler''s Army, Bartov focuses on the titanic struggle between Germany and the Soviet Union--where the vast majority of German troops fought--to show how the savagery of war reshaped the army in Hitler''s image. Both brutalized and brutalizing, these soldiers needed to see their bitter sacrifices as noble patriotism and to justify their own atrocities by seeing their victims as subhuman. In the unprecedented ferocity and catastrophic losses of the Eastrn front, he writes, soldiers embraced the idea that the war was a defense of civilization against Jewish/Bolshevik barbarism, a war of racial survival to be waged at all costs. Bartov describes the incredible scale and destruction of the invasion of Russia in horrific detail. Even in the first months--often depicted as a time of easy victories--undermanned and ill-equipped German units were stretched to the breaking point by vast distances and bitter Soviet resistance. Facing scarce supplies and enormous casualties, the average soldier sank to ta a primitive level of existence, re-experiencing the trench warfare of World War I under the most extreme weather conditions imaginable; the fighting itself was savage, and massacres of prisoners were common. Troops looted food and supplies from civilians with wild abandon; they mercilessly wiped out villages suspected of aiding partisans. Incredible losses led to recruits being thrown together in units that once had been filled with men from the same communities, making Nazi ideology even more important as a binding force. And they were further brutalized by a military justice system that executed almost 15,000 German soldiers during the war. Bartov goes on to explore letters, diaries, military reports, and other sources, showing how widespread Hitler''s views became among common fighting men--men who grew up, he reminds us, under the Nazi regime. In the end, they truly became Hitler''s army.In six years of warfare, the vast majority of German men passed through the Wehrmacht and almost every family had a relative who fought in the East. Bartov''s powerful new account of how deeply Nazi ideology penetrated the army sheds new light on how deeply it penetrated the nation. Hitler''s Army makes an important correction not merely to the historical record but to how we see the world today.

From cinema's beginnings, the film image of the "Jew" has closely followed the fortunes and misfortunes of Jews. Analyzing more than 70 films made in the Soviet Union, Poland, Hungary, Czechoslovakia and the Czech Republic, East and West Germany, France, Italy, the United States, and Israel from 1920 to the 1990s, noted historian Omer Bartov argues that depictions of the "Jew" in film have been fed by, or have reacted to, certain stereotypical depictions of Jews arising from age-old prejudices. These images, in turn, both reflected public attitudes and helped to shape them. He points to Mel Gibson's film The Passion of the Christ as one of the most recent examples of the phenomenon. In trenchant discussions of individual films, Bartov develops four basic cinematic representations of the "Jew": as perpetrator (especially in antisemitic films), as victim (especially in films about the Holocaust), as hero (especially in films about the state of Israel), and as anti-hero (especially in films about the Arab-Israeli conflict).This absorbing book reveals the ways in which powerful images remained deeply embedded in the creative imagination, even as the circumstances that originally engendered them underwent profound changes. Bartov concludes that some of the fundamental prejudices about Jews, which predate cinema, persisted in cinematic depictions throughout the 20th century, although they have been reinterpreted according to changing political regimes, ideologies, and tastes. Covering a range of traditions and periods, The "Jew" in Cinema provides original and provocative interpretations that often contradict conventional views. Placing cinematic representations of the "Jew" within their historical context, Bartov demonstrates the powerful political, social, and cultural impact of these images on popular attitudes.The Helen and Martin Schwartz Lectures in Jewish Studies

Based largely upon unpublished sources, Omer Bartov's study looks closely at the background of the German army on the Eastern Front during the Second World War.

A leading Israeli American scholar of the Holocaust explores and explains his native country's intensifying turn toward violence and exclusion.The distinguished historian Omer Bartov was born on a kibbutz, grew up in Tel Aviv, and served in the Israel Defense Forces during the Yom Kippur War. He went on to become a leading scholar of the German army and the Holocaust, before turning his attention to his native country.In Israel: What Went Wrong?, Bartov sketches the tragic transformation of Zionism, a movement that sought to emancipate European Jewry from oppression, into a state ideology of ethno-nationalism. How is it possible, he asks, that a state founded in the immediate aftermath of the Holocaust, an event that gave legitimacy to a national home for the Jews, stands credibly accused of perpetrating large-scale war crimes? How do we come to terms with the fact that Israel's war of destruction is being conducted with the support, laced with denial and indifference, of so many of its Jewish citizens?Tracing the roots of the violent events currently unfolding in Israel and the occupied territories, Bartov tracks his country's moral tribulations and considers the origins of Zionism, the intertwining of Israel's independence with Palestinian displacement, the politics of the Holocaust, controversies over the term "e;genocide,"e; and the uncertain future. The result is a searing and urgent critique that addresses today's debates over Zionism and the future of Israel with rigor and depth.

Containing an almost entirely new selection of texts, this second edition of The Holocaust: Origins, Implementation, Aftermath presents a critical and important study of the Holocaust. Many of the pieces challenge conventional analyses and preconceived notions about the Holocaust, whether regarding genocidal precedents and the centrality of antisemitism, the relationship between ideological motivation and economic calculations, or the timing of the decision on the Final Solution. Starting with the background of the Holocaust and focusing on colonial violence, antisemitism and scientific racism as being at the root of the Final Solution, the book then examines the context of the decision to unleash the genocide of the Jews. Several powerful texts then provide readers with a close look at the psychology of a perpetrator, the fate of the victims – with a particular emphasis on the role of gender and the murder of children – and the impossible choices made by Jewish leaders, educators, and men recruited into the Nazi extermination apparatus. Finally, there is an analysis of survivors' testimonies and the creation of an early historical record, and an inquiry into post-war tribunals and the development of international justice and legislation with a view to the larger phenomenon of modern genocide before and after the Holocaust.Complete with an introduction that summarises the state of the field, this book contains major reinterpretations by leading Holocaust authors along with key texts on testimony, memory, and justice after the catastrophe. With brief discussions placing each essay in historical and scholarly context, this carefully selected compilation is an ideal introduction to the topic and essential reading for all students of the Holocaust.

Containing an almost entirely new selection of texts, this second edition of The Holocaust: Origins, Implementation, Aftermath presents a critical and important study of the Holocaust. Many of the pieces challenge conventional analyses and preconceived notions about the Holocaust, whether regarding genocidal precedents and the centrality of antisemitism, the relationship between ideological motivation and economic calculations, or the timing of the decision on the Final Solution. Starting with the background of the Holocaust and focusing on colonial violence, antisemitism and scientific racism as being at the root of the Final Solution, the book then examines the context of the decision to unleash the genocide of the Jews. Several powerful texts then provide readers with a close look at the psychology of a perpetrator, the fate of the victims – with a particular emphasis on the role of gender and the murder of children – and the impossible choices made by Jewish leaders, educators, and men recruited into the Nazi extermination apparatus. Finally, there is an analysis of survivors' testimonies and the creation of an early historical record, and an inquiry into post-war tribunals and the development of international justice and legislation with a view to the larger phenomenon of modern genocide before and after the Holocaust.Complete with an introduction that summarises the state of the field, this book contains major reinterpretations by leading Holocaust authors along with key texts on testimony, memory, and justice after the catastrophe. With brief discussions placing each essay in historical and scholarly context, this carefully selected compilation is an ideal introduction to the topic and essential reading for all students of the Holocaust.

In Erased, Omer Bartov uncovers the rapidly disappearing vestiges of the Jews of western Ukraine, who were rounded up and murdered by the Nazis during World War II with help from the local populace. What begins as a deeply personal chronicle of the Holocaust in his mother's hometown of Buchach--in former Eastern Galicia--carries him on a journey across the region and back through history. This poignant travelogue reveals the complete erasure of the Jews and their removal from public memory, a blatant act of forgetting done in the service of a fiercely aggressive Ukrainian nationalism. Bartov, a leading Holocaust scholar, discovers that to make sense of the heartbreaking events of the war, he must first grapple with the complex interethnic relationships and conflicts that have existed there for centuries. Visiting twenty Ukrainian towns, he recreates the histories of the vibrant Jewish and Polish communities who once lived there-and describes what is left today following their brutal and complete destruction. Bartov encounters Jewish cemeteries turned into marketplaces, synagogues made into garbage dumps, and unmarked burial pits from the mass killings.He bears witness to the hastily erected monuments following Ukraine's independence in 1991, memorials that glorify leaders who collaborated with the Nazis in the murder of Jews. He finds that the newly independent Ukraine-with its ethnically cleansed and deeply anti-Semitic population--has recreated its past by suppressing all memory of its victims. Illustrated with dozens of hauntingly beautiful photographs from Bartov's travels, Erased forces us to recognize the shocking intimacy of genocide.

In Erased, Omer Bartov uncovers the rapidly disappearing vestiges of the Jews of western Ukraine, who were rounded up and murdered by the Nazis during World War II with help from the local populace. What begins as a deeply personal chronicle of the Holocaust in his mother's hometown of Buchach--in former Eastern Galicia--carries him on a journey across the region and back through history. This poignant travelogue reveals the complete erasure of the Jews and their removal from public memory, a blatant act of forgetting done in the service of a fiercely aggressive Ukrainian nationalism. Bartov, a leading Holocaust scholar, discovers that to make sense of the heartbreaking events of the war, he must first grapple with the complex interethnic relationships and conflicts that have existed there for centuries. Visiting twenty Ukrainian towns, he recreates the histories of the vibrant Jewish and Polish communities who once lived there-and describes what is left today following their brutal and complete destruction. Bartov encounters Jewish cemeteries turned into marketplaces, synagogues made into garbage dumps, and unmarked burial pits from the mass killings.He bears witness to the hastily erected monuments following Ukraine's independence in 1991, memorials that glorify leaders who collaborated with the Nazis in the murder of Jews. He finds that the newly independent Ukraine-with its ethnically cleansed and deeply anti-Semitic population--has recreated its past by suppressing all memory of its victims. Illustrated with dozens of hauntingly beautiful photographs from Bartov's travels, Erased forces us to recognize the shocking intimacy of genocide.

Omer Bartov, a leading scholar of the Wehrmacht and the Holocaust, provides a critical analysis of various recent ways to understand the genocidal policies of the Nazi regime and the reconstruction of German and Jewish identities in the wake of World War II. Germany's War and the Holocaust both deepens our understanding of a crucial period in history and serves as an invaluable introduction to the vast body of literature in the field of Holocaust studies.Drawing on his background as a military historian to probe the nature of German warfare, Bartov considers the postwar myth of army resistance to Hitler and investigates the image of Blitzkrieg as a means to glorify war, debilitate the enemy, and hide the realities of mass destruction. The author also addresses several new analyses of the roots and nature of Nazi extermination policies, including revisionist views of the concentration camps. Finally, Bartov examines some paradigmatic interpretations of the Nazi period and its aftermath: the changing American, European, and Israeli discourses on the Holocaust; Victor Klemperer's view of Nazi Germany from within; and Germany's perception of its own victimhood.

Omer Bartov, a leading scholar of the Wehrmacht and the Holocaust, provides a critical analysis of various recent ways to understand the genocidal policies of the Nazi regime and the reconstruction of German and Jewish identities in the wake of World War II. Germany's War and the Holocaust both deepens our understanding of a crucial period in history and serves as an invaluable introduction to the vast body of literature in the field of Holocaust studies.Drawing on his background as a military historian to probe the nature of German warfare, Bartov considers the postwar myth of army resistance to Hitler and investigates the image of Blitzkrieg as a means to glorify war, debilitate the enemy, and hide the realities of mass destruction. The author also addresses several new analyses of the roots and nature of Nazi extermination policies, including revisionist views of the concentration camps. Finally, Bartov examines some paradigmatic interpretations of the Nazi period and its aftermath: the changing American, European, and Israeli discourses on the Holocaust; Victor Klemperer's view of Nazi Germany from within; and Germany's perception of its own victimhood.

Based largely upon unpublished sources, Omer Bartov''s study looks closely at the background of the German army on the Eastern Front during the Second World War. He describes the physical hardship, the discipline and morale at the front, and analyses the social, educational and political background of the junior officers who formed the backbone of the German army. Only with these factors in mind - together with the knowledge of the extent of National Socialist indoctrination - can we begin to explain the criminal activities of the German army in Russia and the extent of involvement of the army in the execution of Hitler''s brutal policies.

A 2024 Choice Outstanding Academic TitleThis book discusses some of the most urgent current debates over the study, commemoration, and politicization of the Holocaust through key critical perspectives. Omer Bartov adeptly assesses the tensions between Holocaust and genocide studies, which have repeatedly both enriched and clashed with each other, whilst convincingly arguing for the importance of local history and individual testimony in grasping the nature of mass murder. He goes on to critically examine how legal discourse has served to both uncover and deny individual and national complicity. Genocide, the Holocaust and Israel-Palestine outlines how first-person histories provide a better understanding of events otherwise perceived as inexplicable and, lastly, draws on the author’s own personal trajectory to consider links between the fate of Jews in World War II and the plight of Palestinians during and in the aftermath of the establishment of the state of Israel.Bartov demonstrates that these five perspectives, rarely if ever previously discussed in a single book, are inextricably linked, and shed much light on each other. Thus the Holocaust and other genocides must be seen as related catastrophes in the modern era; understanding such vast human tragedies necessitates scrutinizing them on the local and personal scale; this in turn calls for historical empathy, accomplished via personal-biographical introspection; and true, open-minded, and rigorous introspection, without which historical understanding tends toward obfuscation, brings to light uncomfortable yet clarifying connections, such as that between the Holocaust and the Nakba, the mass flight and expulsion of the Palestinians in 1948.

A 2024 Choice Outstanding Academic TitleThis book discusses some of the most urgent current debates over the study, commemoration, and politicization of the Holocaust through key critical perspectives. Omer Bartov adeptly assesses the tensions between Holocaust and genocide studies, which have repeatedly both enriched and clashed with each other, whilst convincingly arguing for the importance of local history and individual testimony in grasping the nature of mass murder. He goes on to critically examine how legal discourse has served to both uncover and deny individual and national complicity. Genocide, the Holocaust and Israel-Palestine outlines how first-person histories provide a better understanding of events otherwise perceived as inexplicable and, lastly, draws on the author''s own personal trajectory to consider links between the fate of Jews in World War II and the plight of Palestinians during and in the aftermath of the establishment of the state of Israel. Bartov demonstrates that these five perspectives, rarely if ever previously discussed in a single book, are inextricably linked, and shed much light on each other. Thus the Holocaust and other genocides must be seen as related catastrophes in the modern era; understanding such vast human tragedies necessitates scrutinizing them on the local and personal scale; this in turn calls for historical empathy, accomplished via personal-biographical introspection; and true, open-minded, and rigorous introspection, without which historical understanding tends toward obfuscation, brings to light uncomfortable yet clarifying connections, such as that between the Holocaust and the Nakba, the mass flight and expulsion of the Palestinians in 1948.