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64 produkter
64 produkter
Del 48 - Cambridge Studies in American Literature and Culture
Penelope's Web
Gender, Modernity, H. D.'s Fiction
Inbunden, Engelska, 1991
1 277 kr
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Penelope's Web should appeal to a wide spectrum of readers interested in twentieth-century modernism, women's writing, feminist criticism, post-structuralist theory, psychoanalysis, autobiography, and women's studies. Published in 1991, it was the first book to examine fully the brilliantly innovative prose writings of H. D., the pen-name for Hilda Doolittle (1886-1961), who has been known primarily as a poet. Her prose, more personal, experimental, and postmodern than her poetry, raises central questions about the relation of women writers to language, desire and history. She suppressed in her lifetime many of these texts because of their daring exploration of her bisexuality and their radical critique of the social order. H. D.'s prose writings contribute importantly to the many histories and theories of modernism that are redrawing boundaries to include the achievement of women writers.
Del 2 - Cambridge Studies in American Literature and Culture
Self and Sensibility in Contemporary American Poetry
Häftad, Engelska, 2009
516 kr
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Self and Sensibility in Contemporary American Poetry is an inquiry into the cultural roles lyric poetry does and can play in our age. Charles Altieri first establishes a dominant mode in 'serious' American poetry by identifying current assumptions inherent in the teaching of creative writing and the awarding of prizes and contracts. The dominant mode is seen not as a prescribed style but as a set of styles that share assumptions and that tend to seek the same narrow audience. Altieri views this mode as essentially scenic, presenting in brief dramatic settings subdued, carefully wrought emotions that build to a climactic tactile image. In examining why the style appeals, the author suggests that we find in the dominant mode models of the self, of the power of language, and of the nature of emotions that are very close to the prudential narcissism of the professional classes. Two theses follow: that contemporary poetry can be approached as a paradigm for analysing literature in cultural terms (since we know the culture well on independent grounds); and that the cultural analogies help demonstrate the pressures on younger poets to explore styles that break from or attempt to overthrow the dominant mode.
Del 3 - Cambridge Studies in American Literature and Culture
Hawthorne Melville and the American Character
A Looking-Glass Business
Häftad, Engelska, 1986
516 kr
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This book considers the portrayal of the American national character in the writings of Nathaniel Hawthorne and Herman Melville. It examines Hawthorne's abiding concern with the development of New England from colony to province to republic, and analyses Melville's changing evocation of 'the new American', and the difficulties he faced in sustaining his heady nationalistic faith.
Del 4 - Cambridge Studies in American Literature and Culture
The Puritan Conversion Narrative
The Beginnings of American Expression
Häftad, Engelska, 1985
516 kr
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In the mid-seventeenth century, persons on both sides of the Atlantic wishing to join a Puritan church had to appear before all of its members and tell the story of their religious conversion - in effect, to give convincing verbal evidence that their souls were saved. New England's Puritans widely adopted this practice, and in this book Patricia Caldwell attempts to unravel the mystery of this procedure by viewing it as a literary phenomenon that met the special imaginative and expressive needs of troubled people in a time of great turmoil. In the first comparative reading of conversion stories as literary expression, Caldwell shows that these symbolic and deeply religious narratives represent 'the first faint murmurings of a truly American voice'.
Del 22 - Cambridge Studies in American Literature and Culture
American Realism and American Drama, 1880-1940
Inbunden, Engelska, 1987
1 426 kr
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The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.
Del 27 - Cambridge Studies in American Literature and Culture
The American Abraham
James Fenimore Cooper and the Frontier Patriarch
Inbunden, Engelska, 1988
1 650 kr
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In this book Warren Motley offers an original interpretation of James Fenimore Cooper's career. Whereas most studies of Cooper have centered on the figure of the Leatherstocking - that solitary model of the self-sufficient American hero untrammeled by civilization - this book examines Cooper's interest in the pioneer patriarchs who built new societies in the wilderness. Throughout his career Cooper explored an essential American problem: how to achieve the right balance between freedom and authority. He did this by retelling the story of the frontier settlement and thereby assessing its successes and failures. Like other writers in the decades before the Civil War, Cooper struggled with the legacy of the Revolutionary fathers - a legacy made more personal in Cooper's case by his father's role as a frontier land developer, judge, and Federalist politician. This book breaks new ground by relating Cooper's artistic development, and his ideas about authority in society, to his efforts to become independent of his father.
Del 39 - Cambridge Studies in American Literature and Culture
The Place of Fiction in the Time of Science
A Disciplinary History of American Writing
Inbunden, Engelska, 1990
1 515 kr
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In this 1990 book John Limon examines the various ways American authors have approached the writing of fiction (and justified that writing) in an age increasingly dominated by science. He focuses in particular on Charles Brockden Brown, Edgar Allen Poe and Nathaniel Hawthorne - three highly articulate and highly alarmed witnesses to the professionalisation of science, the great crisis in modern intellectual history. It was, he argues, especially specially difficult for American writers to face this crisis since they could make no appeal to traditional values: America, after all, had never really been a pre-scientific society.
Del 53 - Cambridge Studies in American Literature and Culture
In Respect to Egotism
Studies in American Romantic Writing
Inbunden, Engelska, 1991
1 441 kr
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In this 1991 book, Joel Porte examines nineteenth-century literature, focusing on the general question of the American Romantic ego and its varying modalities of self-creation, self-display, self-projection, and self-concealment. The book begins by exploring the status of the 'text' in nineteenth-century American writing, the relationship of 'rhetorical' reading to historical context, and the nature of 'Romanticism' in an American setting. Porte then concentrates on the great authors of the period through a series of thematically linked but critically discrete essays on Brown, Irving, Parkman, Cooper, Poe, Emerson, Hawthorne, Thoreau, Melville, Douglass, Stowe, Whitman, and Dickinson. Throughout his important new study, Porte offers provocative reassessments of familiar texts while at the same time casting an illuminating critical eye on less well-known territory. Readers of this book will come away with increased respect for the achievement of American Romantic writers.
Del 30 - Cambridge Studies in American Literature and Culture
The Color of the Sky
A Study of Stephen Crane
Inbunden, Engelska, 1989
1 575 kr
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David Halliburton's book is a richly textured study of the complete writings of Stephen Crane, including Maggie: A Girl of the Streets, The Red Badge of Courage, and the less well-known fiction, newswriting, and poetry. Offering close readings of the works within a broad framework, Halliburton sets out to explore the imaginative world Crane created in his total œuvre of fiction, poetry and reportage. Comparative and interdisciplinary methods, combined with insights from historians such as Toynbee and Hofsteader, enable Halliburton to shed light on a number of issues. These include Crane's interest in musicality, the importance of his poetry and journalism to his other writings, the phenomenology of his social structures, his mastery of prosody, and the relation of his writings to the ideas of thinkers such as William James, Santayana, Weber and Sartre. This ambitious and comprehensive book sets a standard by which to measure all future interpretations of Crane.
Del 33 - Cambridge Studies in American Literature and Culture
Conspiracy and Romance
Studies in Brockden Brown, Cooper, Hawthorne, and Melville
Inbunden, Engelska, 1989
1 545 kr
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Robert Levine has examined the American romance in a historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the republic and the Civil war. With convincing historical and literary detail, Levine shows that anxieties about various subversive elements - French revolutionaries, secret societies, Catholic immigrants, African slaves - are central to the fictional worlds of Brockden Brown, Cooper, Hawthorne and Melville. Ormond, The Bravo, The Blithedale Romance, and Benito Cereno are persuasively explicated by Levine to demonstrate that the romance addressed many of the same conflicts and ideals that gave rise to the American republic. Americans conceived of America as a romance, and their romances dramatised the historical conditions of the culture, The fear that conspiracies would subvert the order and integrity of the new nation were recurrent and widespread; Levine makes us see that these fears informed the works of our major romance writers from the turn of the century until the Civil War.
Del 7 - Cambridge Studies in American Literature and Culture
The Divided Mind
Ideology and Imagination in America, 1898-1917
Häftad, Engelska, 1989
526 kr
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The Divided Mind examines the debate between innovation and tradition in American culture of the early years of the twentieth century. Peter Conn discusses literature, painting, music, architecture and politics, using illustrations of the artwork, buildings and popular graphics of the period. The major figures studied include: Henry James, David Graham Phillips, Jack London, W. E. B. DuBois, Booker T. Washington, Edith Wharton, Kate Chopin, Charles Ives, John Sloan, Frank Lloyd Wright, Alfred Steiglitz and Emma Goldman.
Del 15 - Cambridge Studies in American Literature and Culture
New England Literary Culture
From Revolution through Renaissance
Häftad, Engelska, 1989
635 kr
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This book is a study of the development of New England literature and literary institutions from the American Revolutionary era to the late nineteenth century. Professor Buell explores the foundations, growth and literary results of the professionalization of the writing vocation. He pays particular attention to the major writers - Emerson, Thoreau, Hawthorne, Stowe and Dickinson - but surveys them with a number of lesser-known authors, and explores the conventions, values and institutions which affected them all. Some of the main topics covered include the distinctive features of the Early National and Antebellum periods in New England writing; the importance of certain literary genres (poetry, oratory and religious narrative; etc.); the impact of Puritanism and its values; and the invention of acceptable conventions for portraying the New England landscape and institutions in literature.
Del 38 - Cambridge Studies in American Literature and Culture
A House Undivided
Domesticity and Community in American Literature
Inbunden, Engelska, 1990
1 426 kr
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A whole range of major American writers have focused on images of the household, of domestic virtue, and the feminine or feminized hero. This important 1990 book examines the persistence and flexibility of such themes in the work of a tradition of classic writers from Ann Bradstreet through Jefferson and Franklin to Hawthorne, Melville, Whitman and Emily Dickinson. Without minimizing the differences that divide these figures, Anderson shows the extent to which, in their various circumstances, they were all committed to a common enterprise - a social and cultural reconstruction based on the domestic values of the ideal private household.
Del 23 - Cambridge Studies in American Literature and Culture
The American Historical Romance
Häftad, Engelska, 1990
724 kr
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This book traces the tradition of American historical fiction from its origins in the early nineteenth century to the eve of World War II. It examines the historical novel's connections with Enlightenment and Romantic theories of history; with the rise of literary regionalism; with the ambitions of Romantic writers to revive the epic and romance; with changing conceptions of gender roles; and with the authors' troubled responses to the great revolutionary and imperialistic conflicts of the modern era. However, though inevitably much concerned with the theory of genre and with the specific contents of the genre of historical romance, Professor Dekker devotes most of his book to new readings of major texts by James Fenimore Cooper, Nathaniel Hawthorne, Herman Melville, Mark Twain, Allen Tate, Edith Wharton, Willa Cather, and William Faulkner, as well as to the Briton whose name was synonymous with the genre for most of the nineteenth century - Sir Walter Scott. 'The American Historical Romance is the richest, most fully meditated and most rewarding yet written by this author ... It is the most important book on the relations of British and American fiction to come out for many years. No devotee of the American novel will ignore it.' -- The Times Literary Supplement
Del 56 - Cambridge Studies in American Literature and Culture
Faulkner's Subject
A Cosmos No One Owns
Inbunden, Engelska, 1992
1 456 kr
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Faulker's Subject: A Cosmos No One Owns offers a reading of William Faulkner by viewing his masterpieces through the lens of current critical theory. The book addresses both the power of his work and the current theoretical issues that call that power into question. Drawing on poststructuralist, ideological and gender theory, Weinstein examines the harrowing process of 'becoming oneself' at the heart of Faulkner's work, and suggests that the cosmos Faulkner called his own - the textual world he produced - emerges as a cosmos no one owns, a verbal territory generated and biased by the larger culture's discourses of gender and race.
Del 50 - Cambridge Studies in American Literature and Culture
American Philosophy and the Romantic Tradition
Inbunden, Engelska, 1991
1 515 kr
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Professional philosophers have tended either to shrug off American philosophy as negligible or derivative or to date American philosophy from the work of twentieth-century analytical positivists such as Quine. Russell Goodman expands on the revisionist position developed by Stanley Cavell, that the most interesting strain of American thought proceeds not from Puritan theology or from empirical science but from a peculiarly American kind of Romanticism. This insight leads Goodman, through Cavell, back to Emerson and Thoreau and thence to William James and John Dewey, as they assimilated to American circumstances and intellectual habits the currents of European thought from Kant to Wittgenstein.
Del 60 - Cambridge Studies in American Literature and Culture
Representative Words
Politics, Literature, and the American Language, 1776-1865
Inbunden, Engelska, 1993
1 978 kr
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Ralph Waldo Emerson's dictum - 'The corruption of man is followed by the corruption of language' - belongs to a long tradition of writing connecting political disorders and the corruption of language that stretches back in Western culture. Representative Words, which gives an account of the tradition from its classical and Christian origins through the Enlightenment, is primarily a study of how and why Americans renewed and developed it between the ages of the Revolutionary and the Civil Wars. It is the first comprehensive treatment of the background to and the appearance of the wealth of theories about language in the early era of American political and cultural discourse. Professor Gustafson's argument demonstrates the interconnectedness of the state of language and the state of society and turns on the question of representation and misrepresentation - whether and how words represent or misrepresent nature, social reality, truth, and value in the new American experiment in representative republican government.
Del 21 - Cambridge Studies in American Literature and Culture
Cross-Examinations of Law and Literature
Cooper, Hawthorne, Stowe, and Melville
Häftad, Engelska, 1991
516 kr
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In Cross Examinations of Law and Literature Brook Thomas uses legal thought and legal practice as a lens through which to read some of the important fictions of antebellum America. The lens reflects both ways, and we learn as much about the literature in the context of contemporary legal concerns as we do about the legal ideologies that the fiction subverts or reveals. Successive chapters deal with Cooper's Pioneers and Hawthorne's The House of Seven Gables (property law and the image of the judiciary), Melville's 'Benito Cereno' and Stowe's Uncle Tom's Cabin (slavery), Melville's White Jacket, Pierre and 'Bartleby' (worker exploitation or wage slavery), The Confidence-Man (contracts), and finally, 'Billy Budd', which examines a number of issues illustrative of the triumph of legal formalism after the Civil War.
Del 59 - Cambridge Studies in American Literature and Culture
Disjunctive Poetics
From Gertrude Stein and Louis Zukofsky to Susan Howe
Inbunden, Engelska, 1992
1 515 kr
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Disjunctive Poetics examines some of the most interesting and experimental contemporary writers whose work forms a counterpoint to the mainstream writing of our time. Peter Quartermain suggests that the explosion of non-canonical modern writing is linked to the severe political, social and economic dislocation of non-English-speaking immigrants who, bringing alternative culture with them as they passed through Ellis Island in their hundreds of thousands at the turn of the century, found themselves uprooted from their traditions and dissociated from their cultures. The line of American poetry that runs from Gertrude Stein through Louis Zukofsky and the Objectivists to the Language Writers, Quartermain contends, is not the constructive but the deconstructive aspect, which emphasises the materiality and ambiguity of the linguistic medium and the arbitrariness and openness of the creative process. Providing close reading of Gertrude Stein, Louis Zukofsky, Robert Creeley, Basil Bunting, Guy Davenport, Robert Duncan and Susan Howe, the book explains how these writers describe the modern experience in a multicultural world by displacing commonly accepted cultural icons and by loading their language with multiple potential meanings.
Del 42 - Cambridge Studies in American Literature and Culture
Nineteenth-Century American Women's Novels
Interpretative Strategies
Häftad, Engelska, 1992
565 kr
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This study proposes interpretive strategies for nineteenth-century American women's novels. Harris contends that women in the nineteenth century read subversively, 'processing texts according to gender based imperatives'. Beginning with Susannah Rowson's best-selling seduction novel Charlotte Temple (1791), and ending with Willa Cather's O Pioneers! (1913), Harris scans white, middle-class women's writing throughout the nineteenth century. In the process she both explores reading behaviour and formulates a literary history for mainstream nineteenth-century American women's fiction. Through most of the twentieth century, women's novels of the earlier period have been denigrated as conventional, sentimental, and overwritten. Harris shows that these conditions are actually narrative strategies, rooted in cultural imperatives and, paradoxically, integral to the later development of women's texts that call for women's independence. Working with actual women's diaries and letters, Harris first shows what contemporary women sought from the books they read. She then applies these reading strategies to the most popular novels of the period, proving that even the most apparently retrograde demonstrate their heroines' abilities to create and control areas culturally defined as male.
Del 111 - Cambridge Studies in American Literature and Culture
H. D. and Hellenism
Classic Lines
Inbunden, Engelska, 1997
1 635 kr
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H. D. and Hellenism: Classic Lines concerns a prominent aspect of the writing of the modern American poet H. D. (Hilda Doolittle): a lifelong engagement with hellenic literature, mythology and art. H. D.'s hellenic intertextuality is examined in the context of classical fictions operative at the turn of the century: the war of words among literary critics establishing a new 'classicism' in reaction to romanticism; the fictions of classical transmission and the problem of women within the classical line; nineteenth-century romantic hellenism, represented in the writing of Walter Pater; and the renewed interest in ancient religion brought about by anthropological studies, represented in the writing of Jane Ellen Harrison. Eileen Gregory explores at length H. D.'s intertextual engagement with specific classical writers: Sappho, Theocritus and the Greek Anthology, Homer and Euripides. The concluding chapter sketches chronologically H. D.'s career-long study and reinvention of Euripidean texts. An appendix catalogues classical subtexts in Collected Poems, 1912-1944, edited by Louis Martz.
Del 62 - Cambridge Studies in American Literature and Culture
Elizabeth Bishop's Poetics of Intimacy
Inbunden, Engelska, 1993
1 784 kr
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By offering a fresh look at Bishop criticism that has moved from purely formal concerns and post-modern interpretations to more recent feminist analysis, Victoria Harrison traces Elizabeth Bishop's career, dividing her work into three chronological periods of activity: her early work, her writing in Brazil, and her late retrospective verse. By examining letters and notebooks, Harrison unfolds the biographical events that influenced Bishop's poetic style, addressing her treatment of such topics as family relations, history, politics, war, love, sexuality and ethnic differences. Elizabeth Bishop's Poetics of Intimacy delves extensively into the Bishop archives. Making wider use of Bishop's unpublished work, Harrison explores Bishop's childhood memoirs, journals, letters, Brazilian travel prose, unfinished poems and draft material. The reproduction of these archival materials - with revisions, cancelled lines, notes - shows a mind at work and a career in evolution.
Del 63 - Cambridge Studies in American Literature and Culture
A Grand Army of Black Men
Letters from African-American Soldiers in the Union Army 1861-1865
Häftad, Engelska, 1992
351 kr
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The Civil War stands vivid in the collective memory of the American public. There has always been a profound interest in the subject, and specifically the participation of black Americans in and reactions to the war and the war's outcome. Almost 200,000 African-American soldiers fought for the Union in the Civil War. Although most were illiterate ex-slaves, several thousand were well-educated, free black men from the northern states. The 176 letters in this collection were written by black soldiers in the Union army during the Civil War to black and abolitionist newspapers. They provide a unique expression of the black voice that was meant for a public forum. The letters tell of the men's experiences, their fears and their hopes. They describe in detail their army days - the excitement of combat and the drudgery of digging trenches. Some letters give vivid descriptions of battle; others protest against racism; still others call eloquently for civil rights. Many describe their conviction that they are fighting not only to free the slaves but to earn equal rights as citizens. These letters give an extraordinary picture of the war and also reveal the bright expectations, hopes, and ultimately the demands that black soldiers had for the future - for themselves and for their race. As first-person documents of the Civil War, the letters are strong statements of the American dream of justice and equality, and of the human spirit.
Del 65 - Cambridge Studies in American Literature and Culture
Modernism, Mass Culture and Professionalism
Inbunden, Engelska, 1993
1 411 kr
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In Modernism, Mass Culture and Professionalism Thomas Strychacz argues that modernist writers need to be understood both in their relationship to professional critics and in their relationship to an era and ethos of professionalism. In studying four modernist writers - Henry James, Theodore Dreiser, John Dos Passos and Nathanael West - Strychacz finds that contrary to what most studies suggest, modernist writers (in the period of 1880-1940) are thoroughly caught up in the ideas and expressive forms of mass culture rather than opposed to them. Despite this, modernist writers seek to distinguish their ideas and styles from mass culture, particularly by making their works esoteric. In doing so, they are reproducing one of the main tenets of all professional groups, which is to gain social authority by forming a community around a difficult language inaccessible to the public at large. Finally Strychacz explores his own world of academia and observes that the work of professional critics in the university reproduces the strategies of modernist writers.
Del 67 - Cambridge Studies in American Literature and Culture
The Grounding of American Poetry
Charles Olson and the Emersonian Tradition
Inbunden, Engelska, 1993
1 426 kr
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Stephen Fredman asserts in his work that American poetry is groundless - that each generation of American poets faces the problem of identity anew and has to discover fresh meaning for itself. His argument focuses on four pairs of poets - Eliot/Williams, Thoreau/Olson, Emerson/Duncan and Whitman/Creeley - and points out that although the later ones all were influenced by their predecessors to some extent, ultimately their poetry is, paradoxically, grounded in an essential groundlessness. In order to demonstrate how approaches to groundlessness have persisted over time, Fredman explores the various measures taken by these American poets to provide a provisional ground upon which to construct their poetry: inventing idiosyncratic traditions, forming poetic communities, engaging in polemical prose, assessing all the dimensions of particular places and treating words as emblematic and mysterious objects. At the very core of the book stands Charles Olson, whose work so dramatically articulates the whole range of issues arising from the American poet's anxious search for and resistance t, an authentic and unified tradition.
Del 81 - Cambridge Studies in American Literature and Culture
Blueprints for a Black Federal Theatre
Inbunden, Engelska, 1994
1 694 kr
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In the 1930s, the Work Progress Administration funded a massive Federal Theatre Project in America's major urban centres, presenting hundreds of productions, some of the most popular and memorable of which were produced in the highly controversial and avant garde 'Negro Units'. This experiment in government-supported culture brought to the forefront one of the central problems in American democratic culture - the representation of racial difference. Those in the profession quickly discovered inescapable ideological responsibilities attending any sort of show, whether apparently entertaining or political in nature. Exploring the liberal idealism of the thirties and the critical debates in black journals over the role of an African American theatre, Fraden also looks at the obstacles facing black playwrights, audiences, and actors in a changing milieu.
Del 70 - Cambridge Studies in American Literature and Culture
Emerson and the Conduct of Life
Pragmatism and Ethical Purpose in the Later Work
Inbunden, Engelska, 1993
1 426 kr
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'I like not the man who is thinking how to be good,' Ralph Waldo Emerson wrote, 'but the man thinking how to accomplish his work'. The ethical emphasis on work and activity signals the shift in his thinking that is the subject of Emerson and the Conduct of Life. In this book, David M. Robinson describes Emerson's evolution from mystic to pragmatist and shows the importance of Emerson's undervalued later writing. Emerson's reputation has rested on the addresses and essays of the 1830s and 1840s, in which he propounded a version of transcendental idealism and memorably portrayed moments of mystical insight. But Emerson's later thinking suggests an increasing concern over the elusiveness of mysticism and an increasing emphasis on ethical choice and practical power. Robinson discusses each of Emerson's major later works noting their increasing orientation to a philosophy of the 'conduct of life'. These books represent Emerson's attempt to forge a philosophy based on the centrality of domestic life, vocation and social relations and they reveal Emerson as an ethical philosopher who stressed the spiritual value of human relations, work and social action.
Del 69 - Cambridge Studies in American Literature and Culture
The Limits of American Literary Ideology in Pound and Emerson
Inbunden, Engelska, 1994
1 441 kr
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In The Limits of American Literary Ideology in Pound and Emerson, Cary Wolfe analyses the dynamics and consequences of radical individualism and the sort of cultural critique it generates in Ralph Waldo Emerson and Ezra Pound. The main purpose of the book is to demonstrate that any form of individualism that is modelled on the logic and structure of private property will always reproduce the very contradictions and alienations that it set out to criticise and to remedy. Part of what makes this study unique and important is that it uses the ideology of individualism, still so powerful and seductive in contemporary America, to build a bridge between the two major figures from literary periods - Modernism and American Romanticism - which are often seen in stark opposition. In doing so, this study extends the critical paradigms and techniques of one of the most exciting new fields of cultural criticism (the so-called 'New Americanist' criticism) to cover a period (Modernism) and a type of writing (poetry) that it has largely ignored.
Del 66 - Cambridge Studies in American Literature and Culture
Out of the Sixties
Storytelling and the Vietnam Generation
Häftad, Engelska, 1993
560 kr
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This study, first published in 1994, looks at the cultural legacy of the sixties through ten creative figures who came of age during the Vietnam War. Wyatt argues that it is each artist's 'personal engagement' with his own era that binds together the achievements of storytellers such as filmmaker George Lucas, songwriter Bruce Springsteen, playwright Sam Shepard, journalist Michael Herr, writers Ann Beattie, Alice Walker, Ethan Mordden, Sue Miller, and poets Gregory Orr and Louise Gluck. For some their work is marked by the war and concerned directly with it; in others, Vietnam represents the prevailing counterculture sensibility often associated with the sixties. Out of the experience new voices emerge - from Michael Herr's landmark invention of a new journalistic voice in his Vietnam War reporting to Bruce Springsteen's tapping of the working class decline in postwar America.
Del 74 - Cambridge Studies in American Literature and Culture
Poetics of the Feminine
Authority and Literary Tradition in William Carlos Williams, Mina Loy, Denise Levertov, and Kathleen Fraser
Inbunden, Engelska, 1994
1 500 kr
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This book examines the early work of William Carlos Williams in relationship to a woman's tradition of American poetry, as represented by Mina Loy, Denise Levertov and Kathleen Fraser - three generations of women poets working in or directly from a modernist tradition. Linda Kinnahan traces notions of the feminine and the maternal that develop as Williams seeks to create a modern poetics. The impact of first-wave American feminism is examined through an extended analysis of Mina Loy's poetry as a source of a feminist modernism for Williams. Levertov and Fraser are discussed as poetic daughters of Williams who strive to define their voices as women and to reclaim an enabling poetic tradition. In the process, each woman's negotiations with poetic authority and tradition call into question the relationship of poetic father and daughter. Positioning Williams in relation to these three generations of Anglo-American writing within and descending from the modernist movement, the book pursues two questions: what can women poets, writing with an informed awareness of Williams teach us about his modernist poetics of contact, and just as importantly, what can they teach us about the process, for women, of constructing a writing self within a male-dominated tradition?