RIT Cary Graphic Arts Press – förlag

WAIL is the first book devoted exclusively to the pioneering album cover designers of Prestige Records, home to such musical giants as Miles Davis, John Coltrane, and Sonny Rollins. Unprecedented in detail, WAIL documents a vital decade (1949-1960) of creative brilliance. An independent New York City label founded in 1949, Prestige chronicled the vibrant modern jazz scene of the 1950s. At Prestige, the alliance of postwar jazz and modern art found its deepest and most enduring expression. Inspired by some of the most significant music ever recorded, Prestige album covers provide a compelling panorama of midcentury graphic design.WAIL introduces the graphic designers, photographers, and illustrators who established a visual language for modern jazz. The book is comprised of meticulously photographed album covers, artifacts, and ephemera, as well as profiles of each of the major Prestige figures. Exclusive firsthand interviews and estate materials provide cultural context and singular insight into the creative process. Unseen sketches, personal photographs, and outtakes from album cover shoots impart a vivid picture of art and jazz in mid-1950s New York. Above all, WAIL is a story of creative triumph. Drawn from a wealth of previously unpublished material, the book is an inspirational record of landmark graphic design.

This succinct and thoughtful essay is the text of a talk commissioned for a symposium entitled The Future of Reading which was held at RIT in June 2010.Reading could have a rich and interesting future, because it does have a rich and interesting past. But if no one remembers that past, it may not mean much to the future.This succinct and thoughtful essay is the textof a talk commissioned for a symposium entitled The Future of Reading which was held at RIT in June 2010. Written and designed by Robert Bringhurst, this limited edition is carefully crafted and letterpress printed. Printed on Mohawk Ticonderoga paper.ROBERTBRINGHURST was the 2016 recipient of the RIT Frederic W. Goudy Award for Typographic Excellence.

A private printed, limited edition facsimile of Aldous Huxley's 1940 essay on the significance and power of words.An argument as timely as it is timeless, Aldous Huxley's Words and Their Meanings argues the significance and power of words. A less well-known work originally published by The Ward Ritchie Press in 1940, Huxley's essay arrived at the end of the Great Depression and coincided with U.S. entry into WWII, a time when global relations were heavily impacted by the craft and manipulation of language. Words and Their Meanings was selected as one ofthe Western Books of 1940, which was a celebration and recognition of fine printing.Huxley wrote that "words are magical in the way they affect the minds of those who use them" while displaying his insight and proficiency with language. He blends accessible elements of linguistic theory, semiotics and philosophy with his erudite style.Alvin Lustig is recognized for introducing principles of modern art to graphic design, with contributions tobook design, interior design, and typography. His abstract style and innovative approach to typeface design became a trademark of titles published by New Directions Publishing.RIT Press presents a privately printed, limited edition facsimile of this title. This fine edition has been produced in partnership with More Vang, Alexandria, Virginia and designed byAlvin Lustig. He is recognized for introducing principles of modern art to graphic design, with contributions to book design, interior design, and typography. ALDOUS HUXLEY was a novelist, poet, and philosopher who relocated from England to the U.S. in 1937. He lived in southern California where he initiallyworked as a Hollywood screenwriter, later achieving success with his short stories, poetry, essays, and novels, especially Brave New World (1932).

An examination of the narrative and pictorial qualities of comics and how these help comics to communicate and create meaning.In Narrative Structure in Comics: Making Sense of Fragments, Barbara Postema seeks to explain how comics communicate and create meaning, with an emphasis on two aspects of comics. She first examines the pictorial quality ofcomics, which receives more emphasis than verbal/textual elements. Her second focus is upon the storytelling and narrative qualities of comics, as well as the literary explorations they provide. The "narrative structure" refersto the potential of images, the story telling capacities of panels, and the sequence of panels, in addition to the more traditional narratological concepts. Overall, the author presents a credible rationale for the way in which comics structure their narratives. At every level of communication, comics rely on gaps or absences to create meaning and guide the reader to a meaningful experience.RIT Press is pleased to announce Narrative Structure in Comics as the first book published in its Comics Monograph Series.BARBARA POSTEMA is a Postdoctoral Research Fellow at Ryerson University in Toronto, where she is working on a project about wordless comics. She has published several articles in the International Journal of Comic Art.

The philosophy of Epicurus (c. 341-271 B. C. E.), has been a quietly pervasive influence for more than two millennia. At present, when many long revered ideologies are proven empty, Epicureanism is powerfully and refreshingly relevant, offering a straightforward way of dealing with the issues of life and death. The chapters in this book provide a kaleidoscope of contemporary opinions about Epicurus' teachings. They tell us also about the archeological discoveries that promise to augment the scant remains we have of Epicurus's own writing. the breadth of this new work will be welcomed by those who value Epicurean philosophy as a scholarly and personal resource for contemporary life. "Epicurus: His Continuing Influence and Contemporary Relevance," is the title of a 2002 conference on Epicurus held at Rochester Institute of Technology, when many of the ideas here were first presented.

Lester Beall: Space, Time & Content explores the work of Lester Beall through his ads, posters and identity projects.The Graphic Design Archives Chapbook Series celebrates the achievements of key design pioneers whose work is collected in the Special Collections department of RIT Library. From the inaugural acquisition of the Lester Beall Archive in 1986, RIT's holdings have grown to include the work of seventeen designers. Extensive collections of personal papers, business records and artwork by Lester Beall, Will Burtin, George Giusti, and Cipe Pineles form the cornerstones of the Archives. Lester Beall: Space, Time & Content explores the work of Lester Beall through reproductions of RIT's comprehensive holdings. Beall (1903-1969) gained prominence through his ads, posters andidentity projects commissioned from such high-profile clients as the Chicago Tribune, Collier's and Time magazines, the Rural Electrification Administration and International Paper Company. Throughout his career, Beall's award-winning design and high principles made him a favored lecturer in professional and educational circles. He is now considered as one of the chief proponents of the American Modernist Design movement.R. Roger Remington, Professor of Graphic Design at RIT, has been seriously engaged in the research, interpretation and preservation of the history of graphic design for over 20 years. He has written extensively on the subject and is presently working on abook on Modernism in American Graphic Design.

Philip Perkis, the accomplished photographer and educator, now presents the second edition of Teaching Photography, Notes Assembled - the slim, unassuming book that has been an unexpected hit in photography circles.Teaching Photography, Notes Assembled is a slim, unassuming book that has been an unexpected hit in photography circles. This expanded edition features an additional chapter and is co-published by OB Press and RIT Cary Graphic Arts Press, both affiliated with Rochester Institute of Technology.In Teaching Photography., Perkis draws from four decades of teaching experience at such institutions as Pratt Institute, and Cooper Union, as well as School of Visual Arts in New York. He has distilled his knowledge into this volume of thoughts on visual perception, successful photo lesson exercises, and practical teaching advice for photography instructors. Perkis expresses his acute observations as a means of provoking discussion and inspiring the younger generation of photography students and educators. Carefully typeset with ample margins and devoid of photographic images, the reader is encouraged to exercise the mind's capacity to visualize - a vital tool for the art of making photographs.PHILIP PERKIS attended the San Francisco Art Institute and studied with Ansel Adams, Dorothea Lange, and John Collier, Jr. He served as chair of photography at Pratt Institute and is currently on the graduate faculty for the School of Visual Arts and Tisch School of the Arts, NYU. Perkis's work is represented in many museum collections, including: George Eastman House, The Getty Museum, Metropolitan Museum of Art, NY MoMA, and SF MoMA.

The Uncommon Denominatorpresents a spectrum of aesthetic eloquence and technical mastery in the ceramic arts.Hirsch has achieved professional recognition both as a ceramic artist and teacher.The Uncommon Denominator: A Tribute to Richard Hirsch presents a spectrum of aesthetic eloquence and technical mastery in the ceramic arts. Originally published to coincide with a traveling exhibition, this catalog celebrates the career of Hirsch through the work of a selection of his alumni. He has achieved professional recognition both as a ceramic artist and teacher. During his teaching career, which has spanned over thirty years, he has been a faculty member of two prominent craft programs: the Program in Artisanry at Boston University, and currently, the School for American Crafts at Rochester Institute of Technology. Many of Hirsch's former students have established their own outstanding careers in the contemporary ceramics field. Represented in The Uncommon Denominator are notable examples of the renaissance in utilitarian pottery, continued interest in the vessel aesthetic, and the investigation of both figurative and abstract sculpture.

With reproductions of her sketches, layouts and illustrations, this book examines the life and work of Cipe Pineles who contributed to the design success of some of America's iconic fashion magazines.Seventeen and Glamour, Mademoiselle and Charm - Cipe Pineles (1908-91), strengthened the visual appeal of each of these magazines with her award-winning design and art direction. Her groundbreaking work in the1940s and 50s set the standard for the appearance of women's magazines in ensuing decades. Now Pineles, whose archive is held at Rochester Institute of Technology Special Collections, is the subject of this second publication inthe RIT Graphic Design Archives Chapbook Series. This volume's vibrant reproductions of pen-and-ink sketches, fashion layouts, and gouache illustrations will orient readers to RIT's extensive Pineles Collection. The book also introduces Pineles's personal history through essays by Estelle Ellis and Carol Burtin Fripp.ESTELLE ELLIS is the author of a number of books and the co-founder of Seventeen magazine. In 1992 the Smithsonian established an Estelle Ellis archive in the National Museum of American History.CAROL BURTON FRIPP is the daughter of designer, Will Burtin. She is now a producer at Canada's TV Ontario.

The first compact history of the American poster with 80 full color reproductions and an essay on poster design.The "modern" American poster has figured prominently in virtually every major political, social, commercial, and cultural development in the country. With arresting images and text, these posters have informed and sold Americans on election campaigns, the nation's war efforts, protest movements, consumer products, travel, entertainment, etc. They also comprise a history of U.S. graphic design, reflecting dramatic changes in style, advertising theory, and printing, as well as the emergence of key graphic designers.The American Image provides a rare survey of this popular art, spanning more than one hundred years. Selected from the Resnick Collection, the book analyzes some 70 posters representative of every significant style and theme. They range from design masterpieces to works of historical value, from posters by renowned designers to those created anonymously, and from celebrated images to those never before published.This handsome book includes superb, full-color reproductions; an incisive essay on American poster design by R. Roger Remington; and a preface and authoritative commentary on each image by Mark Resnick.MARK RESNICK is currently Executive Vice-President, Business Affairs, for Twentieth Century Fox. He has assembled what is likely the foremost private collection of American posters spanning the 1890s to present. R. ROGER REMINGTON is the Massimo and Lella Vignelli Distinguished Professor in Design in the School of Design, Rochester Institute of Technology. He is the author of several books, the most recent of which is American Modernism: Graphic Design, 1920 to 1960.

Alphabet Storties traces Zapf's education in 1930s Germany, to his work on forefront of computer-aided typesetting (1970s), to the triumphant design of a complex calligraphic font-Zapfino (1990).Written as an anecdotal first-person account, the reader is treated to famed German calligrapher and typographer Hermann Zapf's personal recollections of technical breakthroughs. Zapf reveals milestones tracing his education in 1930s Germany, to his work on forefront of computer-aided typesetting in the 1970s, to the tour de force design of a complex calligraphic font-Zapfino in the late '90s. Vivid reproductions of Zapf's calligraphy, production proofs, typographic specimens, and photographs complete the portrait of one of the most prolific designers of our time.After a complete sell-out of the American edition, RIT Press is releasing a second edition of Alphabet Stories: A Chronicle of Technical Developments. This new edition is enhanced by the addition of a letterpress-printed broadside designed by Zapf. The insert was typeset and printed at the RIT Cary Graphic Arts Collection using itscollection of rare metal "Virtuosa" type - Zapf's elegant script face originally released by Stempel Typefounders in 1952. This book is the first Hermann Zapf monograph to be typeset in the new Palatino Nova and Palatino Sans digital typefaces issued by Linotype.

A concise overview of the work of designer Will Burtin, focussing on his ability to visually express complex concepts in a sophisticated yet aesthetically pleasing manner.This book explores the work of Will Burtin (1908-1972), designer, visionary, and teacher. Whether in advertising, exhibits, magazines, or other print material, his constant goal was to provide the audience with optimum communication of the content. Burtin designed visual training manuals for gunners during World War II, served as art director of Fortune magazine, organized several ground-breaking design conferences, and worked as a design consultantfor the pharmaceutical giant Upjohn. Burtin had a unique ability to visually express complex concepts in a sophisticated yet aesthetically pleasing and accessible manner; this became the de?ning characteristic of his work. This chapbook, as well as the materials found in the Will Burtin Collection in the Graphic Design Archives, can be studied to give meaningful understanding to Burtin's design process.R. ROGER REMMINGTON is the Massimo and Lella Vignelli Distinguished Professor of Design in the School of Design, Rochester Institute of Technology. He is the author of several books, including Design and Science-The Life and Career of Will Burtin, co-authored withRobert S. P. Fripp, and American Modernism: Graphic Design, 1920 to 1960.

Telecommunications History & Policy into the 21st Century provides a succinct overview of the telecommunications environment and the factors that have shaped this industry from its inception through 2009. As a former executive with AT&T, Mr. Fulle shares his professional knowledge of an industry that is evolving at an increasing rate. This book provides a valuable examination of the evolution and complexity of the telecommunications industry, not only from its technological advances, but through actual business case studies and analysis of the four components of industry change: technology, regulatory and legal policy, market forces and security. Each chapter provides a brief summary of key concepts and a list of study questions to invoke discussion and review. While the events of the past have been significant and important, the best is yet to come!Professor Ron Fulle is a graduate of the State University of New York at Oswego where he received a BS in Mathematics, and he holds a MS in Telecommunications from the University of Colorado at Boulder. He has over twenty-five years of industry experience and is currently teaching at Rochester Institute of Technology in the Telecommunications Engineering Technology program.

The ease with which we can choose a typeface today is something we take for granted, but it is possible only because of the tremendous amount of labor of the Bentons.The ease with which we can choose a typeface today from a plethora of options to fit a particular need is something we may take for granted, but it is possible only because of the tremendous amount of labor and ingenuity that camebefore.The story of the lives and work of Linn Boyd Benton and Morris Fuller Benton is an important chapter in the history of type, recalling a time in American history when men quietly worked at developing and improvingmechanical technologies that they thought would continue evolving incrementally into the future.

Through the selection of eleven master designers, Jerry Kelly illustrates a wide range of styles: from classically inspired design and historical revival, to novel and modern layouts.Throughout the twentieth century, modern design theories in combination with newer printing technologies offered book designers far more options than were previously available to them. Utilizing these resources, some skillful artisans produced stunning designs in period style, arranging modern re-cuttings of early type designs with historical decoration that resulted in the creation of truly beautiful books; while others preferred a more contemporary aesthetic, building upon earlier principles in a fresh, novel manner. Through the selection of eleven master designers, Jerry Kelly illustrates a wide range of styles: from classically inspired design and historical revival, tonovel and modern layouts. He describes the care with which each designer combined typographic elements in their own unique way. The selection of these designers, ranging from Updike to Zapf, is only a small sampling of the practitioners that the twentieth century produced, but they are indicative of the wide range of book design styles achieved during this exceptionally dynamic century.JERRY KELLY is an award winning designer, calligrapher and printer working in New York City.

This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation.Here is a colorful and well-researched representation of Alvin Lustig's book cover designs that were created primarily for New Directions Books and Noonday Press, among others. Lustig used the book cover as a vehicle of his bold graphic experimentation that was enhanced by a lifelong collaboration with James Laughlin, founder and publisher of New Directions Books. Ned Drew and Paul Sternberger cite many passages from these letters of correspondence betweenLustig and Laughlin which include a range of topics from the early 1940s up to Lustig's untimely death in 1955.As a modern designer, Lustig's interests spanned many fields: architectural, industrial and interior design which served as an expression of his deeply held convictions. For him, the designer was not a single-minded specialist, but an integrator of many art forms-and simultaneously, as he saw it, a spokesman for social change.NED DREW teaches at Rutgers University-Newark and is also the director of The Design Consortium, a student/teacher run design studio that focuses on non-profit, community-based projects.Paul Sternberger is an Associate Professor of Art History at Rutgers University-Newark. He is co-author with colleague Ned Drew of By It's Cover: Modern American Book Cover Design.

Lucretius (c. 99 BCE-c. 55 BCE) is the author of De Rerum Natura, a work which tries to explain and expound the doctrines of the earlier Greek philosopher Epicurus. The Epicurean view of the world is that it is composed entirely of atoms moving about in infinite space. The implications of this view are profound: the proper study of the world is the province of natural philosophy (science); there are no supernatural gods who created the world or who direct its course or who can reward or punish us; death is simply annihilation, and so there is no next life and no torment in an underworld. Epicurus, and then his disciple Lucretius, advocated a simple life, free from mental turmoil and anguish. The essays in this collection deal with Lucretius's critique of religion, his critique of traditional attitudes about death, and his influences on later thinkers such as Isaac Newton and Alfred Tennyson. We see that Lucretius's philosophy is connected to contemporary philosophy such as existentialism and that aspects of his thought work against trying to separate the sciences and the humanities. Lucretius: His Continuing Influence and Contemporary Relevance is the title of a 2009 conference on Lucretius held at St. John Fisher College, when many of the ideas in these essays were first presented.

This book rediscovers an important contribution to a popular field of graphicdesign and suggests that Ismar David's calligraphicbookjacketspresent a viable alternative to the current design approach.Ismar David belonged to a group of accomplished calligraphers who established themselves as jacket designers in New York in the 1950s. David's jacket designs are distinguished from other work of the period as powerful and expressive. His style is informed by a thorough mastery of the typographic tradition yet looks remarkably fresh, even today. He combines calligrapher's craft with fine artist's sensibility "to communicate his ideas and his feelings in theservice of the book."This book examines the historical context of Ismar David's work including a concise overview of the history of book jacket design in Germany and in the U.S. and describes David's freelance career in publishing. Thirty of his noteworthy jackets are highlighted and discussed. The author argues that the current preference for concept-driven jacket design may eventually give way to another style more closely based on formal craftsmanship that would benefit from Ismar David's legacy.

This book is a thorough account of Hermann Zapf's contributions to the artistry and success of Hallmark Cards.This book is a thorough account of Hermann Zapf's contributions to the artistry and success of Hallmark Cards, an experience that is now fully blended into the company's rich heritage.Since the late '70s, designer Rick Cusick has provided, in articles and presentations, most of what has been written about the Hallmark/Zapf association. This beautifully illustrated book is a tribute to Zapf's own philosophy that the artist's challenge is to ensure,despite technology and mass production, that beauty is never lost.RICK CUSICK is Manager of Font Developoment for Hallmark as well as a respected designer, calligrapher and teacher working with the University of Kansas.

This book offers offers insightful and informative research about Simon de Colines, one of the greatest typographers and printers of the Renaissance.Simon de Colines was one of the greatest typographers, printers and publishers of the Renaissance. He has nevertheless been unfairly neglected. Apart from a pair of scholarly bibliographies, published a century apart, this is thefirst book-length study of his work.As Robert Bringhurst writes in his introduction to this volume, "Colines as much as anyone built the semiotic structure of the book as we now know it, with its chapter headings and subheads,page numbers and running heads, tables of contents, indices, and source notes. He also cut lucid and beautiful type at a crucial moment: when the Latin and Greek alphabets were still engaged in their historic metamorphosis from manuscript to metal.."

A vivid reconstruction of designer Massimo Vignelli's attempt to present the complexities of the New York subway in a clear and modern form.Vignelli Transit Maps describes the history of the New York subway maps and follows this city's transportation growth from separate, independent lines to one large system. Peter Lloyd uncovers the history of the Vignelli map that includes the legacy of the people who created and promoted this New York icon - as well as those who hastened its demise. He explores in fascinating detail Vignelli's dealings with the MTA when he was a principal at the design agency, Unimark, and provides profiles of the diverse players, their contributions and conflicting philosophies. The book includes a first glimpse at original, early development sketches of the famed map and of its recent successors, as well as Unimark's development sketches for the then new Washington DC metro.PETER B. LLOYD worked in the software design industry and is co-editor of Paris Metro Style. MARK OVENDEN is a broadcaster and author who specialises in graphic design and architecture in public transport. He has written several books on the Paris and London underground systems.

Edges of Books uncovers a tradition that extends back centuries in which the edges of books were important sites for information and decoration.Edges of Books examines a familiar form from an unfamiliar perspective. When books are on display it is usually their spines, covers, text, or illustrations that are featured. These are the familiar parts of the books - theparts that modern readers have come to interact with the most.Edges of Books takes a different approach, uncovering a tradition that extends back centuries in which the edges of books were important sites for information and decoration.

The book is a descriptive history of the major photographic printing processes that were used between the years 1840-1895, the first fifty years of photography.The Albumen and Salted Paper Book is a descriptive history of the major photographic printing processes that were used between the years 1840-1895. These first 50 years of photography established a tradition of individual experimentation and craftsmanship where each photographer participated in the manufacture of the printing materials that were used. Albumen print and salted paper print were the ordinary, all-purpose materials of the time-albumen print is the second most common type of photograph ever made. This book describes both the technical information of these historical materials and offers the reader a very organized approach to this interesting process.James Reilly is the Director of the Image Permanence Institute, a recognized leader in the development and deployment of sustainable practices for the preservation of images and cultural property.

An examination of how Superman and Batman dealt with cultural and social changes in the 1960s and 1970s and how this mirrored American societal changes in general.As the founding fathers of the superhero comic books, Superman and Batman have defined a genre of American mythology from the mid-twentieth century to the present. The author describes how the Man of Steel and the Dark Knight dealt with their midlife crises brought on by the cultural and social changes of the 1960s and 1970s. Johnson describes how the superheroes' problems and adaptations mirror much of American societal changes during that time.Superheroes in Crisis is the second book published in the RIT Press Comics Studies Monograph Series. The series editor is Dr. Gary Hoppenstand, Professor of English at Michigan State University.JEFFREY K> JOHNSON is a World War II Historian at the Joint POW/Accounting Command in Honolulu, Hawaii. He is the author of several books and articles on the influence of comics in popular culture.

Becoming Visible brings together scholarly discussions of visibility and illness, photographs of an experience in treatment for Hodgkins lymphoma, and personal testimonial about that time. An artistic and academic contribution to the fields of trauma studies, disability studies and autopathography, this cancer journey reveals how the forces of art and narrative can contribute to social dynamics for change.

This book traces the history of crime comics from their beginnings to the current resurgence and analyzes the cultural forces that give rise to influential works like Frank Miller's Sin City.Crime comic books in the 1950s caused controversy leading to their suppression and near extinction. Twenty-five years later, the dark hero, femme fatale, and bleak outlook of crime story comic books are even more striking and subversive. Terrence Wandtke traces the history of crime comics from their beginnings to the current resurgence and analyzes the cultural forces that give rise to influential works like Frank Miller's Sin City, Brian Azzarello's 100 Bullets, and Ed Brubaker's Criminal.The Dark Night Returns is the third book published in the RIT Press' Comics Studies Monograph Series. The series editor is Dr. Gary Hoppenstand, Professor of English at Michigan State University.TERRENCE WANDTKE is a professor at Judson University. His books include The Meaning of Superhero Comics (McFarland) and Ed Brubaker: Conversations (forthcoming from the University Press of Mississippi). He is the founder of the Imago Film Festival.