AAR Religions in Translation – serie

Hermann Cohen's Religion of Reason, Out of the Sources of Judaism (first published in 1919) is widely taken to be the greatest work in Jewish philosophy and religious thought since Maimonides' Guide to the Perplexed. It is at once a Jewish book and a philosophical one: Jewish because it takes its material from the literary tradition that extends from the bible to the rabbis to the great medieval philosophers; philosophical because it studies that material in order to construct a worldview that is rational in the broadest sense of the term. This edition reprints a 1972 introduction by Leo Strauss and includes an essay on the work by Steven Schwarzchild. A new introduction by Kenneth R. Seeskin situates Cohen's masterwork in the history of modern philosophical and religious thought.

Damascius was head of the Neoplatonist academy in Athens when the Emperor Justinian shut its doors forever in 529. His work, Problems and Solutions Concerning First Principles, is the last surviving independent philosophical treatise from the Late Academy. Its survey of Neoplatonist metaphysics, discussion of transcendence, and compendium of late antique theologies, make it unique among all extant works of late antique philosophy. It has never before been translated into English. The Problems and Solutions exhibits a thoroughgoing critique of Proclean metaphysics, starting with the principle that all that exists proceeds from a single cause, proceeding to critique the Proclean triadic view of procession and reversion, and severely undermining the status of intellectual reversion in establishing being as the intelligible object. Damascius investigates the internal contradictions lurking within the theory of descent as a whole, showing that similarity of effect and cause is vitiated in the case of processions where one order (e.g. intellect) gives rise to an entirely different order (e.g. soul). Neoplatonism as a speculative metaphysics posits the One as the exotic or extopic explanans for plurality, conceived as immediate, present to hand, and therefore requiring explanation. Damascius shifts the perspective of his metaphysics: he struggles to create a metaphysical discourse that accommodates, insofar as language is sufficient, the ultimate principle of reality. After all, how coherent is a metaphysical system that bases itself on the Ineffable as a first principle? Instead of creating an objective ontology, Damascius writes ever mindful of the limitations of dialectic, and of the pitfalls and snares inherent in the very structure of metaphysical discourse.

Buddhist chronicles have long been a subject of central importance in the study of Buddhism. But while scholars have acknowledged the importance of Theravada chronicles for reconstructing the history of Buddhism and South Asia, they have relied almost exclusively on Pali works such as the Mahavamsa as sources of historical information. In this book Stephen Berkwitz offers the first complete English translation of the Buddhist chronicle called the Sinhala Thupavamsa, composed by Parakama Pandita in thirteenth-century Sri Lanka. One of the first Buddhist histories of its kind to be written in the language of Sinhala, this work represents a substantially longer and embellished version of an older Pali language work called the Thupavamsa. Unlike the Pali sources that were composed by elites for learned audiences throughout the Buddhist world, this text is an important example of the large number of Buddhist histories written in local languages for popular consumption. From this work, we learn how elite Buddhist narratives were often refashioned into Sinhala works that drew upon stories of the past to edify and entertain a wider audience. As a text written in a literary dialect of the vernacular Sinhala language, the Sinhala Thupavamsa contains a richly descriptive account of how Buddhism spread outside of India, replete with poetic embellishments and interpolations not found in other accounts of those events. Aside from being an important literary work, the Sinhala Thupavamsa is a text of considerable historical and religious significance. The local nature of its language and vision gives it contemporary relevance in Sri Lanka. The text celebrates devotionalism and seeks to persuade its audience to embody the same virtues of generosity and piety exemplified by the heroes of Buddhist history. There are at least three Sinhala editions currently in print in Sri Lanka and widely available in bookstores for students and practitioners. The text is also among those works that inform public discussion and debate over the place of Buddhism in the Sri Lankan nation state and the role of Buddhist monks in contemporary politics. The Sinhala Thupavamsa comprises several narrative strands that relate the life story of the Buddha and the manner in which the teachings and institutions he founded were established on the island of Sri Lanka in ancient times. The central focus of this work concerns the variety of relics associated with the historical Buddha, particularly how the relics were acquired and the presumed benefits of venerating them.The text also relates the mythological history of the Buddhas previous lives as a bodhisattva and concludes with a prediction about the future Buddha Maitreya. Renowned Buddhist kings such as King Ashoka and King Dutthagamani (Sinhala: Dutugamunu) are celebrated in this work for their prowess in war and their exemplary acts of religious giving. Reflection on Buddhist ethics and instruction on the Dharma, or the Buddhas teaching, are found throughout the work, indicating that this historical narrative was meant both to recall the past and give rise to religious practice among contemporary readers and listeners. The publication of this translation for the first time in the west adds to the knowledge of how local Buddhist communities imagined and represented their religious and cultural heritages in written works.

This book offers new translations of the Tiruppavai and Nacciyar Tirumoli, composed by the ninth-century Tamil mystic and poetess Kotai. Two of the most significant compositions by a female mystic, the Tiruppavai and Nacciyar Tirumoli give expression to her powerful experiences through the use of a vibrant and bold sensuality, in which Visnu is her awesome, mesmerizing, and sometimes cruel lover. Kotai's poetry is characterized by a richness of language in which words are imbued with polyvalence and even the most mundane experiences are infused with the spirit of the divine. Her Tiruppavai and Nacciyar Tirumoli are garlands of words, redolent with meanings waiting to be discovered. Today Kotai is revered as a goddess, and as a testament to the enduring relevance of her poetry, her Tiruppavai and Nacciyar Tirumoli continue to be celebrated in South Indian ritual, music, dance, and the visual arts. This book aims to capture the lyricism, beauty, and power of Kotai's original works. In addition, detailed notes based on traditional commentaries, and discussions of the ritual and performative lives of the Tiruppavai and Nacciyar Tirumoli highlight the importance of this ninth-century poet and her two poems over the past one thousand years.

This book offers new translations of the Tiruppavai and Nacciyar Tirumoli, composed by the ninth-century Tamil mystic and poetess Kotai. Two of the most significant compositions by a female mystic, the Tiruppavai and Nacciyar Tirumoli give expression to her powerful experiences through the use of a vibrant and bold sensuality, in which Visnu is her awesome, mesmerizing, and sometimes cruel lover. Kotai's poetry is characterized by a richness of language in which words are imbued with polyvalence and even the most mundane experiences are infused with the spirit of the divine. Her Tiruppavai and Nacciyar Tirumoli are garlands of words, redolent with meanings waiting to be discovered. Today Kotai is revered as a goddess, and as a testament to the enduring relevance of her poetry, her Tiruppavai and Nacciyar Tirumoli continue to be celebrated in South Indian ritual, music, dance, and the visual arts. This book aims to capture the lyricism, beauty, and power of Kotai's original works. In addition, detailed notes based on traditional commentaries, and discussions of the ritual and performative lives of the Tiruppavai and Nacciyar Tirumoli highlight the importance of this ninth-century poet and her two poems over the past one thousand years.

Marie de l'Incarnation (1599 - 1672), renowned French mystic and founder of the Ursulines in Canada, abandoned her son, Claude Martin, when he was a mere eleven years old to dedicate herself completely to a consecrated religious life. In 1639, Marie migrated to the struggling French colony at Quebec to found the first Ursuline convent in the New World. Over the course of the next thirty-one years, the relationship between Marie and Claude would take shape by means of a trans-Atlantic correspondence in which mother and son shared advice and counsel, concerns and anxieties, and joys and frustrations. From Mother to Son presents annotated translations of forty-one of the eighty-one extant full-length letters exchanged by Marie and her son between 1640 and 1671. These letters reveal much about the early history of New France and the spiritual itinerary of one of the most celebrated mystics of the seventeenth century. Uniting the letters into a coherent whole is the distinctive relationship between an absent mother and her abandoned son, a relationship reconfigured from flesh and blood to the written word exchanged between professed religious united in Jesus Christ as members of the same spiritual family. In providing a contemporary translation of Maries letters to Claude, Mary Dunn renders accessible to an English-speaking readership a rich source for the history of colonial North America, providing a counterpoint to a narrative weighted in favor of Plymouth Rock and the Puritans and a history of New France dominated by the perspectives of men both religious and secular. Dunn expertly contextualizes the correspondence within the broader cultural, historical, intellectual, and theological currents of the seventeenth century as well as within modern scholarship on Marie de lIncarnation. From Mother to Son offers a fascinating portrait of the nature and evolution of Marie's relationship with her son. By highlighting the great range of their conversation, Dunn provides a window onto one of the more intriguing and complicated stories of maternal and filial affection in the modern Christian West.

Rebecca J. Manring offers an illuminating study and translation of three hagiographies of Advaita Acarya, a crucial figure in the early years of the devotional Vaisnavism which originated in Bengal in the fifteenth century. Advaita Acarya was about fifty years older than the movement's putative founder, Caitanya, and is believed to have caused Caitanya's advent by ceaselessly storming heaven, calling for the divine presence to come to earth. Advaita was a scholar and highly respected pillar of society, whose status lent respectability and credibility to the new movement. A significant body of hagiographical and related literature about Advaita Acarya has developed since his death, some as late as the early twentieth century. The three hagiographic texts included in The Fading Light of Advaita Acarya examine the years of Advaita's life that did not overlap with Caitanya's lifetime, and each paints a different picture of its protagonist. Each composition clearly advocates the view that Advaita was himself divine in some way, and a few go so far as to suggest that Advaita reflected even greater divinity than Caitanya, through miraculous stories that can be found nowhere else in Bengali Vaisnava literature. Manring provides a detailed introduction to these texts, as well as remarkably faithful translations of Haricarana Dasa's Advaita Mangala, Laudiya Krsnadasa's Balya-lila-sutra, and Isana Nagara's Advaita Prakasa.

Rebecca J. Manring offers an illuminating study and translation of three hagiographies of Advaita Acarya, a crucial figure in the early years of the devotional Vaisnavism which originated in Bengal in the fifteenth century. Advaita Acarya was about fifty years older than the movement's putative founder, Caitanya, and is believed to have caused Caitanya's advent by ceaselessly storming heaven, calling for the divine presence to come to earth. Advaita was a scholar and highly respected pillar of society, whose status lent respectability and credibility to the new movement. A significant body of hagiographical and related literature about Advaita Acarya has developed since his death, some as late as the early twentieth century. The three hagiographic texts included in The Fading Light of Advaita Acarya examine the years of Advaita's life that did not overlap with Caitanya's lifetime, and each paints a different picture of its protagonist. Each composition clearly advocates the view that Advaita was himself divine in some way, and a few go so far as to suggest that Advaita reflected even greater divinity than Caitanya, through miraculous stories that can be found nowhere else in Bengali Vaisnava literature. Manring provides a detailed introduction to these texts, as well as remarkably faithful translations of Haricarana Dasa's Advaita Mangala, Laudiya Krsnadasa's Balya-lila-sutra, and Isana Nagara's Advaita Prakasa.

Originally published in Italian in 1978, The Transmission of Sin is a study of the origins of the doctrine of original sin, one of the most important teachings of the Catholic Church. While the doctrine has a basis in biblical sources, it found its classic expression in the work of St. Augustine. Yet Augustine did not work out his theory on the basis of the biblical texts alone, rather he sought to understand them in the context of the religious thinking of his own time. Pier Franco Beatrice's work seeks to illuminate that context, and discover the post-biblical influences on Augustine's thought. Although he made considerable efforts to defend and elaborate the doctrine of hereditary guilt, says Beatrice, the doctrine already existed before Augustine and was in fact widespread in the Christianity of the time, particularly in the West. He locates its origins in Egypt in the second half of the second century CE, in Jewish-Christian circles that saw sexual congress as the source of the physical and moral corruption that afflicts all humans. In reaction to this extreme view, which rejected marriage and procreation as inherently evil, other theologians developed a more moderate position, recognizing only personal sin, which could not be inherited. Beatrice argues that Augustine's doctrine exemplified a synthesis of these two trends which would ultimately triumph as the orthodox Catholic position.

Alfred Firmin Loisy (1857-1940) was a French theologian, biblical scholar, and Roman Catholic priest. Loisy's six articles appearing in the Revue de clerge francais from 1898 to 1900 (under the name "A. Firmin") represent one of the earliest modernist attempts to develop a history of Christianity. His advocacy of a more liberal approach to the interpretation of Christian history and doctrine brought him into direct conflict with the Catholic Church. Loisy was removed from his position as professor at the Catholic Institute in Paris, his writings were denounced by the Vatican, and he was eventually excommunicated. This book will provide new translations of the five theoretical articles from the Revue de clerge francais, which form a theoretical introduction to Loisy's thought, and to the more historical concerns of his later writings. These five articles will be accompanied by a response by Loisy's contemporary (and frequent critic) Charles Maignen, as well as an introduction by the editor. The modernist writings translated here will be of interest not only to students of Catholic theology but also those interested in the liberal reforms of the turn of the century.

The Dasam Granth is a 1,428-page anthology of diverse compositions attributed to the tenth Guru of Sikhism, Guru Gobind Singh, and a topic of great controversy among Sikhs. The controversy stems from two major issues: a substantial portion of the Dasam Granth relates tales from Hindu mythology, suggesting a disconnect from normative Sikh theology; and a long composition entitled Charitropakhian tells several hundred rather graphic stories about illicit liaisons between men and women. Sikhs have debated whether the text deserves status as a "scripture" or should be read instead as "literature." Sikh scholars have also long debated whether Guru Gobind Singh in fact authored the entire Dasam Granth. Much of the secondary literature on the Dasam Granth focuses on this authorship issue, and despite an ever-growing body of articles, essays, and books (mainly in Punjabi), the debate has not moved forward. The available manuscript and other historical evidence do not provide conclusive answers regarding authorship. The debate has been so acrimonious at times that in 2000, Sikh leader Joginder Singh Vedanti issued a directive that Sikh scholars not comment on the Dasam Granth publicly at all pending a committee inquiry into the matter. Debating the Dasam Granth is the first English language, book-length critical study of this controversial Sikh text in many years. Based on research on the original text in the Brajbhasha and Punjabi languages, a critical reading of the secondary literature in Punjabi, Hindi, and English, and interviews with scholars and Sikh leaders in India, it offers a thorough introduction to the Dasam Granth, its history, debates about its authenticity, and an in-depth analysis of its most important compositions.

John Nemec examines the beginnings of the non-dual tantric philosophy of the famed Pratyabhijña or "Recognition [of God]" School of tenth-century Kashmir, the tradition most closely associated with Kashmiri Shaivism. In doing so it offers, for the very first time, a critical edition and annotated translation of a large portion of the first Pratyabhijña text ever composed, the Sivadrsti of Somananda. In an extended introduction, Nemec argues that the author presents a unique form of non-dualism, a strict pantheism that declares all beings and entities found in the universe to be fully identical with the active and willful god Siva. This view stands in contrast to the philosophically more flexible panentheism of both his disciple and commentator, Utpaladeva, and the very few other Saiva tantric works that were extant in the author's day. Nemec also argues that the text was written for the author's fellow tantric initiates, not for a wider audience. This can be adduced from the structure of the work, the opponents the author addresses, and various other editorial strategies. Even the author's famous and vociferous arguments against the non-tantric Hindu grammarians may be shown to have been ultimately directed at an opposing Hindu tantric school that subscribed to many of the grammarians' philosophical views. Included in the volume is a critical edition and annotated translation of the first three (of seven) chapters of the text, along with the corresponding chapters of the commentary. These are the chapters in which Somananda formulates his arguments against opposing tantric authors and schools of thought. None of the materials made available in the present volume has ever been translated into English, apart from a brief rendering of the first chapter that was published without the commentary in 1957. None of the commentary has previously been translated into any language at all.

John Nemec examines the beginnings of the non-dual tantric philosophy of the famed Pratyabhijña or "Recognition [of God]" School of tenth-century Kashmir, the tradition most closely associated with Kashmiri Shaivism. In doing so it offers, for the very first time, a critical edition and annotated translation of a large portion of the first Pratyabhijña text ever composed, the Sivadrsti of Somananda. In an extended introduction, Nemec argues that the author presents a unique form of non-dualism, a strict pantheism that declares all beings and entities found in the universe to be fully identical with the active and willful god Siva. This view stands in contrast to the philosophically more flexible panentheism of both his disciple and commentator, Utpaladeva, and the very few other Saiva tantric works that were extant in the author's day. Nemec also argues that the text was written for the author's fellow tantric initiates, not for a wider audience. This can be adduced from the structure of the work, the opponents the author addresses, and various other editorial strategies. Even the author's famous and vociferous arguments against the non-tantric Hindu grammarians may be shown to have been ultimately directed at an opposing Hindu tantric school that subscribed to many of the grammarians' philosophical views. Included in the volume is a critical edition and annotated translation of the first three (of seven) chapters of the text, along with the corresponding chapters of the commentary. These are the chapters in which Somananda formulates his arguments against opposing tantric authors and schools of thought. None of the materials made available in the present volume has ever been translated into English, apart from a brief rendering of the first chapter that was published without the commentary in 1957. None of the commentary has previously been translated into any language at all.

Ronney Mourad and Dianne Guenin-Lelle provide here the first English translation of the Prison Narratives written by the seventeenth-century French mystic and Quietist, Jeanne Guyon (1648-1717). Guyon was a fascinating figure in the court of Louis XIV and, although she was marginalized and ignored by French historians for two centuries after her death, she became a major figure in the development of transatlantic Protestant spirituality in the eighteenth century. Guyon's narrative describes her confinement between 1695 and 1703 in various prisons, including the dreaded Bastille. It also maps, in moving and unforgettable detail, the political and religious hegemony that sought to destroy her reputation and erase her from history. Guyon kept the text private and it remained undiscovered for almost three centuries until an archival version was found and published in 1992 under the title Récits de Captivité (Prison Narratives). This translation is not only the first to appear in English, but opens with a comprehensive introduction that represents the most detailed examination of the Prison Narratives presently available in English or French.

This book presents two essays by Nishida Kitaro, translated into English for the first time by John Krummel and Shigenori Nagatomo. Nishida is widely regarded as one of the father figures of modern Japanese philosophy and as the founder of the first distinctly Japanese school of philosophy, the Kyoto school, known for its synthesis of western philosophy, Christian theology, and Buddhist thought. The two essays included here are ''Basho'' from 1926/27 and ''Logic and Life'' from 1936/37. Each essay is divided into several sections and each section is preceded by a synopsis added by the translators. The first essay represents the first systematic articulation of Nishida's philosophy of basho, literally meaning ''place,'' a system of thought that came to be known as ''Nishida philosophy.'' In the second essay, Nishida inquires after the pre-logical origin of what we call logic, which he suggests is to be found within the dialectical unfoldings of world-history and human society. A substantial introduction by John Krummel considers the significance of Nishida as a thinker, discusses the key components of Nishida's philosophy as a whole and its development throughout his life, and contextualizes the translated essays within his oeuvre. The Introduction also places Nishida and his work within the historical context of his time, and highlights the relevance of his ideas to the global circumstances of our day. The publication of these two essays by Nishida, a major figure in world philosophy and the most important philosopher of twentieth-century Japan, will be of significant value to the fields not only of Asian philosophy and East-West comparative philosophy but also of philosophy in general as well as of theology and religious studies.

This book explores the relationship between ethics, aesthetics, and religion in classical Indian literature and literary theory by focusing on one of the most celebrated and enigmatic texts to emerge from the Sanskrit epic tradition, the Mahabharata. This text, which is widely acknowledged to be one of the most important sources for the study of South Asian religious, social, and political thought, is a foundational text of the Hindu tradition(s) and considered to be a major transmitter of dharma (moral, social, and religious duty), perhaps the single most important concept in the history of Indian religions. However, in spite of two centuries of Euro-American scholarship on the epic, basic questions concerning precisely how the epic is communicating its ideas about dharma and precisely what it is saying about it are still being explored. Disorienting Dharma brings to bear a variety of interpretive lenses (Sanskrit literary theory, reader-response theory, and narrative ethics) to examine these issues. One of the first book-length studies to explore the subject from the lens of Indian aesthetics, it argues that such a perspective yields startling new insights into the nature of the depiction of dharma in the epic through bringing to light one of the principle narrative tensions of the epic: the vexed relationship between dharma and suffering. In addition, it seeks to make the Mahabharata interesting and accessible to a wider audience by demonstrating how reading the Mahabharata, perhaps the most harrowing story in world literature, is a fascinating, disorienting, and ultimately transformative experience.

This book explores the relationship between ethics, aesthetics, and religion in classical Indian literature and literary theory by focusing on one of the most celebrated and enigmatic texts to emerge from the Sanskrit epic tradition, the Mahabharata. This text, which is widely acknowledged to be one of the most important sources for the study of South Asian religious, social, and political thought, is a foundational text of the Hindu tradition(s) and considered to be a major transmitter of dharma (moral, social, and religious duty), perhaps the single most important concept in the history of Indian religions. However, in spite of two centuries of Euro-American scholarship on the epic, basic questions concerning precisely how the epic is communicating its ideas about dharma and precisely what it is saying about it are still being explored. Disorienting Dharma brings to bear a variety of interpretive lenses (Sanskrit literary theory, reader-response theory, and narrative ethics) to examine these issues. One of the first book-length studies to explore the subject from the lens of Indian aesthetics, it argues that such a perspective yields startling new insights into the nature of the depiction of dharma in the epic through bringing to light one of the principle narrative tensions of the epic: the vexed relationship between dharma and suffering. In addition, it seeks to make the Mahabharata interesting and accessible to a wider audience by demonstrating how reading the Mahabharata, perhaps the most harrowing story in world literature, is a fascinating, disorienting, and ultimately transformative experience.

This is the first English translation of Schleiermacher's Dialectic, the first of his eight forays into the foundations of thinking that aims at knowing. This text, representing Schleiermacher's succinct preparatory notes for his 1811 lectures, offers a remarkably apt introduction to his thought at the onset of the modern age. This study edition features extensive notes and commentary by the translator, and indexes of names and places, subjects and concepts.

J. Samuel Preus traces the development and articulation of a modern "naturalistic" approach to the study of religion by examining ideas about the origin of religion in the works of nine western thinkers: Jean Bodin, Herbert of Cherbury, Bernard Fontenelle, Giambattista Vico, David Hume, Auguste Comte, Edward Brunett Tylor, Emile Durkheim, and Sigmund Freud. He argues that beginning in the sixteenth century increasing critical detachment from theological presuppositions and commitments made it possible for the question of origins to be posed from an altogether non-religious point of view. This new modernist paradigm was characterized by the conviction that religion could be explained in scientific terms, like any other object of critical investigation.

This is the first complete English translation of an important work of Tamil poetics. Composed in southern India around the eighth century CE, this is a commentary structured around 60 verses of uncertain origin on the poetry of love. The commentary also includes hundreds of illustrative poems drawn from various Tamil literary periods ranging from the very earliest through the eighth century.

In the late 1830s and early 1840s Hans. L. Martensen (1808-1884) helped to introduce the thought of G.W.F. Hegel to the intellectual world of Copenhagen. Between Hegel and Kierkegaard offers the first English translations of three important early writings of Martensen in the philsophy of religion. These treatises evidence an original and critical interpretation of Hegel's thought from a speculative theological point of view. The heart of Martensen's philosophy of religion is the idea of freedom or personality grounded in its relation to the divine. These writings exercised an important and formative influence on the young Kierkegaard, Martensen's student, even though Kierkegaard later became a formidable opponent and critic of Martensen.

Why do many people think religion is subjective? Or symbolic? Or non-rational? This book brings together eighteen important twentieth-century essaus on these questions, by authors ranging from Ludwig Wittgenstein to Richard Rorty and Clifford Geertz. The editors show that such questions are both quite modern and powerfully influential in our Western thinking about religious belief. Moreover, they lead directly into the three most popular theories that attempt to make sense of religion: positivism, functionalism, and relativism. Selecting essays that represent each of these three theoretical positions, Frankenberry and Penner trace their incoherence and argue for a new method and theory for understanding religious beliefs.

Wilhelm Bousset (1865-1920) was one of the pioneers in the Religionsgeschichtliche Schule or "History of Religions School," which established the scientific and comparative study of Hellenistic Judaism and Early Christianity a century ago. The Antichrist Legend, first published in German in 1895 and translated into English the following year, is perhaps Bousset's most remarkable book, both for its original argument about the connection of Antichrist to myths of the primordial dragon and for its vast knowledge of patristic and medieval literature. This welcome reissue of this classic work features a helpful new Introduction by David Frankfurter.

On the Glaubenslehre: Two Letters to Dr. Lücke represents Friedrich Schleiermacher's apologia for his dogmatic theology. The first edition of his The Christian Faith had sold out within a few years after its publication in 1821-22. Rather than clutter a new edition with defenses and refutation, Schleiermacher chose to argue his case in the two letters written to his firend Friedrich Lücke which are translated in this volume. The letters reveal how he viewed the reception of The Christian Faith and serve as an introduction to the differences between its two editions. Many misread concepts are clarified and background to those concerns that shaped his dogmatics are brought to light.