Amsterdam Studies in the Dutch Golden Age – serie
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44 produkter
44 produkter
659 kr
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In the Dutch Republic, in its Baroque forms of art, two aesthetic formal modes, theatre and drama, were dynamically related to two political concepts, event and moment. The Dutch version of the Baroque is characterised by a fascination with this world regarded as one possibility out of a plurality of potential worlds. It is this fascination that explains the coincidence in the Dutch Republic, strange at first sight, of Baroque exuberance, irregularity, paradox, and vertigo with scientific rigor, regularity, mathematical logic, and rational distance. In giving a new historical perspective on the Baroque as a specifically Dutch republican one, this study also offers a new and systematic approach towards the interactions among the notions of theatricality, dramatisation, moment, and event: concepts that are currently at the centre of philosophical and political debates but the modern articulation of which can best be considered in the explorations of history and world in the Dutch Republic.
Selection of the Poems of Sir Constantijn Huygens (1596-1687)
Revised, Second Edition
Häftad, Engelska, 2025
736 kr
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Dutch Golden Age poet Constantijn Huygens (1596—1687) was a remarkable figure: in addition to writing poetry, he composed music; was secretary to two Princes of Orange, Frederick Henry and William II; and became a friend to John Donne, Rembrandt, Descartes, and many other notable people of his time. In this book, Peter Davidson and Adriaan van der Weel offer a broad selection of Huygens’s poems and provide excellent translations for those written in Dutch, Latin, and a number of other languages“revealing both Huygens’s literary talent and his remarkable linguistic range. This fine translation of the poetry of the Dutch Golden Age poet Constantijn Huygens offers a selection of the best of his work written in a number of languages.
Arguments Against the Christian Religion in Amsterdam by Saul Levi Morteira, Spinoza's Rabbi
Häftad, Engelska, 2025
640 kr
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This is the first book to offer a translation into English-as well as a critical study-of a Spanish treatise written around 1650 by Rabbi Saul Levi Morteira, whose most renowned congregant was Baruch Spinoza. Aimed at encouraging the practice of halachic Judaism among the Amsterdam-based descendants of conversos, Spanish and Portuguese Sephardic Jews who had been forced to convert to Christianity, the book stages a dialogue between two conversos that ultimately leads to a vision of a Jewish homeland-an outcome that Morteira thought was only possible through his program for rejudaisation.
Art, Honor and Success in The Dutch Republic
The Life and Career of Jacob van Loo
Häftad, Engelska, 2025
659 kr
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Focusing on the interrelationship between Jacob van Loo's art, honor, and career, this book argues that Van Loo's lifelong success and unblemished reputation were by no means incompatible, as art historians have long assumed, with his specialization in painting nudes and his conviction for manslaughter. Van Loo's iconographic specialty - the nude - allowed his clientele to present themselves as judges of beauty and display their mastery of decorum, while his portraiture perfectly expressed his clients' social and political ambitions. Van Loo's honor explains why his success lasted a lifetime, whereas that of Rembrandt, Frans Hals, and Vermeer did not. Taking an interdisciplinary approach, this book reinterprets the manslaughter case as a sign that Van Loo's elite patrons recognized him as a gentleman and highly-esteemed artist. Uniquely, this book: - redefines Van Loo's place within, and contribution to, the Golden Age of Dutch painting, consistently discussing Van Loo in relation to his contemporaries; - demonstrates that honor was a precondition for artistic success; - allows new insight into the relation between honor, artistic success and socially acceptable behavior, particularly of artists in the Dutch Golden Age.
Confronting the Golden Age
Imitation and Innovation in Dutch Genre Painting 1680-1750
Häftad, Engelska, 2025
659 kr
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Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the age of decline? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetition of the art of the second and third quarters of the seventeenth century, known as the Dutch Golden Age.,In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time., Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market.|In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750.
Dangerous Drugs
The Self-Presentation of the Merchant-Poet Joannes Six van Chandelier (1620-1695)
Häftad, Engelska, 2025
659 kr
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In the 17th century, the Dutch Republic was the centre of the world trade in exotic drugs and spices. They were sought after both as medicines, and as luxury objects for the bourgeois class, giving rise to a medical and moral anxiety in the Republic. This ambivalent view on exotic drugs is the theme of the poetry of Joannes Six van Chandelier (1620-1695). Six, who himself ran the drug shop 'The Gilded Unicorn' in Amsterdam, addresses a number of exotic medicines in his poems, such as musk, incense, the miracle drug theriac, Egyptian mumia, and even the blood of Charles I of England. In Dangerous Drugs, these texts are studied for the first time. The study shows how Six, through a process of self-presentation as a sober and restrained merchant, but also as a penitent sinner, thirsting for God's grace, links early modern drug abuse to different desires, such as lust, avarice, pride and curiosity. The book shows also how an early modern debate on exotic drugs contributed to an important shift in early modern natural science, from a drug lore based on mythical and fabulous concepts, to a botany based on observation and systematic examination.
Financing Poor Relief through Charitable Collections in Dutch Towns, c. 1600-1800
Häftad, Engelska, 2025
659 kr
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In the Dutch Republic, charitable collections, which formed the financial backbone of many poor relief institutions, were regularly organised by both religious and secular authorities. This book examines both the policies of church boards and town councils in organising these charitable appeals, as well as the general population's giving behaviour. Using archival sources from the towns of Delft, Utrecht, Zwolle, and 's-Hertogenbosch, Daniëlle Teeuwen shows how these authorities deployed organisational and rhetorical tactics-including creating awareness, establishing trust, and exerting pressure-to successfully promote fundraising campaigns. Not only did many relief institutions manage to collect large annual sums, but contributions came from across the socioeconomic spectrum.
659 kr
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While the socio-economic and historical aspects of the Dutch East India Company (VOC) have been extensively documented and researched, the role of the VOC in visual culture and the arts has been relatively neglected. This authoritative volume addresses various aspects of cultural exchange between the Low Countries and Asia. Increased prosperity and the flood of imported goods from Asia had a huge influence on seventeenth-century Holland. To cite some examples: when the VOC spread its merchandise throughout the various regions of Asia, Chinese decorative motives became popular in Indonesia. After the lifting of the seventeenth-century ban on the import of Christian books to Japan, a wave of interest in Dutch culture hit the country, giving rise to Hollandmania, imitation of anything Dutch. Mediating Netherlandish Art and Material Culture in Asia offers new insights into the world routes travelled by seventeenth-century Dutch visual culture, as well as the rise of Asian influence in the imagery of the Dutch Golden Age.
Painted Alchemists
Early Modern Artistry and Experiment in the Work of Thomas Wijck
Häftad, Engelska, 2025
659 kr
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Thomas Wijck’s painted alchemical laboratories were celebrated in his day as artful and ingenious. They fell into obscurity along with their subject, as alchemy came to be viewed as an occult art or a fool’s errand. But these unusual pictures challenge our understanding of early modern alchemy-and of the deeper relationship between chemical workshops and the artists who represented them. The work of artists, like the work of alchemists, contained intellectual-creative and manual-material aspects. Both alchemists and artists claimed a special status owing to their creative powers. Wijck’s formation of an artistic and professional identity around alchemical themes reveals his desire to explore this curious territory, and ultimately to demonstrate art’s superior claims to knowledge and mastery over nature. This book explores one artist’s transformation of alchemy and its materials into a reputation for virtuosity-and what his work can teach us about the experimental early modern world.
Painting and Publishing as Cultural Industries
The Fabric of Creativity in the Dutch Republic, 1580-1800
Häftad, Engelska, 2025
659 kr
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The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing, and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.
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This collection brings together art historians, museum professionals, conservators, and conservation scientists whose work involves Rembrandt van Rijn and associated artists such as Gerrit Dou, Jan Lievens, and Ferdinand Bol. The range of subjects considered is wide: from the presentation of convincing evidence that Rembrandt and his contemporary Frans Hals rubbed elbows in the Amsterdam workshop of Hendrick Uylenburgh to critical reassessments of the role of printmaking in Rembrandt's studio, his competition with Lievens as a landscape painter, his reputation as a collector, and much more. Developed from a series of international conferences devoted to charting new directions in Rembrandt research, these essays illuminate the current state of Rembrandt studies and suggest avenues for future inquiry.
659 kr
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Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe, and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a love of art, not materialistic gain. In the merchant republic’s vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making.
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In this study, the appearance and location of shops in Amsterdam during the early modern period is linked to major changes in the urban economy, the size and socio-spatial distribution of its population, and the structure of the urban grid. Not only is there ample attention for the spatial distribution of shops across the urban landscape, but for the first time it is also accurately charted what the exterior and interior of Amsterdam shops looked like and how they changed in the course of the centuries. Partly as a result of this, it has proved possible to give an impression of the ways in which retailers and customers interacted.
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The lute’s cultural impact throughout the Dutch Golden Age can be compared to that of the piano in the 19th century. It was the universal instrument for solo music-making, as well as in ensembles and to accompany singers, mainly associated with the social elite - the aristocracy and the prosperous burghers. This richly illustrated book is the first to showcase famous and obscure lutenists, professional musicians and amateurs, the lute music in books and manuscripts, the lute makers and the international lute trade, while also exploring the place of the instrument in the Dutch literature and art of the period.
Mass Market for History Paintings in Seventeenth-Century Amsterdam
Production, Distribution, and Consumption
Häftad, Engelska, 2025
659 kr
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Millions of paintings were produced in the Dutch Republic. The works that we know and see in museums today constitute only the tip of the iceberg — the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significance of that production in the genre of history paintings, which in traditional art historical studies, is usually linked to high prices, famous painters, and elite buyers. Angela Jager analyses the producers, suppliers, and consumers active in this segment to gain insight into this enormous market for cheap history paintings. What did the supply consist of in terms of quantity, quality, price, and subject? Who produced all these works and which production methods did these painters employ? Who distributed these paintings, to whom, and which strategies were used to market them? Who bought these paintings, and why?
659 kr
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Dutch, French, Latin, Greek, Italian, English, Spanish, and German: those are the eight languages in which Dutch Golden Age poet Constantijn Huygens (1596—1687) wrote his poetry and correspondence. He also knew a bit of Hebrew and Portuguese. Examining a wide range of Huygens’s writings“including personal letters, state correspondence, and poetry“Christopher Joby explores how Huygens tested the boundaries of language with his virtuosity as a polyglot. From Huygens’s multilingual code switching to his writings on architecture, music, and natural science, this comprehensive account is a must-read for anyone interested in this Dutch statesman and man of letters.
659 kr
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The seventeenth century was a time of exceptional mobility for Netherlandish artists. This mobility had a profound impact on artistic developments, stimulating innovation and creativity in the Netherlands as well as abroad. Whereas most artists undertook a relatively short study trip, others decided to settle down and shape their life in a new environment. This study traces the integration process — as artists and as migrants in general — of Aert Mytens, Louis Finson, Abraham Vinck, Hendrick De Somer and Matthias Stom in Naples between 1575 and 1655. Departing from the idea that the experience of every migrant is specific to their background and skills, The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575-1655) examines the challenges each of these five artists faced, the choices they made and the opportunities they grasped. The dynamics of art and society in Naples, the bustling capital of the Spanish viceroyalty, forms the context for their lives and careers.
Universal Art of Samuel van Hoogstraten (1627-1678)
Painter, Writer, and Courtier
Häftad, Engelska, 2025
659 kr
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Samuel van Hoogstraten was not only one of Rembrandt’s most succesful pupils and a versatile painter. His experiments in optical illusion also attracted the interest of the natural scientists of his time. Furthermore, he wrote some of the first Dutch novels, plays, and a treatise on painting. After travelling to Rome, Vienna, and London he introduced European courtiers’ manners in the Low Countries. In this book, a collective of specialists with different backgrounds sheds light on the facets of Van Hoogstraten’s work that demonstrates in a unique manner how art, literature, and science were interrelated in the Dutch Golden Age. The contributors devote special attention to his theory of art and his literary writings, the role of paintings in his social network, his contacts in Italy and Britain, and finally the art of his master, Rembrandt. Bringing to the fore hitherto unknown works and highlighting new connections between word and image, the book is an important contribution to our understanding of Van Hoogstraten’s universal art and its implications for Early Modern cultural history.
Dutch Ships in Tropical Waters
The Development of the Dutch East India Company (VOC) Shipping Network in Asia 1595-1660
Häftad, Engelska, 2010
574 kr
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An engaging and definitive study of the secrets of the vast commercial success of the Dutch East India Company
574 kr
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First detailed study of Rembrandt’s fascinating depictions of female nudes
Art Market and Connoisseurship
A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries
Häftad, Engelska, 2008
716 kr
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This essential volume traces the evolution of connoisseurship in the booming art market of the seventeenth- and eighteenth centuries. Not to be missed by anyone with an interest in the Old Masters and the early modern art market.
Art and Allegiance in the Dutch Golden Age
The Ambitions of a Wealthy Widow in a Painted Chamber by Ferdinand Bol
Häftad, Engelska, 2012
985 kr
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This book uses new techniques of identification to provide a revolutionary analysis of paintings by Ferdinand Bol.
Signature Style of Frans Hals
Painting, Subjectivity, and the Market in Early Modernity
Häftad, Engelska, 2012
985 kr
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This richly illustrated study is the first consider the manifold functions and meanings of Hals’s distinctive handling of paint. Atkins explores the uniqueness of Hals’s approach to painting and the relationship of his manner to seventeenth-century aesthetics. He also investigates the economic motivations and advantages of his methods, the operation of the style as a personal and workshop brand, and the apparent modernity of the artist’s style. The book seeks to understand the multiple levels on which Hals’s consciously cultivated manner of painting operated for himself, his pupils and assistants, his clients, and succeeding generations of viewers. As a result, the book offers a wholly new understanding of one of the leading artists of the Dutch Golden Age, and one of the most formative painters in the history of art in the Western tradition. It also provides a much needed interrogation of the interrelationships of subjectivity, style, authorship, methods of artistic and commercial production, economic consumption, and art theory in early modernity.
716 kr
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The rebels of the Dutch Revolt, their political thoughts and the media they used to express them, have long been a focus of historical attention. This book, however, focuses on the largely untold story of what the other side, the Habsburg regime and its local supporters, thought about the conflict and how they responded to rebel accusations.
Universal Art of Samuel van Hoogstraten (1627-1678)
Painter, Writer, and Courtier
Inbunden, Engelska, 2013
1 921 kr
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In this book, a collective of specialists with different backgrounds sheds light on the facets of Van Hoogstraten’s work that demonstrates in a unique manner how art, literature, and science were interrelated in the Dutch Golden Age
The Lute in the Dutch Golden Age
Musical Culture in the Netherlands ca. 1580-1670
Inbunden, Engelska, 2013
1 921 kr
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The lute’s cultural impact throughout the Dutch Golden Age
Confronting the Golden Age
Imitation and Innovation in Dutch Genre Painting 1680-1750
Inbunden, Engelska, 2015
2 063 kr
Skickas inom 10-15 vardagar
In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750.
2 003 kr
Skickas inom 10-15 vardagar
While the socio-economic and historical aspects of the Dutch East India Company (VOC) have been extensively documented and researched, the role of the VOC in visual culture and the arts has been relatively neglected. This authoritative volume addresses various aspects of cultural exchange between the Low Countries and Asia. Increased prosperity and the flood of imported goods from Asia had a huge influence on seventeenth-century Holland. To cite some examples: when the VOC spread its merchandise throughout the various regions of Asia, Chinese decorative motives became popular in Indonesia. After the lifting of the seventeenth-century ban on the import of Christian books to Japan, a wave of interest in Dutch culture hit the country, giving rise to Hollandmania, imitation of anything Dutch.Mediating Netherlandish Art and Material Culture in Asia offers new insights into the world routes travelled by seventeenth-century Dutch visual culture, as well as the rise of Asian influence in the imagery of the Dutch Golden Age.
Painting and Publishing as Cultural Industries
The Fabric of Creativity in the Dutch Republic, 1580-1800
Inbunden, Engelska, 2016
2 346 kr
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Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations in painting and publishing in the Dutch Republic.
2 063 kr
Skickas inom 10-15 vardagar
This new study provides a comprehensive account of the multilingualism of Constantijn Huygens (1596-1687).