Angelaki: New Work in the Theoretical Humanities – serie

Read through the lens of a single key concept in twentieth-century French philosophy, that of the "problem", this book relates the concept to specific thinkers and situates it in relation both to the wider history of philosophy and contemporary concerns.How exactly should the notion of problems be understood? What must a problem be in order to play an inaugurating role in thought? Does the word "problem" have a univocal sense? What is at stake – theoretically, ethically, politically, and institutionally – when philosophers use the word? This book addresses these and other questions, and is devoted to making historical and philosophical sense of the various uses and conceptualisations of notions of problems, problematics, and problematisations in twentieth-century French thought. In the process, it augments our understanding of the philosophical programs of a number of recent French thinkers, reconfigures our perception of the history and wider stakes of twentieth-century French philosophy, and reveals the ongoing theoretical richness and critical potential of the notion of the problem and its cognates. Working through the twentieth-century, and focussing on specific thinkers including Foucault and Deleuze, this book will be of interest to all scholars of French philosophy. This book was originally published as a special issue of Angelaki.

Sonic Encounters with Blanchot is the first book to explore the relationship of sound and music with the work of Maurice Blanchot. The volume brings together scholars from a range of disciplines who listen closely to the sounds and resonances emanating from within Blanchot’s work and who consider their significance both within his work and beyond. The latent and explicit sonic content of Blanchot’s writing is explored, as is his treatment of music and the possibilities of thinking about contemporary music and sound art through his work. Although Blanchot is best known for his engagement with literature, an engagement that often relies on visual references and experiences, this collection takes a sonic route into one of the most exciting and demanding thinkers of the twentieth century. As an interdisciplinary exploration of sound and Blanchot’s work, this book will be interest to those studying sound in literature and music, as well as students of Blanchot’s work in general. This book was originally published as a special issue of Angelaki.

This book illuminates a variety of the key themes and positions that are developed in the work of art historian and philosopher Georges Didi-Huberman, one of the most influential image-theorists of our time. Beginning with a translated exchange on the politics of images between Jacques Rancière and Georges Didi-Huberman, the volume further contains a translation of Didi-Huberman’s essay on Georges Bataille’s writings on art. The articles in this book explore the influence of Theodor Adorno and Aby Warburg on Didi-Huberman’s work, the relationship between ‘image’ and ‘people', his insights on witnessing and memory, the theme of phasmids and his reflections on aura, pathos and the imagination. Taken as a whole, the book will give readers an insight into the rich and expansive work of Didi-Huberman, beyond the books that are currently available in English. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

Pursuing the discursive or material effects of relational queerness, this book reflects on how objects can illuminate, affect, and animate queer modes of being. In the early 1990s the queer theorist Eve Kosofsky Sedgwick defined queer as “multiply transitive . . . relational and strange,” rather than a fixed identity. In spite of this, much of the queer theoretical scholarship of the last three decades has used queer as a synonym for anti-normative sexual identities. The contributions to this volume return to the idea of transitivity, exploring what happens when queer is thought of as a turning toward or turning away from a diverse range of objects, including bodily waste; frozen cats; archival ephemera; the writing of Virginia Woolf; the Pop art of Ray Johnson; the podcast S-Town; and Maggie Nelson’s memoir The Argonauts. Relevant to those studying queer theory, this book will also be of wider interest to those researching identity and the way in which it is represented in a variety of artistic disciplines.This book was originally published as a special issue of Angelaki.

François Laruelle has been developing his project of non-philosophy since the 1970s. Throughout this time he has aimed at nothing less than the discovery and development of a new form of thinking that draws its material from philosophy and related disciplines, but uses them in inventive new ways that are seen as heretical by standard philosophical approaches. The contributions to this volume highlight Laruelle’s own distinctive approach to the history of thought and bring together researchers in the Anglophone and Francophone world who have taken up the project of non-philosophy in their own way, developing new heresies, sometimes even in relation to non-philosophy itself. The contributions here show the scope of non-philosophy with essays on gender, science, religion, politics, animals, and the history of philosophy. They are all brought together, not in a city of intellectuals bound together by law, but within a city of heretics bound together only by their status as stranger. This book was originally published as a special issue of Angelaki.

This collection brings together an international, multicultural, multilingual, and multidisciplinary community of scholars and practitioners in different media seeking to question and re-theorize the contested terms of our title: “woman,” “writing,” “women’s writing,” and “across.” “Culture” is translated into an open series of interconnected terms and questions. How might one write across national cultures; or across a national and a minority culture; or across disciplines, genres, and media; or across synchronic discourses that are unequal in power; or across present and past discourses or present and future discourses?The collection explores and develops recent feminist, queer, and transgender theory and criticism, and also aesthetic practice. “Writing across” assumes a number of orientations: posthumanist; transtemporal; transnationalist; writing across discourses, disciplines, media, genres, genders; writing across pronouns – he, she, they; writing across literature, non-literary texts, and life.This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

This book works through the notion of the alien in contemporary philosophy. The authors attempt to think through politics, posthumanism, and alienation beyond and across the circuitry of thought that would otherwise enfold the alien in its regressive and parochial trappings.The figure of the Other has held critical thought in its sway for decades, to the point that we now suffer from a surfeit of alterity. This book considers whether the figure of the alien can offer us something better. It traces the outlines, intersections, and problems of emergent vectors of thought that coalesce around a renewed relationship to alienation: left accelerationism, xenofeminism, and inhumanism. Their common thread is the embrace of alienation as a positive force, transforming our progressive exile from a series of edenic harmonies – be they economic, sociological, or biological – into an esoteric genealogy of freedom.Appeals to alien forces can mask all too familiar prejudices, repackaging old assumptions in the language of sublime strangeness or harsh reality. This book seeks to move beyond this by looking at how the notion of the alien interacts with present problems and politics. It was originally published as a special issue of Angelaki.

This book provides a much-needed philosophical response to the recurrent postcolonial call to uproot the prevalent workings of the colonial regime, with a close focus on the African context. The work addresses a range of questions concerning the othering of Africans in the postcolonial context, specifically by focusing on the philosophical analysis of problems of justice, the effect of injustice on the formation of the self, and strategies of resistance against the injustice of othering. Questions raised in this collection include: who or what is "the other"? Who is the "African other"? In what ways are Africans othered? What is the effect of unjust conditions on the formation of the self? In what sense is othering an injustice? How can justice concern itself with the problem of othering? What are the strategies to resist the injustice of othering? Can one ever do justice to the experience of the subaltern other in abstract terms of philosophical analysis?In considering these questions, this book will be of interest to all those studying the intersectional ways in which colonial injustice is manifested in the postcolony, as well as those seeking greater philosophical reflection on postcolonial justice. This book was originally published as a special issue of Angelaki.

Formal and informal institutions structure our social interactions by giving rise to normative expectations and patterns of collective behaviour. This collection grapples with how affect, imagination, and embodiment can operate to either constrain or enable the justice of institutions and the experiences of specific social identities.This anthology explores the myriad ways institutions work to systematically disadvantage people with particular identities whilst privileging others, and considers the legal, political, and normative interventions that might serve to promote a more just society. Taken together, the chapters represent the scope of existing research within institutional theory, affect theory, race theory, and theories of social imaginaries. Across a range of topics (human rights, racial and sexual violence, transitional justice and democratic movements) this collection critically assesses the extent to which theorists have attended to the conjoined influence of the imagination, embodiment, and affective phenomena on processes of institutional change that aim to achieve social justice.The chapters in this book were originally published as a special issue of the journal, Angelaki.

Formal and informal institutions structure our social interactions by giving rise to normative expectations and patterns of collective behaviour. This collection grapples with how affect, imagination, and embodiment can operate to either constrain or enable the justice of institutions and the experiences of specific social identities.This anthology explores the myriad ways institutions work to systematically disadvantage people with particular identities whilst privileging others, and considers the legal, political, and normative interventions that might serve to promote a more just society. Taken together, the chapters represent the scope of existing research within institutional theory, affect theory, race theory, and theories of social imaginaries. Across a range of topics (human rights, racial and sexual violence, transitional justice and democratic movements) this collection critically assesses the extent to which theorists have attended to the conjoined influence of the imagination, embodiment, and affective phenomena on processes of institutional change that aim to achieve social justice.The chapters in this book were originally published as a special issue of the journal, Angelaki.

Tranimacies is a neologism that pushes and pulls together transness and animality so as to better germinate unruly, wily, perverse relationships between them, and their spawn. Through tranimacies the book aims at rethinking the linking of liberation struggles amongst former colonized peoples and lands, minoritized genders and sexualities, racially marked persons and non-human animals, and does so in a variety of geopolitical and temporal sites. This rich compendium includes original scholarship and dialogues as well as poetry, comix, bioart, and performance documentation.The composite term of tranimacies enmeshes several everyday and scholarly concepts: transgender, animal, animacy, intimacies. This edited volume’s bundle of theoretical and artistic works insists on the beating heart of embodied experiences and political pulses at the core of these concepts. The authors show that tranimacies are spread throughout what Mel Y. Chen describes as the "animacy hierarchies" that delimit zones of possibility and agency, confounding the vertical order with transversal movements. As an intervention into the burgeoning debates within and across trans, animal, critical race, and posthuman studies this publication seeks to destabilize the logic of "turns" in critical theory, and through sticky intimacies uncover how animality, race, and gender underscore the humanist production of meanings. By taking a decolonial approach (in the main, but not exclusively) the authors hope to shift debates in animal studies towards accounting for and delinking from colonial mentalities. Three poems interweave our selection of chapters, which together forge three lines of inquiry defined by a certain ethos: transhistories of the present, lessons from the bestiary, and #animatingephemera.The chapters in this book were originally published as a special issue of Angelaki.

Tranimacies is a neologism that pushes and pulls together transness and animality so as to better germinate unruly, wily, perverse relationships between them, and their spawn. Through tranimacies the book aims at rethinking the linking of liberation struggles amongst former colonized peoples and lands, minoritized genders and sexualities, racially marked persons and non-human animals, and does so in a variety of geopolitical and temporal sites. This rich compendium includes original scholarship and dialogues as well as poetry, comix, bioart, and performance documentation.The composite term of tranimacies enmeshes several everyday and scholarly concepts: transgender, animal, animacy, intimacies. This edited volume’s bundle of theoretical and artistic works insists on the beating heart of embodied experiences and political pulses at the core of these concepts. The authors show that tranimacies are spread throughout what Mel Y. Chen describes as the "animacy hierarchies" that delimit zones of possibility and agency, confounding the vertical order with transversal movements. As an intervention into the burgeoning debates within and across trans, animal, critical race, and posthuman studies this publication seeks to destabilize the logic of "turns" in critical theory, and through sticky intimacies uncover how animality, race, and gender underscore the humanist production of meanings. By taking a decolonial approach (in the main, but not exclusively) the authors hope to shift debates in animal studies towards accounting for and delinking from colonial mentalities. Three poems interweave our selection of chapters, which together forge three lines of inquiry defined by a certain ethos: transhistories of the present, lessons from the bestiary, and #animatingephemera.The chapters in this book were originally published as a special issue of Angelaki.

Must a philosophy of life be materialist, and if so, must it also be a philosophy of immanence? In the last twenty years or so there has been a growing trend in continental thought and philosophy and critical theory that has seen a return to the category of immanence. Through consideration of the work of thinkers such as Giorgio Agamben, Catherine Malabou, Francois Laruelle, Gilles Deleuze and others, this collection aims to examine the interplay between the concepts of immanence, materialism and life, particularly as this interplay can highlight new directions for political inquiry. Furthermore, critical reflection on this constellation of concepts could also be instructive for continental philosophy of religion, in which ideas about the divine, embodiment, sexual difference, desire, creation and incarnation are refigured in provocative new ways. The way of immanence, however, is not without its dangers. Indeed, it may be that with its affirmation something of importance is lost to material life. Could it be that the integrity of material things requires a transcendent origin? Precisely what are the metaphysical, political and theological consequences of pursuing a philosophy of immanence in relation to a philosophy of life? This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

Nuclear Theory Degree Zero: Essays Against the Nuclear Android investigates the threat conveyed and maintained by the nuclear cycle: mining, research, health, power generation and weaponry. Central to this polyvalent 'report' on the infiltration of our lives and control over them exerted by the industrial-military complex, are critiques of the creation, storage and use of atomic weapons, the exploitation of Australian Aboriginal people and their lands through British atomic testing in the 1950s, and an exposé of a language of denial in the world of nuclear mining/energy/military usages. 'Nuclear' is also parenthetically investigated in its function as extended metaphor and question for poetry and poetics. Key is a consideration of the use of the language of the 'atomic' in cultural spaces, and in 'the arts'. Indigenous land-rights claims in the face of uranium mining, the semantics of waste and of the glib usage by nuclear power companies of the fact of global warming to suit their own corrosive agendas. The triumphalism of scientific and cultural discourse around 'nuclear' and the threats by nuclear fission are by association brought into question. The nuclear cycle throws the whole future of human beings into doubt, and this book seeks to assemble new resources of resistance through creative and critical mediums, including poetry and poetics.The chapters in this book were originally published as a special issue of Angelaki.

Nuclear Theory Degree Zero: Essays Against the Nuclear Android investigates the threat conveyed and maintained by the nuclear cycle: mining, research, health, power generation and weaponry. Central to this polyvalent 'report' on the infiltration of our lives and control over them exerted by the industrial-military complex, are critiques of the creation, storage and use of atomic weapons, the exploitation of Australian Aboriginal people and their lands through British atomic testing in the 1950s, and an exposé of a language of denial in the world of nuclear mining/energy/military usages. 'Nuclear' is also parenthetically investigated in its function as extended metaphor and question for poetry and poetics. Key is a consideration of the use of the language of the 'atomic' in cultural spaces, and in 'the arts'. Indigenous land-rights claims in the face of uranium mining, the semantics of waste and of the glib usage by nuclear power companies of the fact of global warming to suit their own corrosive agendas. The triumphalism of scientific and cultural discourse around 'nuclear' and the threats by nuclear fission are by association brought into question. The nuclear cycle throws the whole future of human beings into doubt, and this book seeks to assemble new resources of resistance through creative and critical mediums, including poetry and poetics.The chapters in this book were originally published as a special issue of Angelaki.

This book on Relationality addresses our growing "crisis of connection" by foregrounding the multi-faceted ways in which we are interconnected with each other and the world in which we live.When Niobe Way and her collaborators first proclaimed such a "crisis" in their 2018 book The Crisis of Connection: Roots, Consequences, and Solutions, they could not have foreseen the extremes of isolation and disconnection that Covid-19 would unleash just a couple of years later. Importantly, what such experiences of impaired and compromised relationality impress upon us—now more powerfully than ever—is just how fundamentally we are intertwined with each other and the world we inhabit. The ten scholarly chapters assembled here, combined with ten specially commissioned poems, emphasise the significance of these relational entanglements. They draw on a range of thinkers (with Emmanuel Levinas playing a particularly prominent role) to bring relationality into conversation with an array of contemporary paradigms and areas of political concern: the Anthropocene, post-humanism, neoliberalism, disability studies, and postcolonialism (to name but a few). Tracing the various challenges and opportunities associated with our relational existence, they collectively consider the role relationality plays, or might play, in our increasingly less-than-relational lives.The chapters and poems in this book were originally published as a special issue of Angelaki.

This book on Relationality addresses our growing "crisis of connection" by foregrounding the multi-faceted ways in which we are interconnected with each other and the world in which we live.When Niobe Way and her collaborators first proclaimed such a "crisis" in their 2018 book The Crisis of Connection: Roots, Consequences, and Solutions, they could not have foreseen the extremes of isolation and disconnection that Covid-19 would unleash just a couple of years later. Importantly, what such experiences of impaired and compromised relationality impress upon us—now more powerfully than ever—is just how fundamentally we are intertwined with each other and the world we inhabit. The ten scholarly chapters assembled here, combined with ten specially commissioned poems, emphasise the significance of these relational entanglements. They draw on a range of thinkers (with Emmanuel Levinas playing a particularly prominent role) to bring relationality into conversation with an array of contemporary paradigms and areas of political concern: the Anthropocene, post-humanism, neoliberalism, disability studies, and postcolonialism (to name but a few). Tracing the various challenges and opportunities associated with our relational existence, they collectively consider the role relationality plays, or might play, in our increasingly less-than-relational lives.The chapters and poems in this book were originally published as a special issue of Angelaki.

Sonic Encounters with Blanchot is the first book to explore the relationship of sound and music with the work of Maurice Blanchot. The volume brings together scholars from a range of disciplines who listen closely to the sounds and resonances emanating from within Blanchot’s work and who consider their significance both within his work and beyond. The latent and explicit sonic content of Blanchot’s writing is explored, as is his treatment of music and the possibilities of thinking about contemporary music and sound art through his work. Although Blanchot is best known for his engagement with literature, an engagement that often relies on visual references and experiences, this collection takes a sonic route into one of the most exciting and demanding thinkers of the twentieth century. As an interdisciplinary exploration of sound and Blanchot’s work, this book will be interest to those studying sound in literature and music, as well as students of Blanchot’s work in general. This book was originally published as a special issue of Angelaki.

Read through the lens of a single key concept in twentieth-century French philosophy, that of the "problem", this book relates the concept to specific thinkers and situates it in relation both to the wider history of philosophy and contemporary concerns.How exactly should the notion of problems be understood? What must a problem be in order to play an inaugurating role in thought? Does the word "problem" have a univocal sense? What is at stake – theoretically, ethically, politically, and institutionally – when philosophers use the word? This book addresses these and other questions, and is devoted to making historical and philosophical sense of the various uses and conceptualisations of notions of problems, problematics, and problematisations in twentieth-century French thought. In the process, it augments our understanding of the philosophical programs of a number of recent French thinkers, reconfigures our perception of the history and wider stakes of twentieth-century French philosophy, and reveals the ongoing theoretical richness and critical potential of the notion of the problem and its cognates. Working through the twentieth-century, and focussing on specific thinkers including Foucault and Deleuze, this book will be of interest to all scholars of French philosophy. This book was originally published as a special issue of Angelaki.

Love and Vulnerability: Thinking with Pamela Sue Anderson developed out of the desire for dialogue with the late feminist philosopher Pamela Sue Anderson’s extraordinary, previously unpublished, last work on love and vulnerability. The collection publishes this work for the first time, with a diverse, multidisciplinary, international range of contributors responding to it, to Anderson’s oeuvre as a whole and to her life and death.Anderson’s path-breaking work includes A Feminist Philosophy of Religion (1998) and Re-visioning Gender in Philosophy of Religion: Reason, Love and Epistemic Locatedness (2012). Her last work critiques, then attempts to rebuild, concepts of love and vulnerability. Reason, critical self-reflexivity, emotion, intuition and imagination, myth and narrative all have a role to play. Social justice, friendship, conversation, dialogue, collective work are central to her thinking.Contributors trace the emergence of Anderson’s late thinking, extend her conversations with the history of philosophy and contemporary voices such as hooks and Butler, and bring her work into contact with debates in theology; Continental and analytic philosophy; feminist, queer and transgender theory; postcolonial theory; African-American studies. Discussions engage with the Me Too movement and sexual violence, climate change, sweatshops, neoliberalism, death and dying, and the nature of the human.Originally published as a special issue of the journal, Angelaki, this large, wide-ranging collection, featuring a number of distinguished contributors, makes a significant contribution to the burgeoning interdisciplinary research on interpersonal relations, sympathy and empathy, affect and emotion.

Love and Vulnerability: Thinking with Pamela Sue Anderson developed out of the desire for dialogue with the late feminist philosopher Pamela Sue Anderson’s extraordinary, previously unpublished, last work on love and vulnerability. The collection publishes this work for the first time, with a diverse, multidisciplinary, international range of contributors responding to it, to Anderson’s oeuvre as a whole and to her life and death.Anderson’s path-breaking work includes A Feminist Philosophy of Religion (1998) and Re-visioning Gender in Philosophy of Religion: Reason, Love and Epistemic Locatedness (2012). Her last work critiques, then attempts to rebuild, concepts of love and vulnerability. Reason, critical self-reflexivity, emotion, intuition and imagination, myth and narrative all have a role to play. Social justice, friendship, conversation, dialogue, collective work are central to her thinking.Contributors trace the emergence of Anderson’s late thinking, extend her conversations with the history of philosophy and contemporary voices such as hooks and Butler, and bring her work into contact with debates in theology; Continental and analytic philosophy; feminist, queer and transgender theory; postcolonial theory; African-American studies. Discussions engage with the Me Too movement and sexual violence, climate change, sweatshops, neoliberalism, death and dying, and the nature of the human.Originally published as a special issue of the journal, Angelaki, this large, wide-ranging collection, featuring a number of distinguished contributors, makes a significant contribution to the burgeoning interdisciplinary research on interpersonal relations, sympathy and empathy, affect and emotion.

Non-cognitive expressions of the life of the subject – feeling, motion, tactility, instinct, automatism, and sentience – have transformed how scholars understand subjectivity, agency and identity. This collection investigates the critical purchase of the idiom of affect in this ‘post-humanist’ thinking of the subject. It also explores political and ethical questions raised by the deployment of affect as a theoretical and artistic category. Together the contributors to this collection map the theoretically heterogeneous field of post-humanist scholarship on affect, making inspiring, and at times surprising, connections between Spinoza’s and Tomkins’s theories of affect, the concept of affect and psychoanalysis, and affect and animal studies in art and literature. As a result, the concepts, vocabulary, compatibility, and attribution of affect are challenged and extended. The chapters in this book were originally published as a special issue of Angelaki.

Non-cognitive expressions of the life of the subject – feeling, motion, tactility, instinct, automatism, and sentience – have transformed how scholars understand subjectivity, agency and identity. This collection investigates the critical purchase of the idiom of affect in this ‘post-humanist’ thinking of the subject. It also explores political and ethical questions raised by the deployment of affect as a theoretical and artistic category. Together the contributors to this collection map the theoretically heterogeneous field of post-humanist scholarship on affect, making inspiring, and at times surprising, connections between Spinoza’s and Tomkins’s theories of affect, the concept of affect and psychoanalysis, and affect and animal studies in art and literature. As a result, the concepts, vocabulary, compatibility, and attribution of affect are challenged and extended. The chapters in this book were originally published as a special issue of Angelaki.

This book is based upon the collaborative efforts of the Ontogenetics Process Group (OPG) – an interdisciplinary, multi-institutional, multi-national research group that began meeting in 2017 to explore new and innovative ways of thinking the problem of complexity in living, physical, and social systems outside the algorithmic models that have dominated paradigms of complexity to date.For all the descriptive and predictive power that the complexity sciences offer (the ability to compute feedback systems, recursive networks, emergent dynamics, etc.), they also presume that the living world in all of its modalities (biological, semiotic, economic, affective, social) can be reduced to finite schema of description that delimits in advance all possible outcomes. What is proposed in this volume are conceptual architectures for the living that are not only irreducible to physico-mathematical frames of reference, but that are also as vital as the phenomena they wish to express. In short: life is more complex than complexity. What emerges from this engagement is not the ascendance of a new transcendental principle (or, what amounts to the same thing, a foundational bedrock) derived from the physico-mathematical sciences, but just the opposite: a domain in which the ontological and the epistemological domains enter a zone of strange (and unavoidable) entanglement. The chapters in this book were originally published as a special issue of Angelaki.

This book is based upon the collaborative efforts of the Ontogenetics Process Group (OPG) – an interdisciplinary, multi-institutional, multi-national research group that began meeting in 2017 to explore new and innovative ways of thinking the problem of complexity in living, physical, and social systems outside the algorithmic models that have dominated paradigms of complexity to date.For all the descriptive and predictive power that the complexity sciences offer (the ability to compute feedback systems, recursive networks, emergent dynamics, etc.), they also presume that the living world in all of its modalities (biological, semiotic, economic, affective, social) can be reduced to finite schema of description that delimits in advance all possible outcomes. What is proposed in this volume are conceptual architectures for the living that are not only irreducible to physico-mathematical frames of reference, but that are also as vital as the phenomena they wish to express. In short: life is more complex than complexity. What emerges from this engagement is not the ascendance of a new transcendental principle (or, what amounts to the same thing, a foundational bedrock) derived from the physico-mathematical sciences, but just the opposite: a domain in which the ontological and the epistemological domains enter a zone of strange (and unavoidable) entanglement. The chapters in this book were originally published as a special issue of Angelaki.

Pursuing the discursive or material effects of relational queerness, this book reflects on how objects can illuminate, affect, and animate queer modes of being. In the early 1990s the queer theorist Eve Kosofsky Sedgwick defined queer as “multiply transitive . . . relational and strange,” rather than a fixed identity. In spite of this, much of the queer theoretical scholarship of the last three decades has used queer as a synonym for anti-normative sexual identities. The contributions to this volume return to the idea of transitivity, exploring what happens when queer is thought of as a turning toward or turning away from a diverse range of objects, including bodily waste; frozen cats; archival ephemera; the writing of Virginia Woolf; the Pop art of Ray Johnson; the podcast S-Town; and Maggie Nelson’s memoir The Argonauts. Relevant to those studying queer theory, this book will also be of wider interest to those researching identity and the way in which it is represented in a variety of artistic disciplines.This book was originally published as a special issue of Angelaki.

This volume is initial reflections on the meaning and the implications of Yuk Hui’s notion of cosmotechnics, which opens up an anti-universalist and pluralist perspective on technology beyond the West.Martin Heidegger’s famous analysis of the essence of technology as enframing and as rooted in ancient Greek techne has had a crucial influence on the understanding and critique of technological society and culture in the twentieth century. However, it is still unclear to what extent his analysis can also be applied to the development of technology outside of ‘the West’, e.g. in China, Africa, and Latin America, particularly against the backdrop of receding Western domination and impending global ecological disaster. Acknowledging the planetary expansion of Western technology already observed by Heidegger, yet also recognizing the existence of non-Western origins of technical relationships to the cosmos, Yuk Hui’s notion of cosmotechnics calls for a rethinking – in dialogue with decolonial studies and the so-called ontological turn in contemporary anthropology – of the question concerning technology which challenges the universality still present in Heidegger (as well as in Simondon and Stiegler) and proposes a radical technological or rather cosmotechnical pluralism or technodiversity. The contributors to this volume critically engage with this proposal and examine the possible implications of Hui’s cosmotechnical turn in thinking about technology as it becomes a planetary force in our current age of the Anthropocene.The chapters in this book were originally published as a special issue of Angelaki.

This volume is initial reflections on the meaning and the implications of Yuk Hui’s notion of cosmotechnics, which opens up an anti-universalist and pluralist perspective on technology beyond the West.Martin Heidegger’s famous analysis of the essence of technology as enframing and as rooted in ancient Greek techne has had a crucial influence on the understanding and critique of technological society and culture in the twentieth century. However, it is still unclear to what extent his analysis can also be applied to the development of technology outside of ‘the West’, e.g. in China, Africa, and Latin America, particularly against the backdrop of receding Western domination and impending global ecological disaster. Acknowledging the planetary expansion of Western technology already observed by Heidegger, yet also recognizing the existence of non-Western origins of technical relationships to the cosmos, Yuk Hui’s notion of cosmotechnics calls for a rethinking – in dialogue with decolonial studies and the so-called ontological turn in contemporary anthropology – of the question concerning technology which challenges the universality still present in Heidegger (as well as in Simondon and Stiegler) and proposes a radical technological or rather cosmotechnical pluralism or technodiversity. The contributors to this volume critically engage with this proposal and examine the possible implications of Hui’s cosmotechnical turn in thinking about technology as it becomes a planetary force in our current age of the Anthropocene.The chapters in this book were originally published as a special issue of Angelaki.

Dominique Lestel is a French philosopher whose work is significant for the rethinking of animality and human-animal relations. Throughout such important books as L’Animalité (1996), Les Origines animales de la culture (2001) and L’Animal singulier (2004), he offers a fierce critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to etho-ethnographic and phenomenological methods for understanding animal life. Centred around hybrid human–animal communities of shared interests, affects and meaning, his critical and speculative approach to the animal sciences offers a vision of animals as acting subjects and bearers of culture, who form their own worlds and transform them in concert with human and other partners. In tracing the ways in which we share our lives with animals in the texture of animality, Lestel’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the most animal of animals. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.