British Library Tales of the Weird – serie

'Come to-night', I heard the old man say, 'come to me to-night into the Wood of the Dead'.Join Weird Walk for a new journey into the ghostly and bizarre, striking out from the shelter of the inn for the places where the path begins to fade, from the sublime wilderness of mountains, coasts and ravines to forbidden, ancient tracts of woodland.Featuring disorientating classics from John Buchan and Algernon Blackwood alongside modern, thrilling (and sometimes violent) warnings to the intrepid from Lisa Tuttle and Dorothy K. Haynes, The Wayfarer's Weird leads you towards fae dangers, down lost tracks in time and deep into the liminal spaces of Britain and beyond.

The reputation of early-twentieth century British writer Algernon Blackwood currently resides with his two novellas `The Willows' (1907) and `The Wendigo' (1910), and with good reason. They are perfectly crafted horror tales that convey feelings of mystical otherness; they hint at the possibility that there are forces which lie beyond the confines of our everyday understanding of the world and which may, given the right circumstances, manifest to humans. In `The Willows', `unearthly' creatures are responsible for arousing `some dim ancestral sense of terror more profoundly disturbing than anything' the protagonists have ever known. In `The Wendigo', fear of the titular monster from Native American folklore is used to create a discombobulating atmosphere of dread. In both novellas, as in many other of Blackwood's fictions, wild landscapes (a desolate island, a labyrinthine forest) act as more than enhancing backdrops to the action - they become essential elements to the generation of anxiety and metaphysical awe. Both stories have become staples of the weird literary tradition, of which Blackwood was undoubtedly a modern master. Blackwood's slow and measured prose, deeply psychological and descriptive, grants his fiction an intrinsic cumulative effect. It both builds up to potent climaxes and brilliantly chronicles the aftermath of horrific encounters. His poignant narrative pace, sparse use of action and marked interest in how the mind filters perceptions, rather than on objective physical descriptions, makes Blackwood truly unique. Only a handful of other stories in horror fiction manage to conjure up the type of uncanny ambience found in `The Willows' and `The Wendigo'. This is why they are included in this collection.

Fired up by the accounts of exploring parties in the nineteenth and early twentieth centuries, writers of the weird and supernatural began to construct a literary Arctic and Antarctic in which terrors lay undiscovered in the ice and gateways to bizarre hidden worlds were waiting. From James Hogg's lurid North Pole narrative of life amongst polar bears in 'The Surpassing Adventures of Allan Gordon' to tales of mad science and ghostly visitations among the wind-blown expanse of the southern continent, this new collection showcases a wealth of neglected material and an overlooked niche of literature obsessed with the limits of human experience.Pulp tales of alien forces emerging from the ice and a battle between hunter and invisible man-eating duck creature drift alongside modern horror from indigenous Arctic voices to show the extent and endurance of the lure of these sublime landscapes.

'I had been staying just within the shadow of the exit of the great rift. Now, without volition on my part, I drifted out of the semi-darkness and began to move slowly-toward the House.'Amidst the din of roaring water, in a chasm where a house once stood in an isolated corner of Ireland, a manuscript is discovered entitled The House on the Borderland. Penned by the enigmatic Recluse, it tells of a revelatory descent into the uncanny. For the Recluse seems to have discovered another land and in it another House; a jade-green double of his own in a realm rife with beasts and cosmic beings without name, encroaching on the bounds of reality itself.With a new introduction by Ann VanderMeer exploring why Hodgson's tale is the 'perfect embodiment of a weird novel', this edition of the 1908 cult classic still thrums with the visionary energy which influenced countless writers including H. P. Lovecraft and Terry Pratchett.

It is natural, especially at her age, that she should crave, need meat. When I am a little better I will go out and set traps, as I used to do as a boy... We must give her meat; she has done a great deal for us. Springing forth from the heyday of Weird Tales magazine and its contemporaries comes a new anthology of fifteen uncanny tales-classics and rarities penned by the women writers whose weird imaginings defined the pulp era. Featuring an introduction and biographical notes by veteran editor Mike Ashley, this collection offers ghostly thrills, shapeshifting horrors and monstrous coming-of-age narratives from Weird Tales stalwarts such as Mary Elizabeth Counselman alongside more surprising authors such as Lucy M. Montgomery. This new selection also includes a 1990s classic by Tanith Lee, the queen of Weird Tales magazine's revival era, and a recently rediscovered gem of mythical horror by Evangeline Walton.

Spurned lovers return from the grave to haunt their partners, ghost ships materialise on the sea, a bird’s eerie cry lures the unsuspecting to their deaths in a marsh… Welcome to the unsettling world of the French weird.From German-inspired gothic tales to chilling contes cruels, the stories in this anthology follow the evolution of uncanny fiction in France from the post-revolutionary turmoil of the early nineteenth century, through World War Two and into the early 2000s. They’re tales influenced by, and often seeking to justify, civil and political unrest, populated by those forced to cope with constant change and rebellion, seeking some solace amongst the chaos.Featuring strange stories from Gallic literary heavyweights Charles Nodier, Théophile Gautier and Guy de Maupassant, as well as unsettling tales from voices less well known outside France, such as Nathalie Henneberg, Claude Seignolle and Christine Renard, Danse Macabre is a beguiling concoction of fractured melodies that moves to its own unique rhythm.

'The tiles of the hall floor were as pretty as ever, as cold as ever, and bore, as always on Christmas Eve, the trickling pattern of dark blood.'The gifts are unwrapped, the feast has been consumed and the fire is well fed - but the ghosts are still hungry. The ghosts are at the door.Welcome to a new collection of Christmas nightmares, ushering in a fresh host of ghastly phantoms and otherworldly intruders bent on ruining, or partaking in, the most wonderful time of the year. With classic tales from Algernon Blackwood, Elizabeth Bowen, Charlotte Riddell and L. P. Hartley jostling with rare pieces from the sleeping periodicals and literary magazines of the British Library collections, it's time to open the door and let the real festivities begin.

'Like any other boy I expected ghost stories at Christmas, that was the time for them. What I had not expected, and now feared, was that such things should actually become real.'Strange things happen on the dark wintry nights of December. Welcome to a new collection of haunting Christmas tales, ranging from traditional Victorian chillers to weird and uncanny episodes by twentieth-century horror masters including Daphne du Maurier and Robert Aickman.Lurking in the blizzard are menacing cat spirits, vengeful trees, malignant forces on the mountainside and a skater skirting the line between the mortal and spiritual realms. Wrap up warm - and prepare for the longest nights of all.

"But something odd does happen here at Christmas time. When I first heard the story, I thought it was an old wives' tale, but-well, these old houses-you hear strange things-" He lifted his shoulders and stared into the fire..."From the troves of the British Library collections comes a new volume for Christmas nights-when the boundary between the mundane and the unearthly is ever so thin-ushering in a new throng of revenants, demons, spectres and shades drawn to the glow of the hearth. Included within are eighteen classic stories ranging from 1864 to 1974, with vintage Victorian chillers nestled alongside unsettling modern pieces from L. P. Hartley and Mildred Clingerman; lost tales from rare anthologies and periodicals; weird episodes from unexpected authors such as Winston Graham and D. H. Lawrence; stories simmering with a twisted humour from Elizabeth Bowen and Celia Fremlin and many more haunting seasonal treats.

A mysterious news signal reports cosmic doom from an otherworldly location. X-ray evidence suggests the impossible truth that a sculptor is becoming one with his creation. A gramophone channels the venomous words of a churlish spirit and its cruel vengeance.The ground-breaking new technologies of the nineteenth and twentieth centuries delivered their users into a world of unfathomable miracles and fresh nightmares - a world in which pioneers of weird fiction gave expression to the anxieties at the heart of seemingly limitless communication and the capturing of images beyond the human eye. Tracing this fiction of speculation and fear from the motion photography of the 1890s to 1950s television, this new collection presents seventeen tales of haunted and uncanny media from a range of writers inspired by its ghastly potential, including Marjorie Bowen, H. Russell Wakefield, Mary Treadgold and J. B. Priestley.

Strangling vines and meat-hungry flora fill this unruly garden of strange stories, selected for their significance as the seeds of the villainous (or perhaps just misunderstood) `killer plant' in fiction, film and video games. Step within to marvel at Charlotte Perkins Gilman's giant wistaria and H. G. Wells' hungry orchid; hear the calls of the ethereal women of the wood, and the frightful drone of the moaning lily; and do tread carefully around E. Nesbit's wandering creepers...Every strain of vegetable threat (and one deadly fungus) can be found within this new collection, representing the very best tales from the undergrowth of Gothic fiction.

'Its long antennae waved inquiringly back and forth, its tiny eyes sparkled black with crimson points, and then it began to run. The Professor caught it in his hand as it toppled from the edge of the counter. It bit him.'A brush with a killer hornet upends a reverend's life. A moth wreaks a strange vengeance on an entomologist. Bees deliver a supernatural dilemma to a mother-to-be. This new anthology offers a broad range of stories from the long history of insect literature, where six-legged beasts play many roles from lethal enemies to ethereal messengers.With expert notes on how each tale contributed to insect horror literature, Janette Leaf and Daisy Butcher are your field guides for a tour through classic insect encounters from the minds of Edgar Allan Poe, E. F. Benson, Clare Winger Harris and many more.

John Travers has been hanged for the murder of his mother-in-law Helga, but to those who knew him something is amiss. Driven by justice and a sense of uncanny forces at work, John’s friend Doctor Toogood recounts a haunting tale of love and jealousy under the fell influence of a shadowy and implacable evil. First published in 1927, this novel by husband-and-wife writing duo Rosalie and Edward Synton (real surname Corse-Scott) has been lost for nearly a century and returns now from the Library collections to deliver its occult thrills anew.

'Two small green-silver spots, almost like small fragments of reflected moonlight, shone up at them, not more than three yards away. Then, as they watched, the two points moved, trailing after them a smear of black...'When the aspiring Canon Throcton is passed up for promotion to Dean of the Cathedral in favour of his rival Canon Simpkins, a faint knell of disorder rings out over the Close. Believing that suspicions over his scholarly work on Hebrew and Arabian mysticism led to his snubbing, Throcton nurses his pride with an experiment the invocation of a simple curse, popular in the East in ancient times, but surely no more than an antiquated trifle in the reign of Victoria? And yet a dark force answers the call something bestial and immortal, dragging pestilential vengeance and corruption to the very heart of the Cathedral.First published in 1950, Heard's classic novel of occult horror and religious turmoil exudes a tense atmosphere of encroaching dread, its chills underpinned by Heard's expertise in world theology.

A splash of something huge resounds through the sea-fog. In the stillness of a dark room, some unspeakable evil is making its approach. This new selection offers the most chilling and unsettling of Hodgson's short fiction, from encounters with abominations at sea to fireside tales of otherworldly forces from his inventive `occult detective' character Carnacki, the ghost finder.A master of conjuring atmosphere, when the horror inevitably arrives it is delivered with breathtaking pace and the author's unique evocation of overwhelming panic.

Howling down the tunnels comes a new collection showcasing the greatest stories of strange happenings on the tracks, many of which are republished here for the first time since their original departure.Waiting beyond the barrier are ghostly travelling companions bent on disturbing the commutes of the living, a subway car disappearing into a different dimension without a trace, and a man's greatest fears realized on the ghost train of a carnival. An express ticket to unforgettable journeys into the supernatural, from the open railways of Europe and America to the pressing dark of the tube.

A young girl whose love for her fiance continues even after her death; a sinister old lady with claw-like hands who cares little for the qualities of her companions provided they are young and full of life; and a haunted mirror that foretells of approaching death for those who gaze into its depths. These are just some of the haunting tales gathered together in this macabre collection of short stories. Reissued in the Tales of the Weird series and introduced by British Library curator Greg Buzwell, The Face in the Glass is the first selection of Mary Elizabeth Braddon's supernatural short stories to be widely available in more than 100 years. By turns curious, sinister, haunting and terrifying, each tale explores the dark shadows beyond the rational world.

Between horror and fantasy lies a world in which the inexplicable remains unsolved and the rational mind is assailed by impossible questions. Welcome to the realm of Dark Fantasy, where safe answers are beyond reach and accounts of unanswerable dilemma find their home. Delving deep into the sub-genre, fiction expert Mike Ashley has gathered an unsettling mixture of twisted tales, encounters with logic-defying creatures and nightmarish fables certain to perplex, beguile and of course, entertain.

There was a faint rustling sound, like some small silk thing blown in a gentle breeze. He sat up straight, stark and scared, and a small wooden voice spoke in the stillness."Pa-pa," it said, with a break between the syllables.From living dolls to spirits wandering in search of solace or vengeance, the ghostly youth is one of the most enduring phenomena of supernatural fiction, its roots stretching back into the realms of folklore and superstition. In this spine-tingling new collection Jen Baker gathers a selection of the most chilling hauntings and encounters with ghostly children, expertly paired with notes and extracts from the folklore and legends which inspired them.Reviving obscure stories from Victorian periodicals alongside nail- biting episodes from master storytellers such as Elizabeth Gaskell, M. R. James and Margery Lawrence, this is a collection by turns enchanting, moving and thoroughly frightening.

The excruciating beauty, exoticism and mystery of tattoos is laid bare in this new collection of 12 stories ranging from the 1880s to the 1940s.

Woods play an important and recurring role in horror, fantasy, the gothic and the weird. They are places in which strange things happen, where you often can't see where you are or what is around you. Supernatural creatures thrive in the thickets. Trees reach into underworlds of earth, myth and magic. Forests are full of ghosts.In this new collection, immerse yourself in the whispering voices between the branches in Wistman's Wood on Dartmoor, witness an inexplicable death in Yorkshire's Strid Wood and prepare yourself for an encounter with malignant pagan powers in the dark of the New Forest. This edition also includes notes on the real locations and folklore which inspired these deliciously sinister stories.

As the smoky dark sweeps across the capital, strange stories emerge from the night. A seance reveals a ghastly secret in the murk of Regent's Canal. From south of the Thames come chilling reports of a spring-heeled spectre, and in Stoke Newington rumours abound of an opening to another world among the quiet alleys.Join Elizabeth Dearnley on this atmospheric tour through a shadowy London, a city which has long inspired writers of the weird and uncanny. Waiting in the hazy streets are eerie tales from Charlotte Riddell, Lettice Galbraith and Violet Hunt, along with haunting pieces by Virginia Woolf, Arthur Machen, Sam Selvon and many more.

The terrifying presence of a restless spirit on the top deck of a London bus; a possession at the bridge table on a cruise up the Nile; a nightmare encounter with druidic sacrifice in the innocuous setting of a terraced back garden...E F Benson's 'spook stories' pushed the boundaries of the ghost story tradition by exploring new, previously 'out of bounds' settings - such as public transport and even hauntings by daylight - to frighten his readers from the 1890s to the 1930s.

A mariner inherits a skull that screams incessantly along with the roar of the sea; a phantom hare stalks the moors to deliver justice for a crime long dead; a man witnesses a murder in the woods near St. Ives, only to wonder whether it was he himself who committed the crime. Offering a bounty of lost or forgotten strange and Gothic tales set in Cornwall, Cornish Horrors explores the rich folklore and traditions of the region in a journey through mines, local mythology, shipwrecks, seascapes, and the coming of the railway and tourism. With stories by Gothic luminaries such as Bram Stoker and Edgar Allan Poe, this new collection also features chilling yarns of the haunted peninsula from a host of underappreciated writers from the past two centuries.

'The first thing my dazed eyes fell upon was the mirror of black glass... She held it so that I might gaze into its depths. And there, with a cry of amazement and fear, I saw the shadow of the Basilisk.'Through odysseys across dreamlike lands, Gothic love affairs haunted by the shadow of death and uncanny episodes from the Peak country, the portrait of a unique writer of the strange tale emerges. With his florid, illustrative style and powerful imagination, R. Murray Gilchrist's impact on the weird fiction genre is unmistakable - and yet his name fell into obscurity following his death. Exploring tales of annihilation and shattered identities, fatalistic romances, bewildering visions of the sublime and mythological evils preying on the innocent, this new anthology is a journey through an entrancing and influential oeuvre essential for any reader of the weird.

'These stories have all had their origins in dreams... Terrifying enough to the dreamer... I hope that some readers will experience an agreeable shudder or two in the reading of them.'A malignant entity answers the call of an ancient curse on the coast of Brittany; a traveller's curiosity delivers him to an abominable Hallowe'en ritual; the curious new owner of a haunted mansion discovers something far worse than ghosts in the night.Randalls Round has long been revered by devotees of the weird tale. First published in 1929, its stories of ritualistic folk horror and M. R. James-inspired accounts of ancient forces terrorising humanity are thoroughly deserving of wider recognition. This collection includes a new introduction exploring Eleanor Scott's impact on weird and folk horror fiction, and two chilling stories by N. Dennett - speculated to be another of the author's pseudonyms

'Suddenly he tripped and fell his length over a prostrate body... he marvelled that so rough an impact should not have kicked a groan out of the drunkard...'With a stiff measure of the supernatural, a dram of melodrama and a chaser of the cautionary kind, tales of drink and drunkenness can be found in a well- stocked cabinet of Victorian and early twentieth-century fiction, reflecting an anxiety about the impact of alcohol and intoxicants in society, as well as an acknowledgment of their influence on humans' perception of reality.Featuring drink-fuelled classics such as Robert Louis Stevenson's 'The Body Snatcher' alongside obscurities from periodicals such as Blackwood's Magazine, this new collection offers a (somewhat poisoned) chalice of dark and stormy short fiction, brimming with the weird, the grotesque, the entertaining and the outlandish.

"I confess I have a particular dislike to remain in a church after dusk; it recalls to my mind the most painful story I ever heard."A festering evil lurks in the grotesque carvings of a cathedral's hallowed inner sanctum; sheltering in an Alpine chapel, a young libertine confronts his eerie monastic doppelganger; locked in a Spanish cathedral, a honeymooning couple bears witness to a fatal procession. Churches and other sacred sites have inspired writers of the weird and uncanny for centuries as spaces in which death and the afterlife are within touching distance - where ghosts, demons and possessed effigies remain to haunt the living. Through eleven stories published between 1851 and 1935, this new anthology revives a throng of undying spirits from a host of unsung and classic authors including Elizabeth Gaskell, M. R. James, John Wyndham, and Edith Wharton.