Global Aesthetic Research – serie
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27 produkter
27 produkter
1 624 kr
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The German philosopher Alexander Gottlieb Baumgarten (1714–1762) introduced “aesthetics” as a new science in his Reflections on Poetry (1735) and developed this new part of philosophy in a series of later works, culminating in his unfinished Aesthetics (1750/1758). This volume is the first collection of essays in the English language devoted to Baumgarten’s aesthetics. The essays highlight the distinguishing features of Baumgarten’s aesthetics, situate it in its historical context, document its reception, and examine its contributions to contemporary philosophy.
1 713 kr
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This pioneering volume explores the extraordinary Portuguese poet Fernando Pessoa (1888–1935) and his relationship to philosophy. On the one hand, this book reveals Pessoa’s serious knowledge of philosophy and playful philosophical explorations and how he has the gift of synthesizing, appropriating, and subverting complex ideas into his art; and, on the other hand, the chapters shed new light on central aspects and problems of philosophy through the prism of Pessoa’s diverse writings. The volume includes sixteen new essays from an international group of scholars, analyzing Pessoa’s multifaceted poetic work alongside philosophical themes and movements, from conceptions of time, ancient and modern aesthetics, philosophy of language, transcendentalism, immanence, and nihilism; to Islamic philosophy, Indian philosophy, Daoism, neo-paganism, and the philosophy of the self. The breadth of his work provides a springboard for new thinking on the aesthetic and the spiritual, the logic of value and capitalist modernity, and ecological thought and postmodernism. The volume also includes the most complete English translation of Pessoa's text (written by his heteronym Álvaro de Campos) called "Notes for the Memory of my Master Caeiro."
566 kr
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This pioneering volume explores the extraordinary Portuguese poet Fernando Pessoa (1888–1935) and his relationship to philosophy. On the one hand, this book reveals Pessoa’s serious knowledge of philosophy and playful philosophical explorations and how he has the gift of synthesizing, appropriating, and subverting complex ideas into his art; and, on the other hand, the chapters shed new light on central aspects and problems of philosophy through the prism of Pessoa’s diverse writings. The volume includes sixteen new essays from an international group of scholars, analyzing Pessoa’s multifaceted poetic work alongside philosophical themes and movements, from conceptions of time, ancient and modern aesthetics, philosophy of language, transcendentalism, immanence, and nihilism; to Islamic philosophy, Indian philosophy, Daoism, neo-paganism, and the philosophy of the self. The breadth of his work provides a springboard for new thinking on the aesthetic and the spiritual, the logic of value and capitalist modernity, and ecological thought and postmodernism. The volume also includes the most complete English translation of Pessoa's text (written by his heteronym Álvaro de Campos) called "Notes for the Memory of my Master Caeiro."
1 403 kr
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Bringing together Bataille with Lacan and Nietzsche, Tim Themi examines the role of aesthetics implicit in each and how this invokes an erotic process celebrating the real of what is usually excluded from articulation. Bataille came to deem eroticism as the standpoint from which to grasp humanity as a whole, based on his understanding of our transition to humanity being founded on a series of taboos placed on inner animality. An erotic outlet for the latter was historically the aesthetic dimensions of our religions, but Bataille’s view of how this was gradually diminished has much in keeping with Nietzsche’s critique of Christian-Platonic dualism and Lacan’s of the desexualised Good of Western metaphysics. Building from these often surprising proximities, Themi closely examines Bataille’s many interventions into the history of aesthetics — from his confrontations with Breton’s surrealism to his own novels and encounter with the animal cave paintings of Lascaux — radically re-illuminating the corollary phenomena of Dionysos in Nietzsche’s philosophy and the “jouissance [enjoyment] of transgression” in the psychoanalysis of Lacan. A new ethical criterion for aesthetic works and creations on this basis becomes possible.
504 kr
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Bringing together Bataille with Lacan and Nietzsche, Tim Themi examines the role of aesthetics implicit in each and how this invokes an erotic process celebrating the real of what is usually excluded from articulation. Bataille came to deem eroticism as the standpoint from which to grasp humanity as a whole, based on his understanding of our transition to humanity being founded on a series of taboos placed on inner animality. An erotic outlet for the latter was historically the aesthetic dimensions of our religions, but Bataille’s view of how this was gradually diminished has much in keeping with Nietzsche’s critique of Christian-Platonic dualism and Lacan’s of the desexualised Good of Western metaphysics. Building from these often surprising proximities, Themi closely examines Bataille’s many interventions into the history of aesthetics — from his confrontations with Breton’s surrealism to his own novels and encounter with the animal cave paintings of Lascaux — radically re-illuminating the corollary phenomena of Dionysos in Nietzsche’s philosophy and the “jouissance [enjoyment] of transgression” in the psychoanalysis of Lacan. A new ethical criterion for aesthetic works and creations on this basis becomes possible.
1 480 kr
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This book is concerned with the continuing viability of both Freud and Hegel to the reading of modern literature. The book begins with Julia Kristeva’s attempts to relate Hegelian thought to a psychoanalytically informed conception of semiotics that was first explored in her influential study, The Revolution of Poetic Language, and then modified in later books that develop semiotics in new directions. Kristeva’s agreements and disagreement with Hegel are important to the book’s argument, which ultimately defends Hegel against familiar, poststructuralist detractions. However, the book’s conceptual argument requires a historical exposition, with chapters devoted to literary figures ranging from Spenser to Ishiguro. One of the purposes of the book is to demonstrate that Hegel’s contribution to modern thought is at least partially exhibited in the history of literature, which also corroborates some of the deeper insights of psychoanalysis.
1 220 kr
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In global terms, creative industries are on the rise, as are new media investigations in art and initiatives that encourage innovation in the arts, for end-use in the economy. However, there is a significant lack of critical reflection on this form of creative production. This important book points out the dangers and downfalls that accompany such a boom of the creative industries and the subordination of art to the economy and politics. Specifically, it shows that art, as a mode of social and aesthetic practice, is losing the very thing which it has striven for so desperately in the course of modernity: its independence from other spheres of human activity.
492 kr
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The German philosopher Alexander Gottlieb Baumgarten (1714–1762) introduced “aesthetics” as a new science in his Reflections on Poetry (1735) and developed this new part of philosophy in a series of later works, culminating in his unfinished Aesthetics (1750/1758). This volume is the first collection of essays in the English language devoted to Baumgarten’s aesthetics. The essays highlight the distinguishing features of Baumgarten’s aesthetics, situate it in its historical context, document its reception, and examine its contributions to contemporary philosophy.
950 kr
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We derive a great deal of cognitive pleasure from asking what artworks mean. And yet, despite the seriousness with which we approach these questions, they all too often rely on theories of art that fail to adequately explain how art conveys meaning.This book proposes a new theory. In contrast to more conventional definitions of art, What Art Does defends the claim that artworks constitute a class of tool. Like other tools, artworks are objects that have functions and that furnish affordances. However, thanks to the particular social and material facts that underpin the creation of artworks, the functions that artworks have and the affordances they furnish are special.It is thanks to these special functions and affordances that artworks obtain their privileged character and status. Because artworks do things that other tools cannot, we take artworks to be meaning-making objects with something to say.
1 152 kr
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What is aesthetics? How is it related to other disciplines? The chapters of this book examine the history, theoretical conditions and connection points between aesthetics and other disciplines. At the same time, the authors are also interested in practical clashes of methodology and agenda, especially when it is not merely about the securing of the position of one or the other discipline, but is used, in a dialogical manner, as the form of understanding better the nature of both as well as the benefits of their collaboration. The authors work on the border of aesthetics and at least one other academic field. Through their regular scholarly activities, the contributors constantly benefit from cross- and interdisciplinary practice, and this makes them ideal interpreters of these methodological questions. Contributors include: Mami Aota, Karl Axelsson, Paul Duncum, Lisa Giombini, Oiva Kuisma, Jacob Lund, Tyrus Miller, Max Ryynänen, Mateusz Salwa, Zoltán Somhegyi, Wendy Steiner, and Joseph Tanke.
482 kr
Kommande
What is aesthetics? How is it related to other disciplines? The chapters of this book examine the history, theoretical conditions and connection points between aesthetics and other disciplines. At the same time, the authors are also interested in practical clashes of methodology and agenda, especially when it is not merely about the securing of the position of one or the other discipline, but is used, in a dialogical manner, as the form of understanding better the nature of both as well as the benefits of their collaboration. The authors work on the border of aesthetics and at least one other academic field. Through their regular scholarly activities, the contributors constantly benefit from cross- and interdisciplinary practice, and this makes them ideal interpreters of these methodological questions. Contributors include: Mami Aota, Karl Axelsson, Paul Duncum, Lisa Giombini, Oiva Kuisma, Jacob Lund, Tyrus Miller, Max Ryynänen, Mateusz Salwa, Zoltán Somhegyi, Wendy Steiner, and Joseph Tanke.
504 kr
Skickas inom 10-15 vardagar
This book is concerned with the continuing viability of both Freud and Hegel to the reading of modern literature. The book begins with Julia Kristeva’s attempts to relate Hegelian thought to a psychoanalytically informed conception of semiotics that was first explored in her influential study, The Revolution of Poetic Language, and then modified in later books that develop semiotics in new directions. Kristeva’s agreements and disagreement with Hegel are important to the book’s argument, which ultimately defends Hegel against familiar, poststructuralist detractions. However, the book’s conceptual argument requires a historical exposition, with chapters devoted to literary figures ranging from Spenser to Ishiguro. One of the purposes of the book is to demonstrate that Hegel’s contribution to modern thought is at least partially exhibited in the history of literature, which also corroborates some of the deeper insights of psychoanalysis.
496 kr
Kommande
We derive a great deal of cognitive pleasure from asking what artworks mean. And yet, despite the seriousness with which we approach these questions, they all too often rely on theories of art that fail to adequately explain how art conveys meaning.This book proposes a new theory. In contrast to more conventional definitions of art, What Art Does defends the claim that artworks constitute a class of tool. Like other tools, artworks are objects that have functions and that furnish affordances. However, thanks to the particular social and material facts that underpin the creation of artworks, the functions that artworks have and the affordances they furnish are special.It is thanks to these special functions and affordances that artworks obtain their privileged character and status. Because artworks do things that other tools cannot, we take artworks to be meaning-making objects with something to say.
1 624 kr
Skickas inom 10-15 vardagar
Early Modern Aesthetics is a concise and accessible guide to the history of aesthetics in the early modern period. J. Colin McQuillan shows how philosophers concerned with art and beauty positioned themselves with respect to the ancients and the moderns, how they thought the arts were to be distinguished and classified, the principles they proposed for art and literary criticism, and how they made aesthetics a part of philosophy in the eighteenth century. The book explores the controversies that arose among philosophers with different views on these issues, their relation to the philosophy, science, and art, and their legacy for contemporary aesthetics.
532 kr
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Early Modern Aesthetics is a concise and accessible guide to the history of aesthetics in the early modern period. J. Colin McQuillan shows how philosophers concerned with art and beauty positioned themselves with respect to the ancients and the moderns, how they thought the arts were to be distinguished and classified, the principles they proposed for art and literary criticism, and how they made aesthetics a part of philosophy in the eighteenth century. The book explores the controversies that arose among philosophers with different views on these issues, their relation to the philosophy, science, and art, and their legacy for contemporary aesthetics.
1 759 kr
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As one of the most important philosophers of the 20th century, Michel Foucault’s reputation today rests on his political philosophy in relation to the contemporary subject in a neo-liberal and globalized society. This book offers insight into the role of the arts in Foucault’s thought as a means to better understanding his contribution to larger debates concerning contemporary existence. Visual culture, literary, film and performance studies have all engaged with Foucauldian theories, but a full examination of Foucault’s significance for aesthetic discourse has been lacking until now. This book argues that Foucault’s particular approach to philosophy as a way of thinking the self through the work of art provides significant grounds for rethinking his impact today. The volume moves across as many disciplinary boundaries as Foucault himself did, demonstrating the value of Foucault’s approach to aesthetic discourse for our understanding of how the arts and humanities reflect upon contemporary existence in a globalized society.
600 kr
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As one of the most important philosophers of the 20th century, Michel Foucault’s reputation today rests on his political philosophy in relation to the contemporary subject in a neo-liberal and globalized society. This book offers insight into the role of the arts in Foucault’s thought as a means to better understanding his contribution to larger debates concerning contemporary existence. Visual culture, literary, film and performance studies have all engaged with Foucauldian theories, but a full examination of Foucault’s significance for aesthetic discourse has been lacking until now. This book argues that Foucault’s particular approach to philosophy as a way of thinking the self through the work of art provides significant grounds for rethinking his impact today. The volume moves across as many disciplinary boundaries as Foucault himself did, demonstrating the value of Foucault’s approach to aesthetic discourse for our understanding of how the arts and humanities reflect upon contemporary existence in a globalized society.
1 220 kr
Skickas inom 10-15 vardagar
Is it only through vision that we can perceive a landscape? Is the space opened by the landscape truly an expanse cut off by the horizon? Do we observe a landscape in the way that we watch a 'show'? What, ultimately, does it mean to 'look'?In this important new book, one of France's most influential living theorists argues that the first civilization to truly consider landscape was China. In giving landscape the name 'mountain(s)-water(s)', the Chinese language provides a powerful alternative to Western biases. The Chinese conception speaks of a correlation between high and low, between the still and the motile, between what has form and what is formless, between what we see and what we hear. No longer a matter of 'vision', landscape becomes a matter of living. Francois Jullien invites the reader to explore reason's unthought choices, and to take a fresh look at our more basic involvement in the world.
438 kr
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Is it only through vision that we can perceive a landscape? Is the space opened by the landscape truly an expanse cut off by the horizon? Do we observe a landscape in the way that we watch a 'show'? What, ultimately, does it mean to 'look'?In this important new book, one of France's most influential living theorists argues that the first civilization to truly consider landscape was China. In giving landscape the name 'mountain(s)-water(s)', the Chinese language provides a powerful alternative to Western biases. The Chinese conception speaks of a correlation between high and low, between the still and the motile, between what has form and what is formless, between what we see and what we hear. No longer a matter of 'vision', landscape becomes a matter of living. Francois Jullien invites the reader to explore reason's unthought choices, and to take a fresh look at our more basic involvement in the world.
1 893 kr
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The post humanist movement which currently traverses various disciplines in the arts and humanities, as well as the role that the thought of Deleuze and Guattari has had in the course of this movement, has given rise to new practices in architecture and urban theory. This interdisciplinary volume brings together architects, urban designers and planners, and asks them to reflect and report on the (built) place and the city to come in the wake of Deleuze and Guattari.
1 489 kr
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Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay. This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from “high art” as well as popular culture. Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.
492 kr
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Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay. This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from “high art” as well as popular culture. Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.
1 624 kr
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Within philosophy, a new interest in aesthetics beyond the arts has encouraged the rapid growth of environmental aesthetics. Within this literature, however, less attention has been given to the spaces and places that emerge from various nature-culture interactions. This has meant the relative neglect of types of environments to which the majority of people have access, and interact with, in a sustained manner. In this respect, these are the environments in which many of us understand and value nature. Through a greater understanding of how humans interact with these environments and the types of relationships that emerge through this interaction, we address seek to address this gap.Between Nature and Culture provides a systematic, philosophical account of the main issues and problems that pertain to the aesthetics of modified environments, as well as new insights concerning the generation and appreciation of landscapes and environments that fall between (non-human) nature and (human) culture, including gardens, agricultural and ecologically restored landscapes, and land and ecological art works.
573 kr
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Within philosophy, a new interest in aesthetics beyond the arts has encouraged the rapid growth of environmental aesthetics. Within this literature, however, less attention has been given to the spaces and places that emerge from various nature-culture interactions. This has meant the relative neglect of types of environments to which the majority of people have access, and interact with, in a sustained manner. In this respect, these are the environments in which many of us understand and value nature. Through a greater understanding of how humans interact with these environments and the types of relationships that emerge through this interaction, we address seek to address this gap.Between Nature and Culture provides a systematic, philosophical account of the main issues and problems that pertain to the aesthetics of modified environments, as well as new insights concerning the generation and appreciation of landscapes and environments that fall between (non-human) nature and (human) culture, including gardens, agricultural and ecologically restored landscapes, and land and ecological art works.
600 kr
Skickas inom 10-15 vardagar
The post humanist movement which currently traverses various disciplines in the arts and humanities, as well as the role that the thought of Deleuze and Guattari has had in the course of this movement, has given rise to new practices in architecture and urban theory. This interdisciplinary volume brings together architects, urban designers and planners, and asks them to reflect and report on the (built) place and the city to come in the wake of Deleuze and Guattari.
1 489 kr
Skickas inom 10-15 vardagar
Although the French Hellenist and sinologist François Jullien has published more than thirty books, half of which have been translated into English, he remains much less known in the English-language world than many of his fellow “French philosophers”. This may be due to his work being perceived as within the limits of sinology. This book attempts to rectify this, highlighting Jullien’s work at the intersection of Chinese and Western thought and drawing out the “unthought” in both traditions of thinking. This "unthought" can be seen as what conditions our thought, and opens it up onto new ways of thinking and understanding. The notion of "unthought" is at the core of Jullien’s methodology, operating in what he calls the "divergence of the in-between". Written in an engaging style, Arne De Boever offers an accessible introduction to François Jullien’s work that emphatically challenges some of the core assumptions of Western reasoning.
492 kr
Skickas inom 10-15 vardagar
Although the French Hellenist and sinologist François Jullien has published more than thirty books, half of which have been translated into English, he remains much less known in the English-language world than many of his fellow “French philosophers”. This may be due to his work being perceived as within the limits of sinology. This book attempts to rectify this, highlighting Jullien’s work at the intersection of Chinese and Western thought and drawing out the “unthought” in both traditions of thinking. This "unthought" can be seen as what conditions our thought, and opens it up onto new ways of thinking and understanding. The notion of "unthought" is at the core of Jullien’s methodology, operating in what he calls the "divergence of the in-between". Written in an engaging style, Arne De Boever offers an accessible introduction to François Jullien’s work that emphatically challenges some of the core assumptions of Western reasoning.