Hebrew Union College Press – serie

Twentieth century Hebrew poetry engages the Bible in an ongoing battle. Modern iconoclastic Hebrew poets fight for their independence from biblical traditions, and they do so by practicing a form of subversive midrash. The ancient rabbis enjoyed developing innovative midrashic methods that would show the reader how the conclusions were drawn from the text. But the modern Hebrew poet uses a new midrashic method that seeks to neutralize the Bible's sway over modern Israeli life. Despite Israel's political secularism, the biblical traditions still have a significant impact on Israeli society. The poet is forced to contend with the Bible. The revival of the Hebrew language itself, which took place in less than a one-hundred year span, drew upon textual models of old. First among them was the Bible. A Zionist ideology steered that decision since the Bible provided the deed for ownership of the land. Biblical language and traditions reverberate through modern writers both intentionally and unintentionally because the language provides so much opportunity for contact. The poets address and sometimes subvert the biblical tradition through puns, playing with the Hebrew morphology, and intertextuality. Kartun-Blum employs historical, rhetorical, and feminist approaches to illuminate these techniques.

Twentieth century Hebrew poetry engages the Bible in an ongoing battle. Modern iconoclastic Hebrew poets fight for their independence from biblical traditions, and they do so by practicing a form of subversive midrash. The ancient rabbis enjoyed developing innovative midrashic methods that would show the reader how the conclusions were drawn from the text. But the modern Hebrew poet uses a new midrashic method that seeks to neutralize the Bible's sway over modern Israeli life. Despite Israel's political secularism, the biblical traditions still have a significant impact on Israeli society. The poet is forced to contend with the Bible. The revival of the Hebrew language itself, which took place in less than a one-hundred year span, drew upon textual models of old. First among them was the Bible. A Zionist ideology steered that decision since the Bible provided the deed for ownership of the land. Biblical language and traditions reverberate through modern writers both intentionally and unintentionally because the language provides so much opportunity for contact. The poets address and sometimes subvert the biblical tradition through puns, playing with the Hebrew morphology, and intertextuality. Kartun-Blum employs historical, rhetorical, and feminist approaches to illuminate these techniques.

Nelson Glueck was born in 1900 to a struggling immigrant Jewish family in Cincinnati. By 1950, he had excavated remains of the civilization of the ancient Nabataeans in Transjordan, described a biblical copper-mining industry at the shore of the Red Sea, and shown how the Negev could support a large population if proper irrigation techniques were used. A personal friend of David Ben-Gurion, Abba Eban, Golda Meir, Henrietta Szold, and Judah Magnes, among other notables worldwide, this pioneer in the burgeoning field of biblical archaeology was known affectionately in the nascent state of Israel as "Ha-Professor" (the Professor). By 1950, Glueck was also well into his long tenure (1947-1971) as president of Hebrew Union College, the institution that had ordained him as a Reform rabbi in 1923 and supported his further studies toward the doctorate he earned in 1927 at the University of Jena in Germany. As president, Glueck oversaw the merger of HUC with the Jewish Institute of Religion. He expanded the Cincinnati-based institution to include schools in New York, Los Angeles, and Jerusalem. He encouraged the creation of the Schools of Jewish Communal Service and Jewish Education in California. And he founded and nurtured the School of Biblical and Archaeological Studies in Jerusalem, which now bears his name. Jonathan Brown and Laurence Kutler describe and document Nelson Glueck's many achievements and also record some of the fascinating adventures of this extraordinary charismatic man whose life straddled two distinct Jewish worlds.

Based on the Mason Lectures delivered at the Oxford Centre for Hebrew and Jewish Studies in the winter of 1995, the ten essays in this volume demonstrate the function and dynamic effect Jewish mythologies in social, political, and psychological life. Eli Yassif's introduction illustrates the complex relationship between myth and ritual in modern Jewish culture. In a separate essay, he focuses on the ancient Jewish tale of the Golem, a myth that presents an exemplary test case for the exploration of cultural continuity. Using the testimonies of Jewish immigrants from eastern Europe to Britain and the battle on the plain of Latrun in the Israeli War of Independence, David Cesarani and Anita Shapira demonstrate that the process of creating myth is related in one way or another to attempts by specific social and ethnic groups to shape their collective memory. Along these lines, Milton Shain and Sally Frankental interrogate the view that during the apartheid period in South African history, South African Jewry operated on a higher moral plane than most other white South Africans. And while Nurith Gertz examines the male superhero that dominated the early national Zionist cinema and reflected the center of gravity in the Zionist myth, Dan Urian analyzes two Israeli plays produced in the 1990s that examine the myth of the biblical Sarah, rewritten from a feminist perspective. Other essays examine widely held cultural beliefs of contemporary Western Jewry. Jonathan Webber questions whether memory is an essentially Jewish value and remembrance a Jewish moral duty. Tudor Parfitt explores Western and Israeli perceptions of the Yemenite Jews, and Sylvie Anne Goldberg, in examining the evolving role of the chevrah kaddisha in Prague, discusses changes in perceptions of communal institutions and traditional and modern Jewish attitudes with regard to death. Finally, Matthew Olshan offers an analysis of Kafka's animal fables as parables for the Jewish response to tradition.

To gain an accurate view of medieval Judaism, one must look through the eyes of Jews and their contemporaries. First published in 1938, Jacob Rader Marcus's classic source book on medieval Judaism provides the documents and historical narratives which let the actors and witnesses of events speak for themselves. The medieval epoch in Jewish history begins around the year 315, when the emperor Constantine began enacting disabling laws against the Jews, rendering them second-class citizens. In the centuries following, Jews enjoyed (or suffered under) legislation, either chosen or forced by the state, which differed from the laws for the Christian and Muslim masses. Most states saw the Jews as simply a tolerated group, even when given favorable privileges. The masses often disliked them. Medieval Jewish history presents a picture wherein large patches are characterized by political and social disabilities. Marcus closes the medieval Jewish age (for Western Jewry) in 1791 with the proclamation of political and civil emancipation in France. The 137 sources included in the anthology include historical narratives, codes, legal opinions, martyrologies, memoirs, polemics, epitaphs, advertisements, folk-tales, ethical and pedagogical writings, book prefaces and colophons, commentaries, and communal statutes. These documents are organized in three sections: The first treats the relation of the State to the Jew and reflects the civil and political status of the Jew in the medieval setting. The second deals with the profound influence exerted by the Catholic and Protestant churches on Jewish life and well-being. The final section presents a study of the Jew "at home," with four sub-divisions with treat the life of the medieval Jew in its various aspects. Marcus presents the texts themselves, introductions, and lucid notes. Marc Saperstein offers a new introduction and updated bibliography.

The first in a series of Yiddish polemical pamphlets (Diskursn) appeared one week before the elections to the second National Assembly in the Republic of the Netherlands on August 1, 1797. Inspired by the expanded freedom of the press and the satirical and often vulgar Spectatorial writings which were popular at the time, a small but energetic group of enlightened Jews in Amsterdam decided the previous summer to publish a periodical. These Yiddish polemical pamphlets would serve as an informative and propagandistic vehicle through which members of the new community could anonymously persuade the Jews of Amsterdam to choose the party of progress and enlightenment. The author or authors inveighed strongly against the alleged abuses in the established community and those they held responsible, the parnosim (board of directors) and their officials. In order to reach the Jewish masses in a city with about 20,000 Ashkenazic Jewish inhabitants, the reformers chose to write the Diskursn in Amsterdam Yiddish. Their efforts were so successful that the established community thought it necessary to enter the fray by publishing its own version of a thirteenth installment shortly before the thirteenth installment of the original series was due to appear. From then on, two series of Diskursn competed for public favor. Using criticism, salacious gossip, slander, and accusations, the same three or four main characters and a few secondary ones railed against the excesses and foibles of the other community. Both series ended after the parnosim of the old community were deposed in the early spring of 1798. By then, 24 Diskursn from the new community and 11 from the established community had appeared, together more than 500 printed pages. Of course we cannot judge the two communities fairly based on the texts of the Diskursn. Both sought to discredit their opponents with stories of whores, sexual scandals, illegitimate children, hypocrisy, religious violations, bankruptcy, and fraud. Nevertheless, the pamphlets describe the environment of Amsterdam Jewry and reveal what interested those Jews and how they responded to revolutionary changes. All of this is depicted by inventive authors who came up time and again with different, often humorous settings for their volleys of curses and torrents of abuse. These Yiddish polemical pamphlets are a rare phenomenon, not just in the history of Jewish communities in the period of emancipation, but in the histories of Yiddish literature and satirical/polemical periodicals as well. This is the first-ever bilingual edition of a major portion of this collection of documents and the first time any of them have been published in English translation. A lengthy introduction and five appendices help the reader understand and appreciate these colorful Dutch Jews and their often impassioned arguments.

Filled with vivid, often dreamlike pictures from the natural world, the poems of Zelda Schneurson Mishkovsky, known to her Hebrew readers simply as Zelda, are unlike anything else in Hebrew literature. Zelda was the daughter and granddaughter of prominent Hasidic rabbis from the Habad dynasty. Born in Russia in 1914, she immigrated to Palestine in 1926, studied in religious girls' schools, and became a schoolteacher. She began writing her imagistic, mystical-religious poetry early in life. When her first book was published, in 1967, it was an overwhelming critical and popular success, appealing to the diverse (and predominantly secular) Israeli public. Five more volumes followed, winning the poet numerous literary awards, including the prestigious Bialik and Brenner prizes. Although she lived her entire life within the strictures of ultra-Orthodoxy, Zelda's many admirers came from all corners of Israeli society. As the popularity of her poetry grew, visitors flocked to her doorstep; her photograph appeared often in the newspapers; the words of her poems were set to music and sung. Reserved and daunted by publicity, she was an unlikely candidate for Israeli folk hero; nevertheless, she became a national phenomenon. She died in Jerusalem in 1984, and a posthumous volume of her collected verse was published in Hebrew in 1985. The Spectacular Difference is the first full-length book of her poems to appear in English translation. A close friend and frequent guest in Zelda's home, Marcia Falk was authorized by the poet to be her translator and worked on these translations over the course of three decades. Selected from all six of Zelda's books, the poems are accompanied by the translator's essay introducing the poet and illuminating the highly personal and often startling images in her lyrics. Notes at the back of the book offer a comprehensive guide to Zelda's many references to Jewish sources.

David Ellenson prefaces this fascinating collection of twenty-three essays with a remarkably candid account of his intellectual journey from boyhood in Virginia to the scholarly immersions in the history, thought, and literature of the Jewish people that have informed his research interests in a long and distinguished academic career. Ellenson, President of the Hebrew Union College-Jewish Institute of Religion, has been particularly intrigued by the attempts of religious leaders in all denominations of Judaism, from Liberal to Neo-Orthodox, to redefine and reconceptualize themselves and their traditions in the modern period, as both the Jewish community and individual Jews entered radically new realms of possibility and change. The essays are grouped into five sections. In the first, Ellenson reflects upon the expression of Jewish values and Jewish identity in contemporary America, explains his debt to Jacob Katz's socio-religious approach to Jewish history, and shows how the works of non-Jewish social historian Max Weber highlight the tensions between the universalism of western thought and Jewish demands for a particularistic identity. In the second section, "The Challenge of Emancipation," he indicates how Jewish religious leaders in nineteenth-century Europe laboured to demonstrate that the Jewish religion and Jewish culture were worthy of respect by the larger gentile world. In a third section, "Denominational Responses," Ellenson shows how the leaders of Liberal and Orthodox branches of Judaism in Central Europe constructed novel parameters for their communities through prayer books, legal writings, sermons, and journal articles. The fourth section, "Modern Response," takes a close look at twentieth-century Jewish legal decisions on new issues such as the status of women, fertility treatments, and even the obligations of the Israeli government towards its minority populations. Finally, review essays in the last section analyse a few landmark contemporary works of legal and liturgical creativity: the new Israeli Masorti prayer book, David Hartman's works on covenantal theology, and Marcia Falk's Book of Blessings. As Ellenson demonstrates, "The reality of Jewish cultural and social integration into the larger world after Emancipation did not signal the demise of Judaism. Instead, the modern setting has provided a challenging context where the ongoing creativity and adaptability of Jewish religious leaders of all stripes has been tested and displayed."

In the 1660s, Jews of Iberian ancestry, many of them fleeing Inquisitorial persecution, established an agrarian settlement in the midst of the Surinamese tropics. The heart of this community-Jodensavanne, or Jews' Savannah-became an autonomous village with its own Jewish institutions, including a majestic synagogue consecrated in 1685. Situated along the Suriname River, some fifty kilometres south of the capital city of Paramaribo, Jodensavanne was by the mid-eighteenth century surrounded by dozens of Jewish plantations sprawling north- and southward and dominating the stretch of the river. These Sephardi-owned plots, mostly devoted to the cultivation and processing of sugar, carried out primarily by enslaved Africans, collectively formed the largest Jewish agricultural community in the world at the time and the only Jewish settlement in the Americas granted virtual self-rule. Sephardi settlement paved the way for the influx of hundreds of Ashkenazi Jews, who began to emigrate in the late seventeenth century from western and central Europe. Generally banned from Jodensavanne, these newcomers settled in Paramaribo, where they established their own cemeteries and historic synagogue. Meanwhile, slave rebellions, Maroon attacks, the general collapse of Suriname's economy, soil depletion, absentee land ownership, and a ravaging fire all contributed to the demise of the old Savannah settlement beginning in the second half of the eighteenth century..

The Jewish struggle for survival as a spiritual entity after the cohesiveness of Jewish communal life began to disintegrate in the latter decades of the nineteenth century spawned a new tradition-a modern secular Hebraic cultural tradition. These seventeen essays by Israel's esteemed literary critic, Gershon Shaked, explore the evolution of that new tradition, tracing its major processes and identifying central stages in the development of new canonical texts. After introductory essays in which he defines Israeli secularism, explores the historical consciousness of the Israeli sensibility both in Israel and in the Diaspora, and comments on major trends in the development of Hebrew literature, Shaked describes the mythopoeic creativity of the Hebrew poet laureate Hayyim Nahman Bialik and of the major Hebrew playwright Mattityahu Shoham. He then explores the early literary associations of Yehuda Amichai, who transformed the exalted poetic idiom of the pre-state years into a sober, sensitive, accessible language. Three essays each treat Medele Mosher Seforim and Shmuel Yosef Agnon. As the voice of the limping shlemazels of the shtetl, Mendele foretold the destruction of the eastern European Jewish community but offered no constructive alternative to its dismal prophecy. Agnon's characters seek redemption by immigrating to Eretz Israel. His two works discussed here, "Agunot" (Forsaken Wives) and Shevu'at emunim (The Betrothed) suggest that, while it may be possible to take neurotic Jews out of the Diaspora, taking the Diaspora out of them is another matter. A second set of essays is dedicated to Joseph Hayyim Brenner, an immigrant in the Second Aliyah who also wrote of displaced strangers trying to set down roots in a foreign environment, and Yitzhak Shami, an "Arab-Jew" who wrote about the mentality and lifestyle of the oriental Jewish communities of Palestine and Syria. The last chapter analyzes the work of an outsider, David Vogel. Although Vogel's novel Hayyei nissu'im (Married Life) was written in Hebrew, its plot and characters are strongly reminiscent of the German-Jewish literary tradition. Shaked's analysis of the cultural processes underlying Hebrew literature's major achievements in the late nineteenth and twentieth centuries not only sheds important light upon the major concerns of this new and secular literary tradition but also illuminates key aspects of modern Jewish culture.

In the 1660s, Jews of Iberian ancestry, many of them fleeing Inquisitorial persecution, established an agrarian settlement in the midst of the Surinamese tropics. The heart of this community-Jodensavanne, or Jews' Savannah-became an autonomous village with its own Jewish institutions, including a majestic synagogue consecrated in 1685. Situated along the Suriname River, some fifty kilometers south of the capital city of Paramaribo, Jodensavanne was by the mid-eighteenth century surrounded by dozens of Jewish plantations sprawling north- and southward and dominating the stretch of the river. These Sephardi-owned plots, mostly devoted to the cultivation and processing of sugar, carried out primarily by enslaved Africans, collectively formed the largest Jewish agricultural community in the world at the time and the only Jewish settlement in the Americas granted virtual self-rule. Sephardi settlement paved the way for the influx of hundreds of Ashkenazi Jews, who began to emigrate in the late seventeenth century from western and central Europe. Generally banned from Jodensavanne, these newcomers settled in Paramaribo, where they established their own cemeteries and historic synagogue. Meanwhile, slave rebellions, Maroon attacks, the general collapse of Suriname's economy, soil depletion, absentee land ownership, and a ravaging fire all contributed to the demise of the old Savannah settlement beginning in the second half of the eighteenth century..

From a manuscript that was lost for more than half a century comes new information about one of the greatest Jewish communities of all time. The court diaries of Rabbi Hayyim Gundersheim (d. 1795), a member of the rabbinic court of late eighteenth-century Frankfurt, shed light on daily life in the Judengasse("Jewish lane"), home to over 3,000 people, including Meyer Amschel Rothschild, founder of the famous banking family. Familial quarrels, squabbles between neighbors, legal proceedings over business deals gone sour, real estate transactions, and other disputes brought before the rabbinic court offer a window onto the world of daily life in the Frankfurt Jewish community during the waning years of the city's ghetto. Rabbi Gundersheim's court diaries are more than just a prism through which to view daily life. A Window on Their World provides a transcription of over 200 cases that were brought before the rabbinic court between 1773 and 1794. Readers now have access to records that reveal not just the workings of the Jewish community but also the place of Jewish tradition in the culture. The transcription of each case in the original Hebrew is accompanied by an English language summary. Edward Fram has also prepared comprehensive indices of the names of all individuals mentioned in the court diaries as well as a glossary of non-Hebrew terms. Pertinent documents from the Frankfurt pinqas, or community record book, have also been provided in order to give readers a more complete picture. Fram's introduction to the diary includes a biographical background, an outline of Jewish legal autonomy in the early modern period, and a discussion of the importance of court documents as legal and historical sources. The volume is an indispensible source for anyone interested in European Jewish culture on the eve of the Enlightenment.

Since Freud, the study of dreams has typically involved inquiry into past and present emotional states. The ancients, unfamiliar with the intricate byways of the human soul revealed by modern psychology, typically saw dreams as channels of communication between human beings and external sources. Shaul Bar explores the etymology of key terms for dreams in the Hebrew Bible, presents dozens of examples of biblical dreams and visions, and categorizes them as prophetic, symbolic, or incubation. He studies biblical dreams and visions in the context of similar phenomena in the literature of neighboring cultures and analyzes the functions of dream reports in the biblical corpus. The literature of dream interpretation in Egypt and Mesopotamia informs Bar's treatment of the structure of dream accounts as conforming to the three-part model (setting, message, response) proposed for ancient Near Eastern dream accounts in A. Leo Oppenheim's classic work on dream interpretation. Symbolic dreams, whether or not God is their source, contain no divine appearance and require interpretation to be understood. While oneiro-criticism was a significant profession in ancient Near Eastern cultures, the Hebrew Bible presents only two such experts, Joseph and Daniel. Both were active in royal courts, and the success of both in interpreting the rulers' dreams served to confirm the superiority of the God of Israel. Ambivalence characterizes the attitude toward dreams and visions in prophetic literature. Joel and Job allow that they have some value. But Jeremiah, Zechariah, Isaiah, and Ecclesiates find no religious significance in them and even treat them as tools of deceit. The Talmud presents no consensus about whether dreams are a legitimate form of communication from God. Although a guild of professional interpreters existed in Jerusalem and the Talmud includes a short dream book, many Sages expressed skepticism about such alleged divine messages. Dreams also serve important functions within the literary world of the Hebrew Bible. Bar shows how Jacob's dream at Bethel serves to explain the sanctity of the place and detach it from its Canaanite context, how the dreams in the Joseph cycle show the hand of divine providence in the descent to Egypt followed by the ascent to the Promised Land, how Solomon's dream at Gibeon serves to legitimate Solomon's rule, and how Nebuchadnezzar's dreams served to emphasize once again that it is the Lord who guides universal history.

The prohibition against lending on interest (Exodus 22:24) is a well-known biblical law: "If you lend to any one of my people with you who is poor, you shall not be to him as a creditor, and you shall not exact interest from him." This prohibition was intended to prevent the wealthy from exploiting the unfortunate. In the course of time, it was seen to have consequences that militated against the economic welfare of Jewish society as a whole. As a result, Jewish law (halakhah) has over the centuries relaxed the biblical injunction, allowing interest charges despite the biblical prohibition. Hillel Gamoran seeks to explain how and when this law of high moral standing collapsed and fell over the course of the centuries. Talmudic rabbis believed that business agreements violated the biblical prohibition against lending in five areas: loans of produce, advance payment for the purchase of goods, buying on credit, mortgages, and investments. The Bible does not consider any of these activities, but all arise in postbiblical literature. How was the biblical law to be applied to situations that had not occurred in biblical times? And how could the rabbis allow these activities when they were hampered from doing so by the laws against lending on interest? To answer these questions, Gamoran examines the biblical prohibition against lending and postulates when it was written, why it was written, and to whom it applied. He then considers the early and later teachers of the Oral Law, the Tannaim and Amoraim, who expanded discussion of the ban in light of various business activities from 70 C.E. to 500 C.E. Finally, he explores how the original tannaitic proscriptions for each of the five activities were upheld or relaxed over the centuries. Each activity is considered in the period of the Geonim (ca. 650-1050), the Rishonim (ca. 1000-1500), and the Aharonim (ca. 1500-2000). For each period, Gamoran shows how the rabbis struggled with the law and with one another and used inventive interpretation to create the legal fictions necessary for business life to flourish.

Benny Kraut's primary aim was to reconstruct the history of a relatively unknown and short-lived Jewish collegiate organization, Yavneh: The National Jewish Religious Students Association, particularly during its heyday in the 1960s. But he found a story within his story. The story of Yavneh-its surprising appearance in 1960, its mission and organizational efflorescence, its stunning educational innovations, its problematic engagement with inter-Jewish pluralism, and its lamentable but understandable demise in the early 1980s-is told within the context of an evolving American Orthodox Judaism. During these very decades, American Orthodoxy simultaneously underwent a remarkable religious revival and a deep-seated religious polarization, trends that Yavneh's history exposes in bold relief. In so many intellectual, religious, and cultural ways, Yavneh and its members and supporters contributed significantly to the modern Orthodox revitalization. But the organization and its students experienced the gamut of internal Orthodox divisions over religious ideology, educational priorities, and openness to non-Orthodox movements and secular culture. Yavneh serves as an illuminating historical marker by which to probe the broader Orthodox vicissitudes of the day. Benny Kraut's historical account brings this singular organization to public consciousness and offers a revealing glimpse of American Orthodox Judaism at a critical juncture in its recent growth.

For many centuries Jewish prayer was so dominated by its male creators and male readers that the Jewish woman's role in prayer seems to have been all but obliterated. Yet Jewish women have always prayed and, before prayer became standardized into a formal liturgy, Israelite women offered up spontaneous petitions and hymns to God as freely as did men. While they may not have been able to help constitute a minyan, and while many did not know Hebrew or Aramaic, women produced and used material for prayer at home. The Yiddish tkhines had its origin in a form of supplicatory prayer in the Talmud, whose original intent was to allow for individual private devotion during the standard prayer service. The private Yiddish prayers and devotions for Jewish women continued to use this term. They emerged in the world of premodern Ashkenazic Jewry and represent one of the richest and least-known forms of Jewish religious literature. Because modern sensibility seemed to reject them, and because Yiddish was quickly forgotten by second and third generation Jews in the West, they have been sadly neglected. Although a few have been individually translated into English, this is the first bilingual anthology ever to appear. The prayers in this volume are characterized by a highly personal and intimate style and mark occasions in the religious calendar, such as the Tkhine for the Blessing of the New Moon, as well as occasions in the life of a woman, such as the Tkhine for a Mother who Leads Her Child to Kheyder for the First Time. The tkhines are of great appeal and value to those who wish to hear the voices of Jewish women in history, study Yiddish literature and culture, or create new expressions of spirituality.