Reception of British and Irish Authors in Europe – serie

Robert Burns (1759 –1796), Scotland''s national poet and pioneer of the Romantic Movement, has been hugely influential across Europe and indeed throughout the world. Burns has been translated seven times as often as Byron, with 21 Norwegian translations alone recorded since 1990; he was translated into German before the end of his short life, and was of key importance in the vernacular politics of central and Eastern Europe in the nineteenth century. This collection of essays by leading international scholars and translators traces the cultural impact of Burns'' work across Europe and includes bibliographies of major translations of his work in each country covered, as well as a publication history and timeline of his reception on the continent.

Robert Burns (1759 –1796), Scotland''s national poet and pioneer of the Romantic Movement, has been hugely influential across Europe and indeed throughout the world. Burns has been translated seven times as often as Byron, with 21 Norwegian translations alone recorded since 1990; he was translated into German before the end of his short life, and was of key importance in the vernacular politics of central and Eastern Europe in the nineteenth century. This collection of essays by leading international scholars and translators traces the cultural impact of Burns'' work across Europe and includes bibliographies of major translations of his work in each country covered, as well as a publication history and timeline of his reception on the continent.

The intellectual scope and cultural impact of British writers cannot be assessed without reference to their European "fortunes". These essays, prepared by an international team of scholars, critics and translators, record the ways in which Virginia Woolf has been translated, evaluated and emulated in different national and linguistic areas of Europe. Diverse as her reception has been, as analyst of consciousness, as a decadent (censored and banned), as stylistic innovator of Modernism, as crusading feminist and socialist, and as a model for other writers, she has emerged as one of the foremost writers and principal icons of the century

James Joyce is now widely considered the most influential writer of the twentieth century. His name and his most important works appeared again and again in fin-de-millennium surveys. This is the case not only in the English-speaking world, but also in many European literatures. Joyce's influence is most pronounced in French, German and Italian literatures, where translations of most of his works appeared during his life-time and where he had a clear impact on his fellow-writers. In other countries and cultures, his influence took more time to register, sometimes after the war in the fifties and sixties, and sometimes only in the final decade of the century. This was the case in most of the languages of Eastern Europe, where the translation of Joyce's work could only begin after the collapse of the Soviet Union in the 1990s.This book contains two volumes.Series Editor: Dr Elinor Shaffer FBA, Institute of Germanic & Romance Studies, School of Advanced Study, University of London  Contributors to the volume include: Sonja Basic (University of Zagreb) Eric Bulson, (Columbia University) Astradur Eysteinsson (University of Reykjavik) Kalina Filipova (University of Sofia) Marta Goldmann (University of Budapest) Jakob Greve (University of Copenhagen) Manana Khergiani (New York) Teresa Iribarren (University of Barcelona) Onno R. Kosters and Ron Hoffman (The Netherlands) Alberto Lázaro (University of Alcalá, Madrid) Marisol Morales Ladrón (University of Alcalá, Madrid) Maria Filomena Louro (University of Minho, Portugal) Tina Mahkota (University of Ljubljana) John McCourt (University of Trieste) Patrick O'Neill (Queen's University, Canada) Adrian Otoiu (North University of Baia Mare, Rumania) Miltos Pehlivanos (Aristotle University, Greece) Aleš Pogacnik (Slovenia) Jina Politi (Aristotle University, Greece) Steen Klitgård Povlsen (University of Aarhus) H.K.Riikonen (University of Helsinki) Frank Sewell (University of Ulster) Sam Slote (University of Buffalo) Per Svenson (Sweden) Emily Tall (University of Buffalo) Björn Tysdahl (University of Oslo) Tomo Virk (University of Ljubljana) Jolanta W. Wawrzycka (Radford University) Robert Weninger (Oxford Brookes University) Wolfgang Wicht (University of Potsdam) Serenella Zanotti (University of Rome)

Charles Darwin is a crucial figure in nineteenth-century science with an extensive and varied reception in different countries and disciplines. His theory had a revolutionary impact not only on biology, but also on other natural sciences and the new social sciences. The term 'Darwinism', already popular in Darwin's lifetime, ranged across many different areas and ideological aspects, and his own ideas about the implications of evolution for human cognitive, emotional, social and ethical capacities were often interpreted in a way that did not mirror his own intentions. The implications for religious, philosophical and political issues and institutions remain as momentous today as in his own time. This volume conveys the many-sidedness of Darwin's reception and exhibit his far-reaching impact on our self- understanding as human beings.

Henry James, the American-born writer who chose to live in Europe, occupies a major position as a dedicated artist and cultural historian who combined the strengths of American, English and French nineteenth century literary traditions with the aesthetic innovations that paved the way for modern and postmodern fiction. This collection of essays, prepared by an international team of scholars and translators, examines the ways in which James was translated, published and reviewed on the Continent of Europe, notably in France, Italy and Germany, but also in most of the languages of Northern, Southern and Eastern Europe.

This is a pioneering scholarly collection of essays outlining W.B. Yeats' reception and influence in Europe. The intellectual and cultural impact of British and Irish writers cannot be assessed without reference to their reception in European countries. These essays, prepared by an international team of scholars, critics and translators, record the ways in which W. B. Yeats has been translated, evaluated and emulated in different national and linguistic areas of continental Europe. There is a remarkable split between the often politicized reception in Eastern European countries and Spain on the one hand, and the more sober scholarly response in Western Europe. Yeats's Irishness and the pre-eminence of his lyrical work have posed continuous challenges. Three further essays describe the widely divergent reactions to Yeats in his native Ireland, during his lifetime and up to the most recent years. Our knowledge of British and Irish authors is incomplete and inadequate without an understanding of the perspectives of other nations, traditions and individuals on them. This series profiles literary and political figures as well as philosophers, historians and scientists.Each volume examines how authors have been translated, published, distributed, read, reviewed and discussed in Europe. In doing so it throws light not only on the specific strands of intellectual and cultural history but also on the processes involved in the dissemination of ideas.

Sterne's work has been received, translated and imitated in most European countries with great success. Interest in his life and work grew into a literary cult at an early stage and led to the vogue of sentimentalism: Sterne became a legendary English writer, second only to Shakespeare. Among the topics discussed in this volume are: questions arising from the serial nature of much of Sterne's writings; the various ways in which translators all across Europe coped with the specific problems which the witty and ingenious Sternean text poses; the extent to which especially "A sentimental Journey" was regarded as a provocative political text and was therefore used as a weapon in nationalist movements; how "Tristram Shandy" became a test case for theories of humour and sentiment; how Sterne's texts and the "Letters" were used as didactic tools; how the history of the reception of Sterne mirrors the continental shift from a French cultural paradigm to a German and English one; and how the cult of Maria materialized in prints, paintings and ceramics. Trans-national patterns are emphasized, as are the impact of Sterne on European sentimentalism and modernist narrative theory.

The intellectual scope and cultural impact of British writers cannot be assessed without reference to their 'European' fortunes. This collection of 20 essays, prepared by an international team of scholars, critics and translators, records the ways in which Macpherson's Ossian has been received, translated and published in different areas of Europe. The Ossian poems caused a sensation on their first appearance in the early 1760's. Indeed, there is hardly a major Romantic poet on whom they failed to make a significant impression. The essays brought together in this volume explore the reception of Ossian in a wide range of European countries, in both literary and non-literary forms of reception and in the work of both individual writers and national literary cultures.

The Reception of British Authors in Europe series includes literary and political figures, as well as philosophers, historians and scientists. Each volume provides new research on the ways in which selected authors have been translated, published, distributed, read, reviewed A pioneering scholarly collection of essays outlining the breadth and significance of H. G. Wells's literary and political impact throughout 20th-century Europe H.G. Wells was described by one of his European critics as a 'seismograph of his age'. He is one of the founding fathers of modern science fiction, and as a novelist, essayist, educationalist and political propagandist his influence has been felt in every European country. This collection of essays by scholarly experts shows the varied and dramatic nature of Wells's reception, including translations, critical appraisals, novels and films on Wellsian themes, and responses to his own well-publicized visits to Russia and elsewhere. The authors chart the intense ideological debate that his writings occasioned, particularly in the inter-war years, and the censorship of his books in Nazi Germany and Francoist Spain.This book offers pioneering insights into Wells's contribution to 20th century European literature and to modern political ideas, including the idea of European union.

The intellectual scope and cultural impact of British writers cannot be assessed without reference to their European 'fortunes'. These essays, prepared by an international team of scholars, critics and translators, record the ways in which David Hume has been translated, evaluated and emulated in different national and linguistic areas of Europe. This is the first collection of essays to consider how and where Hume's works were initially understood throughout Europe. They reflect on how early European responses to Hume relied on available French translations, and concentrated on his "Political Discourses" and his "History", and how later German translations enabled professional philosophers to discuss his more abstract ideas. Also explored is the idea that continental readers were not able to judge the accuracy of the translations they read, nor did many consider the contexts in which Hume was writing: rather, they were intent on using what they read for their own purposes. "The Reception of British Authors in Europe" series includes literary and political figures, as well as philosophers, historians and scientists.Each volume provides new research on the ways in which selected authors have been translated, published, distributed, read, reviewed and discussed in Europe.

The intellectual scope and cultural impact of British and Irish writers in Europe cannot be assessed without reference to their 'European' fortunes. This collection ofessays, prepared by an international team of scholars, critics and translators, record how D.H. Lawrence's work has been received, translated and interpreted in most European countries with remarkable, though greatly varying, success. Among the topics discussed in this volume are questions arising from the personal and frequently controversial nature of much of Lawrence's writings and the various ways in which translators from across Europe coped with the specific problems that the often regional, but at the same time, cosmopolitan Lawrencean texts pose.

Richard Cardwell was given the Elma Dangerfield Award of the International Byron Society for the best book on Byron in 2005-06Byron, arguably, was and remains the most famous and infamous English poet in the modern period in Continental Europe. From Portugal in the West to Russia in the East, from Scandinavia in the North to Spain in the South he inspired and provoked, was adored and reviled, inspired notions of freedom in subject lands and, with it, the growth of national idealisms which, soon, would re-draw the map of Europe. At the same time the Byronic persona, incarnate in "Childe Harold", "Manfred", "Lara" and others, was received with enthusiasm and fear as experience demonstrated that Byron's Romantic outlook was two-edged, thrilling and appalling in the same moment. All the great writers—Goethe, Mickiewicz, Lermontov, Almeida Garret, Espronceda, Lamartine, among many others—strove to outdo, imitate, revise, and integrate the sublime Lord into their own cultures, to create new national voices, and to dissent from the old order. The volume explores Byron's European reception in its many guises, bringing new evidence, challenging old assumptions, and offering fresh perspectives on the protean impact of Lord Byron on the Continent. This book consistes of two volumes.Series Editor: Dr Elinor Shaffer FBA, Institute of Germanic & Romance Studies, School of Advanced Study, University of London  Contributors Richard A. Cardwell, University of Nottingham, UK Joanne Wilkes, University of Auckland, NZ Peter Cochran, Cambridge, UK Ernest Giddey, University of Lausanne, Switzerland Edoardo Zuccato, IULM University, Milan Giovanni Iamartino, University of Milan, Italy Derek Flitter, University of Birmingham, UK Maria Leonor Machado de Sousa, University of Lisbon, Portugal Mihaela Anghelescu Irimia, University of Bucharest, Romania Frank Erik Pointner, University of Duisburg-Essen, Germany Achim Geisenhanslüke, University of Duisburg-Essen, Germany Theo D'haen, Leiden University, The Netherlands Martin Procházka, Charles University, Prague, Czech Republic Miroslawa Modrzewska, University of Gdansk, Poland Orsolya Rakai, Budapest, Hungary Nina Diakonova, St. Petersburg, Russia Vitana Kostadinova, Plovdiv University, Bulgaria Jørgen E. Nielsen, Copenhagen, Denmark Bjorn Tysdahl, University of Oslo, Norway Ingrid Elam, Sweden Anahit Bekaryan, Institute of Fine Arts of the National Academy of Sciences of the Republic of Armenia Innes Merabishvili, State University of Tbilisi, Georgia Litsa Trayiannoudi, Aristotle University of Thessaloniki, Greece Massimiliano Demata, Mansfield College, Oxford, UK

This is a collection of research on the European reception of Samuel Taylor Coleridge (1772-1834), the major Romantic poet and author of "The Ancient Mariner", one of the best known poems in British literature. Samuel Taylor Coleridge, poet, philosopher and critic, a founder of British Romanticism, wrote with William Wordsworth the "Lyrical Ballads" (1798), which included his great poem "The Rime of the Ancient Mariner". It was this work which was first to carry his reputation across Europe in many translations and through the rich illustrations by Gustave Dore. His poetry was received as late Romantic, visionary and symbolist, in later phases of European reception; he was known too as the translator of Schiller. His prose was known mainly in selections: chapters of his literary life Biographia Literaria; elements of his Shakespeare lectures; and other literary, political, philosophical and religious lectures, essays, and aphorisms, especially his brilliant Table Talk. In the last fifty years the Notebooks and Letters, and the recent Collected Works, have added to his stature at home and abroad.This collection of essays by an international team of scholars, critics and translators, records how Coleridge's works have been received, translated and interpreted across Europe from his own time to today, and will contribute to the new recognition of one of the greatest of English poets, critics and cultural thinkers.

Just over a century after his death, Walter Pater's critical reputation now stands as high as it has ever been. In the English-speaking world, this has involved recovery from the widespread neglect and indifference which attended his work in the first half of the twentieth century. In Europe, however, enthusiastic disciples such as Hugo von Hofmannsthal in the German-speaking world and Charles Du Bos in France, helped to fuel a growing awareness of his writings as central to the emergence of modernist literature. Translations of works like Imaginary Portraits, established his distinctive voice as an aesthetic critic and his novel, Marius the Epicurean, was enthusiastically received in Paris in the 1920s and published in Turin on the eve of the Second World War. This collection traces the fortunes of Pater's writings in these three major literatures and their reception in Spain, Portugal, Poland, Hungary, and the Czech Republic.

A pioneering scholarly collection of essays outlining Jonathan Swift's reception and influence in Europe Jonathan Swift has had a profound impact on almost all the national literatures of continental Europe. The celebrated author of acknowledged masterpieces like A Tale of a Tub (1704), Gulliver's Travels (1726), and A Modest Proposal (1729), the Dean of St Patrick's, Dublin, was courted by innumerable translators, adaptors, and retellers, admired and challenged by shoals of critics, and creatively imitated by both novelists and playwrights, not only in central Europe (Germany and Switzerland) but also in its northern (Denmark and Sweden) and southern (Italy, Spain, and Portugal) outposts, as well as its eastern (Poland and Russia, Hungary, Romania, and Bulgaria) and western parts - from the beginning of the eighteenth century to the present day.

This volume of international research provides a wide-ranging account of Jane Austen's reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. In historical terms, the survey ranges from the near-contemporary - since Austen's novels were available in French very soon after their original publication - to modern times, in those countries which for various reasons, linguistic, historical or ideological, have taken up the novels only in recent years. For many, Austen's novels are valued for their romantic content, as love stories, but increasingly they are being perceived as sophisticated, ironic narratives. In this, the quality of translation has been a significant factor and the many film and television adaptations have played an important part in establishing Austen's reputation amongst the public at large. It will be seen from this that across Europe Austen's 'reception history' is far from uniform and has been shaped by a complex of extra-literary forces.

Sir Walter Scott (1771-1832) had an immense impact throughout Europe. His historical fiction, which brought the ideas of Enlightenment to bear on the novel, created for the first time a sense of the past as a place where people thought, felt and dressed differently. His writing influenced Balzac, Dostoevsky, Flaubert, Tolstoy, Dumas, Pushkin and many others; and Scott's interpretation of history was seized on by Romantic nationalists, particularly in Eastern Europe. This book gives for the first time a comprehensive account of the impact of Scott in Europe, from the early and highly influential translations of Defauconpret in France to the continued politicization and censorship of the novels in modern East Germany and Franco's Spain. Generic chapters examine Scott's presence in art and opera, two cultural forms which were deeply affected by his novels. This exciting collection of essays by an international team of leading scholars demonstrates the depth of Scott's impact on European translation, fiction and culture from 1814 to the present. It will be an indispensable research resource for Romanticists everywhere.

The writings and example of Isaac Newton transformed understandings of the practice and meaning of the sciences across Europe in the centuries following the publication of the Principia in 1687. The essays in these volumes consider the impact of Newton's ideas from three distinct but interlocking perspectives: their reception in particular geographical areas and language communities; their importance for particular fields of intellectual and practical endeavour, and their influence on other thinkers who, in turn, shaped Newton's intellectual legacy. They provide, for the first time, a picture of the fate of Newton's work across mainland Europe, giving an account of Newton's influence in the humanities, arts and social sciences, as well as in mathematics, physics and the natural sciences in general.

This is a volume of international research on the European reception of P.B. Shelley.The widespread and culturally significant impact of Percy Bysshe Shelley's writings in Europe constitutes a particularly interesting case for a reception study because of the variety of responses they evoked. If radical readers cherished the 'red' Shelley, others favoured the lyrical poet, whose work was, like Byron's, anthologized and set to music. His major dramatic works, "The Cenci" and "Prometheus Unbound", inspired numerous fin-de-siecle and expressionist dramatists and producers from Paris to Moscow. Shelley was read by, and influenced, the novelist Stendhal, the political theorist Engels, the Spanish symbolist Jimenez, and the Russian modernist poet Akhmatova.This exciting collection of essays by an international team of leading scholars considers translations, critical and biographical reviews, fictionalizations of his life, and other creative responses. It probes into transnational cross-currents to demonstrate the depth of Shelley's impact on European culture since his death in 1822.It will be an indispensable research resource for academics, critics, and writers with interests in Romanticism and its legacies.Our knowledge of British and Irish authors is incomplete and inadequate without an understanding of the perspectives of other nations on them. Each volume examines the ways authors have been translated, published, distributed, read, reviewed and discussed in Europe. In doing so, it throws light not only on the specific strands of intellectual and cultural history but also on the processes involved in the dissemination of ideas and texts.

Alfred Lord Tennyson (1809-1892) has often been considered a particularly British writer in part as his official post as Poet Laureate inevitably committed him to a certain amount of patriotic writing. This volume focuses on his impact on the continent, presenting a major scholarly analysis of Tennyson''s wider reception in different areas of Europe. It considers reader and critical responses and explores the effect of his poetry upon his contemporaries and later writers, as well as his influence upon illustrators, painters and musicians. The leading international contributors raise questions of translation and publication and of the choices made for this purpose along with the way in which his ideas and style influenced European writing and culture. Tennyson''s reputation in Anglophone countries is now assured, following a decline in the years after his death. This volume enables us to chart the changes in Tennyson''s European reputation during the later 19th, 20th and 21st centuries.

Alfred Lord Tennyson (1809-1892) has often been considered a particularly British writer in part as his official post as Poet Laureate inevitably committed him to a certain amount of patriotic writing. This volume focuses on his impact on the continent, presenting a major scholarly analysis of Tennyson''s wider reception in different areas of Europe. It considers reader and critical responses and explores the effect of his poetry upon his contemporaries and later writers, as well as his influence upon illustrators, painters and musicians. The leading international contributors raise questions of translation and publication and of the choices made for this purpose along with the way in which his ideas and style influenced European writing and culture. Tennyson''s reputation in Anglophone countries is now assured, following a decline in the years after his death. This volume enables us to chart the changes in Tennyson''s European reputation during the later 19th, 20th and 21st centuries.

Over the last fifty years the life and work of Edmund Burke (1729-1797) has received sustained scholarly attention and debate. The publication of the complete correspondence in ten volumes and the nine volume edition of Burke''s Writings and Speeches have provided material for the scholarly reassessment of his life and works. Attention has focused in particular on locating his ideas in the history of eighteenth-century theory and practice and the contexts of late eighteenth-century conservative thought. This book broadens the focus to examine the many sided interest in Burke''s ideas primarily in Europe, and most notably in politics and aesthetics. It draws on the work of leading international scholars to present new perspectives on the significance of Burke''s ideas in European politics and culture.

Over the last fifty years the life and work of Edmund Burke (1729-1797) has received sustained scholarly attention and debate. The publication of the complete correspondence in ten volumes and the nine volume edition of Burke''s Writings and Speeches have provided material for the scholarly reassessment of his life and works. Attention has focused in particular on locating his ideas in the history of eighteenth-century theory and practice and the contexts of late eighteenth-century conservative thought. This book broadens the focus to examine the many sided interest in Burke''s ideas primarily in Europe, and most notably in politics and aesthetics. It draws on the work of leading international scholars to present new perspectives on the significance of Burke''s ideas in European politics and culture.

Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work – from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels– has repeatedly been the focal point of discussions about key issues of the modern age.With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad’s works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad’s reception throughout the continent.

The widespread and culturally significant impact of Percy Bysshe Shelley's writings in Europe constitutes a particularly interesting case for a reception study because of the variety of responses they evoked. If radical readers cherished the 'red' Shelley, others favoured the lyrical poet, whose work was, like Byron's, anthologized and set to music. His major dramatic works, The Cenci and Prometheus Unbound, inspired numerous fin-de-siècle and expressionist dramatists and producers from Paris to Moscow. Shelley was read by, and influenced, the novelist Stendhal, the political theorist Engels, the Spanish symbolist Jiménez, and the Russian modernist poet Akhmatova. This exciting collection of essays by an international team of leading scholars considers translations, critical and biographical reviews, fictionalizations of his life, and other creative responses. It probes into transnational cross-currents to demonstrate the depth of Shelley's impact on European culture since his death in 1822. It will be an indispensable research resource for academics, critics, and writers with interests in Romanticism and its legacies.

The intellectual scope and cultural impact of British writers cannot be assessed without reference to their European 'fortunes'. These essays, prepared by an international team of scholars, critics and translators, record the ways in which David Hume has been translated, evaluated and emulated in different national and linguistic areas of Europe. This is the first collection of essays to consider how and where Hume's works were initially understood throughout Europe. They reflect on how early European responses to Hume relied on available French translations, and concentrated on his Political Discourses and his History, and how later German translations enabled professional philosophers to discuss his more abstract ideas. Also explored is the idea that continental readers were not able to judge the accuracy of the translations they read, nor did many consider the contexts in which Hume was writing: rather, they were intent on using what they read for their own purposes.

H.G. Wells was described by one of his European critics as a 'seismograph of his age'. He is one of the founding fathers of modern science fiction, and as a novelist, essayist, educationalist and political propagandist his influence has been felt in every European country. This collection of essays by scholarly experts shows the varied and dramatic nature of Wells's reception, including translations, critical appraisals, novels and films on Wellsian themes, and responses to his own well-publicized visits to Russia and elsewhere. The authors chart the intense ideological debate that his writings occasioned, particularly in the inter-war years, and the censorship of his books in Nazi Germany and Francoist Spain. This book offers pioneering insights into Wells's contribution to 20th century European literature and to modern political ideas, including the idea of European union. Reception of H.G. Wells in Europe Review

Alfred Lord Tennyson (1809-1892) has often been considered a particularly British writer in part as his official post as Poet Laureate inevitably committed him to a certain amount of patriotic writing. This volume focuses on his impact on the continent, presenting a major scholarly analysis of Tennyson's wider reception in different areas of Europe. It considers reader and critical responses and explores the effect of his poetry upon his contemporaries and later writers, as well as his influence upon illustrators, painters and musicians. The leading international contributors raise questions of translation and publication and of the choices made for this purpose along with the way in which his ideas and style influenced European writing and culture. Tennyson's reputation in Anglophone countries is now assured, following a decline in the years after his death. This volume enables us to chart the changes in Tennyson's European reputation during the later 19th, 20th and 21st centuries.