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33 produkter
135 kr
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This riverrun edition of Turgenev's most accomplished stories contains A Nest of Gentlefolk, A Quiet Backwater, First Love, and A Lear of the Steppes - the defining masterpieces of his career. Justly celebrated as a novelist, playwright, and poet, these stories encapsulate his skills: in the scope and span of his depiction of nineteenth-century provincial life; in his nuanced portraiture of the vivid quirks of human character; and in the elusive poise of his narrative style - all artfully captured in Jessie Coulson's subtly brilliant translation.Presented by riverrun editions with an exclusive preface by award-winning translator Boris Dralyuk.
135 kr
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The stories here collected under the title Five Women combine two different volumes. All together, these stories, each of which (as the reader will guess) has a woman at the apparent centre of its gaze, has the feel of a series study, or of a natural history, though one performed in a strange and not entirely rational laboratory, or field. The intensity in these stories derives in part from looking at humans under the very ordinary extremities of love and desire. Neither love, nor femininity, is the subject matter so much as it is the medium.Translated by Eithne Wilkins & Ernst Kaiser
158 kr
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The Confusions of Young Torless is a taut, powerful depiction of teenage masculinity in this short novel set in an Austrian military academy. An unpopular boy is gradually bullied and humiliated by a coterie of better-off classmates until the almost unbearable conclusion. This was the work which made Musil's name and is his most popular work before his unfinished masterpiece, The Man Without Qualities.
181 kr
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'It is not that Ulysses excludes us; it is, rather, that it includes us in ways that no other work prepares us for. The question is not 'what is a novel?', but what can a novel be? Ulysses is the answer'Patrick McGuinness from his preface to Ulysses: The Restored TextInitially rejected by several printers in Dublin and London for containing 'obscene' content, Ulysses was first published in book form in a limited-edition printing of 1000 copies by Shakespeare and Company in Paris in 1922. A subsequent printing was impounded by US customs and for a period the novel was famed for its notoriety rather than its literary achievement.Like its author, Ulysses exists in a complicated push-pull relationship with its language - English - and its setting - Ireland. Joyce returns to the themes that had preoccupied him in previous works, including nationalism and empire, religion, identity and sex in a novel which gloriously brings Dublin on June 16th 1904 to the page.This edition of Ulysses: The Restored Text includes the revisions that Joyce made to the novel during his lifetime.
123 kr
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'One of the undisputed masterpieces of early nineteenth-century French prose fiction.'From Richard Sieburth's preface to AdolphePublished simultaneously in London and Paris in 1816, Adolphe is the story of a tragic love affair between its narrator and his lover Ellenore, two characters locked into a fatal dance of self-destruction. In what is one of the earliest examples of autofiction, from a period when all creative endeavour was permeated by autobiography. Constant's aim was to create an exemplary fiction of high moral purpose which would also function as an act of intimate self-vindication and revenge on his former lover, the formidable Madame de Stael. The result is a tautly-strung Racinian tragedy in prose.Soon after publication, Constant was defending himself from charges that he had written a novel based on real people, which he strenuously denied. The work was translated into English by Alexander Walker, and overseen by the author, resulting in what Richard Sieburth describes as 'an eccentrically bevelled jewel of Regency prose'.This riverrun edition publishes Walker's translation and Constant's preface in a new edition here for the first time since 1817.
135 kr
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Oscar Wilde's early fame ensured that throughout his short life he was written about by many of those he met. He was celebrated - or mocked - as the master of the ingenious epigram, the provocative paradox, the witty aside or the extravagant conceit. In researching his monumental biography of Wilde Matthew Sturgis found, in every major archive, sheets of foolscap in Wilde's distinctive handwriting, setting down a series of unfamiliar epigrams - unpublished try-outs. There were fascinating new discoveries.He uncovered dozens of unfamiliar and previously ungathered anecdotes about Wilde: sidelights on his days in Oxford, London, America and Paris and beyond, by society hostesses, men-about-town, actors, lawyers, minor litterateurs, artists and politicians, diligently setting down his actions, his mannerisms and above all his sayings.The items in this volume are all small additions to the Wilde story: some unfamiliar, others unexpected, they enrich and alter the picture of his life.
135 kr
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'How truth thickens and deepens when it migrates from didactic fable to the raw experience of a visceral awakening is one of the thrills of Tolstoy's stories'Sharon Cameron in her preface to The Kreutzer Sonata and Other StoriesThis second volume of Tolstoy's shorter fiction, selected by the critic Sharon Cameron, contains 'Family Happiness', 'The Devil' and 'The Kreutzer Sonata', three of Tolstoy's unhappy-marriage stories as well as 'Father Sergius', a story of a loss of identity in ambitious pursuit of holy virtue and 'Master and Man'. Tolstoy's antidotes to delusion, fear, jealousy and even madness have an ethical thread pulled through the fabric of different themes and genres.This riverrun edition reissues the translation of Louise and Aylmer Maude, whose influential versions of Tolstoy first brought his work to a wide readership in English.
158 kr
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'How truth thickens and deepens when it migrates from didactic fable to the raw experience of a visceral awakening is one of the thrills of Tolstoy's stories'Sharon Cameron in her preface to Hadji Murad and Other StoriesThis, the third volume of Tolstoy's shorter fiction concentrates on his later stories, including one of his greatest, 'Hadji Murad'. In the stark form of homily that shapes these later works, life considered as one's own has no rational meaning. From the chain of events that follows in the wake of two schoolboys' deception in 'The Forged Coupon' to the disillusionment of the narrator in 'After the Ball' we see, in Virginia Woolf's observation, that Tolstoy puts at the centre of his writingone 'who gathers into himself all experience, turns the world round between his fingers, and never ceases to ask, even as he enjoys it, what is the meaning of it'.The riverrun edition reissues the translation of Louise and Aylmer Maude, whose influential versions of Tolstoy first brought his work to a wide readership in English.
135 kr
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'How truth thickens and deepens when it migrates from didactic fable to the raw experience of a visceral awakening is one of the thrills of Tolstoy's stories'Sharon Cameron in her preface to The Death of Ivan Ilych and Other StoriesTolstoy wrote in many genres for different audiences. In this, the first of three volumes of his shorter fiction chosen and introduced by the critic Sharon Cameron, we see works originally written for children, like 'God Sees the Truth But Waits', and 'A Prisoner in the Caucasus'. They stand alongside others which show his range and accomplishment, including an early story based on his experiences in the Crimean war, 'Sevastopol in May', and the visceral intensity of one of his greatest works, 'The Death of Ivan Ilych'.This riverrun edition reissues the translation of Louise and Aylmer Maude, whose influential versions of Tolstoy first brought his work to a wide readership in English.
135 kr
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'Everyone who met him commented on the arresting power of Lawrence's bright and sharp blue eyes, and the beard he later grew would be as red as a fox's brush, but it was not his appearance that Ford was describing. It was his menace' Frances Wilson, from her Introduction to The Man Who Loves Islands------------------------------------------------The Man Who Loved Islands presents Lawrence's skilled, intimate and lively portraits of humanity. In the title story a man buys a ninety-nine year lease on an island and finds himself cast off in its timeless world; in 'The Last Laugh' a couple are confronted with uncanny spectral visions, and an eerie faceless laugh; in 'The Fox' two women maintaining a farm feel the dark shadows of war, and a cunning creature threatens to destroy their livelihood. The stories in this collection are about what the characters know and do not know - about themselves, one another, and the circumambient universe.
135 kr
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'Like an artist working an empty sky into a busy cityscape, or an empty chair into a crowded family portrait, Joyce creates spaces where the reader is left to themselves' Patrick McGuinness, from his Preface to Dubliners.Set in the late 19th and early 20th-century, Dubliners is made up of fifteen stories, which all sit within the realm of realism, with easily identifiable streets and a cartographic identity of the city. Alike Joyce's other works, the collection was repeatedly rejected by publishers and he received accusations of obscurity and obscenity before it finally appeared in print on 15 June 1914. This was five years after a contract was signed, six weeks before the outbreak of World War One, and at a time when Ireland was under British Home Rule. We find an intricate account of the lives of the city's inhabitants in Joyce's haunted and bleak vision of Dublin.Discover these stories for the first time here, or read them afresh, and marvel at the unique stories that Joyce was able to capture, and make timeless, for us all.
123 kr
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'A Portrait of the Artist as a Young Man begins with one of the most arresting opening sentences in literature' Patrick McGuinness, from his Preface.A Portrait first appeared in instalments in the modernist magazine The Egoist in 1914, before it came out as a book in 1916, the year of the Easter Rising against British rule in Ireland. An autobiographical 'coming of age' story, A Portrait is Joyce's first novel. Many elements of Joyce's own life - his Catholic schooling, his family circumstances and his father's financial difficulties, as well as his sexual, political and artistic awakenings - are fictionalized and in it he skilfully extend the English language, as it opens with a child's voice rendered by a third-person narrator, and closes with the mature Stephen's first-person reflections.
181 kr
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'The novel's dark energies - concerned with histories of gender, property, desire, and institutionalization - carry it forth into our present moment. It remains indispensable reading' Claire Connolly from her preface to The Real CharlotteIn 1894, the London evening newspaper the St James's Gazette announced 'a real acquisition', a new novel from the publishers Ward and Downey. The Real Charlotte was the first collaborative success of many for Somerville and Ross, two Irish women who were second cousins, received as a fresh, original, and funny treatment of Irish life.It tells the story of clever, greedy Charlotte Mullen, an Irish spinster, who takes in the beautiful Francie Fitzgerald.But soon after there are crossed lines of desire, money and land, and the two women quickly become rivals.
181 kr
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'The stories are rich in dialogue - indeed on many pages there is only dialogue - while the quick exchange of words beats out the rhythm of history on the move' CLAIRE CONNOLLY from her preface to The Experiences of an Irish R. M.The stories in Experiences of an Irish R. M. are almost entirely concerned with the doings of Skebawn in south-western Ireland and its surroundings. At the centre is the figure of Major Yeates, the Irish Resident Magistrate, who muddles through life as best he can and whose adventures always tell worse against himself. Each short tale offers a dazzling succession of incidents, quickfire dialogue and turnabouts of fate. They contain linguistic verve, dense social detail and what was termed by a contemporary, 'demoniac energy'.The tough, roving humour of these sharply observed stories brought Edith Somerville and Martin Ross financial security and critical success.
181 kr
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'This selection forms a biography of sorts. Submerged beneath the surface of his melodramas are the unspoken fears that Henry hoped, by living in Europe, to leave behind' Frances Wilson, from her preface to Madame de Mauves & Other TalesThe stories in this selection are James's earliest tales, including 'A Tragedy of Error', which was published when he was just twenty-one. With the exception of 'Madame de Mauves', which is 31,000 words, all the tales here are short and what James himself would have described as 'anecdotes.' In these stories James explores notions of freedom, sexuality, a fear of marriage and derailment in love, as well as other concerns of a young man with the mind of a wordly observer. Frances Wilson has selected these thirteen stories and provided an original introduction to James's work.
181 kr
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'Both the fictional and autobiographical versions of 'The Middle Years' are concerned with authors, acolytes, and endings rather than the middle of things. Or rather they are about, as are all the tales of James's middle years, the recognition of one's own extreme brevity' Frances Wilson, from her preface to The Middle Years & Other TalesThe stories in this collection represent Henry James's middle years, a time in his life which he described as 'misanthropic, melancholy, morbid, morose', after the reception to his earlier works. The collection includes 'The Author of Beltraffio', which tells of the tragic consequences of family conflict; 'The Middle Years' which explores creative self-reflection and mortality; and 'The Altar of the Dead', a poetic elegy to lost places and friends. The stories have been selected not only for their subject but also for their size, the vast majority of them falling under 15 000 words. In other words, this collection's examination of the brevity of one's existence is echoed by the length of the stories themselves.Frances Wilson has selected these twelve stories and provided an original introduction to James's work.
181 kr
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'James's tales can be traps and ruses; they can also be complex self-descriptions in which his own fears and desires have full reign'Frances Wilson, from her Preface to The Beast in the Jungle & Other TalesThis collection is made up of the later works in Henry James's repertoire, into which he threw the full weight of his creative fears - notably those concerned with the life he missed out on while distilling his experiences into literature. The stories explore the stairwells of the mind, where consciousness is figured as a place, where one could, terrifyingly, encounter one's alter ego. Tales such as 'The Beast in the Jungle' and 'The Jolly Corner' in this collection are such horror stories of the self. James' obsession with confrontation and escape is evident throughout this volume, often with marriage as the central tenet, as in 'The Bench of Desolation'. They are not without comedy, however, as with the wild goose chase which makes up the central narrative in 'The Figure in the Carpet'.Frances Wilson has selected these eleven stories and provided an original introduction to James's work.
135 kr
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'I remain in unchanged admiration for this bold, headstrong, carefree undertaking, a first novel published when the author was twenty-five, which proved to be the first prose masterpiece in Russian' Julian Barnes from his preface.Published in Russian in April 1840, A Hero of Our Time reached English in 1853, under the title 'Sketches of Life in the Caucasus, by a Russe.' Full of towering landscapes and local colour, it can be read as the travelogue of a poet and serving officer, but also as a portrait of the romantic as self-destructive anti-hero.Vladimir Nabokov's translation of A Hero of Our Time was published in the United States in 1958, the same year as Lolita: world fame was about to overtake this committed Russian living in America.
Secret Sharer and Other Stories (riverrun editions)
Selected and with an Introduction by Neil Rennie
Häftad, Engelska, 2025
158 kr
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'Sailing away, he survived at sea, then on foreign land, and then by writing - re-living his life, many times, many ways, in English fiction' Neil Rennie, from his preface to The Secret Sharer and Other StoriesThe stories in this selection show the intense influence of Conrad's many voyages and his varied reading. He was able to dramatize his personal international experiences as he journeyed from Europe to Africa and the East, while absorbing the influence of Stevenson's adventure romances, and the realism of Flaubert and Maupassant.'An Outpost of Progress' is a response to what Conrad witnessed in the Congo; 'Youth' turns to his early days at sea; 'Amy Foster' explores the strangeness and hostility of England to foreigners; 'The Secret Sharer' charts his time as a ship's captain; 'A Smile of Fortune' returns to the island of Mauritius; and 'The Planter of Malata' opens in a great colonial city in Australia.Neil Rennie's preface examines the interweaving of Conrad's life and work, and the development of his art.
Lady with the Dog and Other Stories (riverrun editions)
a beautiful new edition of Chekhov's short fiction, translated by Constance Garnett
Häftad, Engelska, 2018
135 kr
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A man and woman fall in love in a seaside town. The only trouble is, they're both married to other people. A schoolmaster is scandalized by his sweetheart riding a bicycle.A woman falls in love with a series of men, each of whom leave her in different ways. Chekhov's stories capture Russian provincial life in the late nineteenth century while Garnett's translations make these classic works feel as vivid as if they were written yesterday. This exclusive selection by New Yorker writer Janet Malcolm is unmissable for the enthusiast and a brilliant introduction for anyone interested in one of the nineteenth century's greatest writers.
Princesse de Clèves (riverrun editions)
Nancy Mitford's sparkling translation of the famous French classic in a beautiful new edition
Häftad, Engelska, 2018
158 kr
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'Always be civil to the girls. You never know whom they might marry.' Nancy Mitford, from her introduction to The Princess de Clèves When the young, beautiful Mademoiselle de Chartres comes to court, her primary objective is to find herself a husband. Upon her mother's recommendation, she accepts the advances of the Prince de Clèves, a rather average sort of a man. Unfortunately, soon after the wedding she finds herself to be in love with the dashing Duc de Nemours . . . Against a backdrop of labyrinthine court politics, the naïve Madame de Clèves' pursuit of true love is a riveting and timelessly tragic read.
Confessions of Zeno (riverrun editions)
a beautiful new edition of the Italian classic
Häftad, Engelska, 2018
181 kr
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'I am sure a cigarette has a more poignant flavour when it is the last'A neurotic Italian businessman obsessed by his own hypochondria, Zeno Cosini recounts his early years to his psychoanalyst Dr S as a form of therapy. With a cigarette clutched permanently between his fingers, he explores the important themes of his life: his love of smoking, his relationship with his parents, his marriage. Structured as a series of conversations with his psychoanalyst, Zeno was an innovation in its time, and remains a curious and intriguing delight. Michael Hoffman places Confessions of Zeno in its European context in his sparkling introduction.
A Place Bewitched and Other Stories (riverrun editions)
a beautiful new edition of Gogol's short fiction, translated by Constance Garnett
Häftad, Engelska, 2018
158 kr
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A wounded solider vanishes into notoriety.A nose is found in a loaf of bread.Places - like the Nevesky Prospect - are not what they seem. Nikolai Gogol was one of the nineteenth century's greatest and most influential Russian writers, a realist whose witty and acerbic observations and his taste for the absurd give his writing its strange, comic voice. Selected from the work of Constance Garnett, one of Gogol's earliest translators, this edition presents a new, exclusive collection of Gogol's short fiction, selected and lightly revised by Natasha Randall. Contextualized by Randall's preface, and full of the wit of Garenett's work, this edition is the perfect introduction to Gogol, and a must for the enthusiast.
Against Nature (riverrun editions)
a new translation of the compulsively readable cult classic
Häftad, Engelska, 2019
135 kr
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The cult novel of fin de siècle decadence that inspired Oscar Wilde'It will be biggest fiasco of the year - but I don't give a damn! It will be something nobody has ever done before.' The title page of the first complete English translation of Against Nature (published in the French as À Rebours) included the caption 'the book that Dorian Gray loved and inspired Oscar Wilde.' It was, declared Wilde, one of the best novels he had ever read. It is the story of Jean des Esseintes, the last of a proud and noble family, who retreats from the world in disgust at bourgeois society and leads a life based on cultivation of the senses through art. Des Esseintes distills perfumes from the rarest oils and essences, he creates a garden of poisonous flowers, sets gemstones in a tortoise's gold-painted shell and plans to corrupt a street urchin until he is degraded enough to commit murder. Des Esseintes' aesthetic pilgrimage is described in minutely documented realistic detail and was widely regarded as the guidebook of decadence. This influential novel is now available in a new translation by Theo Cuffe and includes a preface by Luc Sante.
Journal 1887-1910 (riverrun editions)
an exclusive new selection of the astounding French classic
Inbunden, Engelska, 2020
220 kr
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'As a mayor, I am responsible for the upkeep of rural roads; as poet, I prefer to see them neglected.'Jules Renard was a French literary figure of the late nineteenth century. Not a Parisian but a committed countryman, he was elected mayor in 1904 of the tiny village of Citry-le-Mines in a remote part of northern Burgundy. He had the soul of a rustic bourgeois but the ambition of a metropolitan, and his wife's money allowed him to move in elevated circles, though he seemed an awkward customer, a badger, and looked like one. He wrote fiction, journalism and drama, very successfully, but the Journal is Renard's masterpiece, the least categorizable work of the French fin de siècle.The Journal constitutes a profusion of entries, without stitching or pattern: mordant reflections on style, literature and theatre; portraits of family, friends and the Parisian literary scene; quasi-ethnographical observations on village life and notations of the natural world which are unlike anything except themselves.Samuel Beckett spoke of Renard in the same breath as Proust and Celine, wrote of the Journal that 'for me it is as inexhaustible as Boswell ' and believed his style was learnt from despair. Gide said the Journal was 'not a river but a distillery'. Sartre wrote that 'He invented the literature of silence'. But above all it is a moving and splintery piece of self-scrutiny.Julian Barnes has admired the Journal for many years and has made this new selection from the twelve hundred page Pléiade edition. Theo Cuffe's translation will help bring this fierce judge of human foibles to a new generation of readers.
Journal 1887-1910 (riverrun editions)
an exclusive new selection of the astounding French classic
Häftad, Engelska, 2022
146 kr
Skickas inom 7-10 vardagar
'As a mayor, I am responsible for the upkeep of rural roads; as poet, I prefer to see them neglected.'Jules Renard was a French literary figure of the late nineteenth century. Not a Parisian but a committed countryman, he was elected mayor in 1904 of the tiny village of Citry-le-Mines in a remote part of northern Burgundy. He had the soul of a rustic bourgeois but the ambition of a metropolitan, and his wife's money allowed him to move in elevated circles, though he seemed an awkward customer, a badger, and looked like one. He wrote fiction, journalism and drama, very successfully, but the Journal is Renard's masterpiece, the least categorizable work of the French fin de siècle.The Journal constitutes a profusion of entries, without stitching or pattern: mordant reflections on style, literature and theatre; portraits of family, friends and the Parisian literary scene; quasi-ethnographical observations on village life and notations of the natural world which are unlike anything except themselves.Samuel Beckett spoke of Renard in the same breath as Proust and Celine, wrote of the Journal that 'for me it is as inexhaustible as Boswell ' and believed his style was learnt from despair. Gide said the Journal was 'not a river but a distillery'. Sartre wrote that 'He invented the literature of silence'. But above all it is a moving and splintery piece of self-scrutiny.Julian Barnes has admired the Journal for many years and has made this new selection from the twelve hundred page Pléiade edition. Theo Cuffe's translation will help bring this fierce judge of human foibles to a new generation of readers.
Ward No. 6 and Other Stories (riverrun editions)
a unique selection of Chekhov's novellas
Häftad, Engelska, 2019
158 kr
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A young woman struggles to assert herself within a regrettable marriage.A boy learns about life on an epic summer's journey to a new school.A doctor attempts to befriend his most interesting patient.A young man tries to figure out the best way to live.This riverrun edition presents a selection of Chekhov's longer stories - novellas, effectively - in Constance Garnett's timeless translations. These four stories, Ward No.6, The Wife, The Steppe and My Life, tell of characters attempting to create meaning through work, connection with others and art; they deal with misunderstandings and loss; they celebrate brief joys, sudden passions and unsatisfied longings, all underscored by Chekhov's gentle wit and great humanity. This unique collection - selected and introduced by the celebrated Janet Malcolm - is unmissable for the enthusiast and a brilliant introduction to one of the nineteenth century's greatest writers.
Duel and Other Stories (riverrun editions)
an exquisite collection from one of Russia's greateat writers
Häftad, Engelska, 2020
158 kr
Skickas inom 7-10 vardagar
A married woman restlessly seeks a deeper love.An insomniac ponders the meagreness of his life.A man loses the respect of his family because of a counterfeit coin.A duel of wits escalates into a clash of cultures - and more.The Duel and Other Stories is the second in an exclusive three-volume edition of Chekhov's stories. Encompassing the intricacy and range of social connection, these exquisitely crafted stories trace the mutability of our everyday relationships as they stall, separate or entwine. In the strangely lyrical deadpan prose so characteristic of Chekhov's drama, they expose the misplaced affections, broken vows, and brilliant dreams of what it is to be human. This unique collection offers a perfect introduction to one of Russia's - and the world's - greatest writers.
135 kr
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'Being asked to write about Kafka is like being asked to describe the Great Wall of China by someone who's standing just next to it. The only honest thing to do is point.' Joshua Cohen, from his preface to He: Shorter Writings of Franz KafkaThis is a Kafka emergency kit, a congregation of the brief, the minor works that are actually major. Joshua Cohen has produced a frame that refuses distinctions between what is a story, a letter, a workplace memo and a diary entry, also including popular favourites like The Bucket Rider, The Penal Colony and The Burrow. Here we see Kafka's preoccupations in writing about animals, messiah variations, food and exercise, each in his signature style.Cohen's selection emphasises the stately structure of utterly coherent logic, within an utterly incoherent illogical world, showing how Kafka harnessed the humblest grammar to metamorphic power until the predominant effect ceases to be the presence of an unreliable narrator, but the absence of the universe's only reliable narrator. Who is God.
Crocodile and Other Stories (riverrun Editions)
Dostoevsky's finest short stories in the timeless translations of Constance Garnett
Häftad, Engelska, 2019
158 kr
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'I have always been ridiculous, and I have known it, perhaps from the hour I was born'A man goes mad because he is happy.A civil servant behaves like a monster at a wedding-party.A man is swallowed by a crocodile, but not eaten nor seriously damaged.Dostoevsky's stories inhabit similarly volcanic atmospheres as his novels, places of curiosity and exception. They resemble jokes and anecdotes, told by volatile, voluble, morbidly sensitive and frustrated characters. These narrators all have a tendency to express themselves in crescendos of conflicting emotions, while the stories themselves steer clear of grand conclusions. Michael Wood's selection of Dostoevsky's shorter works is drawn from the timeless translations of Constance Garnett whose work, he says in his preface, gives readers the best of several worlds.