Routledge Human-Animal Studies Series – serie

This book demonstrates how horse breeding is entwined with human societies and identities. It explores issues of lineage, purity, and status by exploring interconnections between animals and humans.The quest for purity in equine breed reflects and evolves alongside human subjectivity shaped by categories of race, gender, class, region, and nation. Focusing on various horse breeds, from the Chincoteague Pony to Brazilian Crioulo and the Arabian horse, each chapter in this collection considers how human and animal identities are shaped by practices of breeding and categorizing domesticated animals.Bringing together different historical, geographical, and disciplinary perspectives, this book will appeal to academics, as well as undergraduate and postgraduate students, in the fields of human-animal studies, sociology, environmental studies, cultural studies, history, and literature.

This book critically investigates the pervasiveness of anthropomorphised animals in popular culture.Anthropomorphism in popular visual media has long been denounced for being unsophisticated or emotionally manipulative. It is often criticised for over-expressing similarities between humans and other animals. This book focuses on everyday encounters with visual representations of anthropomorphised animals and considers how attributing other animals with humanlike qualities speaks to a complex set of power relations. Through a series of case studies, it explores how anthropomorphism is produced and circulated and proposes that it can serve to create both misunderstandings and empathetic connections between humans and other animals.This book will appeal to academics and students interested in visual media, animal studies, sociology and cultural studies.

Animals are conscious beings that form their own perspective regarding the lifeworlds in which they exist, and according to which they act in relation to their species and other animals. In recent decades a thorough transformation in societal research has taken place, as many groups that were previously perceived as being passive or subjugated objects have become active subjects. This fundamental reassessment, first promoted by feminist and radical studies, has subsequently been followed by spatial and material turns that have brought non-human agency to the fore. In human–animal relations, despite a power imbalance, animals are not mere objects but act as agents. They shape our material world and our encounters with them influence the way we think about the world and ourselves.This book focuses on animal agency and interactions between humans and animals. It explores the reciprocity of human–animal relations and the capacity of animals to act and shape human societies. The chapters draw on examples from the Global North to explore how human life in modernity has been and is shaped by the sentience, autonomy, and physicality of various animals, particularly in landscapes where communities and wild animals exist in close proximity. It offers a timely contribution to animal studies, environmental geography, environmental history, and social science and humanities studies of the environment more broadly.

Carceral Space, Prisoners and Animals explores resonances across human and nonhuman carceral geographies. The work proposes an analysis of the carceral from a broader vantage point than has yet been done, developing a ‘trans-species carceral geography’ that includes spaces of nonhuman captivity, confinement, and enclosure alongside that of the human. The linkages across prisoner and animal carcerality that are placed into conversation draw from a number of institutional domains, based on their form, operation, and effect. These include: the prison death row/ execution chamber and the animal slaughterhouse; sites of laboratory testing of pharmaceutical and other products on incarcerated humans and captive animals; sites of exploited prisoner and animal labor; and the prison solitary confinement cell and the zoo cage. The relationships to which I draw attention across these sites are at once structural, operational, technological, legal, and experiential / embodied. The forms of violence that span species boundaries at these sites are all a part of ordinary, everyday, industrialized violence in the United States and elsewhere, and thus this ‘carceral comparison’ amongst them is appropriate and timely.

This book reexamines the concept of the animal on the plane of immanence, as opposed to the traditional viewpoint founded on the plane of transcendence.Following Deleuze and Guattari’s notion that philosophy is a discipline of creating concepts, this book traces how the concept of the animal was created in the history of philosophy through re-reading the works of Descartes, Kant, Heidegger, Derrida and Levinas. Their theories show that the concept of the animal was constructed on the "plane of transcendence" as subservient to the self-serving human, who represents the animal as a negative entity devoid of reason, ethics, the ability to enter into political alliances or even die. With this perspective and a range of theories from thinkers such as Spinoza, Nancy, Haraway and Braidotti as the groundwork, a new positive concept of the animal, operating on the plane of immanence, is sketched out, compelling a reappraisal of the relationships between body and thought, ethics and politics, or life and death.With comprehensive interpretations of the views of several key philosophers, from Kant and Heidegger to Deleuze, Derrida and Agamben, this book will be valuable for scholars of theoretical animal studies and continental philosophy interested in the philosophical significance of the animal question.

Arguing that historical analysis is an important, yet heretofore largely underexplored dimension of scholarship in animal geographies, this book seeks to define historical animal geography as the exploration of how spatially situated human–animal relations have changed through time. This volume centers on the changing relationships among people, animals, and the landscapes they inhabit, taking a spatio-temporal approach to animal studies. Foregrounding the assertion that geography matters as much as history in terms of how humans relate to animals, this collection offers unique insight into the lives of animals past, how interrelationships were co-constructed amongst and between animals and humans, and how nonhuman actors came to make their own worlds. This collection of chapters explores the rich value of work at the contact points between three sub-disciplines, demonstrating how geographical analyses enrich work in historical animal studies, that historical work is important to animal geography, and that recognition of animals as actors can further enrich historical geographic research.

This book explores the phenomenon of animal imagination and its profound power over the human imagination. It examines the structural and ethical role that the human imagination must play to provide an interface between humans’ subjectivity and the real cognitive capacities of animals.The book offers a systematic study of the increasing importance of the metaphors, the virtual, and figures in contemporary animal studies. It explores human-animal and real-imaginary dichotomies, revealing them to be the source of oppressive cultural structures. Through an analysis of creative, playful and theatric enactments and mimicry of animal behaviors and communication, the book establishes that human imagination is based on animal imagination. This helps redefine our traditional knowledge about animals and presents new practices and ethical concerns in regard to the animals. The book strongly contends that allowing imagination to play a role in our relation to animals will lead to the development of a more empathetic approach towards them. Drawing on works in phenomenology, contemporary animal philosophy, as well as ethological evidence and biosemiotics, this book is the first to rethink the traditional philosophical concepts of imagination, images, the imaginary, and reality in the light of a zoocentric perspective. It will appeal to philosophers, scholars and students in the field of animal studies, as well as anyone interested in human and non-human imaginations.

This book explores the phenomenon of animal imagination and its profound power over the human imagination. It examines the structural and ethical role that the human imagination must play to provide an interface between humans’ subjectivity and the real cognitive capacities of animals.The book offers a systematic study of the increasing importance of the metaphors, the virtual, and figures in contemporary animal studies. It explores human-animal and real-imaginary dichotomies, revealing them to be the source of oppressive cultural structures. Through an analysis of creative, playful and theatric enactments and mimicry of animal behaviors and communication, the book establishes that human imagination is based on animal imagination. This helps redefine our traditional knowledge about animals and presents new practices and ethical concerns in regard to the animals. The book strongly contends that allowing imagination to play a role in our relation to animals will lead to the development of a more empathetic approach towards them. Drawing on works in phenomenology, contemporary animal philosophy, as well as ethological evidence and biosemiotics, this book is the first to rethink the traditional philosophical concepts of imagination, images, the imaginary, and reality in the light of a zoocentric perspective. It will appeal to philosophers, scholars and students in the field of animal studies, as well as anyone interested in human and non-human imaginations.

This book critically investigates the pervasiveness of anthropomorphised animals in popular culture.Anthropomorphism in popular visual media has long been denounced for being unsophisticated or emotionally manipulative. It is often criticised for over-expressing similarities between humans and other animals. This book focuses on everyday encounters with visual representations of anthropomorphised animals and considers how attributing other animals with humanlike qualities speaks to a complex set of power relations. Through a series of case studies, it explores how anthropomorphism is produced and circulated and proposes that it can serve to create both misunderstandings and empathetic connections between humans and other animals.This book will appeal to academics and students interested in visual media, animal studies, sociology and cultural studies.

This original and insightful book explores how horses can be considered as social actors within shared interspecies networks. It examines what we know about how horses understand us and how we perceive them, as well as the implications of actively recognising other animals as actors within shared social lives. This book explores how interspecies relationships work, using a variety of examples to demonstrate how horses and people build social lives. Considering horses as social actors presents new possibilities for improving the quality of animal lives, the human condition and human-horse relations.

Animals are conscious beings that form their own perspective regarding the lifeworlds in which they exist, and according to which they act in relation to their species and other animals. In recent decades a thorough transformation in societal research has taken place, as many groups that were previously perceived as being passive or subjugated objects have become active subjects. This fundamental reassessment, first promoted by feminist and radical studies, has subsequently been followed by spatial and material turns that have brought non-human agency to the fore. In human–animal relations, despite a power imbalance, animals are not mere objects but act as agents. They shape our material world and our encounters with them influence the way we think about the world and ourselves.This book focuses on animal agency and interactions between humans and animals. It explores the reciprocity of human–animal relations and the capacity of animals to act and shape human societies. The chapters draw on examples from the Global North to explore how human life in modernity has been and is shaped by the sentience, autonomy, and physicality of various animals, particularly in landscapes where communities and wild animals exist in close proximity. It offers a timely contribution to animal studies, environmental geography, environmental history, and social science and humanities studies of the environment more broadly.

This book demonstrates how horse breeding is entwined with human societies and identities. It explores issues of lineage, purity, and status by exploring interconnections between animals and humans.The quest for purity in equine breed reflects and evolves alongside human subjectivity shaped by categories of race, gender, class, region, and nation. Focusing on various horse breeds, from the Chincoteague Pony to Brazilian Crioulo and the Arabian horse, each chapter in this collection considers how human and animal identities are shaped by practices of breeding and categorizing domesticated animals.Bringing together different historical, geographical, and disciplinary perspectives, this book will appeal to academics, as well as undergraduate and postgraduate students, in the fields of human-animal studies, sociology, environmental studies, cultural studies, history, and literature.

This book reexamines the concept of the animal on the plane of immanence, as opposed to the traditional viewpoint founded on the plane of transcendence.Following Deleuze and Guattari’s notion that philosophy is a discipline of creating concepts, this book traces how the concept of the animal was created in the history of philosophy through re-reading the works of Descartes, Kant, Heidegger, Derrida and Levinas. Their theories show that the concept of the animal was constructed on the "plane of transcendence" as subservient to the self-serving human, who represents the animal as a negative entity devoid of reason, ethics, the ability to enter into political alliances or even die. With this perspective and a range of theories from thinkers such as Spinoza, Nancy, Haraway and Braidotti as the groundwork, a new positive concept of the animal, operating on the plane of immanence, is sketched out, compelling a reappraisal of the relationships between body and thought, ethics and politics, or life and death.With comprehensive interpretations of the views of several key philosophers, from Kant and Heidegger to Deleuze, Derrida and Agamben, this book will be valuable for scholars of theoretical animal studies and continental philosophy interested in the philosophical significance of the animal question.

This edited collection explores our often-surprising modes of co-inhabiting the cultural and aerial worlds of birds. It focuses on our encounters with non-captive birds and the cultural geographies of feathered flight. This book offers a timely contribution to the more-than-human geographies of flight, space and territory. The chapters support an ethics of attention as a new basis for the conservation and cultivation of aerial habitats. Contributions adopt an interdisciplinary approach to the patterns of intrusion and escape that shape our encounters with birds and unsettle our traditionally terrestrial concepts of space. Each chapter focuses on a different aspect of our shared lives with birds, ranging from scientific observation to the social media-enabled spectacle of co-habitation and spatial competition.Written in a thought-provoking style, this book seeks to address a dearth of critical perspectives on the cultural geographies of flight and its implications for the ways in which we understand common spaces around and above us in the context of any effort at conservation.

This edited collection explores our often-surprising modes of co-inhabiting the cultural and aerial worlds of birds. It focuses on our encounters with non-captive birds and the cultural geographies of feathered flight. This book offers a timely contribution to the more-than-human geographies of flight, space and territory. The chapters support an ethics of attention as a new basis for the conservation and cultivation of aerial habitats. Contributions adopt an interdisciplinary approach to the patterns of intrusion and escape that shape our encounters with birds and unsettle our traditionally terrestrial concepts of space. Each chapter focuses on a different aspect of our shared lives with birds, ranging from scientific observation to the social media-enabled spectacle of co-habitation and spatial competition.Written in a thought-provoking style, this book seeks to address a dearth of critical perspectives on the cultural geographies of flight and its implications for the ways in which we understand common spaces around and above us in the context of any effort at conservation.

This volume takes ending the oppression of other animals seriously and confronts the question ‘What would happen to all the animals?’ by showcasing real, promissory, and imagined counter-sites or heterotopia, where animals ‘happen’ in different ways, free of anthropocentric orders of value and purpose.Rejecting persistent understandings of the oppression of nonhuman animals, across the entire breadth of the Animal-Industrial Complex (A-IC), as either non-existent, unproblematic, and/or fundamentally unalterable – open to merely being reduced in scale or made less harmful – the collection offers readers a variety of pathways towards radically ‘disordered’ ways of thinking about and relating to other animals. Over 14 chapters, authors describe more liberatory relational reconfigurations playing out in the present and undertake conceptual, imaginative, and embodied explorations of liberatory futures. The chapters are united by a common commitment to heterotopic disturbance – to contesting and subverting the anthropo-capitalo-centric space in which we live. Each chapter approaches this subversion in its own way, using prefiguration, restorying, speculation, radical imagination, and combinations thereof, to disturb or shatter orders, explore the kinds of liberation and resistance their disturbance demonstrates, demands, or embodies, and ultimately illustrate exactly what would or could happen to all the animals.Heterotopia, Radical Imagination, and Shattering Orders will appeal to scholars, students, and individuals interested not only in challenging normalised binaries, hierarchies, and orders of value, both human and nonhuman, but in creating and realising liberatory alternatives. Scholar-activists, activists, professionals working in animal advocacy, and anyone undertaking activities aimed at radically changing how other animals are understood and used will also find inspiration, new insights, and information that enhance their current methods and approaches. Some readers may also find simply confirmation and comfort in the knowledge that so many others are working in solidarity with the ‘disordered’ belief that shattering the A-IC is possible.Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY-NC-ND)] 4.0 license.

This volume takes ending the oppression of other animals seriously and confronts the question ‘What would happen to all the animals?’ by showcasing real, promissory, and imagined counter-sites or heterotopia, where animals ‘happen’ in different ways, free of anthropocentric orders of value and purpose.Rejecting persistent understandings of the oppression of nonhuman animals, across the entire breadth of the Animal-Industrial Complex (A-IC), as either non-existent, unproblematic, and/or fundamentally unalterable – open to merely being reduced in scale or made less harmful – the collection offers readers a variety of pathways towards radically ‘disordered’ ways of thinking about and relating to other animals. Over 14 chapters, authors describe more liberatory relational reconfigurations playing out in the present and undertake conceptual, imaginative, and embodied explorations of liberatory futures. The chapters are united by a common commitment to heterotopic disturbance – to contesting and subverting the anthropo-capitalo-centric space in which we live. Each chapter approaches this subversion in its own way, using prefiguration, restorying, speculation, radical imagination, and combinations thereof, to disturb or shatter orders, explore the kinds of liberation and resistance their disturbance demonstrates, demands, or embodies, and ultimately illustrate exactly what would or could happen to all the animals.Heterotopia, Radical Imagination, and Shattering Orders will appeal to scholars, students, and individuals interested not only in challenging normalised binaries, hierarchies, and orders of value, both human and nonhuman, but in creating and realising liberatory alternatives. Scholar-activists, activists, professionals working in animal advocacy, and anyone undertaking activities aimed at radically changing how other animals are understood and used will also find inspiration, new insights, and information that enhance their current methods and approaches. Some readers may also find simply confirmation and comfort in the knowledge that so many others are working in solidarity with the ‘disordered’ belief that shattering the A-IC is possible.Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY-NC-ND)] 4.0 license.

This timely book provides a methodological guide for how to conduct and theorise research in human-animal studies. In response to critiques of the anthropomorphic slant to human-animal research and the increasing political relevance of animals in contemporary environmental debates, this book emphasises methods which bring to light the animal side of multispecies encounters. Drawing from the interdisciplinary strength of human-animal studies, this book contains contributions from practitioners and scholars working in sociology, anthropology, ethology and geography. Each chapter uses a case-study approach to present a theoretical framework and empirical application of cutting-edge methods in human-animal studies, from creative writing in multispecies ethnographies to visual methods like videography and body mapping. Organized in three parts – theorizing; collaborating; visualizing – the book equips readers with methodological tools to conduct human-animal studies research attentive to animal lives. Furthermore, chapters reflect on the opportunities, limitations and ethical considerations of research that seeks to understand our more-than-human worlds. The book is aimed towards undergraduate and graduate students in human-animal studies and scholars investigating human-animal relations. It will also be of interest to practitioners and policy-makers who engage with conservation, wildlife management or the human-animal interface of urban and regional planning.

This book strongly challenges the Western philosophical tradition’s assertion that humans are superior to nonhuman animals. It makes a case for the full and direct moral status of nonhuman animals. The book provides the basis for a radical critique of the entire trajectory of animal studies over the past fifteen years. The key idea explored is that of ‘felt kinship’—a sense of shared fate with and obligations to all sentient life. It will help to inspire some deep rethinking on the part of leading exponents of animal studies. The book’s strong outlook is expressed through an appeal for radical humility on the side of humans rather than a constant reference to the ‘human-animal divide’. Historical figures examined in depth include Aristotle, Seneca, and Kant; contemporary figures examined include Christine Korsgaard and Martha Nussbaum. This book presents an account according to which the tradition has not proceeded on the basis of impartial motivations at all, but instead has made a set of pointedly self-serving assumptions about the proper criteria for assessing moral worth. Readers of this book will gain exposure to a wide variety of thinkers in the Western philosophical tradition, historical as well as contemporary. This book is suitable for professionals working in nonhuman animal studies, students, advanced undergraduates, and practitioners working in the fields of philosophy, environmental studies, law, literature, anthropology, and related fields.

This book strongly challenges the Western philosophical tradition’s assertion that humans are superior to nonhuman animals. It makes a case for the full and direct moral status of nonhuman animals. The book provides the basis for a radical critique of the entire trajectory of animal studies over the past fifteen years. The key idea explored is that of ‘felt kinship’—a sense of shared fate with and obligations to all sentient life. It will help to inspire some deep rethinking on the part of leading exponents of animal studies. The book’s strong outlook is expressed through an appeal for radical humility on the side of humans rather than a constant reference to the ‘human-animal divide’. Historical figures examined in depth include Aristotle, Seneca, and Kant; contemporary figures examined include Christine Korsgaard and Martha Nussbaum. This book presents an account according to which the tradition has not proceeded on the basis of impartial motivations at all, but instead has made a set of pointedly self-serving assumptions about the proper criteria for assessing moral worth. Readers of this book will gain exposure to a wide variety of thinkers in the Western philosophical tradition, historical as well as contemporary. This book is suitable for professionals working in nonhuman animal studies, students, advanced undergraduates, and practitioners working in the fields of philosophy, environmental studies, law, literature, anthropology, and related fields.

Horses, Power and Place explores the evolution of humanity’s relationship with horses, from early domestication through to the use of the horse as a draught animal, an agricultural, industrial and military asset, and an animal of sport and leisure.Taking an historical approach, and using Britain as a case study, this is the first book-length exploration of the horse in the more-than-human geography of a nation. It traces the role and implications of horse-based mobility for the evolution of settlement structure, urban morphology and the rural landscape. It maps the growth and various uses of horses to the point of ‘peak horse’ in the early twentieth century before considering the contemporary place of the horse in twenty-first century economy and society. It assesses the role of the horse in the formation of places within Britain and in the formation of the nation. The book reflects on the implications of this historical and contemporary equine geography for animal geographies and animal studies. It argues for the study of animals in general in how places are made, not just by humans.Written in a clear and accessible style, this book will be essential reading for students and scholars of animal geography and animal studies more widely.

Horses, Power and Place explores the evolution of humanity’s relationship with horses, from early domestication through to the use of the horse as a draught animal, an agricultural, industrial and military asset, and an animal of sport and leisure.Taking an historical approach, and using Britain as a case study, this is the first book-length exploration of the horse in the more-than-human geography of a nation. It traces the role and implications of horse-based mobility for the evolution of settlement structure, urban morphology and the rural landscape. It maps the growth and various uses of horses to the point of ‘peak horse’ in the early twentieth century before considering the contemporary place of the horse in twenty-first century economy and society. It assesses the role of the horse in the formation of places within Britain and in the formation of the nation. The book reflects on the implications of this historical and contemporary equine geography for animal geographies and animal studies. It argues for the study of animals in general in how places are made, not just by humans.Written in a clear and accessible style, this book will be essential reading for students and scholars of animal geography and animal studies more widely.

Tracing the invention of sheepdogs in the UK, and their journey to New Zealand and back again, this book shows how sheepdogs, shepherds and the countryside evolve in response to global agriculture, rural cultures, and soundscapes.This book offers a unique, empirically rich understanding of how sheepdogs, shepherds and the landscapes they work in co‑produce sheepdog cultures that circumnavigate the world. The book’s benefit lies in showing how global sheepdog cultures evolve through multispecies relations, offering new understandings of rural change, mobility, and soundscapes. It delivers this through a distinctive blend of historical research, multispecies ethnography, and sonic geography, combining archival materials, interviews, field observations, and analysis of sheepdog trialling, shepherding, media, and rural events. Each chapter shows, in detail, how sheepdogs function as cultural, economic, and affective resources and provides comparative insights into how working dogs adapt, and transform rural life under pressure from climate change, afforestation, labour shifts, and agricultural modernisation. In bringing these materials together, the book equips scholars, students, and sheepdog enthusiasts with a powerful framework for understanding the global evolution of sheepdogs and the wider multispecies rural worlds they help to create.The book will appeal to all dog lovers, researchers and practitioners working in human–animal studies, rural and cultural studies, agricultural policy and working-dog training as well as shepherds, rural organisations and anyone curious about the evolution, movement, and cultural significance of sheepdogs across diverse landscapes.

Tracing the invention of sheepdogs in the UK, and their journey to New Zealand and back again, this book shows how sheepdogs, shepherds and the countryside evolve in response to global agriculture, rural cultures, and soundscapes.This book offers a unique, empirically rich understanding of how sheepdogs, shepherds and the landscapes they work in co‑produce sheepdog cultures that circumnavigate the world. The book’s benefit lies in showing how global sheepdog cultures evolve through multispecies relations, offering new understandings of rural change, mobility, and soundscapes. It delivers this through a distinctive blend of historical research, multispecies ethnography, and sonic geography, combining archival materials, interviews, field observations, and analysis of sheepdog trialling, shepherding, media, and rural events. Each chapter shows, in detail, how sheepdogs function as cultural, economic, and affective resources and provides comparative insights into how working dogs adapt, and transform rural life under pressure from climate change, afforestation, labour shifts, and agricultural modernisation. In bringing these materials together, the book equips scholars, students, and sheepdog enthusiasts with a powerful framework for understanding the global evolution of sheepdogs and the wider multispecies rural worlds they help to create.The book will appeal to all dog lovers, researchers and practitioners working in human–animal studies, rural and cultural studies, agricultural policy and working-dog training as well as shepherds, rural organisations and anyone curious about the evolution, movement, and cultural significance of sheepdogs across diverse landscapes.

The volume explores how nonhuman animal lives are entangled with human interests, conflicts, and desires, highlighting the role of performance in these interactions. Drawing on diverse case studies, it unfolds across four thematic sections: Training Animals, Show Machines, Artistic Experiments, and Political Conflicts.The book benefits readers by sharpening ethical and critical awareness of how animals are entangled in human culture, from circuses and museums to art, games, and social media. Its key features are a strongly comparative, interdisciplinary approach and a focus on less-studied regions and practices. It delivers these benefits through carefully structured thematic sections and rich case studies that reveal hidden mechanisms of representation, exploitation, and interspecies exchange. The book can be read as a coherent whole, tracing different dimensions of human–animal entanglements, but each chapter also functions as a self-contained case study.The book is aimed at scholars, students, and activists in cultural and animal studies, performance and media studies, and related fields, as well as anyone interested in ethics and human–animal relations.

This book explores the multispecies dimensions of First Nations burning practices and shows how these integrate with Aboriginal ontologies to resist the ideological and structural violence of colonization.Under the shadow of climate-driven catastrophes, cultural burning is undergoing a resurgence as a tradition-based remedy to contemporary ecological breakdown. However, while colonial states offer support for cultural burning programmes, they simultaneously threaten to undermine their ideological foundations. This book describes a world of relational, multispecies land management in which Indigenous relations with land challenge the colonial triumvirate of modernity, state, and capitalism. By telling the stories of these human/animal entanglements it suggests pathways towards democratizing fire so that land management can be truly decolonized.Serving as an intervention in contemporary environmental discourse, advocating for a more holistic and relational understanding of fire in the Anthropocene, this book will appeal to policymakers, conservationists, and researchers in the fields of environmental sciences, ecology, human geography, Indigenous studies, and posthumanism.

In recent years, animals have entered the focus of the social and cultural sciences, resulting in the emergence of the new field of human–animal studies. This book investigates the relationships between humans and animals, paying particular attention to the role of affect, space, and animal subjectivity in diverse human–animal encounters. Written by a team of international scholars, contributions explore current debates concerning animal representation, performativity, and relationality in various texts and practices.Part I explores how animals are framed as affective, through four case studies that deal with climate change, human–bovine relationships, and human–horse interaction in different contemporary and historical contexts. Part II expands on the issue of relationality and locates encounters within place, mapping the different spaces where human–animal encounters take place. Part III then examines the construction of animal subjectivity and agency to emphasize the way in which animals are conscious and sentient beings capable of experiencing feelings, emotions, and intentions, and active agents whose actions have meaning for the animals themselves.This book highlights the importance of the ways in which affect enables animal agency and subjectivity to emerge in encounters between humans and animals in different contexts, leading to different configurations. It contributes not only to debates concerning the role of animals in society but also to the epistemological development of the field of human–animal studies.

This timely book provides a methodological guide for how to conduct and theorise research in human-animal studies. In response to critiques of the anthropomorphic slant to human-animal research and the increasing political relevance of animals in contemporary environmental debates, this book emphasises methods which bring to light the animal side of multispecies encounters. Drawing from the interdisciplinary strength of human-animal studies, this book contains contributions from practitioners and scholars working in sociology, anthropology, ethology and geography. Each chapter uses a case-study approach to present a theoretical framework and empirical application of cutting-edge methods in human-animal studies, from creative writing in multispecies ethnographies to visual methods like videography and body mapping. Organized in three parts – theorizing; collaborating; visualizing – the book equips readers with methodological tools to conduct human-animal studies research attentive to animal lives. Furthermore, chapters reflect on the opportunities, limitations and ethical considerations of research that seeks to understand our more-than-human worlds. The book is aimed towards undergraduate and graduate students in human-animal studies and scholars investigating human-animal relations. It will also be of interest to practitioners and policy-makers who engage with conservation, wildlife management or the human-animal interface of urban and regional planning.

This book provides an in-depth investigation into the practices of animal housing systems with international contributions from across the humanities and social sciences. By attending to a range of different sites such as the zoo, the laboratory, the farm and the animal shelter, to name a few, the book explores material technologies from the perspective that these are integrated parts of a larger biopolitical infrastructure and questions how animal housing systems, and the physical infrastructures that surround central human-animal practices, come into being. The contributions in the book show in various ways how physical infrastructures of animal housing are always part of a much broader sociocultural and political infrastructure, where the material reality of housing systems combines with human and animal agents, with politics, and with practices. As such, the book explores what kind of practices and relations develop around the physical structures of animal housing, and by whom, and for whom, they are developed. This innovative collection will be of great interest to student and scholars in animal studies, more than human studies, geography, anthropology, and sociology.