Scarecrow Press – serie

This volume lists more than 4,800 European and 400 Australian, South African, and Japanese artists who worked from 1800 to 1990, and offers 9,000 signature examples. Five special categories in the back of this volume help to identify signatures that are difficult to read. In the front of this volume is a listing of 69 sources of information, which can also lead the researcher to more than 100 additional sources transcribed into key letters.

Focuses on illustration and contains essays on why and how books were chosen, a list of all books in the three volumes, and predictions for future classics. Picture books covered include titles by Edward Ardizzone, L. Leslie Brooke, Virginia Lee Burton, Randolph Caldecott, Walter Crane, Wanda GD'ag, Kate Greenaway, Ezra Jack Keats, Robert Lawson, Leo Lionni, Robert McCloskey, Beatrix Potter, McCloskey Rackham, Maurice Sendak, and Dr. Seuss.

Rudolph Ganz (1877-1972) was an eminent musician and a champion of modern music. Throughout his long and prolific career as a pianist, conductor, composer, and educator, this Swiss/American musician represented an incomparable link between the old and new. Personal recollections included Liszt and Brahms and friendships with Busoni, Paderewski, Schweitzer, Toscanini, Theodore Thomas, Rachmaninoff, and Bartok. Ravel, Griffes, and Tcherepnin, among others, dedicated important compositions to him. His programs frequently offered first performances of contemporary music. As late as 1962, at age 85, Ganz continued to pioneer new music at the First International Webern Festival.This first biography of Rudolf Ganz not only fills an important and missing gap in the history of the "golden age" of pianism, but provides the first balanced appraisal of Ganz's tenure as conductor of the St. Louis Symphony Orchestra (1921-27). The author also traces Ganz's role as one of America's most imaginative and influential music educators. As conductor of the children and young people's concerts in St. Louis (1922-27), New York (1939-48), San Francisco (1939-48),and Chicago (1944-46), Ganz was responsible for introducing American youth to classical music during the early decades of this century. He extended his influence in education as president of the Chicago Musical College (1934-54) and a member of its faculty (1900-05 and 1928-69). The biography is illustrated and includes extensive endnotes and appendixes.

The story of the Ink Spots is a rags-to-riches story beloved in American mythology. The success of the Ink Spots inspired many others to attempt (some merely mimicking) their popular and musical success. They were, without question, the most influential black vocal group of the 1940s, and one of the earliest to sing "sweet ballads," which they elevated to an art form (although an increasingly formulaic one). Goldberg gets behind the streamers and glitter of the Ink Spots and the publicity machines of record labels, and provides the story of the group's creation, its music, and its monumental impact on the course of American music.More Than Words Can Say uncovers the mythos and origins of the Ink Spots, from the dramatic stories of finding the band name, to the dozens of individuals who still claim to be original members of the group. Goldberg interviews some of the singers, musicians, and arrangers associated with the original Ink Spots who provide invaluable first-hand accounts of the group.The book discusses the musical environment of the Ink Spots, including the ASCAP/BMI War, gas rationing, War of the Record Speeds, vinyl shortages, and all the lawsuits. Additionally, Goldberg has searched tirelessly through Billboard magazine and theater reviews to get a sense of the Ink Spots' contemporary reception. Also included is a bibliography of sources and a complete alphabetical listing of Ink Spots recordings released on Decca or Victor labels. A fascinating story filled with excellently researched information and exciting anecdotes, Goldberg's text brings out the "authentic" story of the Ink Spots, from their origins in the early 1930s through the tumultuous recording world of 1940s and 1950s America.

Acclaimed in an international critics poll as one of the ten best films ever made, Stanley Kubrick's 2001: A Space Odyssey has nonetheless baffled critics and filmgoers alike. Its reputation rests largely on its awesome special effects, yet the plot has been considered unfathomable. Critical consensus has been that Kubrick himself probably didn't know the answers.Leonard Wheat's Kubrick's 2001: A Triple Allegory reveals that Kubrick did know the answers. Far from being what it seems to be—a chilling story about space travel—2001 is actually an allegory, hidden by symbols. It is, in fact, a triple allegory, something unprecedented in film or literature. Three allegories—an Odysseus (Homer) allegory, a man-machine symbiosis (Arthur Clarke) allegory, and a Zarathustra (Nietzsche) allegory—are simultaneously concealed and revealed by well over 200 highly imaginative and sometimes devilishly clever symbols. Wheat "decodes" each allegory in rich detail, revealing the symbolism in numerous characters, sequences, and scenes. In bringing Kubrick's secrets to light, Wheat builds a powerful case for his assertion that 2001 is the "grandest motion picture ever filmed."

This collection of essays pays tribute to Andrew Sarris, the most influential film critic in American film history. A noted film personality, Sarris occupies a unique position, walking the line between popular journalism and more academic scholarship. He began his career in the 1950s with a passion for film and an eloquent style of prose that led him to become a prominent voice in the film world. As a writer and editor for the Village Voice at its prime, Sarris reached and educated a whole generation of readers, and became respected by academics and critics all over the world.The thirty-eight essays assembled here and arranged according to major themes demonstrate the amazing impact Sarris has had on every aspect of the film world: fellow critics, filmmakers, readers, and American popular culture. Contributors include noted critics Leonard Maltin and Molly Haskell, film scholars David Bordwell and James Naremore, and directors Martin Scorsese, Robert Benton, and John Sayles.

Geographic features are relatively stable—but their names are not. This fact has been brought home with the advent of television, the Internet, and other technological advancements.Randall has drawn upon his global knowledge of geographic names accumulated by professional experiences in the fields of geography and cartography followed by a career with the U.S. Board on Geographic Names, creating a comprehensive study of place names from a variety of perspectives. He discusses how place names influence many aspects of people's lives and shape the way people view the world around them, from a broad look at large countries to an analysis of the origins of river names, to an appreciation of how place names can indicate the historical nature of areas. He also demonstrates how place names have become essential elements of our every day vocabulary and are ingredients of music and literature. Placing particular emphasis on the political importance of place names for military and diplomatic matters, the author concludes with a survey of name disputes and examines an assortment of unusual and controversial location names.This book provides a comprehensive view of the dynamic field of geographic names through the eyes of an expert. It is a vital resource for anyone seeking information about this important element of our world.

Screening Science removes the science fiction genre from considerations of monsters and aliens, to an examination of humans and their relationship with science, technology and change. The book is structured in two parts. The first examines the genre of science fiction, the contextual elements of history and culture, and the film industry. The second analyses the nature of science and its representation in western culture, narrowing to an attempt to detail the cultural representation of science in science fiction films, especially in the fifties when the film medium assumes significance for the genre. Vieth examines the growth in the influence and power of the scientific paradigm in the fifties through an examination of film in which such science was discussed, distorted, debated, denigrated, demonized and deified. This exploration reveals a great deal about the concerns of the time, as well as the science that figures so powerfully in the web of culture of the fifties.

This book is the first comprehensive biographical study of Bartok as man, composer, and folklorist, including the background and development of his unique musical language and the impact of his pioneering investigations of multinational musical folklore on his composed works. His career as an outstanding pianist, connections with contemporaries in the world of music, and the socio-economic factors that affected his creative and scholarly activities are also included among other hitherto unexplored aspects of his life and times.

Now in Paperback! Early in 1971, Five Fingers of Death premiered in a New York movie theater. This was America's first look at a Chinese martial arts movie. In Chicago that same year, Duel of the Iron Fist debuted. With the release of Bruce Lee's films, the market exploded. And thus began America's love affair with what is one of the most misunderstood and maligned film genres. The Encyclopedia covers the genre from 1920 to 1994. The genre, however, can be very confusing: films often have several titles, and many of the stars have more than one pseudonym. In an effort to clarify some of the confusion, the authors have included all the information available to them on almost 3,300 films. Each entry includes a listing of the production company, the cast and crew, distributors, running times, reviews with star ratings whenever possible, and alternate film titles. A list of film series and one of the stars' pseudonyms, in addition to a 7,900 name index, are also included. Illustrated.

Fire, flood, earthquake, vandalism, a terrorist attack—the issues of safety measures, emergency response, and disaster recovery have now become an important part of the planning strategies for most organizations. For the information organization, such as a library, archives, or record center, this responsibility has taken on new dimensions with the proliferation of various forms of electronic media. The authors take the approach that disaster recovery planning must touch every department of an organization and that emergency response must be a carefully mapped strategy. This broad-based approach to "integrated disaster planning" explains each phase of disaster planning, with chapters covering prevention planning, protection planning, preparedness planning, response planning, and recovery planning. The authors consider collections, records, facilities, and systems and include a chapter on post-disaster planning as well. The authors also cover federal and local assistance programs and list other sources for financial assistance. Although the main thrust of the book is the protection of documents, human safety in case of disaster is stressed explicitly and implicitly throughout.Indispensible for every information organization.

Now in Paperback!Between an ancient Roman's trip to the moon and the fantastic tales of H.G. Wells lies a journey through time and space and an awesome evolution in scientific thinking. From Gilgamesh's search for immortality to Lucian's odyssey on the moon; from Jonathan Swift's hilarious satire on scientists in Gulliver's Travels to Mary Shelley's horrifying description of a scientist who has gone too far in Frankenstein from Edgar Allan Poe's balloon trip in the year 2848 to Jules Verne's prophesies of the impact of scientific inventions on future civilization; from Edward Bellamy's utopian escape from the industrial Revolution to H.G. Wells's magnificent story of Earth threatened by an inescapable menace-here are the chief ancestors of the modern science fiction story. For the first time, these and other key works are gathered together in one anthology, complete with revealing commentary on the authors, their eras, and the role each played in establishing what we today recognize as science fiction. The Road to Science Fiction is a six-volume anthology of science fiction that covers the development of science fiction from its earliest prototypes in the Sumerian Gilgamesh and the Greek epics to approximately 1990. Created originally to provide anthologies for use in classes, these volumes have become mass-market sellers as well, since they are not only a source of outstanding stories but also explain what constitutes science fiction, how it developed and the contribution the authors and the stories have made to the evolution of science fiction.Volume 3, From Heinlein to Here, covers the period from 1940 to 1975, beginning in the Golden Age of Science Fiction and ending at a time when SF book publication was just beginning to explode and SF films (2001: A Space Odyssey; Close Encounters of the Third Kind, Star Wars, E.T.) would soon dominate box offices. Cloth edition previously published in 1979.

Dmitri Shostakovich (1906-75) was one of the greatest composers of the twentieth century, and the first major Soviet composer. He is also a figure of some controversy, following the publication in the West in 1979 of his memoirs Testimony.Derek Hulme's catalogue of the composer's works was first published privately in 1982. This third edition adds greatly to the information contained therein and brings it up to date. For each numbered work and all the known unnumbered compositions, Hulme provides a short description of the piece, and lists date of composition, dedicatee, forces the work employs, location of the autograph score, duration, arrangements of the work, premiere(s), an extensive list of recordings, and reference to bibliography items where the piece is discussed in any detail. The entries are presented in order of opus number, with unnumbered compositions inserted appropriately within this chronological sequence.The catalogue is supplemented by a series of appendices, which includes a chronological chart of the composer's life and work and a discussion of the monogram DSCH, a musical motif based on his name that permeates his compositions.

During the late 1890s and early 1900s, Samuel Coleridge-Taylor (1875-1912) was an important and popular British composer. Respected by such contemporaries as Sir Arthur Sullivan, Sir Edward Elgar, Gustav Holst, and Ralph Vaughan Williams, he attracted the attention of the British music critics, who followed his career with curious interest and often placed him in a class with other noted composers. A prolific composer during his short lifetime, he received great public acclaim and became known both nationally and internationally-his setting of Longfellow's Hiawatha was just as popular as Handel's Messiah in Victorian England. Although he composed Hiawatha when he was only twenty-three, Coleridge-Taylor already had reached a published opus of twenty-nine compositions.Born of a West African doctor and a British mother, Coleridge-Taylor belonged to two decidedly different cultures. Therefore, his compositional style was affected by two underlying currents: the classical tradition that dominated his training at the Royal College of Music, and the African and African-American folk music that was introduced to him through contacts with members of his father's race. This revised second edition, equipped with both an updated and expanded discography and bibliography, traces the development of his compositional style from his final years at the Royal College of Music to the time of his death in 1912. Also included is a list of his arrangements and later editions of his music. The author uses examples from selected works to show the influence of classical texts, West African and African-American elements, and English poetical dramas. Of particular interest are eight rare and/or never-before seen articles by and about this ground-breaking composer.

Science fiction is a field of literature that has great interest and great controversy among its writers and critics. This book examines the roots, history, development, current status, and future directions of the field through articles contributed by well-respected science fiction writers, teachers, and critics. The articles 'speculate' on what is science fiction, is science fiction serious literature, which writers are considered good science fiction writers, and where the genre of science fiction is headed with 21st-century writers. Contributors include Brian W. Aldiss, Kathryn Cramer, Samuel R. Delany , David G. Hartwell, Ursula K. Le Guin, Barry N. Malzberg, Darko Suvin, Michael Swanwick, and many other outstanding authors. Examining all genres and subgenres of science fiction writing, this book provides differing viewpoints on science fiction, making it a great basis for dynamic classroom discussions.

The memoirs of the Russian-born German composer Georg von Alberecht (born Kasan 1891, died Heidelberg 1976) are an important document of 20th-century musical history. Dictated to his son Michael von Albrecht and first published in German, von Albrecht's autobiography recounts his dramatic experiences during the 1917 Russian revolution and the Nazi terror. His reports of encounters with such other composers as Taneyev, Glazunov, Scriabin, Stravinsky, Hindemith, Frommel, David, and others, and his thorough discussion of tonal systems and compositional methods, reflect the approach and critical response to many procedures typical of the 20th-century music. His analyses shed light on the works of other composers and the development of modern and postmodern compositional strategies. Translated by Michael von Albrecht and Francis R. Schwartz, and edited by Elliott Antokoletz, these memoirs offer the English-speaking reader a first-hand account of some of the most dynamic political, social, and musical developments in 20th-century Europe.

The original edition of Planks of Reason was the first academic critical anthology on horror. In retrospect, it appeared as a kind of homage to the "golden age" of the American horror film, as this genre played an increasing role in film culture and American life. The original material represented the history of the genre through the early 1980s and is a crucial part of the book's value, then and now. The first edition helped legitimize academic writing on the horror genre by addressing breakthrough works of such directors as John Carpenter, Tobe Hooper, George Romero, David Cronenberg, and Wes Craven. This revised edition retains the spirit of the original, but also offers new takes on rediscovered classics and recent developments in the genre. In addition to reprinting 17 essays, including Robin Wood's "An Introduction to the American Horror Film," this revised edition features a new essay on the yuppie horror film by editor Barry Keith Grant, as well as an updated analysis of The Texas Chainsaw Massacre by co-editor Christopher Sharrett. Other new essays focus on William Castle's The Tingler and Roger Corman's Pit and the Pendulum, and the recent wave of Japanese horror films.Contains more than 60 photos.

Domesticating Information: Managing Documents Inside the Organization examines records and documents as complex business objects and explores the many different perspectives required for their management. Viewing documents as business objects requires a much different perspective from treating them as cultural artifacts, where preservation is the primary concern. When viewed as business objects, documents must be looked at in terms of integration with business processes, in defense of litigation subpoenas, or in the implementation of information technology. As a consequence, records managers are business analysts, and therefore are treated as such in this book. How information technology, the law, archives, and library & information science scholarship address and affect document and records management are all considered. Topics covered include: how to manage documents and records in any environment, hard copy vs. electronic documents, and how to create a foundation for managing records that addresses the needs of business and government. By addressing the needs of business and government, the needs of citizens, business web stakeholders, and archivists are also fully addressed.

Written for the traveler who needs information beyond what is provided in a general guidebook, Travel Resources: An Annotated Guide introduces the reader to comprehensive and specialized travel literature and resources. In this book, author Stephen Walker offers practical and accessible direction for anyone seeking detailed and valuable information on travel, while also instructing readers in ways to find information that may not be included in this guide.Organized by topic, each topic begins with information that is useful to new travelers so that anyone can begin with any topic without any previous knowledge of it. However, the book also goes further so as to provide information useful to the seasoned traveler. The wide variety of topics related to travel provide many new and possibly overlooked opportunities, even for veteran travelers, and the works included have been selected because of the depth with which each treats its subject matter, in order to ensure that each resource is of the quality that today's traveler demands.

There are many books that provide advice and booktalks for adults who work with children and teens. However, Something to Talk About: Creative Booktalking for Adults is the first book to focus solely on adults. Working as Fiction Specialists in a public library, Ann-Marie Cyr and Kellie M. Gillespie have a combined total of 43 years of public library experience and have presented thousands of booktalks to children, teens, and adults, as well as a number of workshops and conference programs on how to create and present booktalks.This is an instruction manual and a material sourcebook in one. The first section provides step-by-step instructions on how to choose a book, write a booktalk, publicize, and present a program for adults. Chapters give information on the benefits of booktalking, explain what a booktalk is, and the difference between a booktalk and a book review. Other chapters discuss what makes a book appealing, how to tailor a program for a specific audience, and the different locations the reader could utilize to reach out to the community. Each booktalk provides bibliographic information on the title as well as a list of genres in which the book could be used. The last chapter in this section provides practical information on what to bring to the program, methods of publicity, checklists, and more. The second section provides nearly 90 sample booktalks in 11 different genres: Chillers, General Fiction, Historical Fiction, Humorous Fiction, Multicultural Fiction, Mysteries, Non Fiction, Romance, Science Fiction, Sea Adventures, and Women's Fiction. If you work with adults or are interested in reaching out to adults in your community, this is an ideal reference that provides practical information and a wide variety of booktalk samples to enhance your next program.

Agricultural geography is defined as the study of the geographical and locational attributes, patterns, and processes of crop and animal farming, and related subjects such as farm land, farm-associated human geographers, environmental issues, and theoretical works on the location of agricultural activities. The study of agricultural geography has produced a large amount of literature. This volume records and presents, in an organized manner, as much as possible of this literature. The entries of this compendium are written in a wide array of languages, including English, French, Spanish, Portuguese, Italian, German, Swedish, Danish, Dutch, Russian and others in order to provide the widest coverage possible. The entries include atlases, books, book chapters, scholarly articles from professional journals, conference proceedings, doctoral dissertations, and master's theses. Over 12,000 entries have been recorded here, with the hope that such references will encourage and support the work of students, faculty, and other users.

In February 1931, Universal Studios released Dracula, starring Bela Lugosi. As a result of the film's considerable—and unexpected—success, Universal and the other Hollywood studios quickly cashed in on this genre. In the following decade such classics as Freaks, Frankenstein, King Kong, White Zombie, The Mummy, The Wolfman, and Dr. Jekyll and Mr. Hyde, along with a number of lesser known but significant works, were produced. But these films tend to be neglected as a serious object of study. The main interest shown in them comes from fanzines whose critics often place the accent on the anecdotal at the expense of analysis. And serious studies undertaken by sociologists and specialists in cultural studies either prefer themes and content or choose to study the films as reflecting the concerns, albeit unconsciously, of the period.In The Hollywood Horror Film, 1931-1941: Madness in a Social Landscape, Reynold Humphries analyzes representative films of this era and discusses their impact upon audiences at the time. He evaluates what their success says about the society that consumed them and about the filmmakers who produced them—particularly the unconscious dimension of the films and their ideological ramifications. According to Humphries, prejudices of a social, racial, and sexual nature on the part of Hollywood's censors and the press went hand in hand with a sense of growing unease at what was being portrayed on the screen. Concentrating on abnormal and often sadistic acts, on an unbridled striving after power, and on the mad doctor/scientist's indifference to others, horror films of the era act out society's division along lines of class and economics. Brutal exploitation went beyond the monstrous acts of an individual to assume a social dimension where collective interests come to the fore by the way they are trampled on. One of the aims of this book is to pinpoint how the "political unconscious" of the films in question reveals points of contact

In the last several decades, the number of films featuring female protagonists has increased significantly. Many of these films reflect the vast cultural and sociological changes that have taken place since the early 1960s, highlighting not only a wide spectrum of female characters depicted onscreen, but the creative work of women behind the camera as well. In Reel Women: An International Directory of Contemporary Feature Films about Women, media librarian Jane Sloan has assembled an impressive list of more than 2400 films_from nearly 100 countries_that feature female protagonists. Each entry includes a brief description of the film and cites key artistic personnel, particularly female directors, producers, and screenwriters involved in its production. Reel Women also contains a critical survey in which Sloan charts the changes women have undergone both on screen and off, as moviemaking and audience sensibilities have evolved in the last forty-plus years. Listing many more films on the subject of women than can be found in any other source, this reference brings together important titles from area studies and genre markets along with titles associated with women's cinema and feminist film. In addition to title and actor indexes, the book contains a subject index that provides detailed access to place names, historical characters, time periods, and storylines, as well as the backgrounds_religious, racial, and ethnic_of the main characters. This directory is an ideal reference tool for researchers studying the evolution of female characters in films around the world, from Afghanistan to Zimbabwe. It is also a resource for casual viewers who are looking for films that reflect the diversity of women's roles that can be found in independent and national cinemas as well as commercial blockbusters.

Authors Shannon Hengen and Ashley Thomson have assembled a reference guide that covers all of the works written by the acclaimed Canadian author Margaret Atwood since 1988, including her novels Cat's Eye, The Robber Bride, Alias Grace, and the 2000 Booker Prize winner, The Blind Assassin. Rather than just including Atwood's books, this guide includes all of Atwood's works, including articles, short stories, letters, and individual poetry. Adaptations of Atwood's works are also included, as are some of her more public quotations. Secondary entries (i.e. interviews, scholarly resources, and reviews) are first sorted by type, and then arranged alphabetically by author, to allow greater ease of navigation.The individual chapters are organized chronologically, with each subdivided into seven categories: Atwood's Works, Adaptations, Quotations, Interviews, Scholarly Resources, Reviews of Atwood's Works, and Reviews of Adaptations of Atwood's Works. The book also includes a chapter entitled "Atwood on the Web," as well as extensive author and subject indexes. This new bibliography significantly enhances access to Atwood material, a feature that will be welcomed by university, public, and school librarians. Margaret Atwood: A Reference Guide 1988-2005 will appeal not only to Atwood scholars, but to students and fans of one of Canada's greatest writers.

Puerto Rican born Jesús María Sanromá (1902-1984) was one of the leading pianists in the United States. After graduating from the New England Conservatory, he embarked on an enviable concert career as official pianist for the Boston Symphony Orchestra, as well as soloist with other leading American orchestras. He was an accompanist, a recording artist, and a teacher, and he also stimulated and commissioned composers to write new music, fueled by his eagerness to present it to the general public.Jesús María Sanromá: An American Twentieth-Century Pianist is the first biography of this talented performer and one of the first books written about a native Puerto Rican classical musician. The book depicts many facets of Sanromá's life: his youth in Puerto Rico; his training at the Conservatory and abroad; his amazing concert career and collaboration with first-class musicians, conductors, and composers; his historical performances and recordings; and the zenith of his musical life when he returned home. Alberto Hernández provides abundant information about Sanromá's life, career, and professional relationships, uniquely documenting the pianist's close association and collaboration with Paul Hindemith, Serge Koussevitzky, Walter Piston, Nicolas Slonimsky, Vladimir Dukelsky, Mrs. Edward MacDowell, Arthur Fiedler, William Primrose, and many others. Two appendixes offer the complete sound archives and a list of Sanromá's impressive orchestra repertory, making this book a valuable reference as well as an informative read for music lovers and students of American and Latin American history.

Sports mascots have been a tradition for decades. Along with the usual lions and tigers, many schools are represented by Native American images. Once considered a benign practice, numerous studies have proved just the opposite: that the use of Native American mascots in educational institutions has perpetuated a shameful history of racial insensitivity. The Native American Mascot Controversy provides an overview of the issues that have been associated with this topic for the past 40 years.The book provides a comprehensive and critical account of the issues surrounding the controversy, explicating the importance of anti-Indian racism in education and how it might be challenged. A collection of important primary documents and an extensive list of resources for further study are also included. Expounding the dangers and damages associated with their continued use, The Native American Mascot Controversy is a useful guide for anyone with an interest in race relations.